Academic literature on the topic '1903-1965 Criticism and interpretation'
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Journal articles on the topic "1903-1965 Criticism and interpretation"
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Anjani, Khairul Tri. "KEBIJAKAN ORDE BARU VERSUS PENCURIAN KOREK API." Tsaqofah 18, no. 02 (December 28, 2020): 153. http://dx.doi.org/10.32678/tsaqofah.v18i02.3596.
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Juvenile delinquency in Jakarta Theft of Lighters in Student Boarding Areas 1965-1998. This study aims to determine the juvenile delinquency in Jakarta in the theft of matches in the 1965 student boarding area, besides that the authors also expect readers to understand juvenile delinquency in Jakarta. Research uses historical research methods. The method used is heuristics, criticism / verification, interpretation and historical writing. The results of the study understood the initial program of economic and education policy during the New Order government, could understand juvenile delinquency in the student settlement environment during the New Order government, outline match theft and its continued development until the end of the new order government.
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Anjani, Khairul Tri. "KEBIJAKAN ORDE BARU VERSUS PENCURIAN KOREK API." Tsaqofah 18, no. 02 (December 28, 2020): 153. http://dx.doi.org/10.32678/tsaqofah.v18i02.3596.
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Juvenile delinquency in Jakarta Theft of Lighters in Student Boarding Areas 1965-1998. This study aims to determine the juvenile delinquency in Jakarta in the theft of matches in the 1965 student boarding area, besides that the authors also expect readers to understand juvenile delinquency in Jakarta. Research uses historical research methods. The method used is heuristics, criticism / verification, interpretation and historical writing. The results of the study understood the initial program of economic and education policy during the New Order government, could understand juvenile delinquency in the student settlement environment during the New Order government, outline match theft and its continued development until the end of the new order government.
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Barrientos Del Monte, Fernando. "From Sociological Interpretation to Political Science." Latin American Perspectives 45, no. 2 (December 19, 2017): 51–61. http://dx.doi.org/10.1177/0094582x17748377.
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From the end of the nineteenth century until well into the 1980s, one spoke of the “political sciences” (in the plural), a concept that included all the disciplines that analyzed political phenomena. “Sociological interpretation” began in the 1960s as a model of social science meant to provide both criticism and direction regarding development policies. Rodolfo Stavenhagen’s 1965 “Seven Erroneous Theses about Latin America” is an example of the role played by the political sciences at the time. Given the development of contemporary political science, which seeks dependent and independent variables and mid-range theories and bases its claims on empirical information, the question arises what Latin American political science can (re) learn from the interpretive model employed 50 years ago. Desde finales del siglo XIX y todavía en los años ochenta del siglo XX se hablaba de “ciencias políticas” (en plural), concepto en el cual se incluían todas aquellas disciplinas que analizaban los fenómenos políticos. La “interpretación sociológica” se erigió en la década de los años sesenta como un modelo de ciencia social que formulaba críticas pero también orientaba políticas de desarrollo. “Siete tesis equivocadas sobre América Latina” (1965) de Rodolfo Stavenhagen es un ejemplo del ejercicio de las ciencias políticas de la época. A la luz del desarrollo de la ciencia política contemporánea, que busca variables dependientes e independientes y teorías de alcance medio y funda sus afirmaciones a partir de información empírica, se trata de responder a la pregunta qué puede (re)aprender la ciencia política latinoamericana del modelo interpretativo de hace cincuenta años.
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Vaninskaya, Anna. "Korney Chukovsky in Britain." Translation and Literature 20, no. 3 (November 2011): 373–92. http://dx.doi.org/10.3366/tal.2011.0037.
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Korney Chukovsky is a neglected figure in the story of the British reception of Russian literature. This essay attempts to recover his place in the complex networks of translation, criticism, and interpretation in the twentieth century by examining his three visits to Britain (1903-4, 1916, and 1962), his activities as an intermediary for British writers in Russia, and the British dissemination of his literary criticism.In his alternate guises as indigent newspaper correspondent, feted member of a wartime delegation, and recipient of an Oxford honorary doctorate, Chukovsky came to be both a key contributor to and a keen observer of British perceptions of Russian literature.
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Abd. Rahman, Wiji Nur Asih,. "BIOGRAPHY OF ABDURRAHMAN SAYOETI THOUGHT (1965 – 1999)." Istoria: Jurnal Ilmiah Pendidikan Sejarah Universitas Batanghari 1, no. 1 (October 14, 2017): 34. http://dx.doi.org/10.33087/istoria.v1i1.3.
