Relevant bibliographies by topics / 1907-1930

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Reports

Academic literature on the topic '1907-1930'

Author: Grafiati
Published: 29 July 2024
Last updated: 31 July 2024

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Journal articles on the topic "1907-1930"

1

Castro, Cesar Augusto, Luciana Nathalia Morais Furtado, and Samuel Luís Velazquez Castellnos. "Os jornais dos alunos do liceu maranhense (1907-1930)." Revista da FAEEBA - Educação e Contemporaneidade 29, no. 59 (October 28, 2020): 144–61. http://dx.doi.org/10.21879/faeeba2358-0194.2020.v29.n59.p144-161.

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Apresenta os discursos dos alunos liceístas nos jornais estudantis maranhenses no período de 1907 a 1930 a fim de identificar e analisar a dinâmica escolar e as representações sobre o cotidiano do ensino secundário.. Para tanto, este estudo baseia-se no mapeamento e na análise dos seguintes jornais: O Progresso (1907); O Brazil (1907); O Canhoto (1912-1914); Excelsior (1914); O Estudante (1915); Lábaro (1921); Alma Nova (1929) e o Sangue Jovem (1930). O estudo da imprensa periódica educacional liceísta possibilitou compreender as ideias sobre o desenvolvimento do país, a criação de escolas e a implantação de métodos na instrução pública secundária maranhense. Contatou-se que os jornais escritos pelos alunos do Liceu se configuraram como um importante veículo de identidade e de resistência entre o ideal e o concreto vivenciado pelos estudantes dessa instituição.
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2

Lowitt, Richard. "The Oklahoma Panhandle 1907 to 1930: An American Outback." Agricultural History 74, no. 3 (July 1, 2000): 648–66. http://dx.doi.org/10.1215/00021482-74.3.648.

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3

GHIROTTO, VICTOR MORAIS, PHILLIP WATZKE ENGELKING, and EDGAR BLOIS CRISPINO. "Revision of the Neotropical stick insect genus Ocnophila (Phasmatodea: Diapheromeridae) with a new species from Colombia." Zootaxa 5296, no. 2 (May 26, 2023): 179–209. http://dx.doi.org/10.11646/zootaxa.5296.2.3.

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The genus Ocnophila Brunner, 1907 is here redescribed with an emended diagnosis, containing three valid species from Venezuela and Colombia: Ocnophila integra Brunner, 1907 with Ocnophila signatior Brunner, 1907 syn. nov. as a new junior synonym, Ocnophila iphicla (Westwood, 1859) and Ocnophila serrata sp. nov. In addition to the description of the new species we redescribe O. integra and O. iphicla, also providing a description of the male genitalia for O. integra. For the other species previously contained in the genus, we synonymize Ocnophila brevifemur Brunner, 1907 syn. nov. and Ocnophila armata Brunner, 1907 syn. nov. under Pygirhynchus bispinosus (Redtenbacher, 1906), Ocnophila inaequalis Brunner, 1907 syn. nov. under Libethra venezuelica Brunner, 1907, and transfer the remaining species to other genera, resulting in the following new combinations: Agamemnon illegitimus (Brunner, 1907) comb. nov., A. poeyi (Bolívar, 1888) comb. nov., Canuleius nattereri (Brunner, 1907) comb. nov., C. pedestris (Brunner, 1907) comb. nov., Dyme acanthonota (Günther, 1930) comb. nov., D. borellii (Giglio-Tos, 1898) comb. nov., D. ramulus (Giglio-Tos, 1898) comb. nov., Exocnophila cornuta (Brunner, 1907) comb. nov., E. tuberculata (Brunner, 1907) comb. nov., Litosermyle inconspicua (Brunner, 1907) comb. nov., Lit. nana (Shelford, 1913) comb. nov., Lit. riveti (Shelford, 1913) comb. nov., Lit. submutica (Brunner, 1907) comb. nov., Libethra aculeata (Brunner, 1907) comb. nov., Libethroidea willemsei (Günther, 1935) comb. nov., Pygirhynchus fortior (Brunner, 1907) comb. nov., P. oryx (Westwood, 1859) comb. nov., P. scops (Kaup, 1871) comb. nov., Pseudosermyle meditans (Brunner, 1907) comb. nov., Sermyle aurita (Rehn, 1905) comb. nov., and S. ciliata (Brunner, 1907) comb. nov. Furthermore, Pygirhynchus carioca Piza, 1944 syn. nov. is synonymized under P. fortior comb. nov. We provide a description of the male and egg of Litosermyle Hebard, 1919, previously known only from females, through the illustration and redescription of Lit. inconspicua (Brunner, 1907) comb. nov. Finally, we include Dubiophasma Zompro, 2001, Exocnophila Zompro, 2001, Litosermyle, Ocnophila and Parocnophila Zompro, 1998 in Oreophoetini.
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ხარშილაძე, ნატო. "საბაჰათინ ალი (1907-1948) – „მერცხალი“." აღმოსავლეთმცოდნეობის მაცნე 5, no. 2 (December 21, 2022): 260–65. http://dx.doi.org/10.61671/hos.5.2022.5951.

