Relevant bibliographies by topics / 1903-1966 Criticism and interpretation

Academic literature on the topic '1903-1966 Criticism and interpretation'

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Published: 10 December 2022
Last updated: 29 January 2023

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Journal articles on the topic "1903-1966 Criticism and interpretation"

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Vaninskaya, Anna. "Korney Chukovsky in Britain." Translation and Literature 20, no. 3 (November 2011): 373–92. http://dx.doi.org/10.3366/tal.2011.0037.

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Korney Chukovsky is a neglected figure in the story of the British reception of Russian literature. This essay attempts to recover his place in the complex networks of translation, criticism, and interpretation in the twentieth century by examining his three visits to Britain (1903-4, 1916, and 1962), his activities as an intermediary for British writers in Russia, and the British dissemination of his literary criticism.In his alternate guises as indigent newspaper correspondent, feted member of a wartime delegation, and recipient of an Oxford honorary doctorate, Chukovsky came to be both a key contributor to and a keen observer of British perceptions of Russian literature.
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Rasyad, Abdul, Reiza D. Dienaputra, Mumuh Muhsin Zakaria, and Raden Muhammad Mulyadi. "Tarekat dan Modal Sosial dalam Sistem Pendidikan Nahdlatul Wathan, 1966-1997." Jurnal Sejarah Citra Lekha 6, no. 2 (October 15, 2021): 68–79. http://dx.doi.org/10.14710/jscl.v6i2.31812.

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Tarekat [Islamic congregation] is always interesting to be studied, including the Tarekat Hizib that developed in the Islamic organization of Nahdlatul Wathan (NW). This paper aims to explain the development and exposes a system of tarekat education and understand the social capital relations involved in the NW organization. This study is a historical study which is carried out in four stages, namely heuristics, criticism, interpretation, and historiography. According to the study, the education system developed by NW combines the salafiyyah [An education system that condemns theological innovation and advocates strict adherence to shari'a and to the social structures existing in the earliest days of Islam] and khalafiyyah, in which on the one hand maintains the traditional education in pesantren [Islamic boarding schools], but on the other hand also follows government regulations in implementing the national education system. Meanwhile, tarekat relations in the tarekat education system become a social capital in the religious life of NW followers and shaping the characteristics and personality of the community as well as the spiritual messages outlined by the tarekat founders. During the period 1966 to 1997, it was the main period as well as the antithesis in changing the orientation of the spiritual life perspective among the NW followers which has been getting stronger.
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Abreu, José Guilherme, Salomé Carvalho, Rui Bordalo, and Eduarda Vieira. "THE IMAGE OF SOARES DOS REIS’ SCULPTURE IN ART HISTORY, ART CRITICISM AND LITERATURE: EPOCHS, MODELS AND REPRESENTATIONS." ARTis ON, no. 9 (December 26, 2019): 74–85. http://dx.doi.org/10.37935/aion.v0i9.240.

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A hundred thirty years after his dramatic death, António Soares dos Reis (ASR) remains a huge challenge for art history understanding and art criticism interpretation, since he has been seen simultaneously as “a Greek, […] a realist, […] a classical, […] and a naturalist” (Arroyo, 1899: 78). His major sculpture – O Desterrado – being “an existential work” (França, 1966: 454) escapes from the classic orthodox aesthetic analysis, standing apart from the typical sculptural work of late 19th century. Our hypothesis is that ASR art works like a Rorschach test, for the narratives referred to it, instead of unveiling its character, reveal the concepts and beliefs upon which successive art studies have been produced. No visual images are displayed in this text, since the aim of our study is to detect the mental images associated to the insights and models that art historians and other authors traditionally used to assess ASR’s artistic work.
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Kholidah, Nur Isnaini. "“BANJIR DAN BANTUAN DI SURAKARTA” FILANTROPI DALAM BANJIR SOLO TAHUN 1966." Al-Isnad: Journal of Islamic Civilization History and Humanities 3, no. 1 (July 28, 2022): 15–30. http://dx.doi.org/10.22515/isnad.v3i1.5255.

