Dissertations / Theses on the topic '1905-1973 Criticism and interpretation'
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Huggan, Graham. "The novelist as geographer : a comparison of the novels of Joseph Conrad and Jules Verne." Thesis, University of British Columbia, 1987. http://hdl.handle.net/2429/26839.
Full textArts, Faculty of
English, Department of
Graduate
Stratford, Madeleine. "Entre les mots et les silences : la crise créative (et existentielle) dans la dernière phase de la poésie de Ingeborg Bachmann et de Alejandra Pizarnik." Thesis, McGill University, 2003. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=19611.
Full textLaue, Ingrid Elizabeth. "Pictorialism in the fictional miniatures of Albert Paris Gütersloh." Thesis, University of British Columbia, 1987. http://hdl.handle.net/2429/27367.
Full textArts, Faculty of
Central Eastern Northern European Studies, Department of
Graduate
Sodekawa, Hiromi. "Enchi Fumiko : a study in the self-expression of women." Thesis, University of British Columbia, 1988. http://hdl.handle.net/2429/28285.
Full textArts, Faculty of
Asian Studies, Department of
Graduate
Bonnin, Agnès. "L'écriture du progrès ches Jules Verne : ambivalences de la modernité." Thesis, McGill University, 1996. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=26720.
Full textSkublics, Heather A. L. E. "Naming and vocation in the novels of J.R.R. Tolkien, Patricia Kennealy and Anne McCaffrey." Thesis, McGill University, 1994. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=68137.
Full textAdams, Melinda J. "Re-making the Auden canon : new readings and critical interpretations of W.H. Auden's 1930's poems based on revised texts." Virtual Press, 1991. http://liblink.bsu.edu/uhtbin/catkey/833006.
Full textDepartment of English
Poulin, Marguerite. "Le discours mystificateur chez Alphonse Allais /." Thesis, McGill University, 1990. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=74299.
Full textWe study therefore the tricks and the traps of the language employed by Allais with the aim of laughing at our expectations. From this point, we will demonstrate that, most of the time, a rupture between the conclusion and the beliefs of the readers exists regarding the fiction which is presented in the tales. Emphasizing the absurd in the texts, we accentuate the various literary techniques. As a result, we illustrate how the humour of Alphonse Allais turns out to be a technical work.
Daunais, Isabelle. "L'absurde comme élément comique dans les contes d'Alphonse Allais." Thesis, McGill University, 1988. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=63958.
Full textYaffe, Phyllis Cohen 1948. "The 'artist and model' theme in Picasso's work between 1926 and 1963 /." Thesis, McGill University, 1987. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=74042.
Full textVigneault, Louise 1965. "La question identitaire dans l'art moderne québécois /." Thesis, McGill University, 2000. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=36725.
Full textPrisco, Mario. "Journeys beyond binaries : storytelling and polyphony in the narratives of Gabriella Ghermandi, Igiaba Scego, Ubax Cristina Ali Farah and Amara Lakhous." Thesis, University of St Andrews, 2015. http://hdl.handle.net/10023/11947.
Full textFeenstra, Robin E. (Robin Edward) 1972. "Modern noise : Bowen, Waugh, Orwell." Thesis, McGill University, 2008. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=115604.
Full textChapter One provides a reading of Elizabeth Bowen's audible terrains in her novels of the 1930s, where silences and sudden noises intrude on human lives. In Bowen's novels, technological noise has both comedic and tragic consequences. Chapter Two examines noise as a political signifier in The Heat of the Day, Bowen's novel of the blitz. Chapter Three takes up the significance of the culture racket to Evelyn Waugh's novels and travel writing of the 1930s; noise assumes a disruptive, if highly comedic, value in his works, an ambiguity that expresses what it means to be modern. Chapter Four examines Waugh's penchant for satirizing the phoneyness of contemporary culture---its political vacillations---especially in Put Out More Flags, set during the Second World War. Chapter Five considers Orwell's engagement with the emerging social and political formations amongst working, racial, and warring classes in the 1930s. Documenting noise in his reportage, Orwell sounds alarms to alert readers to the mounting social and political crises in his realist novels of the decade. Chapter Six argues that Orwell's final two novels of the 1940s, Animal Farm and Nineteen Eighty-Four, represent the politics of noise in as much as they announce the noise of politics in totalitarian futures. Noise demarcates the insidiousness of propaganda as it screeches from telescreens, the keynote in Big Brother's ideological symphony of domination. Noise, throughout Orwell's writing, signifies the struggle for power. In its widest ramifications, noise provides an interpretive paradigm through which to read Bowen's, Waugh's, and Orwell's fiction and non-fiction, as well as modernist texts generally.