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მე-20 საუკუნის გამოჩენილი თურქი მწერალი საბაჰათინ ალი 1907 წელს თურქეთში დაიბადა. მამა, რომელიც ადრე გარ­დ­ა­ე­ც­ვ­ალა, ოფიცერი იყო. ოჯახს საცხოვრებელის შეცვლა ხშირად უწე­ვდა. მწერალმა კარგი განათლება ჯერ სტამბოლში მიიღო. იქ დაამ­თ­ავრა პედაგიური სასწავლებელი და ქალაქ ოზგატში მასწ­ა­ვლ­ებლად დაიწყო მოღვაწეობა. 1928-1930 წლებში საბაჰათინ ალი ბერ­ლ­ინის უნივერს­იტ­ეტის ფილოლოგიის ფაკულტეტზე სწავლ­ო­ბდა, სადაც ნაცისტ სტუ­დენტთან ეროვნულ ნიადაგზე ჩხუბი მოუ­ხდა. მწერალი იძულებული გახდა დაეტოვებინა უნი­ვერს­ი­ტ­ეტი და სამ­შ­ობ­ლოს დაბრუნებოდა. ქალაქ აიდინში, კონ­ი­­ასა და ანკარის სკო­ლ­­ე­ბში გერმენულ ენას ასწავლიდა. არაე­რ­თხელ იყო გასამარ­თ­ლ­ე­ბ­ული თურქეთის მთავრობის მიმართ კრი­ტიკული აზრის გამოხა­ტვისთვის. 1948 წელს სამშობლოს დატ­ოვება და ევროპაში გაპარვა გად­აწყვიტა, მაგრამ ახლო მეგ­ობარმა პოლიციაში დაასმინა. მწე­რ­­ალი თურქეთ-ბულგარეთის საზღვარზე დააკავეს. ერთ-ერთი ვერს­იით, იქვე დახვრიტეს, მეორე ვერსიით კი პოლიციაში დაკი­თ­ხვისას მოკლეს.
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Pouyet, Nicolas R. "On the missiology of the early Dutch Pentecostal Movement (1907–1930)." Journal of the European Pentecostal Theological Association 38, no. 2 (January 5, 2018): 126–37. http://dx.doi.org/10.1080/18124461.2017.1416843.

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Rudy, Antonio Cleber. "Um Rebento de Aversão." História Social, no. 26 (August 30, 2023): 330–56. http://dx.doi.org/10.53000/hs.n26.1759.

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Por intermédio da trajetória do jornalista, maçom e anticlerical Roberto Faria (1885-1908), autor do romance de verve anticlerical Abutres, publicado inicialmente em 1907, no fervor das manifestações do livre pensamento em Curitiba, visa-se trazer à tona certas articulações do anticlericalismo paranaense, desvendando sua lógica social e seus signos políticos, assim como apontando seus nexos com a experiência social da Primeira República (1889-1930).
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Rudy, Antonio Cleber. "Um Rebento de Aversão." História Social 18, no. 26 (August 30, 2023): 330–56. http://dx.doi.org/10.53000/hs.v18i26.1759.

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Por intermédio da trajetória do jornalista, maçom e anticlerical Roberto Faria (1885-1908), autor do romance de verve anticlerical Abutres, publicado inicialmente em 1907, no fervor das manifestações do livre pensamento em Curitiba, visa-se trazer à tona certas articulações do anticlericalismo paranaense, desvendando sua lógica social e seus signos políticos, assim como apontando seus nexos com a experiência social da Primeira República (1889-1930).
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Bi, Peng, Sue Walker, Kevin A Parton, and Michael Whitby. "Secular Change of the Australian All-Cause Mortality, 1907-1998." Australian Journal of Primary Health 8, no. 3 (2002): 58. http://dx.doi.org/10.1071/py02044.

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The objective of this study was to identify secular change in Australian all-cause mortality over the period 1907-1998. The authors found that there was a decreasing trend in all-cause mortality, with five phases, over the study period. Phase I: 1907 to 1916, with relatively stable, but high, mortality rates. Phase II: 1917 to 1929, with great variations. Phase III: 1930 to 1943, a more stable period with lower mortality. Phase IV: 1944 to 1970, a slightly decreasing trend, with stagnation over the period 1958-69. Phase V: 1971 to 1998, with continuous decline. The mortality trends for major causes of death including infectious diseases, respiratory diseases, circulatory diseases, cancers, and injury are discussed. Possible reasons for the secular changes are explored.
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Lipša, Ineta. "Valsts sankcionētā vardarbība pret sievietēm 1905. gada revolūcijā: Matildes Krēgeres un Emmas Lietuvietes gadījumi." Latvijas Vēstures Institūta Žurnāls 116 (July 2022): 23–39. http://dx.doi.org/10.22364/lviz.116.02.

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Izmantojot biogrāfisko pieeju, rakstā tiks parādīta valsts sankcionētā vardarbība pret sievietēm 1905.–1907. gada revolūcijā. Matildes Krēgeres (1880–?) un Emmas Rigertes, dz. Lietuvietes, (1879–?) stāsti ir pagaidām vienīgie zināmie detalizēti vēstītie sieviešu pieredzes gadījumi. Abu pierakstīšanu veicināja biedrības “Piektais gads” 1926. gada aicinājums aktīvajiem revolūcijas dalībniekiem iesniegt anketas par pieredzēto. 1930.–1931. gadā daži autori latviešu presē pieminēja seksuālo vardarbību, ko soda ekspedīciju karavīri īstenoja pret sievietēm, tomēr citi preses izdevumi sabiedrībā dominējošo patriarhālo priekšstatu dēļ neizmantoja šķietamo aicinājumu vēstīt par tādām pieredzēm. 1905.–1907. gada revolūcijas piemiņas institucionalizēšanas iniciatore bija Latvijas Sociāldemokrātiskā strādnieku partija, bet pēc 1934. gada, kad autoritārā režīma valdība likvidēja partijas, vairs nebija politiskā spēka, kas varētu pievērst uzmanību fiziskā un seksuālā vardarbībā cietušo sieviešu pieredzei.
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Sinev, S. Yu, and A. L. Lvovsky. "Taxonomical status and species composition of the little known genus Agnoea Walsingham, 1907 (Lepidoptera: Gelechioidea: Lypusidae)." Zoosystematica Rossica 23, no. 1 (June 25, 2014): 137–44. http://dx.doi.org/10.31610/zsr/2014.23.1.137.