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ABSTRACT This research discussed aboute the philanthropic practices that occurred in the Solo flood in 1966. The city of Solo and the surrounding area is an area that is often subject to flooding. This happens because Solo City is one of the areas crossed by the Bengawan Solo River, where Bengawan Solo is the longest river in Java Island. If at any time there is a significant increase in rainfall and for a long time, the worst risk caused is the occurrence of a flood disaster. One of the major floods that hit Solo City and the surrounding area was the flash flood that occurred in 1966. The incident hit six inner districts and caused considerable losses. The problem studied this time is how the philanthropic practices of the Indonesian people remain intertwined in the midst of unstable political conditions, because 1966 was a fairly crucial period. To conduct this research, the author used the historical research method. This method includes the selection of titles, data collection, criticism or selection and filtering of data, interpretation or interpretation of the data that has been obtained, and the last step is historiography or the stage of writing history. In addition to using historical research methods, the author also uses the concept of social roles as a theoretical basis in carrying out the research. The concept was chosen by the author because it is able to help the author in seeing how the role of each individual and group in the recovery of the Solo City Area and its surroundings after the flash flood disaster. The results of this reseach is explain how the flood disaster that hit the Solo region and its surroundings in 1966 could move a sense of humanity and empathy among the Indonesian people in the midst of unstable political conditions. Until the people of Solo City and also the surrounding areas who are victims of the disaster can bounce back from the slump caused by the flood disaster. The participation of the Indonesian people as a reaction to the flood event that hit Solo and its surroundings was able to restore the state of Solo City and the surrounding area as before. Keywords: Bengawan Solo, flood, philanthropy
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Diana Rohi and Moses Kollo. "RECONSTRUCTION OF NAHAK MAROE RAI HERO'S POWER TO CONQUER THE NETHERLANDS IN BELU 1900-1906." Santhet: (Jurnal Sejarah, Pendidikan, dan Humaniora) 6, no. 2 (October 31, 2022): 158–62. http://dx.doi.org/10.36526/santhet.v6i2.2151.

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The war that brought together the hero Nahak Maroe Rai and Dutch troops in South Belu in 1900-1906 was an effort to protect the territory of the Wewiku Kingdom from Dutch rule. The purposes of this study are to describe (1) the background of the Hero Nahak Maroe Rai in the War against the Dutch in Belu God 1900-1906; (2) The Process of the War Between the Heroes of Nahak Maroe Rai against the Dutch in Belu God 1900-1906. This study uses the historical method which includes four stages, namely heuristics, source criticism, interpretation and historiography. The results of the study revealed (1) that the background of the hero Nahak Maroe Rai led all the people of the South Wewikudi Belu Kingdom, Malacca Regency because the Dutch wanted to control the Wewiku Kingdom area; and (2) the war between the people of the Wewiku Kingdom under the leadership of Meo (hero) Nahak Maroe Rai against the Dutch troops occurred three times, namely the first resistance occurred in 1900, then the second battle occurred in 1903. In the first and second battles, The Dutch were successfully repulsed by Nahak Maroe Rai and his troops. For this reason, Nahak Maroe Rai is called by the people of the Wewiku Kingdom as a Meo (hero). In the third battle, in 1906, Nahak Maroe Rai died as a result of being hit by gunfire from Dutch troops; (3) the natural strength of the traditional house owned by Nahak Maroe Rai and the Wewiku people became a factor in the defeat of the Dutch troops.
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Harisman, Trisna Awaludin, Raden Muhammad Mulyadi, and Widyo Nugrahanto. "PEMBREDELAN SURAT KABAR PIKIRAN RAKJAT TAHUN 1965." Patanjala Jurnal Penelitian Sejarah dan Budaya 12, no. 1 (April 18, 2020): 103. http://dx.doi.org/10.30959/patanjala.v12i1.528.

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Tujuan dari penelitian ini adalah untuk mengetahui latar belakang pembredelan surat kabar Pikiran Rakjat pada 1965 setelah munculnya peraturan bagi pers untuk berafiliasi dengan partai atau organisasi politik tertentu. Penelitian ini menggunakan metode penelitian sejarah kritis yang terdiri dari empat tahapan kerja: heuristik, kritik sumber, interpretasi, dan historiografi. Hasil penelitian ini menunjukkan bahwa pada awal tahun 1965, kegiatan pers surat kabar Pikiran Rakjat sempat diberhentikan oleh pemerintah disebabkan terlambatnya surat kabar ini untuk terlibat dalam aktivitas politik. Pada 24 Maret 1966 atas dorongan Pangdam Siliwangi para wartawan yang di wakili Sakti Alamsyah sepakat untuk melakukan kerjasama untuk menerbitkan surat kabar Angkatan Bersenjata Edisi Jawa Barat. Belum setahun surat kabar ini terbit, Kementeriaan Penerangan mencabut kembali peraturan tentang afialiasi dalam dunia politik. Kondisi ini menyebabkan pada 24 Maret 1967 surat kabar Angkatan Bersenjata Edisi Jawa Barat berubah nama menjadi Harian Umum Pikiran Rakjat dibawah pemimpin umum redaksi yaitu Sakti Alamsyah. The purpose of this study is to determine the background to the banning of the Pikiran Rakjat Newspaper in 1965. The ban came after the government issued a regulation of requiring the press to be affiliated with certain political parties or organizations. This study uses a critical historical research method consisting of four stages of work, namely heuristics, source criticism, interpretation, and historiography. The results of this study show evidence that in the beginning of 1965 the government banned the newspaper because it was considered too late to engage in political activity. At the instigation of Commander of Military Regional Command/Siliwangi, it was on 24 March 1966 that journalists represented by Sakti Alamsyah agreed to cooperate in publishing Angkatan Bersenjata Newspaper West Java edition. However, when it was not yet a year old, the Ministry of Information revoked the regulations on obligating the press to affiliate with the political world. It was on March 24, 1967 that Angkatan Bersenjata Newspaper West Java edition consequently changed its name to Harian Umum Pikiran Rakjat and was operated under the editor-in-chief Sakti Alamsyah.
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Deci, Tiwi Rahma. "Etnis Tionghoa Kota Padang: Upaya Pelestarian Identitas Etnis Dalam Aspek Sosial-Budaya Tahun 1966-2002." FACTUM: Jurnal Sejarah dan Pendidikan Sejarah 10, no. 2 (October 30, 2021): 187–98. http://dx.doi.org/10.17509/factum.v10i2.38984.