Jones, Chris. "A deeper "Well of English undefyled" : the role and influence of Anglo-Saxon in nineteenth- and twentieth-century poetry : with particular reference to Hopkins, Pound and Auden." Thesis, University of St Andrews, 2002. http://hdl.handle.net/10023/14708.
Full textLocke, Scott A. "The accompanied clarinet works of Eugene Bozza : descriptive analysis and performance guide with emphasis on the clarinet concerto." Virtual Press, 1996. http://liblink.bsu.edu/uhtbin/catkey/1026699.
Full textSchool of Music
Hopkins-Utter, Shane. ""An echo of an echo" : J.R.R. Tolkien's Middle-earth as elegiac romance." Thesis, McGill University, 2004. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=79947.
Full textKoopman, Jennifer. "Redeeming romanticism : George MacDonald, Percy Shelley, and literary history." Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=102805.
Full textChapter 1 introduces MacDonald's concern with literary genealogy, and discusses how his work as a literary critic and historian idealizes Shefey. Chapter 2 examines how MacDonald's Phantastes portrays literary history as romantic quest, featuring Shelley as a heroic but fallen knight, and opening questions about literary fatherhood. Chapter 3 interprets the gothic tale "The Cruel Painter" as a myth about the transition from the Enlightenment to Romanticism, in which MacDonald rewrites the story of Shelley's involvement with Mary Godwin and her father William Godwin. Chapter 4 considers Sir Gibbie and Donal Grant, works in which MacDonald explicitly critiques Shelley, and implicitly positions himself as the savior of the English literary tradition. Chapter 5 investigates MacDonald's later works, The Flight of the Shadow and Lilith, in which Shelley---and evil itself---become more complex entities. Throughout the dissertation, particular attention is given to the issue of repeating history vs. redeeming history, a tension that is reflected in MacDonald's use of vampire imagery to portray the unredeemed past.
McAlonan, Pauline. "Wrestling with angels : T. S. Eliot, W. H. Auden, and the idea of a Christian poetics." Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=100653.
Full textDuce, Cristy Lee. "In love and war : the politics of romance in four 21st-century Pakistani novels." Thesis, Lethbridge, Alta. : University of Lethbridge, Dept. of English, 2011, 2011. http://hdl.handle.net/10133/3127.
Full textv, 85 leaves ; 29 cm
Pazdziora, John Patrick. "George MacDonald's fairy tales in the Scottish Romantic tradition." Thesis, University of St Andrews, 2013. http://hdl.handle.net/10023/4460.
Full textParker, Louise Jane. "Shadows, struggles and poetic guilt : Glyn Jones, his literary doubles and the Welsh-language tradition." Thesis, Swansea University, 2011. https://cronfa.swan.ac.uk/Record/cronfa42983.
Full textCalderón, Jorge. "Configurations aporétiques, fiction de l'histoire et historicité de la fiction : Simone de Beauvoir, Albert Camus et Jean-Paul Sartre." Thesis, McGill University, 2004. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=85134.
Full textOn one hand I consider literature as an object which can be described by the methodologies of history. On the other hand I suggest an analysis of the historicity of the text that is constituted by the dynamic system generated by the interaction, the interdependence, and the correlation of the poetic and aesthetic parameters and the factors of the historical context. My aim is to set off the poetic and aesthetic mecanism of stability and of transformation of literary creation according to the dynamic relation between the vector of the project associated to realism and the one of the prototype associated to the novel. I think that late modernism produces paradoxical configurations of the novel because it is the period in which the project of realism becomes lapsed and the prototype of the realist novel becomes dilapidated.
Among the works that are exemplary of the tension between fiction and history and between project and prototype in the framework of the representation of reality and of the inscription of history in novels, I identified Albert Camus' La Peste, Simone de Beauvoir's Les Mandarins and Jean-Paul Sartre's Les Chemins de la liberte . I conclude that the enterprise of committed literature was an aporias because it was generated from the impoverishment of the project of realism and the obsolescence of the prototype of the novel. Later literature was extricated, firstly, by the radically and extremely metafictional writing of the Nouveau Roman and, secondly, it was changed by postmodern historiographic metafiction. The crisis of history and of the writing of history was solved by works in which there is the acknowledgement and the use of sophisticated mediations to evoke and inscribe history in different ways.
Rech, Moisés João. "As raízes da crise ambiental : uma leitura a partir da dialética do esclarecimento." reponame:Repositório Institucional da UCS, 2017. https://repositorio.ucs.br/handle/11338/2366.
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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior, CAPES.
