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Books on the topic '190504 Performance and Installation Art'

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Author: Grafiati

Published: 10 December 2022

Last updated: 28 January 2023

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1

Factory, Mattress, ed. Mattress Factory--installation and performance, 1982-1989. Pittsburgh, Pa: The Factory, 1991.

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2

Schmidt, Johann-Karl. Joan Jonas: Performance video installation, 1968-2000. Stuttgart: Galerie der Stadt Stuttgart, 2001.

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3

Celant, Germano. Marina Abramović: Public body : installation and objects, 1965-2001. Milano: Charta, 2001.

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4

Nicky, Childs, and Walwin Jeni, eds. A split second of paradise: Live art, installation and performance. London: Rivers Oram Press, 1998.

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5

Jochen Gerz: La chasse = The strip : Installation : 1986 Kunstraum München. München: Der Kunstraum, 1986.

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6

Digital performance: A history of new media in theater, dance, performance art, and installation. Cambridge, Mass: MIT Press, 2007.

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7

R, Lippard Lucy, Nakane Kazuko, Corwin Nancy A, and Helen Foresman Spencer Museum of Art., eds. Roger Shimomura, delayed reactions: Paintings, prints, performance and installation art from 1973 to 1996. Lawrence, Kan: Spencer Museum of Art, University of Kansas, 1995.

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8

Davids, Yael. No object. Edited by Mihaylova Snejanka 1978- and Wallroth Tanja. Amsterdam: Artimo, 2002.

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9

Ono, Yoko. Yoko Ono: Horizontal memories. Edited by Kvaran Gunnar B, Årbu Grete, Ueland Hanne Beate, and Astrup Fearnley museet for moderne kunst. Oslo: Astrup Fearnley Museum of Modern Art, 2005.

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10

Ono, Yoko. Yoko Ono: Have you seen the horizon lately? Oxford [England]: Museum of Modern Art, 1997.

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11

Luna, James. James Luna: Actions & reactions : an eleven year survey of installation/performance work, 1981-1992 : Mary Porter Sesnon Art Gallery, University of California, Santa Cruz, November 10-December 13, 1992. Santa Cruz, Calif: The Gallery, 1992.

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12

Wang, Wanru. Taiwan: from within the mist. Edited by Wan-Ju Wang. Taiwan: National Taiwan Museum of Fine Arts, 2007.

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13

artist, Löbbert Maik 1958, Löbbert Dirk 1960 artist, and H2--Zentrum für Gegenwartskunst im Glaspalast, eds. Sculpture garden: Maik + Dirk Löbbert. Augsburg: H2 - Zentrum für Gegenwartskunst im Glaspalast, Kunstsammlungen und Museen Augsburg, 2013.

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14

Klang Raum Licht Zeit: Arbeiten von 1980 bis 2000 = Works from 1980 to 2000. Heidelberg: Kehrer, 2000.

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15

Lisa, Phillips, Cameron Dan, Jones Amelia, and Vidler Anthony, eds. Paul McCarthy. Ostfildern: Hatje Cantz, 2000.

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16

Charette, Luc. Champ feutre = Field of velvet. Edited by Graff Terry, Clermont Ghislain, and Confederation Centre Art Gallery and Museum. Charlottetown, P.E.I: Confederation Centre Art Gallery & Museum, 1992.

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17

Kacunko, Slavko. Marcel Odenbach: Konzept, Performance, Video, Installation 1975-1998 : Marcel Odenbach als Modell einer künstlerischen Entwicklung im Umgang mit dem Medium Video und seine Rolle und Bedeutung für die Eingliederung der zeitgebunden Kunstformen in den kunsthistorischen Kontext. Mainz: Chorus, 1999.

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18

Alanna, Heiss, Szeemann Harald, and P.S. 1 Contemporary Art Center., eds. El real viaje real =: The real royal trip. Long Island City, NY: P.S.1 Contemporary Art Center, 2003.

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19

Karsten, Löckemann, Urbaschek Stephan, and Sammlung Goetz, eds. Matthew Barney. München: Kunstverlag Ingvild Goetz, 2007.

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20

Hans-Ulrich, Obrist, McKee Francis, Kanazawa 21-seiki Bijutsukan, Leeum-Samsŏng Misulgwan, and San Francisco Museum of Modern Art., eds. Matthew Barney: Drawing restraint. Köln: Verlag der Buchhandlung W. König, 2005.

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21

Barney, Matthew. Matthew Barney: Drawing restraint. Tokyo: Takashi Asai UPLINK, 2005.

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22

Barney, Matthew. Matthew Barney: Drawing restraint. Cologne: Walther König, 2007.

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23

Barney, Matthew. Matthew Barney: New work, San Francisco Museum of Modern Art, December 12, 1991 through January 30, 1992. San Francisco, Calif: San Francisco Museum of Art, 1991.

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24

Barney, Matthew. Matthew Barney. Edited by Löckemann Karsten, Urbaschek Stephan, and Sammlung Goetz. München: Kunstverlag Ingvild Goetz, 2007.

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25

Nancy, Spector, Wakefield Neville 1963-, Solomon R. Guggenheim Museum, Museum Ludwig, and Musée d'art moderne de la ville de Paris., eds. Matthew Barney: The Cremaster cycle. New York: Guggenheim Museum, 2002.