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The previously monotypic genus Agnoea Walsingham, 1907 is shortly reviewed. The following synonymy is established: Agnoea Walsingham, 1907 = Pseudatemelia Rebel, 1910, syn. nov. = Tubulifera Spuler, 1910, syn. nov. = Tubuliferola Strand, 1917, syn. nov. = Tubuliferodes Toll, 1956, syn. nov. (as a subgenus); Agnoea aeneella (Rebel, 1910) = Borkhausenia chalcocrates Meyrick, 1930, syn. nov. The genus Agnoea is restricted to the Palearctic region and includes the following nineteen species: Agnoea aeneella (Rebel, 1910), comb. nov.; A. amparoella (Vives, 1986), comb. nov.; A. colurnella (Mann, 1867), comb. nov.; A. detrimentella (Staudinger, 1859), comb. nov.; A. elsae (Svensson, 1982), comb. nov.; A. filiella (Staudinger, 1859), comb. nov.; A. flavifrontella ([Denis et Schiffermüller], 1775), comb. nov.; A. fuscifrontella (Constant, 1885), comb. nov.; A. josephinae (Toll, 1956), comb. nov.; A. kurentzovi (Lvovsky, 2001), comb. nov.; A. langohri (E. Palm, 1990), comb. nov.; A. latipennella (Jäckh, 1959), comb. nov.; A. lavandulae (Mann, 1855), comb. nov.; A. pallidella (Jäckh, 1972), comb. nov.; A. semifuscata (Walsingham, 1911), comb. nov.; A. subgilvida (Walsingham, 1901), comb. nov.; A. subochreella (Doubleday, 1859), comb. nov.; A. synchrozella (Jäckh, 1959), comb. nov.; A. xanthosoma (Rebel, 1900), comb. nov. Lectotype is designated for Borkhausenia chalcocrates Meyrick, 1930. The annotated list of species of Agnoea (including information on type material and distribution, as well as nomenclatural comments) is given.
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Dissertations / Theses on the topic "1907-1930"

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Furtado, Luciana Nathalia Morais. "A imprensa estudantil liceísta maranhense na Primeira República (1907-1930)." Universidade Federal do Maranhão, 2016. http://tedebc.ufma.br:8080/jspui/handle/tede/1397.

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Submitted by Rosivalda Pereira (mrs.pereira@ufma.br) on 2017-05-12T21:41:58Z No. of bitstreams: 1 LucianaFurtado.pdf: 909792 bytes, checksum: bd97c32373a9c355c779e0b32d8625eb (MD5)
Made available in DSpace on 2017-05-12T21:41:58Z (GMT). No. of bitstreams: 1 LucianaFurtado.pdf: 909792 bytes, checksum: bd97c32373a9c355c779e0b32d8625eb (MD5) Previous issue date: 2016-11-29
It presents the speeches of lyceist students in the Maranhenses student periodicals from 1910 to 1930 in order to identify and analyze the appropriation tactics of the students expressed in the published news as well as to understand the school dynamics and representations about pedagogic activities such as methods, Examinations, forms of entrance, curriculum, evaluations that characterized the daily life of secondary education in the first republican decades and the students' demands on the problems and the precise demands for this modality of education. Therefore, this study is based on the bibliographical research based on the principles of Cultural History in authors such as Castellanos (2007, 2012); Castro, 2006; Chartier, 1999; Nóvoa, 2002; Barros, 2013, among others, allowing us to understand the History of Pedagogical Press, History of Maranhão Education, specifically Secondary Education and documentary research, in which we focus on the mapping and analysis of the vestiges expressed in the following newspapers: O Progresso (1907) ; O Brazil (1907); The Left-Handed (1912-1914); Excelsior (1914); The Student (1915); Lábaro (1921); Alma Nova (1929) and the Young Blood (1930). A study of the periodic educational press liceitas made it possible to understand the sociopolitical changes that sustained the production of the school media when exposing ideas that evidenced the republican period; The development of the country, the creation of schools and the implementation of innovative methods in secondary public education in Maranhão. It was contacted that the student writings constituted in a privileged channel for the exhibition and circulation of the knowledge and of denunciation on the lack of educational policies. In this way, we consider that the newspapers written by the students of the Liceu were configured as an important vehicle of identity and resistance between the ideal and the concrete lived by the students of this institution in the First Republic.
Apresenta os discursos dos alunos liceístas nos jornais estudantis maranhenses no período de 1907 a 1930 a fim de identificar e analisar as táticas de apropriação dos discentes expressas nas notícias publicadas, bem como, compreender a dinâmica escolar e as representações sobre as atividades pedagógicas como os métodos, os exames, formas de ingresso, currículo, avaliações, aspectos que caracterizavam o cotidiano do ensino secundário nas primeiras décadas republicanas e as reivindicações dos alunos sobre os problemas e as demandas precisas para essa modalidade de ensino. Para tanto, este estudo baseia-se na pesquisa bibliográfica fundamentada nos princípios da História Cultural utilizando autores como Castellanos (2007, 2012); Castro (2006); Chartier (1999); Nóvoa (2002); Barros, (2013), dentre outros, tal estudo permite compreender a História da Imprensa Pedagógica e a História da Educação Maranhense, especificamente do Ensino Secundário. Na Pesquisa documental nos detemos no mapeamento e na análise dos vestígios expressos nos seguintes jornais: O Progresso (1907); O Brazil (1907); O Canhoto (1912-1914); Excelsior (1914); O Estudante (1915); Lábaro (1921); Alma Nova (1929) e o Sangue Jovem (1930). O estudo da imprensa periódica educacional liceísta possibilitou compreender as mudanças sociopolíticas que sustentaram a produção dos suportes escolares ao exporem ideias que evidenciavam o período republicano; o desenvolvimento do país, a criação de escolas e a implantação de métodos inovadores na instrução pública secundária maranhense. Contatou-se que os escritos estudantis se constituíram em um canal privilegiado para a exposição e circulação dos saberes e de denúncia sobre a carência de políticas educacionais. Consideramos, desta forma, que os jornais escritos pelos alunos do Liceu se configuraram como um importante veículo de identidade e de resistência entre o ideal e o concreto vivenciado pelos estudantes dessa instituição na Primeira República.
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Bretas, Marcos Luiz. "You can't! : the daily exercise of police authority in Rio de Janeiro, 1907-1930." Thesis, Open University, 1995. http://oro.open.ac.uk/54410/.

