Dissertations / Theses on the topic '1907-1972 Criticism and interpretation'
Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles
Consult the top 26 dissertations / theses for your research on the topic '1907-1972 Criticism and interpretation.'
Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.
You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.
Browse dissertations / theses on a wide variety of disciplines and organise your bibliography correctly.
Desjardins, Marie. "Réal Benoît : l'homme et l'oeuvre 1916-1972." Thesis, McGill University, 1992. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=39343.
Full textJones, Chris. "A deeper "Well of English undefyled" : the role and influence of Anglo-Saxon in nineteenth- and twentieth-century poetry : with particular reference to Hopkins, Pound and Auden." Thesis, University of St Andrews, 2002. http://hdl.handle.net/10023/14708.
Full textStratford, Madeleine. "Entre les mots et les silences : la crise créative (et existentielle) dans la dernière phase de la poésie de Ingeborg Bachmann et de Alejandra Pizarnik." Thesis, McGill University, 2003. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=19611.
Full textZeiss, Elizabeth Anne. "The subject between texts in Alejandra Pizarnik's poetry." Access restricted to users with UT Austin EID, 2001. http://wwwlib.umi.com/cr/utexas/fullcit?p3037034.
Full textFortier, Anne-Marie. "La lecture à l'oeuvre : René Char et la métaphore Rimbaud." Thesis, McGill University, 1997. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=34724.
Full textThis analysis, which traces the passage---from the latent to the manifest---of the figure of Rimbaud through Char's works, is situated at the junction of two series of texts, one "interior" (Char's writings on Rimbaud), the other "exterior" (twentieth-century interpretations of Rimbaud). Intertexuality, understood to mean the influence of Rimbaud on Rene Char, emerges as a reading, that is a "critique" of Rimbaud, the elaboration of a "Rimbaldian" text of which Char himself is the legatee.
What is designated in this thesis as the "metaphore Rimbaud" in the work of Rene Char refers to a process of aesthetic conceptualization rooted in the figure of Rimbaud. The "conceptual metaphor" (a notion borrowed from the works of Judith Schlanger) constructs rather than describes an interpretation. The metaphor is thus a means of intellectual invention, a heuristic act and an instrument of investigation. For Char, the metaphorical Rimbaud is the space into which he projects and imagines the work to be created. Thus, the figure of Rimbaud, through a working and reworking of discrepancies and margins, is gradually transformed by the poet and becomes, finally, a true metaphor, that is, a conceptual hypothesis which is supple and ample enough to accommodate all of Char's poetry.
Adams, Melinda J. "Re-making the Auden canon : new readings and critical interpretations of W.H. Auden's 1930's poems based on revised texts." Virtual Press, 1991. http://liblink.bsu.edu/uhtbin/catkey/833006.
Full textDepartment of English
Bowd, Gavin. "The poetry of Guillevic." Thesis, University of St Andrews, 1991. http://hdl.handle.net/10023/13449.
Full textRozmovits, Linda 1959. "A.M. Klein and modernism." Thesis, McGill University, 1988. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=64004.
Full textNash, Andrew. "Kailyard, Scottish literary criticism, and the fiction of J.M. Barrie." Thesis, University of St Andrews, 1998. http://hdl.handle.net/10023/15199.
Full textMcAlonan, Pauline. "Wrestling with angels : T. S. Eliot, W. H. Auden, and the idea of a Christian poetics." Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=100653.
Full textDas, Gupta Kalyan. "Christopher Caudwell, Raymond Williams and Terry Eagleton." Thesis, University of British Columbia, 1985. http://hdl.handle.net/2429/25578.
Full textArts, Faculty of
English, Department of
Graduate
Robayo, Trujillo Gloria M. "Escritos para desocupados (2013) de Vivian Abenshushan: de contraensayos, libros aumentados y vanguardias de liberación." PDXScholar, 2016. http://pdxscholar.library.pdx.edu/open_access_etds/3039.
Full textRocha, Flávia Alves. "O discurso de intelectuais brasileiros sobre a obra de Cícero Dias." Universidade Católica de Pernambuco, 2009. http://www.unicap.br/tede//tde_busca/arquivo.php?codArquivo=216.
Full textWe undertaken in this work, an analysis of six critical texts about the work of the Pernambucano painter Cicero Dias. In the light of the theoretical citation of Critical Discourse Analysis (CDA), specifically of the three-dimensional model analysis of proposed speech by Norman Fairclough (2001),we identified in the critiques that make up the corpus of our work, the enunciated modality, the intertextuality, the interdiscursivity and the ethos in order to check that images of the painters work are built by these texts. To undertake this analysis, we placed Cicero Dias in the scenery of the Brazilian art and we made a brief gathering of his life and the phases of his work. Furthermore, we examined the nature and origin of the critique of art in Brazil in the same way that we made reflections about the social role of critique and the critical. Our study induced us to infer that the critique of art, while guides the look of the interlocutor, constitutes itself in more one implement formative of opinion Who has imputed to the critical the Power to say and He approval of the society to say what He says.
Hogue, Cynthia Anne. "Figuring woman (out): Feminine subjectivity in the poetry of Emily Dickinson, Marianne Moore, and H.D." Diss., The University of Arizona, 1990. http://hdl.handle.net/10150/185054.
Full textBlain, Jenny. "Deconstructing Martin Boyd : homosocial desire and the transgressive aesthetic." University of Sydney, 1998. http://hdl.handle.net/2123/2760.