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ABSTRACTThis article is entitled " Socio-Cultural Life Development of Chinese Ethnic in Padang City Since 1966-2002. The main problem raised in this thesis is how social and cultural life of Chinese ethnic in Padang City from the New Order to the beginning of reformation. From this problem, it is revealed three research questions: 1) How was socio-cultural life of Chinese ethnic in Padang city since early period of 1966. 2) What were the efforts made by Chinese in Padang city to preserve their ethnic identity in socio-cultural aspect during 1967-2002. 3). How is the pattern of cultural interaction between Chinese ethnic and local residents in Padang city. The method used to explain these problems is historical methods, namely: source collection, source criticism, interpretation and historiography. The research techniques used are literature study and interviews. In facilitating the analysis process, the researcher used historical approach assisted by several auxiliary sciences such as social science and anthropology. The findings and discussions conclude that socio-cultural life of Chinese ethnic experienced ups and downs depending on the implemented policies in each period of Indonesian government. However, the results of the study found out that socio-cultural life of Chinese ethnic in Padang city can still be carried out in accordance with the traditions and cultures of their ancestors. It's because the community and the city government provided spaces for Chinese ethnic as a form of acculturation, so that the similarities between Chinese ethnic and the Minangese people in preserving culture could be implemented based on respective cultures and traditions In Chinese arts membership, it was found that there was a cooperation between Chinese and Minangese community in Barongsai art and also other arts a form of cultural acculturation. Keywords: ABSTRACTThis article is entitled " Socio-Cultural Life Development of Chinese Ethnic in Padang City Since 1966-2002. The main problem raised in this thesis is how social and cultural life of Chinese ethnic in Padang City from the New Order to the beginning of reformation. From this problem, it is revealed three research questions: 1) How was socio-cultural life of Chinese ethnic in Padang city since early period of 1966. 2) What were the efforts made by Chinese in Padang city to preserve their ethnic identity in socio-cultural aspect during 1967-2002. 3). How is the pattern of cultural interaction between Chinese ethnic and local residents in Padang city. The method used to explain these problems is historical methods, namely: source collection, source criticism, interpretation and historiography. The research techniques used are literature study and interviews. In facilitating the analysis process, the researcher used historical approach assisted by several auxiliary sciences such as social science and anthropology. The findings and discussions conclude that socio-cultural life of Chinese ethnic experienced ups and downs depending on the implemented policies in each period of Indonesian government. However, the results of the study found out that socio-cultural life of Chinese ethnic in Padang city can still be carried out in accordance with the traditions and cultures of their ancestors. It's because the community and the city government provided spaces for Chinese ethnic as a form of acculturation, so that the similarities between Chinese ethnic and the Minangese people in preserving culture could be implemented based on respective cultures and traditions In Chinese arts membership, it was found that there was a cooperation between Chinese and Minangese community in Barongsai art and also other arts a form of cultural acculturation. Keywords: Chinese Ethnic, Government Policy, Discrimination, Acculturation. 1Tiwi Rahma Deci adalah mahasiswa pada Program Studi Pendidikan Sejarah FPIPS UPI, Erlina Wiyanarti, Yeni Kurniawati Sumantri adalah dosen pembimbing. Penulis dapat dihubungi di email: tiwi2597@gmail.com. ABSTRAKArtikel ini berjudul ”Perkembangan Kehidupan Sosial Budaya Etnis Tionghoa Kota Padang Tahun 1966-2002. Masalah utama yang diangkat pada skripsi ini adalah “Bagaimana kehidupan sosial dan kebudayaan etnis Tionghoa kota Padang masa orde baru hingga awal reformasi? Dari permasalahan tersebut terbagi menjadi tiga pertanyaan penelitian: 1). Bagaimana kehidupan sosial-budaya etnis Tionghoa kota Padang pada masa awal tahun 1966. 2) Bagaimana upaya yang dilakukan etnis Tionghoa kota Padang untuk melestarikan identitas etnisnya dalam aspek sosial-budaya tahun 1967-2002. 3). Bagaimana pola interaksi budaya antara etnis Tionghoa dengan penduduk lokal Kota Padang. Metode yang digunakan untuk menjelaskan permasalahan tersebut menggunakan metode historis yakni: pengumpulan sumber, kritik sumber, interpretasi dan historiografi. Teknik penelitian yang digunakan yakni studi literatur dan wawancara. Dalam mempermudah proses analisis, peneliti menggunakan pendekatan sejarah yang dibantu oleh beberapa ilmu bantu seperti ilmu sosial dan ilmu antropologi. Hasil temuan dan pembahasan penelitian ini menyimpulkan kehidupan sosial-budaya etnis Tionghoa mengalami pasang surut sesuai kebijakan yang diterapkan pada masing-masing periode pemerintahan Indonesia. Akan tetapi, hasil penelitian menemukan kehidupan sosial budaya etnis Tionghoa kota Padang masih dapat dilaksanakan sesuai dengan tradisi dan kebudayaan leluhurnya, hal tersebut disebabkan masyarakat dan pemerintah kota memberikan ruang bagi etnis tionghoa sebagai bentuk akulturasi kota Padang, sehingga persamaan etnis Tionghoa dan masyarakat Minangkabau dalam melestarikan budaya dilaksanakan sesuai dengan tradisi dan kebudayaan masing-masing. Didalam keanggotaan kesenian Tionghoa kota Padang ditemukan adanya kerjasama yang terjalin antara etnis Tionghoa dengan masyarakat Minangkabau di dalam kesenian barongsai dan kesenian lainnya sebagai bentuk akulturasi budaya.Kata Kunci: Etnis Tionghoa, Kebijakan Pemerintah, Deskriminasi, Akulturasi.ABSTRAKArtikel ini berjudul ”Perkembangan Kehidupan Sosial Budaya Etnis Tionghoa Kota Padang Tahun 1966-2002. Masalah utama yang diangkat pada skripsi ini adalah “Bagaimana kehidupan sosial dan kebudayaan etnis Tionghoa kota Padang masa orde baru hingga awal reformasi? Dari permasalahan tersebut terbagi menjadi tiga pertanyaan penelitian: 1). Bagaimana kehidupan sosial-budaya etnis Tionghoa kota Padang pada masa awal tahun 1966. 2) Bagaimana upaya yang dilakukan etnis Tionghoa kota Padang untuk melestarikan identitas etnisnya dalam aspek sosial-budaya tahun 1967-2002. 3). Bagaimana pola interaksi budaya antara etnis Tionghoa dengan penduduk lokal Kota Padang. Metode yang digunakan untuk menjelaskan permasalahan tersebut menggunakan metode historis yakni: pengumpulan sumber, kritik sumber, interpretasi dan historiografi. Teknik penelitian yang digunakan yakni studi literatur dan wawancara. Dalam mempermudah proses analisis, peneliti menggunakan pendekatan sejarah yang dibantu oleh beberapa ilmu bantu seperti ilmu sosial dan ilmu antropologi. Hasil temuan dan pembahasan penelitian ini menyimpulkan kehidupan sosial-budaya etnis Tionghoa mengalami pasang surut sesuai kebijakan yang diterapkan pada masing-masing periode pemerintahan Indonesia. Akan tetapi, hasil penelitian menemukan kehidupan sosial budaya etnis Tionghoa kota Padang masih dapat dilaksanakan sesuai dengan tradisi dan kebudayaan leluhurnya, hal tersebut disebabkan masyarakat dan pemerintah kota memberikan ruang bagi etnis tionghoa sebagai bentuk akulturasi kota Padang, sehingga persamaan etnis Tionghoa dan masyarakat Minangkabau dalam melestarikan budaya dilaksanakan sesuai dengan tradisi dan kebudayaan masing-masing. Didalam keanggotaan kesenian Tionghoa kota Padang ditemukan adanya kerjasama yang terjalin antara etnis Tionghoa dengan masyarakat Minangkabau di dalam kesenian barongsai dan kesenian lainnya sebagai bentuk akulturasi budaya.Kata Kunci: Etnis Tionghoa, Kebijakan Pemerintah, Deskriminasi, Akulturasi.
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Oak, Sung-Deuk. "Major Protestant Revivals in Korea, 1903–35." Studies in World Christianity 18, no. 3 (December 2012): 269–90. http://dx.doi.org/10.3366/swc.2012.0025.