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Abstrac This study aims to provide an overview of the biography of Abdurrahman Sayoeti thought (1965-1999). The research method used is historical method, which is a process of testing and critically analyzing past events, with stages starting from heuristics, criticism, interpretation, historiography. The results of various important positions have been held by Abdurrahman Sayoeti, first became director of APDN in 1965, through the leadership of Abdurrahman Sayoeti, has given birth to quite a lot of graduates and has the leadership seeds to build Jambi area, secondly, as Sekwilda Level I Jambi up to two periods (1969), Abdurrahman Sayoeti's career was so developed that it was given the confidence to develop regional tasks accompanying Governor Macshun Syofwan, as Deputy Governor of KDH Level I Jambi one period (1985). Finally in the peak of his career through elections conducted by representatives of the people in the Jambi Provincial Legislative and with full support by the people so as to make Abdurrahman Sayoeti as Governor of Jambi for two periods, from 1989 to 1999. The results of career into Governor of Jambi Province, Abdurrahman Sayoeti giving a lot of many change to build Jambi area.Keywords : Biography, Abdurrahman Sayoeti Thought
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Erlina, Terra. "PERANAN KESATUAN AKSI MAHASISWA INDONESIA DAN KESATUAN AKSI PELAJAR INDONESIA DALAM PROSES PERALIHAN KEPEMIMPINAN NASIONAL TAHUN 1965-1968." Jurnal Wahana Pendidikan 7, no. 1 (January 31, 2020): 95. http://dx.doi.org/10.25157/wa.v7i1.3253.
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Penelitian ini bertujuan untuk menjelaskan aksi mahasiswa indonesia dan kesatuan aksi pelajar indonesia dalam proses peralihan kepemimpinan nasional tahun 1965-1968. Perjuangan peranan aksi-aksi mahasiswa sebagai “pressure group” sangat besar. Metode yang digunakan dalam penelitian ini yaitu penelitian histori meliputi langkah-langkah sebagai berikut: (1). Heuristik (2). Kritik, (3). interpretasi (4). Historiografi. Hasil penelitian menunjukkan bahwa Supersemar dan gerakan aksi mahasiswa telah membawa kemenangan bagi Orde Baru melalui proses konstitusional terhadap penyelewengan ideologi, politik, ekonomi, sosial dan budaya.Kata Kunci : Aksi Mahasiswa, Peralihan KepemimpinanABSTRACTThis study aims to explain the actions of Indonesian students and the unity of Indonesian student action in the process of transitioning the national leadership in 1965-1968. In the struggle the role of student actions as a "pressure group" is very large. The method used in this research is historical research including the following steps: (1). Heuristics (2). Criticism, (3). interpretation (4). Historiography. The results showed that Supersemar and the student action movement had brought victory for the New Order through a constitutional process of ideological, political, economic, social and cultural distortion.Keywords: Student Action, Leadership Transition
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Nurjaman, Andri, Arzam Arzam, Zufriani Zufriani, and Doli Witro. "Tokoh Politik Islam Era Orde Lama Indonesia: Kajian Pemikiran KH Idham Chalid Dalam Menerima Konsep Demokrasi Terpimpin Tahun 1965." Ishlah: Jurnal Ilmu Ushuluddin, Adab dan Dakwah 4, no. 1 (June 20, 2022): 53–74. http://dx.doi.org/10.32939/ishlah.v4i1.132.
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After the ups and downs of the cabinet during the parliamentary democracy or often referred to as liberal democracy, Soekarno implemented a new concept and model of democracy since 1959 called guided democracy. Nahdlatul Ulama which at that time was chaired by KH Idham Chalid accepted Soekarno’s guided democracy concept, and NU was the only Islamic party that accepted guided democracy. The purpose of writing this article is to find out the political thoughts of KH Idham Chalid in accepting the concept of guided democracy. The method used in the preparation of this article uses the historical method, namely heuristics (search for sources), the main primary sources are the Islamic fire magazine published in 1965 and the book Islam and Guided Democracy, both primary sources written directly by KH Idham Chalid. Criticism (source selection), interpretation (interpretation) and historiography (writing). The results of this study are known that KH Idham Chalid accepted the concept of guided democracy because NU’s politics were flexible and chose to cooperate with the authorities, he had the idea that the concept of guided democracy was in accordance with Islamic teachings, namely syuro or deliberation.
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Harisman, Trisna Awaludin, Raden Muhammad Mulyadi, and Widyo Nugrahanto. "PEMBREDELAN SURAT KABAR PIKIRAN RAKJAT TAHUN 1965." Patanjala Jurnal Penelitian Sejarah dan Budaya 12, no. 1 (April 18, 2020): 103. http://dx.doi.org/10.30959/patanjala.v12i1.528.