The environmental crisis is one of the phenomena with the greatest social impact of contemporary times, and in view of its dimension, several political and social institutions have emerged with the objective of getting around and overcoming the difficulties imposed by the environmental problem. With this view, the present essay seeks to investigate the origins of the environmental crisis from the theoretical matrix of the first generation of the Frankfurt School - specifically from the work Dialectic of enlightenment by Theodor W. Adorno and Max Horkheimer. The choice of the perspective of Critical Theory takes into account a holistic and interdisciplinary position that seeks, ultimately, to transcend the narrow views of the institutes of Environmental Law as the only instruments - in addition to the green market - to mediate the relationship between man and nature. Thus, the development of a philosophical perspective on the origins of the environmental crisis contributes to becoming aware of the real agents causing the crisis and, consequently, to develop more effective instruments in its control. For that, the adopted methodology chose the qualitative research, and as a procedure the bibliographical review of the work Dialectic of enlightenment; as well as a wide range of environmental and legal commentators and researchers. The research confirmed the hypothesis that the origin of the environmental crisis rests on an epistemological crisis - originated from man’s own fear for all otherness and the principle of identity, which crystallizes as an instrumental reason. It is in view of this that Environmental Law is re-dimensioned as an instrument that, while vital to environmental regulation, is not in itself enough to control or even eliminate the crisis; which would require a review of the very foundations of enlightened thinking.
Menzies, Erica L. "The portrayal and function of relationships between women in selected Erzählungen by Ingeborg Bachmann /." Thesis, McGill University, 2004. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=81505.
Full textStelle, Ginger. "A swipe at the dragon of the commonplace : a re-evaluation of George MacDonald's fiction." Thesis, University of St Andrews, 2011. http://hdl.handle.net/10023/1974.
Full textBailey, Lucille Marie. "Sex-marked language differences : a linguistic analysis of lexicon and syntax in the female and male dialogue in the eight original plays of Lillian Hellman." Virtual Press, 1991. http://liblink.bsu.edu/uhtbin/catkey/776720.
Full textDepartment of English
George, Carla Elizabeth. "Identity and the children's literature of George MacDonald." Thesis, Stellenbosch : Stellenbosch University, 2015. http://hdl.handle.net/10019.1/96975.
Full textENGLISH ABSTRACTThe Victorian period, often heralded as the golden age of children‘s literature, saw both a break and a continuation with the traditions of the fairy tale genre, with many authors choosing this platform to question and subvert social and literary expectations (Honic, Breaking the Angelic Image 1; Zipes, Art of Subversion 97). George MacDonald (1824-1905), a prolific Scottish theologian, whose unspoken sermons, essays, novels, fantasies and children‘s fairy tales deliberately engage with such issues as gender, mortality, class, poverty and morality, was one such author (Ellison 92). This thesis critically examines how the Victorian writer George MacDonald portrays the notion of a ‗self‘ in terms of fixed ‗character‘ and mutable physical appearance in his fairy tales for children. Chapter One provides a foundation for this study by studying MacDonald‘s literary and religious context, particularly important for this former preacher banned from his pulpit (Reis, 24). Chapter Two explores a series of examples of the interaction between characters and their physical bodies. This begins with examining portrayals of characters synonymous with their bodies, before contrasting this with characters whose bodies appear differently than their inner selves. Chapter Two finishes by observing those characters whose physical forms alter throughout the course of the tale. As these different character-body interactions are observed, a marked separation between character and body emerges. In Chapter Three, the implications of this separation between character and body are explored. By writing such separations between the character and their body, MacDonald creates a space where further questions can be asked about our understanding of issues such as identity and mortality. Chapter Three begins with an analysis of the observations made in the first chapter, posing that MacDonald crafted characters consisting of an inner self and a physical body. This was then further explored through images of recognition in the tales, finding that characters are expected to recognize one another despite complete physical alterations; the inner self is able to know and be known. Chapter Three concludes by studying mortality in the tales, particularly MacDonald‘s portrayals of the possibility of life after death.