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The police of Rio de Janeiro had an important role in the reform of the city in the early twentieth century. The impetus to build a modem city influenced elite intellectuals to try to reform the police in the modem, scientific fashion. After the first wave of reforms receded, the police was abandoned to a less prominent role, and left without resources to carryon the modernising process, resulting in the need to develop their own methods of work derived from their daily experience. The main purpose of this thesis is to look closely at daily police activity, trying to show how policemen developed their ways of viewing the world and their procedures from the experiences they faced. From their contacts with state administrators, in the figure of the Chief of Police, with members of the elite. and with the vast majority of poor citizens, policemen began to define the extent and limits of their power, building their place in the networks of patronage and authority that permeated Rio's society. They had to combine an unchecked power to deal with those they classified as the criminal classes, composed of the dispossessed, and an attitude of subservience to the powerful, in a pattern that characterises twentieth-century policing in Rio de Janeiro.
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Eustance, Claire Louise. "'Daring to be free' : the evolution of women's political identities in the Women's Freedom League 1907-1930." Thesis, Online version, 1993. http://ethos.bl.uk/OrderDetails.do?did=1&uin=uk.bl.ethos.358130.

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Conésa, Jean-Claude. "Les relations entre art et design, de 1907 à 1930, dans les avant-gardes : le Werkbund allemand, le Bauhaus de Weimar et le constructivisme russe." Paris 1, 1998. http://www.theses.fr/1998PA010521.

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Les relations entre art et design sont affectées par un certain nombre de données socio-économiques et industrielles objectives et répertoriables ainsi que par des modalités esthetiques importantes. Analysé sous sa forme induite et non pas autonome, le design est considéré comme un véritable levier méthodologique qui permet de comprendre le rôle de délégation sociale qu'il fut appelé à jouer vis-à-vis de l'art lorsque celui-ci perdit une part de sa réference au réel. Parallèlement à l'analyse historique des trois mouvements étudiés dans notre corpus (le Werkbund allemand jusqu'en 1914, le Bauhaus de Weimar et le constructivisme russe jusqu'en 1930), nous avons tenté de déceler les grands moments théoriques qui les accompagnent : la place de l'éducation artistique dans le dispositif d'action du Werkbund allemand, la relation entre art et artisanat au Bauhaus, la constante organiciste dans l'esprit de la fin du XIXeme siècle jusqu'aux années vingt, les modalités de la philosophie utopiste et les fantasmes communautaires du premier Bauhaus de Weimar. Le constructivisme russe, quant à lui, ajusta une esthétique de l'intervention sur le réel social et politique à une révolution de l'acte artistique, au risque parfois de rompre la cohérence dialectique de couples tels que : forme et fonction, individu et société, expérience de laboratoire et mise à l'épreuve du réel. La capacité de résistance de l'art à toutes les compromissions socio-économiques renvoie surtout à l'efficacité des potentialités critiques de celui-ci à l'égard de la réalité. La condition et la nature de cette intervention sur le réel seront marquées essentiellement par la création d'une discipline qui "socialise" l'acte de création. : le design. Désormais, la nature du rapport entre art et société s'établit sur des instances intermédiaires, des médiations entre artiste et société. La nouvelle relation qui va naitre instituera la présence d'un relais (le design) qui aura pour tâche de consolider la liaison entre le créateur et le monde qu'il est censé transformer, sans faire de cette transformation la condition nécessaire de son existence. Dans ce contexte, la participation de l'artiste à cette nouvelle mission semble être déterminée par le degré "d'utilité" de l'art et sa capacité a être moins contemplé qu'utilisé ou instrumentalisé
This relationships between art and design are affected by a lot of economic, social and industrial variations also important than esthetics modalities. Analysed under its induced configuration rather than autonomous, then design is considered like a real methodological way to understand the leading role it played towards art when the latter lost its mimetic part. In the same way, we analyse the three historical movements in our corpus (German Werkbund till 1914, the Bauhaus of Weimar and Russian constructivism till 1930), we have tried to indicate the most important theoretical structures that characterize these movements : place of artistic training in the plan of action of the Deutscher Werkbund ; relationships between art and craft industry ; the organicist permanent feature in the end of the nineteenth century spirit up to the twenties of the twentieth century ; the modalities of utopian philosophy and the community wishes of the first bauhaus. Russian constructivism for itself fitted an aesthetics of the intervention on the social and politic real to a revolution of artistic action. Constructivist artists were conscious of the distorsion of their pratics when they had to resolve the necessity to joint form and function, individuality and society, laboratory experiment and to stand the test of reality. The ability of art resistance to all socioeconomic shady deal implies above all efficiency of critical power of art to reality. It would be necessary to understand relationships between art and design in building mediations. The new borning link will be the design. If will permit to authentify the sense of the relation between artist and the world which he is censed to improve, without doing of this improvement the sense of the necessity of art. The condition and the nature of the artistic intervention on the reality will be signified essentially by the emergence of a disciplin "socialising" the act of creation. In this context, the artist's involvement to this new task seems be determinated by the "usefulness' degree of art and its capacity to he less contempluted than used
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González, Pereira Verónica. "Perdón por (no) querer decir: Derrida: responsabilidad, secreto y literatura." Tesis, Universidad de Chile, 2009. http://www.repositorio.uchile.cl/handle/2250/108522.