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Tujuan dari penelitian ini adalah untuk mengetahui latar belakang pembredelan surat kabar Pikiran Rakjat pada 1965 setelah munculnya peraturan bagi pers untuk berafiliasi dengan partai atau organisasi politik tertentu. Penelitian ini menggunakan metode penelitian sejarah kritis yang terdiri dari empat tahapan kerja: heuristik, kritik sumber, interpretasi, dan historiografi. Hasil penelitian ini menunjukkan bahwa pada awal tahun 1965, kegiatan pers surat kabar Pikiran Rakjat sempat diberhentikan oleh pemerintah disebabkan terlambatnya surat kabar ini untuk terlibat dalam aktivitas politik. Pada 24 Maret 1966 atas dorongan Pangdam Siliwangi para wartawan yang di wakili Sakti Alamsyah sepakat untuk melakukan kerjasama untuk menerbitkan surat kabar Angkatan Bersenjata Edisi Jawa Barat. Belum setahun surat kabar ini terbit, Kementeriaan Penerangan mencabut kembali peraturan tentang afialiasi dalam dunia politik. Kondisi ini menyebabkan pada 24 Maret 1967 surat kabar Angkatan Bersenjata Edisi Jawa Barat berubah nama menjadi Harian Umum Pikiran Rakjat dibawah pemimpin umum redaksi yaitu Sakti Alamsyah. The purpose of this study is to determine the background to the banning of the Pikiran Rakjat Newspaper in 1965. The ban came after the government issued a regulation of requiring the press to be affiliated with certain political parties or organizations. This study uses a critical historical research method consisting of four stages of work, namely heuristics, source criticism, interpretation, and historiography. The results of this study show evidence that in the beginning of 1965 the government banned the newspaper because it was considered too late to engage in political activity. At the instigation of Commander of Military Regional Command/Siliwangi, it was on 24 March 1966 that journalists represented by Sakti Alamsyah agreed to cooperate in publishing Angkatan Bersenjata Newspaper West Java edition. However, when it was not yet a year old, the Ministry of Information revoked the regulations on obligating the press to affiliate with the political world. It was on March 24, 1967 that Angkatan Bersenjata Newspaper West Java edition consequently changed its name to Harian Umum Pikiran Rakjat and was operated under the editor-in-chief Sakti Alamsyah.
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Hanifah, Muna Roidatul. "PERJUANGAN MENCARI RUANG: Jedoran, Media Islamisasi, Dan Peminggiran Kesenian Islam Tulungagung 1970-1982." Al-Isnad: Journal of Islamic Civilization History and Humanities 2, no. 1 (January 24, 2022): 49–64. http://dx.doi.org/10.22515/isnad.v2i1.4906.
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This study is a concrete effort to trace the dynamics of Jedoran Tulungagung 1970-1982. Thistemporal term became the starting point for the paradigm shift of the Tulungagung people in interpretingIslamic art. The emergence of the 'Popular' prayer reduced the public's interest in Jedoran as anacculturative (Islamic and Javanese) shalawat art which has contributed to the history of Islamizationin Tulungagung. The study used historical research methodologies, namely: heuristics, source criticism,interpretation, and historiography. The results of this study indicate that there is one major narrativethat masterminds the dim existence of Jedoran from the Tulungagung art scene. This factor was the entryof the “Popular Islam†paradigm, which at that time was rapidly developing through radio, televisionand mobile phones in almost all parts of Indonesia. This has gradually resulted in the decline in people'sappetite for acculturative Islamic arts such as Jedoran. This factor is supported by two other situations,namely the cultural atmosphere in Tulungagung in general after 1965 and the difficulty in studyingJedoran which makes regeneration difficult.
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Diana Rohi and Moses Kollo. "RECONSTRUCTION OF NAHAK MAROE RAI HERO'S POWER TO CONQUER THE NETHERLANDS IN BELU 1900-1906." Santhet: (Jurnal Sejarah, Pendidikan, dan Humaniora) 6, no. 2 (October 31, 2022): 158–62. http://dx.doi.org/10.36526/santhet.v6i2.2151.
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The war that brought together the hero Nahak Maroe Rai and Dutch troops in South Belu in 1900-1906 was an effort to protect the territory of the Wewiku Kingdom from Dutch rule. The purposes of this study are to describe (1) the background of the Hero Nahak Maroe Rai in the War against the Dutch in Belu God 1900-1906; (2) The Process of the War Between the Heroes of Nahak Maroe Rai against the Dutch in Belu God 1900-1906. This study uses the historical method which includes four stages, namely heuristics, source criticism, interpretation and historiography. The results of the study revealed (1) that the background of the hero Nahak Maroe Rai led all the people of the South Wewikudi Belu Kingdom, Malacca Regency because the Dutch wanted to control the Wewiku Kingdom area; and (2) the war between the people of the Wewiku Kingdom under the leadership of Meo (hero) Nahak Maroe Rai against the Dutch troops occurred three times, namely the first resistance occurred in 1900, then the second battle occurred in 1903. In the first and second battles, The Dutch were successfully repulsed by Nahak Maroe Rai and his troops. For this reason, Nahak Maroe Rai is called by the people of the Wewiku Kingdom as a Meo (hero). In the third battle, in 1906, Nahak Maroe Rai died as a result of being hit by gunfire from Dutch troops; (3) the natural strength of the traditional house owned by Nahak Maroe Rai and the Wewiku people became a factor in the defeat of the Dutch troops.