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This paper reviews five major revivals and four revivalists of colonial Korea and discusses key issues of the revivals. It has three aims: to search for a new perspective on the interpretation of the revivals of colonial Korea; to map a new lineage of the revivals; and to provide contemporary Korean Protestant churches in crisis with some issues to consider for their renewal. The conventional image of the revivals in the colonial period has been that they were ‘passive, otherworldly, and introversive’. This stereotypical image reflects the historical context of the nationalist or minjung theologians of the 1970s and 1980s. They criticised contemporary mass revival meetings for their orientation toward emotionalism, individual salvation and prosperity, church-centred growth and dispensationalism. They argued that ahistorical revivalists were actually supporting the dictatorial government by depoliticising the churches. Yet a revised interpretation began to emerge from the late 1980s. And the first centennial of the 1907 P'yŏngyang Revival in 2007 has produced heated debates on its historical meaning for the renewal of a declining church. This paper emphasises the positive side – the nationalistic, reformative and indigenous elements of revivalism – without ignoring the negative legacy. I discuss Yi Tonghwi's revival in Hamgyŏng province and East Manchuria in 1908–11 as a development of the first revival of 1903–7. And I will identify the influence of Daoism, rather than that of shamanism, on the revivalists.
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BUDNYI, Vasyl. "BOHDAN LEPKY`S LITERARY CRITICISM IN “SLOVANSKÝ PŘEHLED” JOURNALLITERARY CRITICISM IN “SLOVANSKÝ PŘEHLED” JOURNAL." Problems of slavonic studies, no. 68 (2019): 162–74. http://dx.doi.org/10.30970/sls.2019.68.3077.