AFRIKAANSE OPSOMMING: Die Viktoriaanseperiode, wat gereeld voorgehou word as die goue era vir kinderliteratuur, het beide breuke en kontinuïteit gehad met die tradisies van die genre van sprokiesverhale. Menigte skrywers het sprokiesverhale gekies as ‘n middel waardeur hulle sosiale en literêre verwagtinge kon bevraagteken en omseil (Honic, Breaking the Angelic Image 1; Zipes, Art of Subversion 97). George MacDonald (1824—1905) — 'n prolifieke Skotse teoloog, wie se onuitgesproke preke, opstelle, novelle, fantasieë en kindersprokies doelgerig kwessies soos geslag, moraliteit, klas en armoede getakel het — was een só 'n skrywer (Ellison 92). Hierdie tesis ondersoek krities hoe die Viktoriaanse skrywer George MacDonald die idee van ‗self‘ uitgebeeld het in terme van 'n vaste "karakter" en veranderbare fisiese voorkoms in sy sprokiesverhale vir kinders. Hoofstuk Een verskaf 'n fondasie vir hierdie studie deur MacDonald se literêre- en geloofskonteks te bestudeer. Hierdie is besonders belangrik, omdat hierdie gewese predikant voorheen van die kansel verban was (Reis, 24). Hoofstuk Twee ondersoek 'n reeks voorbeelde van die interaksie tussen karakters en hul fisiese gestaltes. Dit begin met 'n ondersoek van uitbeeldings waarin karakters sinoniem met hul voorkoms is. Daarna word 'n kontras getrek met karakters wie se uiterlike voorkoms verskillend is van wie hulle innerlik is. Hoofstuk Twee sluit af deur merking te maak van karakters wie se fisiese voorkoms verander deur die verloop van die verhaal. Soos hierdie verskillende interaksies tussen karakter en voorkoms ondersoek word, word 'n merkbare verdeling tussen karakter en voorkoms ontbloot. In Hoofstuk Drie word die implikasies van hierdie verdeling tussen karakter en voorkoms ondersoek. Deur so 'n verdeling tussen karakter en voorkoms uit te beeld, skep MacDonald 'n ruimte waarbinne verdere vrae gevra kan word oor hoe ons kwessies soos identiteit en moraliteit verstaan. Hoofstuk Drie begin met 'n analise van die opmerkings wat in die eerste hoofstuk gemaak is, waarin gestel word dat MacDonald sy karakters ontwerp het om te bestaan uit 'n innerlike self en 'n fisiese voorkoms. Hierdie word dan verder ondersoek deur te kyk na voorbeelde van gewaarwording in die verhale, waar daar gevind is dat daar van die karakters verwag word om mekaar te herken ten spyte van gehele fisiese veranderinge; die innerlike self kan ken en geken word. Hoofstuk Drie sluit af deur die moraliteit van die stories te bestudeer, veral MacDonald se uitbeelding van die moontlikheid van lewe na die dood.
Syme, Margaret Ruth. "Tolkien as gospel writer." Thesis, McGill University, 1988. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=43459.
Full textDans la mesure, cette oeuvre d'imagination repond aux crit6res de f6erie de Tolkien en tant que conte "eucatastrophic" qui montre le chemin vers "I'Evangelium", cette eschatalogie qui se situe au moment o0 la volontê de Dieu est accomplie et les effets de la chute sont surmontes, Tolkien peut etre. considers comme un auteur biblique. Le fait qu'il est voulu que son oeuvre soit lue en tant qu'"&angile", "la bonne nouvelle du Royaunie de Dieu" est suggêre par diffèrentes choses: les allusions faites a la mythologie biblique et classique, la vision linêaire de l'histoire, la presentation du texte en tant que compilation d'une tradition provenant de sources diverses, transmise, recueillie et traduite par diffèrentes personnes, la situation geographique dans "Middle earth"(l'empire du Milieu) dans un passé lointain, le fait que l'auteur ait essay6 de crêer un monde conforme au processus connu de l'êvolution. 10anmoins l'auteur n'a pas rêussi dans ce conte a maintenir un point de vue chrêtien. fr
Berger, Aimee E. "Dark Houses: Navigating Space and Negotiating Silence in the Novels of Faulkner, Warren and Morrison." Thesis, University of North Texas, 2000. https://digital.library.unt.edu/ark:/67531/metadc2732/.
Full textMcInnis, Jeff. "Shadows and chivalry : pain, suffering, evil and goodness in the works of George MacDonald and C.S. Lewis." Thesis, University of St Andrews, 2004. http://hdl.handle.net/10023/2881.
Full textSneddon, Andrew John. "Discourses of race, place and nationalism in the writing of Neil M. Gunn." Thesis, University of Stirling, 2007. http://hdl.handle.net/1893/367.
Full textMeira, André Luiz Bordignon. "A Kénosis Trinitária como manifestação da misericórdia." Pontifícia Universidade Católica de São Paulo, 2017. https://tede2.pucsp.br/handle/handle/20751.