Full textFollowing on the proposition that the history of Western thought is importantly constituted by a discourse of male-male pedagogic or pederastic relations stretching in narrative form, according to Allan Bloom, from the Phaedrus to Death in Venice, the deconstructive project of reading 'against the visible grain' has been mobilised in the interests of interrogating and unsettling what can only be defined as homophobic misreadings of Martin Boyd. Critical discursive practice, by the near-uniform imposition of a tacit censorship, has refused by means of erasure, silence and repression to reflect on Boyd from the perspective of sexual definition or same-sex love and desire, presumably in the belief that there are no interpretive consequences. In the process, an hypothesis of Boyd as himself mounting an act of social criticism by surreptitiously contesting conventional and hierarchical typologies of masculinity in the margins of institutionalised and popular hegemonic culture, seems to have escaped inscription in the canonical records. Martin Boyd's 'dividedness', 'doubleness', ambivalences and dichotomies point to a complexity that is not ultimately or ontologically resolvable. The Derridean 'de-sedimentation' modus operandi used here makes no claim to a relevatory hermeneutics of Hegelian essence. It does, however, utilise the various tropes of ambivalence, uncertainty, anxiety and incoherence — aspects of Boyd which may be correlated, perhaps, with his sense of the unheimlich or not being at home with himself or his environment — to reposition him in terms of his psychosexual constitution. In the process, the advocacy of aestheticism and pleasure for which he is recognised is found to be tempered and/or subverted by an overt recourse to the transgressive and 'decadent', elements irretrievably linked to his fetishization of the beautiful male body and his obsessive redeployment of the Hellenic ideal of manly love. The interpretive frameworks applied in the reclamation of the 'different' sensibility Boyd articulates by means of an alternately subtilized and strenuous challenge to sex/gender identity and behavioural norms encompass a field ranging from late nineteenth century theoretical discourse on homosexuality through to the intertextual influences of cultural innovators like Pater and Wilde. It includes reference to the literary strategies devised by Sedgwick to uncover deviance and 'erotic pathways'; it surveys the psychoanalytic hypotheses of Freud and Adler as relevant; and it pays heed to an aesthetics of the religio-erotic.
鄭麗湘. "梁披雲及其 雪廬詩稿 研究 = A study of Liang Pi-yun and his Xue Lu Shi Gao." Thesis, University of Macau, 2000. http://umaclib3.umac.mo/record=b1636174.
Full textLynch, Éadaoín. "'This may be my war after all' : the non-combatant poetry of W.H. Auden, Louis MacNeice, Dylan Thomas, and Stevie Smith." Thesis, University of St Andrews, 2018. http://hdl.handle.net/10023/16566.
Full textKor, Yanna. "Les Théâtres d’Alfred Jarry : l’invention de la scène pataphysique." Thesis, Montpellier 3, 2019. http://www.theses.fr/2019MON30031.
Full textKnown first of all as an author of the Ubu cycle Alfred Jarry remains relatively marginal figure in the French fin-de-siècle theatre studies. Studied as the play writer or as the precursor of the avant-garde theatre, he is seen as a man of letter who was passionate about puppet theatre. This work aims to valorise another Jarry, the man of the stage, the puppeteer whose literary works were influenced by the theatrical practice. Part One analyses Jarry’s theatre model in the field of the fin-de-siècle theatre, the living actors’ scene and the puppet theatre as well. Part Two focuses on the Jarry’s poetics, showing how the puppet and shadow theatre aesthetics guide his literary strategy. This approach receives the name of “pataphysical scene”: a system that allow the author to live artificially inside his work
Gong, Jing-Bao. "Martin Boyd's Anglo-Australian novels : a study of the development of major themes." Master's thesis, 1987. http://hdl.handle.net/1885/139592.
Full textUlysses, Alicia Flores de. "Lamentación de Dido: Rosario Castellanos' quest for a feminine voice." Thesis, 2005. http://hdl.handle.net/1828/1972.
Full textCornelius, René Celeste. "The quest for an American "Risorgimento" : the influence of the Italian Renaissance on selected works of Ezra Pound." Thesis, 2015. http://hdl.handle.net/10210/14807.
Full textWinters, Yvonne. "Indigenous aesthetics and narratives in the works of Black South African artists in local art museums." Thesis, 2009. http://hdl.handle.net/10413/618.
Full textThesis (M.A.)-University of KwaZulu-Natal, Pietermaritzburg, 2009.
Jin, Songping. ""Scene" and ideogram in the poetry of Ezra Pound." Phd thesis, 1991. http://hdl.handle.net/1885/139429.
Full textChristensen, Cheryl Ann. "Music and text interpretation, melodic motive, and the narrative path in Edvard Grieg's Haugtussa, Op. 67 /." Thesis, 2003. http://www.lib.utexas.edu/etd/d/2003/christensenca036/christensenca036.pdf#page=3.
Full textLeissner, Shirley. "L'homme en marge de la societe dans l'œuvre theatrale de Henry Millon de Montherlant." Thesis, 2012. http://hdl.handle.net/10210/6541.
Full textA sense of isolation pervades all of Montherlant's writings -- the notebooks, the essays, the novels, and the plays. Although cognisance has been taken of his oeuvre as a whole, we have limited our study to that of Montherlant's theatre, for it is in his theatre that many of the thematic interests dispersed throughout the novels and the essays are crystallised in a striking and concrete form. We have, however, had recourse from time to time to his other writings. The object of this study is to examine in both intellectual and theatrical terms, the way in which Montherlant presents the voluntary distancing of the self in his plays. Almost all of his protagonists appear isolated within their family groups and social frameworks, but they seem voluntarily to have embraced that condition, and, furthermore they actively seek this isolation. Montherlant's first play, L'Exil, establishes a leitmotif that recurs time after time in all his subsequent plays.
Ayob, Asma. "Beyond appearances : transnationalism and representation of women in Bollywood cinema." Thesis, 2014. http://hdl.handle.net/10500/18481.
Full textAfrikaans & Theory of Literature
D. Litt. et Phil. (Theory of Literature)