Dissertations / Theses on the topic '1903-1977'
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Tumey, Scott Joseph. "A gas-injection negative ion source for accelerator mass spectrometry." College Park, Md. : University of Maryland, 2004. http://hdl.handle.net/1903/1977.
Full textThesis research directed by: Chemistry. Title from t.p. of PDF. Includes bibliographical references. Published by UMI Dissertation Services, Ann Arbor, Mich. Also available in paper.
Celerier, Patricia-Pia. "Anaïs Nin à Paris : les relations de l'écrivain avec Joaquin Nin, son père, Henry Miller, les docteurs René Allendy et Otto Rank, leur influence sur sa vie et sa création littéraire." Paris 4, 1987. http://www.theses.fr/1987PA040104.
Full textStudy of Anais Nin's personal and creative growth in Paris between 1931 and 1939 through her relationships with her father, Joaquin Nin, Henry Miller and her two Parisian psychoanalysts, René Allendy and Otto Rank. Evaluation of the four men's influence on her life and literary production. The birth of an artist in a man-made world
Bludsztejn, Chantal. "Vision du féminin dans "Les cités intérieures" d'Anaïs Nin." Toulouse 2, 1987. http://www.theses.fr/1987TOU20112.
Full textA major work in the fiction of Anais Nin, the collection of "The cities of the interior3, composed of five books (Ladders to fire, Children of the albatross, The four-chambered heart, A spy in the house of love, Seduction of the Minotaur) was published in 1961 and introduces three women who represent the ideas of this writer: Djuna, Lillian and Sabina. The study of "The perception of womanhood" in this work is arranged like a triptych: the first part, "The quintessence of womanhood", unveils the kaleidoscopic silhouettes of these characters which are reflected indefinitely by mirrors and glances in a motley patchwork of physical details and in whirl of objects. It shows the affinities which grow between these women, searching for their essential being, and the natural elements (water, air, fire, earth) and reveals the plasticity of a conquered space adapted to their femininity. In the second part, "woman, a social being", the social side of women attached to the world of the arts and themselves artists (Lillian a pianist, Djuna a dancer and Sabina an actress) is analyzed: especially the relationships of identification and rivalry which the women create between themselves and the ties which unite men and women who, through their education, are faced with a certain code of behaviour. The third part, "A feminine writing" highlights the interferences linking the diary, the interior world, with the novels, the outside world. It shows the stylistic procedure used by Anais Nin to translate the complexity of a consciousness - metaphors, aesthetic references, the playful working of the memory and dreams -. It also underlines the state of conflict felt by the characters, the autobiographical projections of an author, in their desire to abandon a role of a character in order to acquire the status of a person
Paula, Damiana Pereira de. "O processo criativo e a personalidade criadora : um estudo da poética de Anaïs Nin no poema em prosa A Casa do Incesto." reponame:Repositório Institucional da UnB, 2016. http://repositorio.unb.br/handle/10482/20943.
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O universo ficcional da escritora Anaïs Nin se destaca no cenário literário pela sua poeticidade e lirismo bem como pela sua preocupação em desvendar o mundo da subjetividade humana por meio da criação de imagens e símbolos. Em sua vasta obra, a autora se dedicou à escrita de diários, romances experimentais, poema em prosa, contos, contos eróticos, cartas, crítica literária e ensaios. O objetivo da presente tese é analisar o tema da criação artística e da personalidade criadora no poema em prosa A casa do incesto. A abordagem estética do poema está centrada em dois aspectos: primeiramente realiza um estudo de suas influências - fortemente marcadas pelo movimento Surrealista, pelas ideias psicanalíticas, pela poesia Simbolista, sobretudo Rimbaud – e, em um segundo momento, explora a relação que o poema mantém com a escrita dos diários. _______________________________________________________________________________________________ ABSTRACT
The fictional universe created by Anaïs Nin is celebrated for its highly poetical and lyrical form, abounding with images and symbols through which the world of human subjectivity is revealed. Nin was a prolific writer and throughout her life published diaries, experimental novels, a prose poem, short-stories, erotica, letters, literary criticism and essays. The present thesis aims at analyzing the theme of artistic creation and the creative personality in the prose poem House of Incest. The aesthetic approach of the poem is focused on two different aspects: Firstly, it explores the influences of the Surrealist movement, psychoanalysis and Symbolism - especially Rimbaud. Secondly, it investigates the connections between the poem and the diaries.