Dissertations / Theses on the topic "1903-1965 Criticism and interpretation"
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Gadbois, Pauline. "La parole parlée dans l'oeuvre de Jacques Brault 1954-1965 /." Thesis, McGill University, 1990. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=59886.
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Often designated as "le poete de la parole parlee", Jacques Brault, author of a substantial and rigourous work dealing with poetry, language, writing and art, is one of the most significant modern writers of Quebec. In our literature, rare are the figurative expressions inventing their own trajectory and rarer still is the emblematic used to evoke simultaneously the essence of a generation, a work, a writer, a style. The expression "la parole parlee" says it all.This figure of speech, intimately linked to though and writing, has progressed from a rhetorical to a living expression throughout the eleven years on which our study focuses. In the analysis of this period, "la parole parlee" stands out as the obscure leitmotiv which favours a dialogue between the critical and the creative in the act of writing. Finding its own way, the work discovers a refrangible and versatile universe and the unique voice of Jacques Brault.
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Kalant, Amelia. "The politics of dissonance : a criticism of Theodor Adorno's theory of music." Thesis, McGill University, 1989. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=61828.
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Doerr, Karin. "Joseph Breitbachs frühe Prosa im Licht der neuen Sachlichkeit." Thesis, McGill University, 1988. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=75836.
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Joseph Breitbach began publishing literature in the late twenties. He came to occupy a specific place in the literary period generally called New Objectivity. The goal of this thesis is to define that place more closely. The first chapter analyzes Breitbach's early stories, whose themes are based on the new social reality of his time. The focus is on the organized workers of the far left (the proletarians), as well as the growing class of small clerks known as the petite bourgeoisie. Breitbach, a department store manager, crafted his fictional characters from this milieu and portrayed both their social problems and everyday life from his observations.The second chapter illustrates a decisive change in Breitbach's emphasis. In the novel Die Wandlung der Susanne Dasseldorf, which unfolds during the Allied occupation following the First World War, he juxtaposes the two fundamental classes, proletariat and bourgeoisie. Breitbach maintains a place among the writers of the New Objectivity for his retrospective of the postwar period as well as his contemporary portrayal of the lower classes.
The thesis also discusses Breitbach's progressive thinking in his treatment of the female character in his novel and the now almost forgotten German-American relations in the occupied region of Coblenz.
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Pham, Thien Truong. "Tanizaki Junʼichirō and the art of storytelling." Thesis, University of British Columbia, 1985. http://hdl.handle.net/2429/25504.
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This thesis deals with the storytelling art of Tanizaki Jun'ichirō. An esthete par excellence, this prolific writer produced for over half a century a string of works that are essentially dedicated to the glorification of art and beauty. This glorification in turn enhances the quality of life which, also in the author's view, is both a dream and a game. Art and beauty, dreams and games are virtually the building blocks of Tanizaki's fictional universe in which illusion and reality are meant to be complementary rather than opposing forces that govern human existence. Transplanting this fabulous world into the reader's heart is the result of Tanizaki's special skill in storytelling. An analysis of his four major works will hopefully bring this skill into full view.
Chapter One examines Tanizaki's early short story "Shisei" that marks his brilliant debut. Though marred by technical flaws, "Shisei" succeeds remarkably in luring the reader into a fairy-tale atmosphere where art and beauty are the only raison d'être. A sensuous style characterizes this lively tale and between the lines flows a life force that will become Tanizaki's trademark.
The theme of art and beauty is brought to a climax in "Shunkinshō" which is analysed in Chapter Two. The simple perspective of "Shisei" is now abandoned, giving way to a maze of multiple viewpoints that are there for the single purpose of hypnotizing the reader. The ultimate goal is to make the reader share the passion and devotion of an artist in the pursuit of the Ideal. The monogatari style is a feature of this novella and helps generate the ambiguity needed for the narrative.
Chapter Three deals with "Yume no ukihashi," a tale of dream and sensuality. Man's ambition to create and perpetuate dreams is given full treatment in this story in which illusions are the name of the game. Incest is also a thorny issue but Tanizaki seems to consciously skirt the problem with various devices.
Fùten rōjin nikki, Tanizaki's crowning novel, is the subject of Chapter Four. Everything that the author stands for in his writing is now brought into focus. Using the casual form of a diary, art motifs and erotic scenes are placed at well-calculated points so that structural balance is maintained throughout the story. A game-playing spirit and the overwhelming life force which starts with "Shisei" embody this last tour-de-force that proudly consolidates the author's fame.