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Poner en relación la literatura y la responsabilidad es un gesto que no carece de dificultades, puesto que dicha relación ha sido objeto de amplios y diversos esfuerzos teóricos dentro de la tradición de la filosofía occidental, por lo que esta relación supone pensar también otra problemática compleja: la vinculación existente entre dos disciplinas, pensamientos o modos de escritura. En efecto, ¿qué tipo de relación existe entre filosofía y literatura? Ciertamente ambas son disciplinas escritas, con una tradición propia, con obras y autores clásicos, con giros y tendencias que han marcado la construcción de sus historias, pero también algo las distingue: quizás un(os) objeto(s), un(os) modo(s) de escritura, una relación particular con el lenguaje e incluso, podríamos decir, unas formas de aproximación a la “realidad”. Pero allí están también una muy cerca de la otra, colindando, haciendo cada una también el papel de frontera. Sería preciso también preguntarse si esa relación tiene un modo único, o ¿deberíamos hablar de diversas relaciones entre filosofía y literatura? En el marco de un seminario sobre filosofía y literatura, Alain Badiou ha planteado que no se trata de una relación única, sino de diversos modos de vincularse. Él ha propuesto, por lo menos, tres orientaciones posibles frente a esta relación. La primera de ellas la nombra orientación estética, donde la literatura vendría a ser un objeto de examen para un estudio filosófico desde el cual se intenta deducir categorías, conceptos estéticos que permitan la comprensión del fenómeno literario (en esta orientación se encontrarían Platón, Aristóteles y el mismo Badiou al hacer referencia a su trabajo sobre Beckett). La segunda la denomina orientación genealógica (o la literatura como genealogía de la filosofía), ésta se preguntaría cuál es la acción de la literatura sobre la filosofía, o cuál es, en definitiva, su acción sobre el pensamiento; por lo cual la literatura no sería ya un objeto de examen sino, plantea Badiou, una especie de condición de la filosofía. Las obras de Nietzsche, Heidegger, y nuevamente el propio estudio de Badiou sobre Mallarmé constituirían algunos ejemplos de este tipo de relación. La tercera y última orientación propuesta sería la inclusiva, en donde la filosofía es en sí misma una parte de la literatura, desde el momento en que ella es también una disciplina escrita. Badiou encuentra esta orientación en la obra de Kierkegaard, en la medida en que el relato biográfico forma parte de la argumentación filosófica y, en efecto, podríamos recordar las primeras páginas de Temor y Temblor en donde se alude implícitamente al compromiso de matrimonio roto entre Kierkegaard y Regina Olsen o, a continuación de esas primeras páginas, en “Proemio”, en donde se lee un relato con los mismos tintes biográficos para luego dar paso a las cuatro versiones o movimientos sobre el relato bíblico del sacrificio de Isaac que abren Temor y Temblor a partir también de una especie de escritura literaria. Es preciso señalar, me parece, que esta última orientación no deja de ser a lo menos controvertida para la Filosofía misma, en cuanto disciplina, al poner en cuestión el viejo tópico de la Filosofía como madre de las humanidades y, llevando el argumento a un punto más radical, al cuestionar la oposición tradicional entre verdad y ficción, oposición binaria desde la cual la filosofía ha operado, dejando lo simulado o lo aparente a la literatura (o la poesía). Ahora bien, estas tres formas de vincular filosofía y literatura, estas posibles relaciones (en plural), pueden ser encontradas a la vez en la escritura de un mismo autor, tal como sucede al ponerse el mismo Badiou como ejemplo en relación a sus trabajos sobre Beckett y Mallarmé.
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Cho, Kyu-Hyung. "The move to independence from Anglican leadership : an examination of the relationship between Alexander Alfred Boddy and the early leaders of the British Pentecostal denominations (1907-1930)." Thesis, University of Birmingham, 2009. http://etheses.bham.ac.uk//id/eprint/421/.

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This thesis examines the relationship between the leaders of the Anglican Church, centring on Alexander Alfred Boddy (1854-1930), considered the father of British Pentecostalism, and the young Pentecostals in the process of formation of the three major Pentecostal denominations, namely, the Apostolic Faith Church, the Assemblies of God and the Elim Church. Although there were not many Anglican participants in British Pentecostalism and most Pentecostals came from Nonconformist backgrounds, Boddy dominated the leadership from the beginning. As a result, most of the British Pentecostals who were actively involved in the forming of Pentecostal denominations were either directly or indirectly influenced by him. However, as Pentecostalism grew, disagreement and conflict appeared over certain issues and intensified during the period when the Pentecostal denominations were taking shape. Finally, with the departure of the Anglican leaders from Pentecostalism, the Anglican influence disappeared. Although there is no doubt that Boddy’s contribution to the history of British Pentecostalism was considerable, there were huge gaps between his teachings and those of the men who became the denominational leaders of the Pentecostals.
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Vernet, Anne-Laure. "Des femmes à l'oeuvre : mise en regard des conditions sociales d'accès des femmes à la création et à la reconnaissance artistique, et des biographies et oeuvres de Diane Arbus, Frida Kahlo, et Niki de Saint Phalle." Paris 8, 2005. http://www.theses.fr/2005PA082511.

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La culture occidentale, dans laquelle les créatrices évoluent, contraint les femmes dans leur corps et dans leur accès à l'espace, ainsi que dans leur accès aux savoirs et à une pensée autonome. Les femmes sont alors maintenues dans une position subordonnée, propice à leur assignation à une sexualité reproductive et à la socialisation d'enfants. Ces limitations atteignent diversement les créatrices : dans leurs biographies comme pierres d'achoppement concrètes à leur développement individuel ; dans le monde de l'art comme sphère sociale reconduisant la hiérarchie des sexes ; dans les messages restitués par les arts, puissants média des assises symboliques de l'ordre social. L'ordre social ainsi reconduit dans et par le monde de l'art, est ici mis en regard avec les vies et oeuvres de trois artistes du XXe siècle occidental, Niki de Saint Phalle, Frida Kahlo et Diane Arbus, qui témoignent de la transgression du système nécessaire aux femmes pour exister dans la création artistique
Western culture, in which creative women evolve, imposes restraints regarding their bodies, their mobility, as well as their access to knowledge and freedom of thought. Thus they are kept in a subordination suitable to an assigned sexual role geared to childbearing and rearing. These limitations touch creative women in various ways : in their biographies, as stumbling blocks to their development ; in the art world, as a social sphere reasserting the sexual hierarchy ; in messages reflected in the arts, powerful conveyors of the social order's symbolic foundations. The social order thus reproduced in and by the art world is here seen brought to confrontation with the lives and works of three twentieth century Western artists, Niki de Saint Phalle, Frida Kahlo and Diane Arbus, who testify to the transgression of the system that women must undertake in order to exist in the world of artistic creation
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Marin, Laura. "La manière et les effets du neutre : lire Blanchot dans les traces de Levinas et Derrida." Paris 7, 2011. http://www.theses.fr/2011PA070080.