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Abstract Background: A famous literary critic and writer, representative of the “Moloda Muza” group, B. Lepky was published in numerous Ukrainian and foreign journals in the early twentieth century. Today, his cooperation with Polish and German editions has been partially explored, but the Czech direction remains almost unclear. There are only individual references to B. Lepky's cultural publications in the “Slovanský přehled” journal in the works of V. Doroshenko, V. Lev, B. Rubchak. Purpose: The purpose of the study is to analyze the interpretative bases of B. Lepky's publications in “Slovanský přehled”, namely, five annual reviews of Ukrainian literature (1901, 1902, 1903, 1905, 1906) and three cultural pieces of knowledge: about the composer M. Lysenko, about the translation of short stories by M. Kotsiubynsky into Polish, and the scientific works of M. Hrushevsky, B. Barvinsky and V. Shchurat. Results: B. Lepky followed I. Franko in editing “Slovanský přehled” journal. I. Franko prepared the ground for the Czechs to familiarize them with Ukrainian literature. In a series of annual reviews, B. Lepky considered Ukrainian literature in the pan-European context, translating the realities of national culture into the language of universal cultural concepts. Not contradicting realism and modernism, the critic appraised the high artistic value of the works by Lesya Ukrainka, V. Stefanyk, M. Kotsyubynsky, O. Kobylyanska, which were marked by modern stylistic trends. Trying to convey the original content to the foreign reader, B. Lepky approached his critical speech to the poetic one, painting it with impressionistic strokes and symbolic imagery. The author concluded that the importance of B. Lepky’s Czech publications was important for understanding the ways in which Ukrainian writing was modernized and contextualized in Slavic and pan-European culture in the early twentieth century. Key words: Modernism period, literary process, critical writing, literary review, review, contextualization, impressionism, symbolism.
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Del Valle, R. A., D. H. Elliot, and D. I. M. Macdonald. "Sedimentary basins on the east flank of the Antarctic Peninsula: proposed nomenclature." Antarctic Science 4, no. 4 (December 1992): 477–78. http://dx.doi.org/10.1017/s0954102092000695.

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The first fossils from Antarctica were collected from Seymour Island in December 1892, during the voyage of the Jason under Captain C.A. Larsen. The Swedish South Polar Expedition of 1901–1903, led by Otto Nordenskjöld, proved that there were extensive deposits of fossiliferous Cretaceous and Tertiary sedimentary rock in the James Ross Island area. This was confirmed by later geological mapping (Bibby 1966). Subsequent investigations have led to the establishment of various lithostratigraphic schemes (e.g. Ineson et al. 1986), and interpretation of the sedimentary history in terms of basin evolution (Elliot 1988, Macdonald et al. 1988). Unfortunately, different names have been proposed for the depositional basin, with consequent confusion. The purpose of this note is to review previous usage and propose a new consistent nomenclature for the sedimentary basins east of the Antarctic Peninsula.
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Dissertations / Theses on the topic "1903-1966 Criticism and interpretation"

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Feenstra, Robin E. (Robin Edward) 1972. "Modern noise : Bowen, Waugh, Orwell." Thesis, McGill University, 2008. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=115604.

