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Books on the topic '190204 Film and Television'

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Author: Grafiati

Published: 10 December 2022

Last updated: 28 January 2023

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1

Film and television. New York NY: Ferguson, 2009.

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2

Jane, Pelusey, ed. Film and television. Philadelphia: Chelsea House, 2005.

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3

Wordsworth, Louise. Film and television. Austin, Tex: Raintree Steck-Vaughn, 1999.

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4

Wordsworth, Louise. Film and television. Austin, Tex: Raintree Steck-Vaughn, 1999.

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5

Story of a friendship: The letters of Dmitry Shostakovich to Isaak Glikman, 1941-1975. London: Faber, 2001.

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6

Institute, British Film. Film and television handbook. London: British Film Institute., 1989.

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7

Armer, Alan A. Directing television and film. 2nd ed. Belmont, Calif: Wadsworth Pub. Co., 1990.

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8

Directing television and film. Belmont, Calif: Wadsworth Pub. Co., 1986.

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9

Institute, British Film, ed. Film and television yearbook. London: British Film Institute, 1986.

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10

McMahon, Barrie. Real images: Film & television. South Melbourne: Macmillan, 1986.

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11

Film and television acting. Boston: Focal Press, 1993.

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12

Institute, British Film. British Film Institute film and television handbook 1992. London: British Film Inst, 1992.

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13

Crouch, Tanja. 100 careers in film & television. Hauppauge, N.Y: Barron's, 2002.

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14

Thompson, Kristin. Storytelling in film and television. Cambridge, Mass: Harvard University Press, 2003.

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15

Bronfeld, Stewart. Writing for film and television. New York: Simon & Schuster, 1986.

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16

Directing for film and television. Garden City, N.Y: Anchor Press/Doubleday, 1985.

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17

Neale, Steve. Popular film and television comedy. London: Routledge, 1990.

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18

AA310 Film and television history. Milton Keynes: Open University, 2002.

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19

Great Britain. Parliament. House of Lords. Select Committee on the European Communities. European film and television industry. London: HMSO, 1995.

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20

Encyclopedia of television film directors. Lanham, Md: Scarecrow Press, 2009.

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21

Directing for film and television. Bromley: Columbus Bks., 1986.

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22

1974-, Torr James D., ed. Violence in film and television. San Diego, CA: Greenhaven Press, 2002.

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23

Directing for film and television. New York: Allworth Press, 2001.

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24

Washington, D.C. film and television. Charleston, South Carolina: Arcadia Publishing, 2014.

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25

Miller, William Charles. Screenwriting for film and television. Boston: Allyn and Bacon, 1998.

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26

Lighting for television and film. 3rd ed. Oxford: Focal Press, 1999.

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27

Hand, Richard J., and Andrew Purssell. Adapting Graham Greene: Cinema, Television, Radio. Palgrave Macmillan Limited, 2014.

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28

Klossner, Michael. Prehistoric Humans in Film and Television: 581 Dramas, Comedies and Documentaries, 19052004. McFarland & Company, 2006.

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29

Godfrey, Donald G. Early Film Experiments. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038280.003.0003.

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This chapter focuses on C. Francis Jenkins' early film experiments. The large-screen projector and the concept of intermittent motion remain Jenkins' most lasting contributions to the industries of film and motion pictures in television. His projector was the first to freeze a frame of film for a fraction of a second, as it flowed past the lamp and lens of the projector. The late 1870s into the early 1900s was a time of growing industrial opportunity. Still photography was becoming a popular hobby, while inventors such as Louis and Auguste Lumiere, Emile Reynaud, Thomas A. Edison, George Eastman, and Thomas J. Armat were working on ways to add motion. This chapter discusses Jenkins' early demonstrations of his inventions, including the Phantoscope camera-projector, as well as his growing popularity as an inventor.

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30

Kelsee, L. king - Devoreaux. Film & Television: STUNTWOMAN! Xlibris Corporation, 2005.

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31

(undifferentiated), King, and Kelsee Devoreaux. Film & Television: Stuntwoman! Xlibris Corporation, 2005.

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32

GROUP, GALE. Contemporary Theatre, Film & Television (Contemporary Theatre, Film and Television). Thomson Gale, 1999.

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33

Riggs, Thomas. Contemporary Theater, Film & Television (Contemporary Theatre, Film and Television). Thomson Gale, 2000.

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34

Contemporary Theatre, Film & Television (Contemporary Theatre, Film and Television). Gale Cengage, 2008.

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35

Contemporary Theatre, Film & Television (Contemporary Theatre, Film and Television). Gale Cengage, 2008.

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36

Contemporary Theatre, Film & Television (Contemporary Theatre, Film and Television). Gale Cengage, 2008.

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37

Contemporary Theatre, Film & Television (Contemporary Theatre, Film and Television). Gale Cengage, 2008.

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38

Contemporary Theatre, Film & Television (Contemporary Theatre, Film and Television). Thomson Gale, 2007.

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39

Contemporary Theatre, Film & Television (Contemporary Theatre, Film and Television). Gale Cengage, 2008.

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40

Contemporary Theatre, Film & Television (Contemporary Theatre, Film and Television). Gale Cengage, 2008.

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41

Contemporary Theatre, Film & Television (Contemporary Theatre, Film and Television). Gale Cengage, 2008.

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42

Contemporary Theatre, Film & Television (Contemporary Theatre, Film and Television). Thomson Gale, 2004.

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43

Contemporary Theatre, Film & Television (Contemporary Theatre, Film and Television). Gale Cengage, 2008.

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44

Contemporary Theatre Film & Television (Contemporary Theatre, Film and Television). Thomson Gale, 2006.

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45

(Editor), George Plimpton, and Jason Shinder (Editor), eds. The Best American Movie Writing 1998 (Serial). St. Martin's Press, 1998.

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46

Contemporary Theatre, Film, and Television (Contemporary Theatre, Film and Television). Thomson Gale, 1987.

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47

Contemporary Theatre, Film, and Television (Contemporary Theatre, Film and Television). Gale Cengage, 1994.

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48

Glikman, Isaak, and Dmitriĭ Dmitrievich Shostakovich. Chronicle of a Friendship. Faber and Faber, 2001.

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49

Institute, British Film, ed. Film and television yearbook. London: British Film Institute, 1985.

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50

Film, photography and television. John Libbey, 1997.

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