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Cette thèse cherche à interroger une notion-clé des écrits de Maurice Blanchot, aussi bien difficile que délicate, et très peu mise en question par la théorie et la critique littéraires contemporaines : le neutre. Blanchot y reconnaît la condition essentielle de la littérature, mais cette notion semble se soustraire à toute approche théorique de type dialectique. Échappant à toute forme d'affirmation ou de négation, de présence ou d'absence, d'objectivité ou de subjectivité, comment peut-on alors s'y rapporter, comment s'en approcher, quel type de discours en permettrait une juste entente, philosophique et littéraire? Si une telle série de questions réclame une entente du neutre pour ainsi dire « frontale » et pas moins vouée à l'échec, j'ai tenté de l'aborder par le détour de ses effets en procédant, par des analyses ponctuelles, à une sorte de po(i)étique de la manière dont le neutre se présente chez Blanchot, de nature à rendre possible une double distanciation : d'abord, en deçà des effets de lecture et de pensée suscités par le neutre, comment se présente la lettre de Blanchot, de quel type de rhétorique se soutient-elle, dans les récits, les fragments et l'écriture «critique»? Je me suis ensuite intéressée à l'accueil que les œuvres de Levinas et Derrida réservent à la question du neutre : manière d'observer chez deux auteurs qui entretiennent avec l'œuvre de Blanchot un rapport difficile, le pli que font dans la pensée, l'entente, la distance et l'écriture, le long d'une lecture appelée ici dans les traces
The Ph. D. Thesis The manners and the effects of the Neutral. Reading Blanchot in the traces of Levinas and Derrida aims at exploring the meaning and uses of a key concept in Maurice Blanchot's theoretical writings: the neutral, a notion difficult to seize and seldom discussed in recent literary theory. In Blanchot's view, the neutral is the fundamental ontological condition of literature, but to analyze his way of understanding it is a challenging task, since the neutral is impossible to tackle by means of a dialectic approach. In these circumstances, a direct conceptual analysis cannot but fail, and that is why I opted for a methodological reduction which enabled me to consider the neutral from an "oblique" perspective. The primary question my thesis tries to answer is therefore not "What is the neutral?", but "What does the neutral do?" (i. E. What are the effects it produces), and how (in what manner it acts). From my point of view, this strategy creates a double critical distance: on the one hand, the diverse consequences the neutral had in the field of post-war French literature and philosophy notwithstanding, it allows me to deal with Blanchot's writing, that is with the rhetoric it is based upon in both his fiction and his essays; on the other hand, my analysis of the place and reception of such a notion in Levinas' and Derrida's works allows me to understand and stress out the fold that critical insight, conceptual detachment and writing create in their thought, given their complex relationship with Blanchot's oeuvre
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Grijó, Luiz Alberto. "Origens sociais, estratégias de ascensão e recursos dos componentes da chamada "geração de 1907"." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 1998. http://hdl.handle.net/10183/170738.

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O presente trabalho, através do estudo da trajetória dos membros da "geração de 1970", busca explicar como, contando com que recursos e em quais condições um grupo de políticos rio-grandenses logrou, ao final da década de 1920, ascender a posições de poder no Brasil. Definiu-se também os contornos do jogo político no Rio Grande do Sul e no Brasil em termos das práticas e dos recursos que os agentes que nele atuavam deveriam possuir para serem bem sucedidos. Desde os níveis paroquial, estadual e nacional, se pode verificar que este jogo era jogado enquanto uma disputa entre mediadores, que encarnavam posições alcançadas, a partir da liderança sobre parcelas da sociedade que tinham neles seus canais de relação com o mundo jurídico-político.
The present work, through the study of the "generation of 1907" member's trajectories, tries to explain how, counting with which resources and in what conditions agroup of rio-grandenses' politicians achieved, at the end of the 1920, to ascend to powerpositions in Brazil. We also defined the contours of the political game in Rio Grande doSul and Brazil in terms of the practices and resources that the agents that acted in it should possess to be succeed. From the parochial, regional and national levels, it was verified that this game was played as a dispute among mediators, that embodied positions reached through leadership on portions of the society that had in them its relationship channels with the juridical-political world.
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Menezes, Roberto Bezerra de. "A interminabilidade e a incomunicabilidade da escrita: confluências entre Herberto Helder e Maurice Blanchot." www.teses.ufc.br, 2012. http://www.repositorio.ufc.br/handle/riufc/8094.

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MENEZES, Roberto Bezerra de. A interminabilidade e a incomunicabilidade da escrita: confluências entre Herberto Helder e Maurice Blanchot. 2012. 98f. – Dissertação (Mestrado) – Universidade Federal do Ceará, Programa de Pós-graduação em Letras, Fortaleza (CE), 2012.
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O tema da criação literária percorre há muito a literatura, em especial a poesia. A valorização da escritura em detrimento do Humanismo e da História, ambos detentores de um saber teleológico, permite-nos hoje percebê-la por si e numa busca de si. Em nossa contemporaneidade, a noção de unidade não permanece em sua essência primária, o que nos permite pensar na idéia de fragmentação. Tencionamos apresentar uma leitura da poética de Herberto Helder atentando para as figurações da imagem do corpo e mostrar a relação entre criação literária, origem da voz poética e corporificação/fragmentação do discurso. Dedicaremos ainda parte de nossos escritos a elaborar uma reflexão sobre a leitura de poesia e sobre a situação da linguagem poética a partir de críticos pós-estruturalistas, mas sempre pensando o texto literário de Herberto Helder. Concentrar-nos-emos em alguns poemas da edição brasileira de Ou o poema contínuo. Fundamentamo-nos em concepções teórico-filosóficas de Maurice Blanchot, nas obras L’espace littéraire, La part du feu, L’entretien infini et Le livre à venir, por exemplo, e ainda levamos em conta leituras de Roland Barthes, Gilles Deleuze, Giorgio Agamben, Antoine Compagnon, Jacques Rancière e Leyla Perrone-Moisés.
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Books on the topic "1907-1930"

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Passuth, Krisztina. Avantgarde kapcsolatok Prágától Bukarestig, 1907-1930. Budapest: Balassi, 1998.