This thesis, through the four works that are examined, can be considered an attempt to shed some light on the question of why and how Tanizaki fascinates the reader.Arts, Faculty of
Asian Studies, Department of
Graduate
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Cobill, Brenda. "A study of the relationship between Paul Cézanne and Paul Gauguin." Thesis, McGill University, 1994. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=22576.
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This thesis provides a critical analysis of the literature concerning the relationship, both artistic and personal, between Paul Cezanne and Paul Gauguin. It proceeds from the popular belief that Cezanne harbored an excessive amount of ill will towards Gauguin. Examination of the sources upon which this belief is based prove them to be controversial and conflicting, yet the myth of Cezanne's animosity towards Gauguin is still widely accepted, effectively obscuring the more positive, creative aspect of their interaction. In the assessment of this relationship, Camille Pissarro emerges as a pivotal figure because of his close ties to both artists. It will be shown that Gauguin found in Cezanne's art concepts which were germane to his own artistic practices and theoretical directions. The later Symbolist interpretation of Cezanne reflects the dissemination of Gauguin's teachings about the artist and reveals that, in some measure, Gauguin was responsible for the critical acclaim Cezanne was to receive in his final years.
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Feenstra, Robin E. (Robin Edward) 1972. "Modern noise : Bowen, Waugh, Orwell." Thesis, McGill University, 2008. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=115604.
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The modern soundscape buzzes with noise. In the 1930s, telephones, radios, and gramophones filled domestic spaces with technological noise, while crowds shouting in the streets created political clamour. During the war in the 1940s, bombs and sirens broke through buildings and burst through consciousness. This dissertation examines the response of three British modernist writers to the cultural shifts brought about by technology and politics, which altered everyday experience and social relations. Elizabeth Bowen, Evelyn Waugh, and George Orwell represent noise in their fiction and nonfiction as a trope of power. Noise, as a palpable emblem of discontent and the acoustic unconsciousness of the period, infiltrates sentences and rearranges syntax, as in the invention of Newspeak in Nineteen Eight-Four. Noise cannot leave listeners in a neutral position. The "culture racket" of the 1930s and 1940s required urgent new ways of listening and listening with ethical intent.Chapter One provides a reading of Elizabeth Bowen's audible terrains in her novels of the 1930s, where silences and sudden noises intrude on human lives. In Bowen's novels, technological noise has both comedic and tragic consequences. Chapter Two examines noise as a political signifier in The Heat of the Day, Bowen's novel of the blitz. Chapter Three takes up the significance of the culture racket to Evelyn Waugh's novels and travel writing of the 1930s; noise assumes a disruptive, if highly comedic, value in his works, an ambiguity that expresses what it means to be modern. Chapter Four examines Waugh's penchant for satirizing the phoneyness of contemporary culture---its political vacillations---especially in Put Out More Flags, set during the Second World War. Chapter Five considers Orwell's engagement with the emerging social and political formations amongst working, racial, and warring classes in the 1930s. Documenting noise in his reportage, Orwell sounds alarms to alert readers to the mounting social and political crises in his realist novels of the decade. Chapter Six argues that Orwell's final two novels of the 1940s, Animal Farm and Nineteen Eighty-Four, represent the politics of noise in as much as they announce the noise of politics in totalitarian futures. Noise demarcates the insidiousness of propaganda as it screeches from telescreens, the keynote in Big Brother's ideological symphony of domination. Noise, throughout Orwell's writing, signifies the struggle for power. In its widest ramifications, noise provides an interpretive paradigm through which to read Bowen's, Waugh's, and Orwell's fiction and non-fiction, as well as modernist texts generally.
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Van, Wyk André Johan. "Die dood, die minnaar en die oedipale struktuur in die Ingrid Jonker-teks." Thesis, Rhodes University, 1987. http://hdl.handle.net/10962/d1003917.
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From Inleiding: In dié inleiding word die implikasies van die woord "teks", asook die resepsie van die Ingrid Jonker-teks in die lig van haar dood, en 'n eie benaderingswyse, in teenstelling met die tradisionele kritiese metodes, bespreek. 1.1 Die teks: Die Ingrid Jonker-teks behels (met die dood, die rninnaar en die OedipaIe struktuur as uitgangspunt) aIIes waarop die woorde "Ingrid Jonker", as teks - die parentese tussen die datums op haar grafsteen - dui. Dit beteken dat genre-onderskeidinge en die onderskeid biografie en literatuur opgehef word. Verdere implikasies van die woord "teks" gaan vervolgens ter inleiding ondersoek word. Daar sal ruim gebruik gemaak word van die literêr-teoretiese en filosofiese veronderstellinge van Julia Kristeva, Maurice Blanchot, Jacques Derrida, Jacques Lacan, Pierre Macherey en Roland Barthes.
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Rayneard, Max James Anthony. "Reading William Blake and T.S. Eliot: contrary poets, progressive vision." Thesis, Rhodes University, 2002. http://hdl.handle.net/10962/d1007545.