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The modern soundscape buzzes with noise. In the 1930s, telephones, radios, and gramophones filled domestic spaces with technological noise, while crowds shouting in the streets created political clamour. During the war in the 1940s, bombs and sirens broke through buildings and burst through consciousness. This dissertation examines the response of three British modernist writers to the cultural shifts brought about by technology and politics, which altered everyday experience and social relations. Elizabeth Bowen, Evelyn Waugh, and George Orwell represent noise in their fiction and nonfiction as a trope of power. Noise, as a palpable emblem of discontent and the acoustic unconsciousness of the period, infiltrates sentences and rearranges syntax, as in the invention of Newspeak in Nineteen Eight-Four. Noise cannot leave listeners in a neutral position. The "culture racket" of the 1930s and 1940s required urgent new ways of listening and listening with ethical intent.
Chapter One provides a reading of Elizabeth Bowen's audible terrains in her novels of the 1930s, where silences and sudden noises intrude on human lives. In Bowen's novels, technological noise has both comedic and tragic consequences. Chapter Two examines noise as a political signifier in The Heat of the Day, Bowen's novel of the blitz. Chapter Three takes up the significance of the culture racket to Evelyn Waugh's novels and travel writing of the 1930s; noise assumes a disruptive, if highly comedic, value in his works, an ambiguity that expresses what it means to be modern. Chapter Four examines Waugh's penchant for satirizing the phoneyness of contemporary culture---its political vacillations---especially in Put Out More Flags, set during the Second World War. Chapter Five considers Orwell's engagement with the emerging social and political formations amongst working, racial, and warring classes in the 1930s. Documenting noise in his reportage, Orwell sounds alarms to alert readers to the mounting social and political crises in his realist novels of the decade. Chapter Six argues that Orwell's final two novels of the 1940s, Animal Farm and Nineteen Eighty-Four, represent the politics of noise in as much as they announce the noise of politics in totalitarian futures. Noise demarcates the insidiousness of propaganda as it screeches from telescreens, the keynote in Big Brother's ideological symphony of domination. Noise, throughout Orwell's writing, signifies the struggle for power. In its widest ramifications, noise provides an interpretive paradigm through which to read Bowen's, Waugh's, and Orwell's fiction and non-fiction, as well as modernist texts generally.
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Kalant, Amelia. "The politics of dissonance : a criticism of Theodor Adorno's theory of music." Thesis, McGill University, 1989. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=61828.

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Doerr, Karin. "Joseph Breitbachs frühe Prosa im Licht der neuen Sachlichkeit." Thesis, McGill University, 1988. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=75836.

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Joseph Breitbach began publishing literature in the late twenties. He came to occupy a specific place in the literary period generally called New Objectivity. The goal of this thesis is to define that place more closely. The first chapter analyzes Breitbach's early stories, whose themes are based on the new social reality of his time. The focus is on the organized workers of the far left (the proletarians), as well as the growing class of small clerks known as the petite bourgeoisie. Breitbach, a department store manager, crafted his fictional characters from this milieu and portrayed both their social problems and everyday life from his observations.
The second chapter illustrates a decisive change in Breitbach's emphasis. In the novel Die Wandlung der Susanne Dasseldorf, which unfolds during the Allied occupation following the First World War, he juxtaposes the two fundamental classes, proletariat and bourgeoisie. Breitbach maintains a place among the writers of the New Objectivity for his retrospective of the postwar period as well as his contemporary portrayal of the lower classes.
The thesis also discusses Breitbach's progressive thinking in his treatment of the female character in his novel and the now almost forgotten German-American relations in the occupied region of Coblenz.
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Epp, Michael Henry. "Saving Cruiskeen Lawn, satirical parody in the novels and journalism of Flann O'Brien, Myles na gCopaleen." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0023/MQ50512.pdf.

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Koopmann, Jean-Philippe. "Interprétation des lieux dans cinq oeuvres en prose d'André Breton." Thesis, McGill University, 1996. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=26740.

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This Master's thesis proposes to examine the place of space in five works by Andre Breton which are: Nadja (1928); Les Vases communicants (1932); L'Amour fou (1937); Arcane 17 (1945); Martinique charmeuse de serpents (1948). The first chapter of this thesis deals with the problem of space and its definitions through a sequence of seven authors who propose different perspectives. The second chapter explores the literary, the imaginary and the textual spaces in the aforementionned works while taking into account numerous surrealist concepts proposed by Breton.
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Murray, Jessica. ""Notes for the Manual Assembly"." Thesis, University of North Texas, 2018. https://digital.library.unt.edu/ark:/67531/metadc1157616/.

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A collection of poems that seeks the balance between imagination and reality that Wallace Stevens calls for in art, with a preface exploring Elaine Scarry's On Beauty and Being Just through the work of two contemporary poets.
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Lozowy, Eric. "Le réseau intertextuel dans le poème Primorskij Park Pobedy d'Anna Axmatova /." Thesis, McGill University, 1991. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=60563.

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Axmatova wrote the poem Primorskij park Pobedy in 1950 for Slava miru, a collection of verses that glorified Stalin. This poem was included in all her books that were published before her death (1966), apparently to please her censors. A few specialists that are trying today to establish a canonical and definitive version of her poetical works believe that Primorskij park Pobedy cannot be treated as a real Axmatova poem. The exclusion of a "parasitical" element seems unjustified if we conceive Axmatova's poetical works not as a complete Book, that is a definite and homogenous whole, but as a variable unity with undetermined limits.
When we read Primorskij park Pobedy through an intertextual network, the superficial meaning of the poem cracks and collapses. The text becomes open: under a trivial and official meaning is concealed an infinity of possible meanings. Our thesis explores this polysemy by showing how Axmatova's poem can generate a system of intertextual relations.
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Cobill, Brenda. "A study of the relationship between Paul Cézanne and Paul Gauguin." Thesis, McGill University, 1994. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=22576.