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Jumayʻī, ʻAbd al-Munʻim Ibrāhīm al-Dusūqī. Madrasat al-Qaḍāʼ al-Sharʻī: Dirāsah tārīkhīyah li-muʼassasah taʻlīmīyah, 1907-1930. [Cairo]: ʻA. al-M.I.D. al-Jumayʻī, 1986.

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ʻAbd al-Munʻim Ibrāhīm al-Dusūqī Jumayʻī. Madrasat al-qaḍāʾ al-sharʻī: Dirāsh tārīkhīyah li-muʾassasah taʻlīmīyah 1907-1930. Miṣr: Maktabat al-Khānjī, 1986.

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Hathaway, Warrine Sheppard. Coffee County, Alabama marriage records: Enterprise, Alabama, 1907-1933, Elba, Alabama, 1877-1930. Dothan, AL (P.O. Box 8063, Dothan 36304): W. Hathaway, 1998.

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Dhaliwal, Kuldip Kaur. Role of revolutionaries in India's freedom movement: With special reference to North West India : 1907-1930. New Delhi: Writers Choice, 2014.

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Burma. Mranʻ mā Nuiṅʻ ṅaṃ toʻ ʼokʻ puiṅʻʺ mruiʹ nhaṅʻʹ kreʺ rvā rhi mre rā lakʻ cvai upade: 1907 khu nhacʻ, Mranʻ mā Nuiṅʻ ṅamʻ toʻ chuiṅʻ rā ʼAkʻ Upade Naṃpātʻ 1, 1920 praññʻʹ nhacʻ, ʼAkʻ Upade Naṃpatʻ 38, 1925 khu nhacʻ, Mranʻ mā Nuiṅʻ ṅamʻ toʻ chuiṅʻ rā ʼAkʻ Upade Naṃpātʻ 10 myāʺ ʼa ra praṅʻ chaṅʻ saññʻ. 1898 khu nhacʻ Mranʻ mā Nuiṅʻ ṅaṃ toʻ ʼOkʻ puiṅʻʺ Mruiʹ rvā rhi Mre rā ʼAkʻ Upade (1930) khu nhacʻ, Mranʻ mā Nuiṅʻ ṅamʻ toʻ chuiṅʻ rā ʼAkʻ Upade Naṃpātʻ 4 nhaṅʻʹ ta kva, l* ʼakʻ upade ʼa ra thutʻ chaṅʻʹ saññʻʹ ʼa minʻʹ kroʻ ṅrā cā, naññʻʺ upade ʼa minʻʹ chaṅʻʹ chui khyakʻ myāʺ nhaṅʻʹ puṃ caṃ myāʺ pā saññʻ (1930-praññʻʹ nhacʻ, Dījaṅʻbhā 31 rakʻ (1292 khu nhacʻ, Prā sui la chanʻʺ 13 rakʻ) neʹ thi praṅʻ chaṅʻ thāʺ saññʻ.) = The Lower Burma (Myanmar) town and village land manual : containing the Lower Burma (Myanmar) Town and Village Lands Act, 1898 (Burma Act IV of 1898), as amended by Burma Act 1 of 1907, Act No. XXXVIII of 1920, Burma Act No. X of 1925, together with the notifications, rules directions and forms thereunder (corrected up to the 31st December 1930). Ka mā rvhatʻ, Ranʻ kunʻ: Saṅʻʺ Cā pe, 2013.

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Gesammelte Aufsatze: Arbeiten Zum Privatrecht 1907-1930. Mohr Siebeck, 1991.

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University, Open, ed. You can't!: The daily exercise of police authority in Rio de Janeiro: 1907-1930. 1995.

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Il "cinema scritto" dei letterati, 1907-1930: Racconti e soggetti, poemi, scenari e protosceneggiature. Roma: Aracne editrice S.r.l., 2014.

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Ordem na cidade: O exercício cotidiano da autoridade policial no Rio de Janeiro, 1907-1930. Rio de Janeiro: Rocco, 1997.

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Book chapters on the topic "1907-1930"

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Launoy, G., Cl Milan, Ch Milan, B. Coudray, Cl Beghiti-Desprat, P. Pienkowski, J. Faivre, and M. Gignoux. "Evolution of Tobacco Consumption By Men in France Between 1930 and 1990." In Tobacco and Health, 711–13. Boston, MA: Springer US, 1995. http://dx.doi.org/10.1007/978-1-4615-1907-2_158.

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Tripathi, Amales. "The Second Phase (1907–1930)." In Indian National Congress and the Struggle for Freedom, 50–185. Oxford University Press, 2014. http://dx.doi.org/10.1093/acprof:oso/9780198090557.003.0002.

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Zamir, Shamoon. "‘Art Science’: The North American Indian (1907–1930) as Photobook." In The Photobook, 35–51. Routledge, 2020. http://dx.doi.org/10.4324/9781003103998-3.

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Shamoon, Zamir. "‘Art Science’: The North American Indian (1907–1930) As Photobook." In The Photo Book. I.B.Tauris, 2012. http://dx.doi.org/10.5040/9780755603862.ch02.

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Stamy, Cynthia. "Useful Travel: Moore’s Imaginative Forays Abroad." In Marianne Moore and China, 28–56. Oxford University PressOxford, 1999. http://dx.doi.org/10.1093/oso/9780198184607.003.0002.