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Many critics resort to explaining readers' experiences of poems like William Blake's Jerusalem and T.S. Eliot's Four Quartets in terms of "spirituality" or "religion". These experiences are broadly defined in this thesis as jouissance (after Roland Barthes' essay The Pleasure of the Text) or "experience qua experience". Critical attempts at the reduction of jouissance into abstract constructs serve merely as stopgap measures by which critics might avoid having to account for the limits of their own rational discourse. These poems, in particular, are deliberately structured to preserve the reader's experience of the poem from reduction to any particular meta-discursive construct, including "the spiritual". Through a broad application of Rezeption-Asthetik principles, this thesis demonstrates how the poems are structured to direct readers' faculties to engage with the hypothetical realm within which jouissance occurs, beyond the rationally abstractable. T.S. Eliot's poetic oeuvre appears to chart his growing confidence in non-rational, pre-critical faculties. Through "The Love Song of J. Alfred Prufrock", The Waste Land, and Four Quartets, Eliot's poetry becomes gradually less prescriptive of the terms to which the experience of his poetry might be reduced. In Four Quartets he finally entrusts readers with a great deal of responsibility for "co-creating" the poem's significance. Like T.S . Eliot, although more consistently throughout his oeuvre, William Blake is similarly concerned with the validation of the reader's subjective interpretative/creative faculties. Blake's Jerusalem is carefully structured on various intertwined levels to rouse and exercise in the reader what the poet calls the "All Glorious Imagination" (Keynes 1972: 679). The jouissance of Jerusalem or Four Quartets is located in the reader's efforts to co-create the significance of the poems. It is only during a direct engagement with this process, rather than in subsequent attempts to abstract it, that the "experience qua experience" may be understood.
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Shih-Ching, Judy Tao, and Shih-Ching Judy Tau. "The holy spirit in the Qur'an : an assessment from a Christian perspective." Thesis, Stellenbosch : University of Stellenbosch, 2006. http://hdl.handle.net/10019.1/1965.
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Thesis (MTh (Practical Theology and Missiology))--University of Stellenbosch, 2006.This study is an attempt to gain an understanding of the al-ruh (Holy Spirit) from a Muslim perspective and a comparison with the Christian perspective. Chapter 1 is an introduction. Chapter 2 and 3 are textual study; the meaning and usage of the al-ruh (Holy Spirit) in the Qur’an will be examined, especially in Muslim Dictionaries, Encyclopaedias and Commentaries as compared with the meaning and usage in the Biblical and Jewish scriptures. Obviously, the Holy Spirit plays an active role with humankind in creation and in revelation; the al-ruh has evidently inspired all the prophets and even believers according to the Qur’an. The experience of Muhammad with respect to the al-ruh is also mentioned in the Qur’an even when he was not yet aware of the work of Holy Spirit as well as the person of the Holy Spirit, as the third person of the Trinity in Christianity. Chapter 3 carries on the findings from the Qur’an, and furthermore give explanations as well as evaluate exegeses and various commentators’ opinions regarding al-ruh. Moreover, there are some disagreements among various Muslim commentators as manifested in their interpretations. Such disagreement is discernable with respect to the doctrine of Holy Spirit as a Person in the Trinity. In addition to this, various issues are investigated like: ‘Where did the divisions and disunity come from?’ Is it possible to find a satisfactory answer? ‘Is al-ruh the angel Gabriel?’ since the angel Gabriel is only mentioned once (66:4). Nevertheless, most of the commentators indicate that the Holy Spirit and the Spirit as the angel Gabriel are the same. Is there a gap in understanding between Muhammad and commentators? Is there a gap between classical and contemporary commentators? Chapter 4 presents a report of the empirical fieldwork carried out through interviews. Questionnaires are designed based on findings in the Qur’an and what commentators have said. A cross section of Muslims in the Western Cape of South Africa as well as Muslims from other African countries presently in Stellenbosch is selected for interviews. Several Islamic sects (i.e. Sunni, Sufis) who are found in South Africa are included in these interviews along with relevant information obtained from Internet sources. An analysis of data provides the basic thoughts for the assessment and response from the Christian point of view in Chapters 5 and 6. Chapter 5 is a comparative study. The aim is to find out similarities in both Christian and Muslim religious concepts, thereby attempting to build up on common grounds; and to find out the differences in understanding about the Holy Spirit and to restore an agreeable understanding of the concept of the Holy Spirit. The ultimate goal is to use the idea of the al-ruh from Qur’anic and Islamic concepts in order to build a bridge to the understanding of the Holy Spirit in Christianity. Some concepts are common to both Christianity and Islam, i.e. spirit (ruh), soul (nafs) and conscience (fitrah). Some fundamental doctrines are essential for both religions. For instance, The Oneness of