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Trinitarian kenosis in Christ’s event allows to grasp Church’s practice based in the perichoretic trinitarian relationship of Trinity’s donation in history. The fundamental issue lies within the drama of God and human relationship, where God donates Himself to be near the human being. Church’s practice is then understood as a merciful and loving pastoral. God’ mercy to human being, from Balthasar’s discussion of kenosis and Trinity reveals kenosis as an expression of Trinity’s mercy. Theological reflection allows to search for new paradigms that might address God in our times. This study explored Hans Urs von Balthasar’s theology, especially in his text Misterium Paschale, to study God’s will that, in His kenosis, in each person of Trinity, seeks for human beings in a loving and merciful action. People in our times, despite technological progress, seem to be distant to each other, developing a merciless awareness. Thus, reflections produced by this study search in Balthasar’s theology what is revealed by Christ in His incarnation, death, and resurrection: a lowering of God, kenotic, of a total annihilation of His divinity, to manifest all His Mercy to human person. God, in His freedom, chooses to be present in the drama of human life, despite humanity’s sufferings, and leads the Church to a mystic and merciful practice
A Kénosis trinitária possibilita, no evento Cristo, compreender a prática da Igreja baseada na relação pericorética intratrinitária da doação da Trindade na história. A questão fundamental está na relação entre Deus e o ser humano, na dramática, em que Deus doa a Si mesmo para estar próximo do ser humano. A prática eclesial passa a ser compreendida numa pastoral misericordiosa e amorosa. A misericórdia de Deus para com o ser humano na discussão da Kénosis e a Trindade, a partir de Balthasar, evidencia a Kénosis como manifestação da misericórdia da Trindade. A reflexão teológica proporciona buscar novos paradigmas que possam falar de Deus nos tempos em que vivemos. Este estudo buscou na teologia de Hans Urs von Balthasar, em especial na sua obra Misterium Paschale, estudar a vontade divina que na sua Kénosis, de cada Pessoa da Trindade, buscar o ser humano, como um gesto de amor e de misericórdia. As pessoas em nossos tempos, mesmo com os avanços tecnológicos, parecem distanciar-se um das outras, o que forma uma consciência sem misericórdia. Portanto, as reflexões realizadas neste trabalho buscam na Teologia de Balthasar o que o Cristo nos revela na sua encarnação, morte e ressurreição: um rebaixamento de Deus, kenótico, de total aniquilar de sua divindade para manifestar toda a sua misericórdia à pessoa humana. Deus na Sua liberdade escolhe estar presente na dramática da vida humana, mesmo diante do sofrimento da humanidade, e conduz a Igreja a uma mística e prática misericordiosa
Kaplan, Stacey Meredith 1973. "The modern(ist) short form: Containing class in early 20th century literature and film." Thesis, University of Oregon, 2010. http://hdl.handle.net/1794/10574.
Full textMy dissertation analyzes the overlooked short works of authors and auteurs who do not fit comfortably into the conventional category of modernism due to their subtly experimental aesthetics: the versatile British author Vita Sackville-West, the Anglo-Irish novelist and short-story writer Elizabeth Bowen, and the British emigrant filmmaker Charlie Chaplin. I focus on the years 1920-1923 to gain an alternative understanding of modernism's annus mirabulus and the years immediately preceding and following it. My first chapter studies the most critically disregarded author of the project: Sackville-West. Her 1922 volume of short stories The Heir: A Love Story deserves attention for its examination of social hierarchies. Although her stories ridicule characters regardless of their class background, those who attempt to change their class status, especially when not sanctioned by heredity, are treated with the greatest contempt. The volume, with the reinforcement of the contracted short form, advocates staying within given class boundaries. The second chapter analyzes social structures in Bowen's first book of short stories, Encounters (1922). Like Sackville-West, Bowen's use of the short form complements her interest in how class hierarchies can confine characters. Bowen's portraits of classed encounters and of characters' encounters with class reveal a sense of anxiety over being confined by social status and a sense of displacement over breaking out of class groups, exposing how class divisions accentuate feelings of alienation and instability. The last chapter examines Chaplin's final short films: "The Idle Class" (1921), "Pay Day (1922), and "The Pilgrim" (1923). While placing Chaplin among the modernists complicates the canon in a positive way, it also reduces the complexity of this man and his art. Chaplin is neither a pyrotechnic modernist nor a traditional sentimentalist. Additionally, Chaplin's shorts are neither socially liberal nor conservative. Rather, Chaplin's short films flirt with experimental techniques and progressive class politics, presenting multiple perspectives on the thematic of social hierarchies. But, in the end, his films reinforce rather than overthrow traditional artistic forms and hierarchical ideas. Studying these artists elucidates how the contracted space of the short form produces the perfect room to present a nuanced portrayal of class.
Committee in charge: Paul Peppis, Chairperson, English; Michael Aronson, Member, English; Mark Quigley, Member, English; Jenifer Presto, Outside Member, Comparative Literature
Gao, Xiongya. "Images of Chinese women in Pearl S. Buck's novels : a study of characterization in East wind, west wind, Pavilion of woman, Peony, The good earth, and The mother." Virtual Press, 1993. http://liblink.bsu.edu/uhtbin/catkey/862280.