Dunbar, Erin. "The Sacred and the Profane: Nin, Barnes, and the Aesthetics of Amorality." Thesis, University of North Texas, 2009. https://digital.library.unt.edu/ark:/67531/metadc11047/.
Full textHsieh, Shih-Yun. "Neoclassic violin sonatas, 1922-1977." College Park, Md. : University of Maryland, 2005. http://hdl.handle.net/1903/3176.
Full textOliveira, Arthur Rovida de. "Monografias sobre as timbila e a construção do Imperio Portugues em Moçambique." [s.n.], 2008. http://repositorio.unicamp.br/jspui/handle/REPOSIP/279149.
Full textDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas
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Resumo: A nação e a nacionalidade cultural, tendo-se como destaque o Estado de Moçambique, são temas complexos, porque reúnem uma série de aspectos políticos, históricos e culturais do país e de sua população. Para desenvolver esta pesquisa, escolheu-se como objeto de análise a categoria de canto e dança enunciada por estudiosos dos nativos de Moçambique, presente em monografias antropológicas do período colonial. Canto e dança são unidos numa categoria ocidental de pesquisa, não nativa. Assim, a princípio, questiona-se: como os autores retiram certos aspectos da vida social para escrever sobre canto e dança? Quais temáticas são criadas e delimitadas? Como, numa vida social ampla, definem-se certas categorias de canto e dança? Com isso, procura-se destacar quais representações são constituídas pelos autores da antropologia sobre o contexto da vida no império e sobre qual base material os autores constroem o conhecimento sobre seus pesquisados, fundamentando suas próprias relações de alteridade
Abstract: The nation and cultural nationality, specially in the state of Mozambique, are complex themes, because they take together a series of political, historical and cultural aspects of the country and its population. For this research, the analitical object chosen was the category of chant and dance made by researchers of the natives of Mozambique, present in anthropological monographs made at the colonial period. Chant and dance are taken together in an ocidental category of research, non-native. So, first of all, we may question: how the authors extract some social life aspects to write about chant and dance? Which thematics are created and delimited? How, in a wide social life, are set certain categories of chant and dance? Taking this point, we hope to know more about which representations are constituted by these anthropology authors in the context of imperial life, and what constitutes their own alterity relationships
Mestrado
Mestre em Antropologia Social
Fox, Stacey Jade. "The idea of madness in Dorothy Richardson, Leonora Carrington and Anais Nin." University of Western Australia. English and Cultural Studies Discipline Group, 2008. http://theses.library.uwa.edu.au/adt-WU2008.0194.
Full textCammareri, Corinne. "Altérité , maternité création chez les écrivains du 20ème siécle à nos jours." Paris 7, 2010. http://www.theses.fr/2010PA070090.
Full textWomen have that particular characteristic of being able to bringing forth life, of living it, and, all the while, of keeping a trace of it within their bodies. What happens to women's writing when it collides with the physical demands of motherhood and makes it so necessary for them to come to terms with their maternal passion? I decided to study the works of women writers such as Colette, Anais Nin, Marguerite Duras, Nancy Huston, Julia Kristeva, Christine Angot, Marie Darrieussecq and others, from the beginning of the 20th century to the present in order to follow as closely as possible the construction of a maternal discourse within their writing. These writers manage to use their art to go beyond the passion while passing on the language, the ability to think and to create to that other being, their child. They try to bridge the cleavage of maternal passion to avoid choosing between submission or sublimation. Traversing their inner experience, we are able to discover the love of these mothers as well as the sublimation of women
Dubois, Boucheraud Simon. "Écritures du moi, genèse et créativité : les mises en scène d'Anaïs Nin (1931-1942)." Thesis, Montpellier 3, 2011. http://www.theses.fr/2011MON30034/document.