God is understood in Islam as Tahwid (i.e. Oneness of Allah), and in Christianity, as Trinity, the Godhead or Triune God. Besides, both religions in terms of this doctrine contain elements of the transcendence and immanence of God in relation to creation. The key issue investigated further is ‘whether the Spirit is created or eternal’ and ‘Is al-ruh the created Spirit or the creator Spirit’? The question of how a Christian explains to a Muslim that Jesus is ultimately the Ruh Allah (the Spirit of God) introduced in the next chapter. Chapter 6 is a Missiological approach which is based on the fundamental knowledge of the Holy Spirit and the Trinity in Systematic theology and Missiology. Certain topics are examined from a comparative religious point of view; firstly, a comparison of the natural human with the spiritual human to find out the function of the conscience and of spirituality from a Biblical point of view. Secondly, a comparison of Jesus with Adam and an angel in terms of the purpose for which God created the whole world is made with a focus on Jesus in humanity. Thirdly, a definition of the divinity of Jesus in terms of two aspects: Jesus as the first-born Son of God and Jesus as Messiah (the anointed one and saviour of the world), using a historical, traditional and Christological understanding. Fourthly, a Pneumatological approach is applied as an innovation to this study. Its endeavours generally explore the human religious experience, in order to initiate a ‘dialectical dialogue’; and subsequently to focus on the Trinitarian experience in Islam. An interesting example of martyrdom as an imitation of Christ on the cross can be found among Sufi Sunni Muslims. This is an evidence of the freedom of the Holy Spirit working wherever he wills. In brief, although the Person and the work of the Holy Spirit are not very obvious in the Qur’an, a careful study makes it increasingly apparent. Finally, the work of the Holy Spirit is still alive in all religions, not least in Islam, as the resulting evidence of my research suggests.
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Laver, Sue 1961. "Poets, philosophers, and priests : T.S. Eliot, postmodernism, and the social authority of art." Thesis, McGill University, 2000. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=37755.
Full textAbstract:
This comprehensive analysis of T. S. Eliot's literary-critical corpus provides both a long-overdue reassessment of the nature and extent of his commitment to notions of aesthetic autonomy, and an Eliotic critique of the hypostatization of art that characterizes both philosophical postmodernism and its literary-theoretical derivatives.The broader context for these two primary objectives is the "ancient quarrel" between the poets and the philosophers and its various manifestations in the work of a number of prominent post- and anti-Enlightenment thinkers. Accordingly, I begin by highlighting several fundamental but much-neglected (or misunderstood) features of Eliot's critical canon that testify to his life-long preoccupation with this still resonant issue. Specifically, I demonstrate that there is a logical connection between his sustained opposition to those who seek in literature a substitute for religious faith or at least philosophic belief, his critique of various more or less sophisticated forms of generic confusion, and his robust defence of the integrity of different discursive forms, social practices, and disciplinary domains. In anticipation of my Eliotic critique of philosophical and literary-theoretical postmodernism, I then locate Eliot's account of these characteristic features of "the modern mind" within the context of Jurgen Habermas remarkably congenial The Philosophical Discourse of Modernity.
In successive chapters, I next provide detailed analyses of Eliot's account of the discursive and functional integrity of art, literature, poetry, and criticism. By way of providing additional support for the concept of "integrity," and indicating its relevance to contemporary debates about the relationship between literature, criticism, and philosophy, I advert to the work of a number of other contemporary philosophers, John Searle, Goran Hermeren, Monroe Beardsley, Peter Lamarque, Paisley Livingston, and Richard Shusterman chief among them. I then demonstrate that Eliot's critique of the hypostatizing and levelling tendencies of many of his predecessors and contemporaries can itself legitimately be brought to bear on the similar practices of contemporary postmoderns such as Jacques Derrida and Richard Rorty.
I conclude by suggesting that a return to Eliot's literary critical corpus is both timely and instructive, for it provides a much-needed corrective to some late twentieth-century trends in literary studies, and, in particular, to the influence of philosophical postmodernism upon it.
Books on the topic "1903-1965 Criticism and interpretation"
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1922-, Carrà Massimo, Pontiggia Elena, and Potenza (Italy : Province). Pinacoteca provinciale., eds. Carlo Carrà: La mia vita : dipinti e disegni, 1903-1965. Roma: Viviani, 2003.
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1903-1965, Casona Alejandro, Fernández Insuela Antonio, and Universidad de Oviedo, eds. Actas del "Homenaje a Alejandro Casona (1903-1965)": Congreso Internacional en el centenario de su nacimiento. Oviedo: Fundación Universidad de Oviedo, 2004.
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Muller, Roel H. Smit. Stien Eelsingh, 1903-1964. Zwolle: Waanders, 1998.