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26

Gallery, Tate, ed. Performance art and video installation. Millbank, London: Tate Gallery, 1985.

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27

Angelika, Nollert, Galerie im Taxispalais (Innsbruck, Austria), Museum Ludwig, Museum für Gegenwartskunst Siegen, Wiener Secession, and Galerie für Zeitgenössische Kunst Leipzig., eds. Performative installation. Cologne: Snoeck, 2003.

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28

Fashion Installation: Body, Space and Performance. Bloomsbury Publishing Plc, 2019.

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29

Geczy, Adam, and Vicki Karaminas. Fashion Installation: Body, Space and Performance. Bloomsbury Publishing Plc, 2019.

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30

Hosted: Ein Dorf als Performance-Raum, als begehbare Installation. Hohenems: hoelb/hoeb, 2008.

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31

Gilbert & George., Sol Lewitt, and Achille Bonito Oliva. Installation & Performance Art: Photographs by Claudio Abate 1960 to Now. Photology, 2007.

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32

(Editor), Nicky Childs, and Jeni Walwyn (Editor), eds. A Split Second of Paradise: Live Art, Installation and Performance. Rivers Oram Press, 1998.

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33

A Split Second of Paradise: Live Art, Installation and Performance. Rivers Oram Press, 1998.

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34

Ratnabali Kant: Ephemeral steps enduring imprints : installation performance, 1985-2005. Paris: published with support from Raza Foundation, 2006.

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35

Malina, Roger F., Steve Dixon, and Sean Cubitt. Digital Performance: A History of New Media in Theater, Dance, Performance Art, and Installation. MIT Press, 2007.

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36

Digital Performance: A History of New Media in Theater, Dance, Performance Art, and Installation. MIT Press, 2015.

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37

1950-, Martel Richard, ed. L'art en actes: Le Lieu, centre en art actuel, 1982-1997 : performance, installation, manœuvre, arts média. Québec: Inter, 1998.

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38

Dixon, Steve. Digital Performance: A History of New Media in Theater, Dance, Performance Art, and Installation (Leonardo Books). The MIT Press, 2007.

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39

(Editor), Steven Bode, et al (Editor), and Eddie Berg (Preface), eds. The Other Side of Zero. Foundation for Art & Creative Technology, 2000.

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40

Snellings, Lilibet. Box Girl: My Part Time Job As an Art Installation. Counterpoint Press, 2014.

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41

Box girl: My part time job as an art installation. 2014.

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42

Mihaylova, Snejanka, and Yael Davids. Yael Davids. Artimo, 2003.

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43

Iles, Chrissie, and Yoko Ono. Yoko Ono. Museum of Modern Art, Oxford, 1997.

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44

1971-, Zehnder-Jörg Silvia, Sensler Heimatmuseum in Tafers, Museum Murten, and Deutschfreiburger Heimatkundverein (Switzerland), eds. Kunstvoll: Kunstschaffende in Deutschfreiburg 1848-2006 : 109 Künstlerinnen und Künstler, 107 Werke : Malerei, Zeichnung, Collage, Holzschnitt, Radierung, Comics, Glasmalerei, Skulptur, Plastik, Assemblage, Fotografie, Videokunst, Installation, Performance, Textilkunst. Freiburg: Deutschfreiburger Heimatkundeverein, 2006.

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45

Graevenitz, Antje Von, and Hans Gercke. Christina Kubisch: Klangraumlichtzeit. Kehrer Verlag, 2003.

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46

1961-, Ahrens Carsten, and Opel-Villen Rüsselsheim, eds. Christina Kubisch: Klang Raum Licht Zeit ; Arbeiten von 1980 bis 2000 ; Ausstellung in den Opel-Villen Rüsselsheim, [vom 18. Juli bis zum 16. September 2000] = Works from 1980 to 2000. Heidelberg: Kehrer, 2000.

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47

Harlem, Studio Museum in, ed. Artists respond: The "new world" question, May 5-August 22, 1993 : an exhibition of installation and performance art organized. New York, NY: The Museum, 1993.

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48

T, Jones Bill, Eshkar Shelley, Kaiser Paul, Cooper Union for the Advancement of Science and Art. School of Art., and Riverbed (Firm), eds. Ghostcatching: A virtual dance installation : Cooper Union School of Art, Arthur A. Houghton Jr. Gallery, New York City, 6 January-13 February 1999. New York: Cooper Union School of Art, 1999.

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49

McCarthy, Paul, Lisa Philips, Anthony Vidler, Amelia Jones, and Lisa Phillips. Paul McCarthy. Hatje Cantz Publishers, 2001.

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50

Saal, Ilka. Theatricality in Contemporary Visual and Performance Art on New World Slavery. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199935338.013.36.

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Abstract:

This article examines forms and uses of theatricality in recent African American productions on slavery in the performing and the visual arts. It argues that by deploying modes of the comic, such as satire and parody, along with racial stereotypes, in their engagement with the traumatic history of slavery, contemporary artworks aim to provoke their audiences into an affective relationship with the artwork and the history it represents. In this manner, they seek to bring into focus not the past itself but our present-day reactions to it, asking viewers to reflect on their involvement with the ongoing mimetic and affective legacies of New World slavery. The article discusses Suzan-Lori Parks’s 1996 playVenusand Kara Walker’s 2014 installation ASubtlety or the Marvelous Sugar Babyas case studies.

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