Full textDepartment of English
Langwith, Mark J. "'A far green country' : an analysis of the presentation of nature in works of early mythopoeic fantasy fiction." Thesis, University of St Andrews, 2007. http://hdl.handle.net/10023/313.
Full textMarques, Mariana Lima 1982. "A dominação, O tempo e o vento : dominação pessoal e patriarcalismo no romance historico de Erico Verissimo." [s.n.], 2009. http://repositorio.unicamp.br/jspui/handle/REPOSIP/281981.
Full textDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas
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Resumo: A presente Dissertação de Mestrado tem por objetivo analisar no romance histórico de Érico Veríssimo O Tempo e o Vento como a questão da dominação pessoal se apresenta no decorrer de 200 anos de história do Rio Grande do Sul. Dessa forma, sendo evidente de nossa formação social o caráter patrimonialista de dominação pessoal, pretende-se analisar como Érico Veríssimo deixa transparecer tais características, levando em consideração a trajetória de suas personagens evidenciadas principalmente através das relações entre as famílias Terra-Cambará, Amaral e Caré e os demais clãs da cidade fictícia de Santa Fé.
Abstract: The present Master's Dissertation seeks to analyze, inside of Érico Veríssimo's historic novel O Tempo e o Vento how the question of the personal domination presents itself throughout the 200-year span of the Rio Grande do Sul's history. That way, being evident the patrimonial characteristic of Personal Domination in our social formation, it tries to analyze how Érico Veríssimo lets said characteristics show themselves, taking in consideration the journey of his characters, showed mainly through the interactions between the families Terra-Cambará, Amaral and Caré and the other clans of the ficticious city of Santa Fé.
Mestrado
Pensamento Social Brasileiro
Mestre em Sociologia
Dudley, Cynthia. "Christian heroism in J.R.R. Tolkien's The Lord of the Rings." Thesis, McGill University, 1988. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=61875.
Full textDavis, Rebecca. "Unstable ironies : narrative instability in Herman Charles Bosman's "Oom Schalk Lourens" series /." Thesis, Rhodes University, 2006. http://eprints.ru.ac.za/235/.
Full textLacefield, Katharine. "A dialectical discussion of Jean-Paul Sartre's concept of freedom and contemporary suicide bombers." Honors in the Major Thesis, University of Central Florida, 2003. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/320.
Full textBachelors
Arts and Sciences
Philosophy
Oliveira, Samanta Barreto Matos. "Aleijão: a desconstrução na poesia do tempo presente." Pontifícia Universidade Católica de São Paulo, 2017. https://tede2.pucsp.br/handle/handle/20544.
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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES
The present dissertation proposes to analyze the book Aleijão (2009), by the Brazilian poet Eduardo Sterzi (Porto Alegre, 1973). This analysis of the poems and the structure of Aleijão aims to identify and discuss the elements that constitute the poetry that can, from the structural and thematic elements, lead to represent the condition of a fragmented contemporary man. It is assumed that this work exemplifies contemporary issues, bringing its vision of a world that is not welcoming, violent, and offers only the disturbing vision of chaos. There are in the verses expressions of aggressiveness, presented explicitly or in ironic suggestions ("This corpse is ours / lunch / What will be the dessert?"), bringing metaphors of passivity and accommodation in the face of violence and death dealt with by the poetic self with naturalness in front of grotesque images. And, parallel to the images, fragmentary syntactic procedures emphasize, in the language itself, the fragmentation condition of contemporary man. As the dissertation sought to discuss, such aspects focus on Sterzi's poetry revealing the deconstruction of the poetic making of the present time
A presente dissertação propõe-se a analisar o livro Aleijão (2009), do poeta brasileiro Eduardo Sterzi (Porto legre, 1973). Tal análise dos poemas e da estrutura de Aleijão tem como objetivo identificar e discutir os elementos que constituem a poesia que pode, a partir dos elementos estruturais e temáticos, levar a representar a condição de um homem contemporâneo fragmentado. Parte-se do pressuposto de que essa obra problematiza exemplarmente questões contemporâneas, trazendo sua visão de um mundo pouco acolhedor, violento, que oferece apenas a perturbadora visão do caos. Há nos versos expressões de agressividade, apresentadas de modo explícito ou em sugestões irônicas (“Este cadáver é nosso/ almoço/ Qual será a sobremesa? ”), trazendo metáforas da passividade e acomodação diante da violência e da morte tratada pelo eu-poético com naturalidade diante de imagens grotescas. E, paralelamente às imagens, procedimentos sintáticos fragmentários enfatizam, na própria linguagem, a condição de fragmentação do homem contemporâneo. Como a dissertação procurou debater, tais aspectos incidem na poesia de Sterzi revelando a desconstrução do fazer poético do tempo presente
Marcon, Daniele. ""Afinal de contas, que é um gaúcho?" : Erico Verissimo e as identidades regionais do Rio Grande do Sul." reponame:Repositório Institucional da UCS, 2015. https://repositorio.ucs.br/handle/11338/1063.