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Lê, Thị Đức Hạnh. Nguyẽ̂n Công Hoan, 1903-1977. Hà Nội: Khoa học xã hội, 1990.
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Carl, Schuch, Boehm Gottfried, Dorn Roland, Morat Franz A, Städtische Kunsthalle Mannheim, and Städtische Galerie im Lenbachhaus, eds. Carl Schuch 1846-1903. Mannheim: Städtische Kunsthalle Mannheim, 1986.
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Edwin, Jacobs, Janssen Hans, Heteren Marjan van, Jan Cunencentrum Oss, and Haags Gemeentemuseum, eds. J. H. Weissenbruch, 1824-1903. Zwolle: Waanders, 1999.
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1848-1903, Gauguin Paul, ed. Paul Gauguin: L'oeil sauvage (1848-1903). Paris: ACR Edition, 2003.
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Schezen, Roberto. Adolf Loos: Architecture 1903-1932. New York, N.Y: Monacelli Press, a division of Random House, 2009.
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Polanowski, Edward. Maria Dąbrowska: 1889-1965. Wrocław: Zakład Narodowy im. Ossolińskich, 1990.
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Carlo, Carlo Di. Michelangelo Antonioni, 1942-1965. 2nd ed. [Rome?]: Ente autonomo di gestione per il cinema, 1988.
Find full textBook chapters on the topic "1903-1965 Criticism and interpretation"
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Peter T, Muchlinski. "Part IV The Impact of International Investment Law, 17 Investor–State Dispute Settlement." In Multinational Enterprises and the Law. Oxford University Press, 2021. http://dx.doi.org/10.1093/law/9780198824138.003.0017.
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This chapter studies investor–state dispute settlement (ISDS) in International Investment Agreements (IIAs), the primary method of which is investor–state arbitration. It outlines the nature of investor–state disputes and the main types of dispute settlement techniques. The chapter also considers the principal characteristics of investor–state arbitration and examines arbitration under the Washington Convention on Settlement of Investment Disputes between States and Nationals of Other States 1965 (the ICSID Convention), which established the International Centre for Settlement of Investment Disputes (ICSID). Most Bilateral Investment Treaties (BITs) refer to ICSID arbitration as the sole, or optional, method of dispute settlement. ICSID Tribunals have acted in a wide range of disputes, adopting expansive interpretations of personal and subject-matter jurisdiction. This has led to criticism that investor–state arbitration has become too pervasive and a threat to the states’ ‘right to regulate’, given the risk of high procedural costs and compensation. ‘New-generation’ IIAs have responded by limiting the jurisdiction of tribunals over investment disputes. Moreover, recourse to alternative dispute resolution (ADR) and dispute avoidance techniques is being encouraged. The United Nations Commission on International Trade Law (UNCITRAL) has also taken up ISDS reform and is in the process of formulating a multilateral reform package.
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Wynne-Jones, Stephanie. "Kilwa Kisiwani: Establishing a Town." In A Material Culture. Oxford University Press, 2016. http://dx.doi.org/10.1093/oso/9780198759317.003.0008.
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Kilwa Kisiwani is an iconic Swahili stone town, its status and international renown exceeding any other. As discussed, it is also the town that has seen some of the largest-scale archaeological work, recovering a material record that bespeaks a thriving urban setting. Archaeological interest came on the heels of historical scholarship relating to the area; Kilwa is one of the few Swahili towns mentioned by both indigenous and foreign histories. The various versions of the Kilwa Chronicle give an account of the dynastic succession of Kilwa and of the deeds of its various sultans; together they are the earliest indigenous history of the coast. The oldest version was transcribed from oral form by João de Barros in his 1552 Da Asia (Freeman-Grenville 1962a: 89–93), while two other versions were both copied down in the nineteenth century (Strong 1895; Velten 1903). The Chronicles are similar in many aspects, although they differ on details and on the names of certain sultans. Debate over their veracity was quieted by the recovery of thousands of locally minted coins, and the dynastic lists were used as the basis for their interpretation (Album 1999; Brown 1991, 1992, 1993; Chittick 1965, 1967, 1973; Mitchell 1970; Walker 1936, 1939; Walker and Freeman-Grenville 1956). Indeed, the chronology of the Kilwa sultanate has been determined in the interplay between historical and numismatic evidence, the latter seen to act as an independent check on the less-reliable oral histories (cf. Fleisher and Wynne-Jones 2010b). This local historical record is bolstered by occasional mention in travellers’ accounts of the region. These are testament to Kilwa’s growing renown, but rarely offer much detail. In 1222, the Arab geographer Yakut referred to this ‘town in the country of the Zanj’ in his Geography and in 1331 an extended account was provided by Ibn Battuta during his travels on the coast (Freeman-Grenville 1962a: 27–32). These accounts echo a theme evident in the Kilwa Chronicles themselves: a distinction made between this town on its island, and the African continent that sits at its back.