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This thesis provides a critical analysis of the literature concerning the relationship, both artistic and personal, between Paul Cezanne and Paul Gauguin. It proceeds from the popular belief that Cezanne harbored an excessive amount of ill will towards Gauguin. Examination of the sources upon which this belief is based prove them to be controversial and conflicting, yet the myth of Cezanne's animosity towards Gauguin is still widely accepted, effectively obscuring the more positive, creative aspect of their interaction. In the assessment of this relationship, Camille Pissarro emerges as a pivotal figure because of his close ties to both artists. It will be shown that Gauguin found in Cezanne's art concepts which were germane to his own artistic practices and theoretical directions. The later Symbolist interpretation of Cezanne reflects the dissemination of Gauguin's teachings about the artist and reveals that, in some measure, Gauguin was responsible for the critical acclaim Cezanne was to receive in his final years.
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Chandrasekaran, Ramya. "Hindutva Movement: Burkean Examination of Violence as Retributive Justice." Thesis, North Dakota State University, 2012. https://hdl.handle.net/10365/26670.

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The thesis examines the Hindutva movement as a rhetorical text to understand how it contributes to the rhetorical study of social movements. The Hindutva movement is a mass movement that has grown in influence and in number in the last thirty years and its final goal is to wage a battle to create a Hindu rashtra (nation) in India with a monolithic Hindu culture. The rhetorical texts of V.D. Savarkar and M.S. Golwalkar are analyzed with Burkean guiltredemption-purification cycle. These rhetorical tools provide an insight into the guiding question of this thesis: how Savarkar and Golwalkar use rhetoric in ways that justify and motivate audiences to accept violence in order to restore a Hindu Nation.
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Fortier, Marie. "L'image de la femme dans les "grande proses" d'André Breton." Thesis, McGill University, 1990. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=59881.

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Woman is an ever-present image in the prose poems Nadja, L'amour fou and Arcane 17 by Andre Breton. While the image incorporates several autobiographical references, this is not the revelation. With textual recurrence forming a thematic, topical thread, the image is seen in its poetic, symbolic and mythical dimensions. Woman offers a surrealist poet a rhetorical gift. In these works the image of woman acquires symbolic value. It is identified with Nature in its cosmic, telluric reality, rooted in the unconscious in its oneiric reality. It is epiphanic in that it gives access to the Other's vision. To the poet it represents, to use Carl Jung's hermeneutic, the archetypal figure of the Anima. In its mythical dimensions, finally, the image calls forth the great visions of femininity: Muse, Sprite, Fairy, Elf, Virgin...
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Books on the topic "1903-1966 Criticism and interpretation"

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Brauner, Victor. Victor Brauner: 1903-1966. Milano: Mazzotta, 1995.

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Evelyn Waugh. New York: St. Martin's Press, 1988.

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The ironic world of Evelyn Waugh: A study of eight novels. DeKalb: Northern Illinois University Press, 1992.

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Confused roaring: Evelyn Waugh and the modernist tradition. Bloomington: Indiana University Press, 1987.

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Muller, Roel H. Smit. Stien Eelsingh, 1903-1964. Zwolle: Waanders, 1998.

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Lê, Thị Đức Hạnh. Nguyẽ̂n Công Hoan, 1903-1977. Hà Nội: Khoa học xã hội, 1990.

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Carl, Schuch, Boehm Gottfried, Dorn Roland, Morat Franz A, Städtische Kunsthalle Mannheim, and Städtische Galerie im Lenbachhaus, eds. Carl Schuch 1846-1903. Mannheim: Städtische Kunsthalle Mannheim, 1986.

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Edwin, Jacobs, Janssen Hans, Heteren Marjan van, Jan Cunencentrum Oss, and Haags Gemeentemuseum, eds. J. H. Weissenbruch, 1824-1903. Zwolle: Waanders, 1999.

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1848-1903, Gauguin Paul, ed. Paul Gauguin: L'oeil sauvage (1848-1903). Paris: ACR Edition, 2003.

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Niccolò Castiglioni, 1950-1966. Lucca: Libreria musicale italiana, 2006.

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Book chapters on the topic "1903-1966 Criticism and interpretation"

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Scullion, Scott. "‘The road of excess’." In Rediscovering E. R. Dodds, 128–48. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198777366.003.0006.