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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior.
This dissertation intends to study the perception of Erico Verissimo about himself, his literary production and his relation with the political and social context of his time and space, from that to verify the relation he established with his homeland, Rio Grande do Sul. The objective of this analysis is to outline the conception of the writer about the regional identities present in the southern state, trying to answer the question: “what is a gaúcho?”. Therefore, this research is based, largely, in the non-fictional writings of the novelist, as his interviews, letters, essays, memories and other statements of this nature. Besides, this analysis verifies some books and characters of the writer, because it is understood that also in the fiction the thought of Erico Verissimo is represented, mainly the aspects concerned to the question of the identities. Along the way, it is also discussed categories like memory, region, regionality, regionalism, (regional) identity and homeland.
Pea, John B. "Black Elk, Neihardt, and the defeated hero." Virtual Press, 1991. http://liblink.bsu.edu/uhtbin/catkey/834124.
Full textDepartment of English
Cabral, Fernando da Silva. "Uma contribuição à crítica literária brasileira: Antologia de literatura estrangeira, de Patrícia Galvão e Geraldo Ferraz, no Diário de S. Paulo." Pontifícia Universidade Católica de São Paulo, 2018. https://tede2.pucsp.br/handle/handle/21667.
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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES
The main purpose of this paper is the first year of publication of the biobibliographic studies, prepared by Geraldo Ferraz (1905-1979) and Patrícia Galvão (1910-1962) in the literary supplement of the Diário de S. Paulo, entitled Anthology of foreign literature, published between November 24, 1946 to November 28, 1948. This research aimed to investigate a sampling of 9 articles that point to a historical moment of tension between the review, whose anecdotal-biographical traits were common in the field of journalism when it comes to literary criticism in the 1940’s, and specialized criticism, most commonly found within the academy. The hypothesis we propose is that this critique is articulated in three strands: firstly, the one whose discursive dominance resides in the sheer dissemination of the work and the author, passing through an intermediary model between review and critical academic commentary, and finally, the third model in which the specialized critical discourse prevails, taking advantage of an aesthetic-literary nature. For this, this study was structured based on the qualitative research to describe, to understand and to explain the forces that stress the critical project developed by the couple of organizers of the column. In this sense, the essay by Flora Süssekind (2002), Rodapés, tratados e ensaios, a formação da crítica brasileira moderna, is the starting point of this research, as well as the works developed by Afrânio Coutinho (1987, 2001, 2004) to understand the phenomenon of Brazilian literary criticism in the 1940s. In addition to contributing to the study of Brazilian literature, this project aims to retrieve the articles published in the column and, thus, to observe how the work of the literary critic was being performed in a period in which systematic academic criticism was being forged as the mainstream
Este trabalho tem por objeto central o primeiro ano de publicação dos estudos biobibliográficos, elaborados por Geraldo Ferraz (1905-1979) e Patrícia Galvão (1910-1962) no suplemento literário do Diário de S. Paulo, intitulados Antologia de literatura estrangeira, publicados entre 24 de novembro de 1946 a 28 de novembro de 1948. Esta pesquisa se propôs a investigar uma amostragem de 9 artigos que apontam para um momento histórico de tensão entre o review, de tratamento anedótico- biográfico, e a crítica especializada. A hipótese que projetamos é a de que essa crítica se articula em três vetores: primeiramente, aquele cuja dominância discursiva reside na divulgação da obra e do autor, passando por um modelo intermediário entre o review e o comentário crítico acadêmico, e, finalmente, o terceiro modelo no qual prevalece o discurso crítico especializado, de cunho estético-literário. Para tanto, este estudo se estruturou com base na pesquisa qualitativa para descrever, compreender e explicitar as forças que tensionam a projeto crítico desenvolvido pelo casal de organizadores da coluna. Nesse sentido, o ensaio de Flora Süssekind (2002), Rodapés, tratados e ensaios, a formação da crítica brasileira moderna, é o ponto de partida dessa investigação, assim como os trabalhos desenvolvidos por Afrânio Coutinho (1987, 2001, 2004) para compreender o fenômeno da crítica literária brasileira, nos anos de 1940. Além de contribuir para o estudo da literatura brasileira, este projeto pretende resgatar os artigos publicados na coluna e, assim, observar como se efetivou o trabalho do crítico literário num período que a crítica sistemática, acadêmica, se configurava enquanto ofício
Yoder, Rachel M. "Performance Practice of Interactive Music for Clarinet and Computer with an Examination of Five Works by American Composers." Thesis, University of North Texas, 2010. https://digital.library.unt.edu/ark:/67531/metadc33219/.