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Abstract In 1907, when Marianne Moore’s poems were beginning to appear in Tipyn O’Bob,the undergraduate magazine at Bryn Mawr, a canon of scholarly works in English on the literature and arts of the Far East was already being established. As her writing career developed, this field burgeoned as private collections2 of Chinese and Japanese art became available to a public already given to Chinese curio-collecting. By 1930, published work on Chinese art and history as well as commendable, if not definitive, translations of Chinese poetry were widely available in English.
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Romashkina, Maria V. "Eternal Themes and Different Ages: what Remains of Gorky’s “Mother” after Meeting B. Brecht." In A.M. Gorky in Germany: the Writer and his Environment in the Socioсultural and Literary-Media Space, 271–86. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2023. http://dx.doi.org/10.22455/978-5-9208-0724-3-271-286.

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Gorky’s novel “Mother,” first published in 1906 in the USA in English, becomes available in Russian only in 1907. In 1917 the publishing house “Life and Knowledge” completing the first edition of the publishing house “Knowledge” the first complete works of M. Gorky, publishes the novel “Mother” uncensored for the first time. A decade later, in 1930–1932, the German poet, playwright and social activist Bertolt Brecht creates a play based on Gorky’s novel for the Comedy Theater. The purpose of this article is to analyze which themes remain unchanged and which become completely different with the transformation from prose to drama.
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Bolick, Harry, Tony Russell, T. DeWayne Moore, Joyce A. Cauthen, and David Evans. "Freeny’S Barn Dance Band and the Freeny Harmonizers." In Fiddle Tunes from Mississippi, 161–77. University Press of Mississippi, 2021. http://dx.doi.org/10.14325/mississippi/9781496835796.003.0017.

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Freeny’s Barn Dance Band first put down roots around 1913, when William Leslie Freeny (1898–1957), fiddler, and A. F. “Fonzo” Cannon (1900–67), guitarist, began to work together at square dances. Leslie Freeny was from Freeny community, some five miles southeast of Carthage in Leake County, as was his cousin Charles Hendrix Freeny (1907–75), who soon joined them to play tenor fiddle parts. Fonzo Cannon was born in the small community of Edinburg, northeast of Carthage. They continued to play at functions round Leake County, and in the mid-1920s were occasionally joined by Hendrix’s young cousin, banjo-player Samuel Carlton Freeny (1912–87). The band recorded for Okeh in 1930, and an associated group, the Freeny Harmonizers, for Vocalion in 1935.
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Ameka, Felix K. "Ewe Serial Verb Constructions in their Grammatical Context." In Serial Verb Constructions, 124–43. Oxford University PressOxford, 2005. http://dx.doi.org/10.1093/oso/9780199279159.003.0005.

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Abstract Serial verb constructions (SVCs) have long been recognized in West African languages (e.g. Christaller 1875; Westermann 1907, 1930) and have been investigated in various frameworks (e.g. Bodomo 2002; Dechaine 1993). Nevertheless, there is very little understanding of their place in the overall grammatical architecture of individual languages (Delplanque 1998). This chapter seeks to describe the features of SVCs in Ewe and to situate them in the grammatical profile of the language. Although Ewe is said to have ‘uncontroversial cases’ of SVCs (Creissels 2000: 240), there is some confusion concerning which structures fall under SVCs (Lord 1993: 2; Co1lins 1997; Agbedor 1994). Another aim of the chapter is therefore to clarify, for Ewe, the relationship between SVC stricto sensu and other multiverb constructions whose functional equivalents may be SVCs in other languages.
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Bytheway, Simon James, and Mark Metzler. "The Rush for Gold." In Central Banks and Gold. Cornell University Press, 2016. http://dx.doi.org/10.7591/cornell/9781501704949.003.0009.

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This chapter describes the great rush to cash in national currencies for gold in 1930 and 1931. Under the press of this run on gold, gold-based credit systems collapsed. Thus, credit-led globalization, in its post-First World War version, gave way to the globally synchronized debt-destruction crisis known as the Great Depression. There was now indeed a many-faceted reaction against financial globalization. In Japan itself, the depression undermined pro-Western liberalism and opened the way for the fascistic turn of national life in the 1930s. The chapter then notes that every truly major international financial crisis of the era—1907, 1920, 1929—appeared first in Tokyo, having an onset some three to six months earlier than in New York and London. It seems that the contradictory faces of these world movements were manifested especially sharply in Japan, making Tokyo markets a sensitive leading indicator.
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Longley, Edna. "Yeats and Renaissance Italy." In The Oxford Handbook of W.B. Yeats, 148—C11F1. Oxford University Press, 2023. http://dx.doi.org/10.1093/oxfordhb/9780198834670.013.44.

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Abstract The focus of this chapter is Renaissance Italy as a model for art, for society, and for relations between the two. Yeats did not speak Italian. The two Italian writers most important to him, Dante Alighieri (1265–1321) and Count Baldassare Castiglione (1478–1529), author of Il Libro del Cortegiano (The Book of the Courtier) (1528), he read in translation. Unlike James Joyce and Ezra Pound, Yeats spent comparatively little time in Italy. In May 1907, with Lady Gregory and her son Robert, he visited Ravenna, Urbino, Ferrara, Venice, and Florence. In January–February 1925 he toured southern Italy and Sicily, where he absorbed the Byzantine mosaics in Monreale Cathedral, and completed A Vision. From 1928 to 1930 he wintered in Rapallo, where Pound had settled. But Yeats’s very distance from contemporary Italy, apart from (or exemplified by) his erratic gestures towards Mussolini, may have protected the mythic presence of older ‘Italies’ in his work.
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Reports on the topic "1907-1930"

1

Bordo, Michael, Angela Redish, and Hugh Rockoff. Why didn't Canada have a banking crisis in 2008 (or in 1930, or 1907, or ...)? Cambridge, MA: National Bureau of Economic Research, August 2011. http://dx.doi.org/10.3386/w17312.

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Government Savings Bank of New South Wales - Sydney (Head Office) - Chief Accountant's Department - Security Registers - Savings Bank Department, Advance No's 1-1011 (Indexed) - Mortgages dated May 1907 - July 1914 - c.1907 - c.1930. Reserve Bank of Australia, March 2021. http://dx.doi.org/10.47688/rba_archives_2006/22041.

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