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This chapter addresses E.R. Dodds’s papers on Greek tragedy. Despite everything that can be said in criticism of Dodds’s Bacchae, the book is a compelling masterpiece of classical scholarship. Its shortcomings all have to do with his approach to ‘the Dionysiac’. However, Dodds’s vision is fundamental to the reception of his work: its impact on readers, within and beyond the academy, is a cultural fact independent of the validity of his treatment of any particular work, phenomenon, or body of evidence. The chapter then considers Dodds’s 1960 article on the Oresteia and another article on Oedipus Rex. By both ancient and modern reckoning, Sophocles’ Oedipus Rex is among the greatest of Greek tragedies, and what would perhaps be generally acknowledged as the most satisfying interpretation of it was given by Dodds in his 1966 article ‘On Misunderstanding the Oedipus Rex’, his final contribution to the study of Greek tragedy.
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"clash between the beauty-loving Renaissance and the he [Spenser] was quickly swept overboard because of moral Reformation. In the light of the medieval reli-his inability to write like Donne, Eliot, and Allen gious tradition examined by Tuve, Guyon destroys Tate’ (1968:2). His extended interpretation of Book the Bower because he ‘looks at the kind of complete II, The Allegorical Temper (1957), followed by essays seduction which means the final death of the soul’ on the other books, traces the changing psycholo-(31). gical or psychic development of the poem’s major If the New Critics of the 1930s to the early 1950s characters by ‘reading the poem as a poem’ (9) rather had been interested in Spenser (few were), they than as a historical document. My own book, The would not have considered his intention in writing Structure of Allegory in ‘The Faerie Queene’ (1961a), The Faerie Queene because that topic had been dis-which I regard now as the work of a historical critic missed as a fallacy. For Wimsatt and Beardsley partly rehabilitated by myth and archetypal criticism, 1954:5 (first proclaimed in 1946), ‘The poem is not examines the poem’s structure through its patterns the critic’s own and not the author’s (it is detached of imagery, an interest shared with Alastair Fowler, from the author at birth and goes about the world Spenser and the Numbers of Time (1964), and by beyond his power to intend about it or control it)’. Kathleen Williams, Spenser’s ‘Faerie Queene’: The So much for any poet’s intention, conscious or World of Glass (1966). unconscious, realized or not. Not that it would have In any history of modern Spenser criticism – for a mattered much, for the arbiter of taste at that time, general account, see Hadfield 1996b – Berger may T.S. Eliot, had asked rhetorically: ‘who, except schol-serve as a key transitional figure. In a retrospective ars, and except the eccentric few who are born with glance at his essays on Spenser written from 1958 to a sympathy for such work, or others who have delib-1987, he acknowledges that ‘I still consider myself erately studied themselves into the right apprecia-a New Critic, even an old-fashioned one’ who tion, can now read through the whole of The Faerie has been ‘reconstructed’ by New Historicism Queene with delight?’ (1932:443). In Two Letters, (1989:208). In Berger 1988:453–56, he offers a per-Spenser acknowledges that the gods had given him sonal account of his change, admitting that as a New the gift to delight but never to be useful (Dii mihi, Critic he had been interested ‘in exploring complex dulce diu dederant: verùm vtile numquam), though representations of ethico-psychological patterns’ he wishes they had; and, in the Letter to Raleigh, he apart from ‘the institutional structures and discourses recognizes that the general end of his poem could be that give them historical specificity’. Even so, he had achieved only through fiction, which ‘the most part allowed that earlier historical study, which had been of men delight to read, rather for variety of matter, concerned with ‘historical specificity’, was ‘solid and then for profite of the ensample’ (10). As a conse-important’. For the New Historicist Louis Adrian quence, he addresses his readers not by teaching them Montrose, however, earlier historical scholarship didactically but rather through delight. It follows that ‘merely impoverished the text’ (Berger 1988:8), and if his poem does not delight, it remains a closed book. he is almost as harsh towards Berger himself, com-Several critics who first flourished in the 1950s and plaining that his writings ‘have tended to avoid direct 1960s responded initially to Spenser’s words and confrontations of sociopolitical issues’, though he imagery rather than to his ideas, thought, or histor-blames ‘the absence of a historically specific socio-ical context. One is Donald Cheney, who, in Spenser’s political dimension’ on the time they were written – Image of Nature (1966), read The Faerie Queene a time when ‘the sociopolitical study of Spenser was ‘under the intensive scrutiny which has been applied epitomized by the pursuit of topical identifications or in recent decades to metaphysical lyrics’, seeking the cataloguing of commonplaces’ (7). In contrast, out ‘ironic, discordant impulses’, ‘rapidly shifting the New Historicism, of which he is the most elo-allusions’, and the poet’s ‘constant insistence upon quent theorist, sees a work embedded – i.e. intrins-the ambiguity of his images’ (7, 17, 20). Another is ically, inextricably fixed – not in history generally, Paul Alpers, whose The Poetry of ‘The Faerie Queene’ and certainly not in ‘cosmic politics’ that Thomas (1967) demonstrated that individual stanzas of the Greene 1963:406 claims to be the concern of all epics, poem may be subjected to very intense scrutiny. A but in a historically specific sociopolitical context. third, the most influential of all, is Harry Berger, Jr, (For further comments on their clash, see Hamilton." In Spenser: The Faerie Queene, 25. Routledge, 2014. http://dx.doi.org/10.4324/9781315834696-23.

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