Full textTo camouflage her past, dissemble about her adulterous affairs, and conceal consensual incest with her father and a lifetime of brazen lies, the « selected pieces » that Anaïs Nin offers to readers as her Diary, as of 1966, bear only a tangential relationship to the manuscripts. Even the so-called unexpurgated diary, published posthumously and based on the typescripts that Nin made of her diaries, contains significant revisions and emendations. Among the hundred and ten-odd volumes of a protean, handwritten diary, this study brings to the fore what remains, but also what was added, leading us to question whether the resulting document can truly be called a « diary ». In attempting to capture her ever-elusive self, Nin composed her life, and even in the manuscripts, the imaginary played a great part in that process. From a vast corpus examined at UCLA and Northwestern university, this study focuses on the period from the beginning of The Diary (as distinct from The Early Diary), till Nin publishes The Winter of Artifice (1939, and 1942), a fictionalization of her life at a time when publishing the diary was impossible. This piece is also an attempt to deal with—and, Nin hoped, vanquish—the lingering conflict of the diary with time and that of the woman with her father. Comparing the drafts of this work, revised by Henry Miller, with the handwritten diaries and the anthumously and posthumously published versions enables us to fully seize the extent of Nin’s rewriting and self-censorship, as well as the scope of a creative approach which amounts to many stagings of the self that the diarist would later legitimatize by making Otto Rank’s psychoanalytical principles her own
Jégou, Mathilde. "Le corps à l'ouvrage : les représentations du corps dans les récits de voyage d'Ella Maillart, d'Annemarie Schwarzenbach, de Nicolas Bouvier et de Lorenzo Pestelli." Paris 4, 2008. http://www.theses.fr/2008PA040232.
Full textIn the 1930s, Ella Maillart and Annemarie Schwarzenbach left Switzerland for Afghanistan. Two decades later, Lorenzo Pestelli and Nicolas Bouvier set out on the routes to the East. Daughters and sons of prominent industrialists, academics or diplomats, these four writer-travellers made a point of straying away from the bourgeois conception of travel by presenting their departure as a way of defining the self away from social, family, national and Western inheritance. The East appears to them as the location of many possibilities. Yet, in spite of their desire for a clean slate, they soon realise that, no matter what they do, their body carries the stigma of the West. They will thus try to modify it. If the aim of their travelling is not to make the body disappear completely, it is only by putting it at risk and by offering it to the world, for better and often for worse, that the travellers believe they can taste the delights from the outside. But how to put in words this carnal, physical, sensual and even erotic pleasure ? And what language can be chosen to account for one’s presence in the world? Working jointly on four writers, from different eras, genres and styles, helps us to observe the evolution of the representations of the body in travel literature in the 20th century and at the same time it questions our reading habits. What representations of the body do we expect in travel literature ? Is travel literature really the privileged location to put the body back to work ?
Khan, Irfan Moeen. "The construction of Deobandī 'Ulamā's religious authority in Pakistan : a study of their journal, Bayyināt, 1962-1977." Thesis, McGill University, 2004. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=83187.
Full textSimon-Oikawa, Marianne. "Poésie et écriture (alphabet et idéogramme dans quelques exemples de poésie visuelle en France et au Japon)." Paris 7, 1999. http://www.theses.fr/1999PA070107.
Full textRichard-Ouellet, Guillaume. "Ontologie, politique et utopie : analyse comparée de la pensée de Ernst Bloch et Hans Jonas." Mémoire, 2012. http://www.archipel.uqam.ca/4605/1/M12391.pdf.
Full textGilbey, Jessica L. "A mother (A)Rosa : Anais Nin and reconceiving subjective birth." Thesis, 2015. http://hdl.handle.net/1959.7/uws:35471.
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