Full textLeff, Carol Willa. "Bosman as Verbindingsteken: Hybridities in the Writing of Herman Charles Bosman." Thesis, Rhodes University, 2014. http://hdl.handle.net/10962/d1013163.
Full text譚碧娜. "施蟄存詞學業績研究 = A study of the accomplishment in Ci of Shi Zhe Cun." Thesis, University of Macau, 2009. http://umaclib3.umac.mo/record=b2143955.
Full textSantos, Lucinéia Alves dos. "Motta Coqueiro, a fera de Macabu = literatura e imprensa na obra de José do Patrocínio." [s.n.], 2011. http://repositorio.unicamp.br/jspui/handle/REPOSIP/270264.
Full textDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem
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Resumo: O romance Motta Coqueiro ou A Pena de Morte de José do Patrocínio foi publicado pela primeira vez em folhetim, veiculado no periódico Gazeta de Notícias em 22 de dezembro de 1877 a 03 de março de 1878. A obra possui uma estreita ligação com a imprensa, pois foi inspirada em fato verídico noticiado por vários jornais em 1852: o assassinato brutal de uma família de colonos com oito membros. O episódio culminou na pena capital de um fazendeiro influente da região de Campos: Manuel da Motta Coqueiro acusado de ser o mandante do crime. Nesta dissertação, evidenciaremos a relação existente entre a literatura e a imprensa dentro do primeiro romance de José do Patrocínio. Para tanto, analisamos artigos de jornais referentes ao caso Motta Coqueiro entre os anos de 1852 a 1855, bem como os artigos que retomaram o assunto durante o ano de 1877. Neste período, a execução de Coqueiro era vista como um erro judiciário, e o romance-folhetim de José do Patrocínio começou a ser editado diariamente. Foi amplamente divulgado no ano de 1878, quando recebeu sua edição em volume
Abstract: The novel Motta Coqueiro or A Pena de Morte by José do Patrocínio was published for the first time in a serial, spread at the newspaper Gazeta de Notícias from 22nd of December, 1877 to 3rd of March, 1878. The work has a narrow connection with the Press, for it was inspired and based in a true story reported by several newspapers in 1852: the murder of eight people in an aggregate family. The episode ended up with the capital punishment of an influential farmer named Manuel da Motta Coqueiro, who lived in the region and was accused of being responsible for the crime. In this dissertation will be in evidence the existent relation between Literature and Press in the first novel written by José do Patrocínio. In order to do it ,some newspapers articles concerning to the case Motta Coqueiro from 1852 to 1855, were analysed, as well as the essays that resumed this matter during the year of 1877. At this period, the serial novel written by José do Patrocínio started to be edited daily, presenting the Coqueiro's execution as a judicial mistake
Mestrado
Literatura Brasileira
Mestre em Teoria e História Literária
Lynch, Éadaoín. "'This may be my war after all' : the non-combatant poetry of W.H. Auden, Louis MacNeice, Dylan Thomas, and Stevie Smith." Thesis, University of St Andrews, 2018. http://hdl.handle.net/10023/16566.
Full textFontana, André. "Identidades gaúchas : serranos, pampeanos, missioneiros e outras variações em O Tempo e o Vento." reponame:Repositório Institucional da UCS, 2007. https://repositorio.ucs.br/handle/11338/1014.
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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior, CAPES
The present paper approaches the “gaúchas” identities represented by characters in O Tempo e o Vento in the perspective of their variations, emphasizing the diversity inherent to the constitution of the South-Brazilian human kind. It also highligths the plurality of the rio-grandense social formation, bordering upon land and characterized by the mixture of different cultures. This trait is remarkable in Erico’s historical novel. It is in the esthetic proposal of the narrative: in the constituition, architecture and development of the Terra-Camabrá clan. Through the figure of the mountain region “gaucho”, it is possible to think of which ways several ethnic groups have interacted along time, in the process of occupation, conquer and delimitation of space. Through the counter position of the differences, the several regional identities will be able to “shine with greater splendor”, revealing some local peculiarities; distinctive signs, identity attributes that may delimit and co fuse different southern territor ies.
Gabelman, Daniel. "'Divine carelessness' : the fairytale levity of George MacDonald." Thesis, University of St Andrews, 2011. http://hdl.handle.net/10023/2584.
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