Relevant bibliographies by topics / 1902-1967

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic '1902-1967'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2024

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Journal articles on the topic "1902-1967"

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Krull, Edgar. "Hilda Taba (1902–1967)." PROSPECTS 33, no. 4 (December 2003): 481–91. http://dx.doi.org/10.1023/b:pros.0000004617.52394.b6.

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Banner-Haley, Charles. "Living American History." Teaching History: A Journal of Methods 14, no. 2 (May 5, 2020): 81–84. http://dx.doi.org/10.33043/th.14.2.81-84.

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Arnold Rampersad. The Life of Langston Hughes. New York: Oxford University Press, 1986-88. Volume I: I, Too, Sing America (1902-1941). Pp. 485. Volume II: I Dream A World (1941-1967). Pp. 512. Cloth, $24.95 each. Review essay by Charles Banner-Haley of Colgate University.
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Langston Hughes, James Mercer, and Giovanna Gobbi Alves Araújo. "Olhar em curso." Opiniães, no. 10 (June 10, 2017): 194. http://dx.doi.org/10.11606/issn.2525-8133.opiniaes.2017.133559.

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Tradução para o português, realizada por Giovanna Gobbi Alves Araújo, dos poemas "I, too", "I look at the world" e "The Negro Speaks of Rivers" do poeta negro norte-americano James Mercer Langston Hughes (1902-1967), uma das figuras centrais do movimento cultural Harlem Renaissance iniciado na década de 1920 em Nova Iorque.
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LIEBAU, ALEXANDER. "Martiniportella nom. nov., pro Notopleura Liebau, 1991 non Krauss, 1902." Zootaxa 4722, no. 1 (January 10, 2020): 99–100. http://dx.doi.org/10.11646/zootaxa.4722.1.10.

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Notopleura Liebau, 1991 (Crustacea, Ostracoda, Hemicytheridae) established as a subgenus of Thaerocythere Hazel, 1967 with the type species Thaerocythere (Notopleura) lusitanica Liebau, 1991, is a younger homonym of Notopleura Krauss, 1902 (Insecta, Orthoptera, Acrididae). It is here replaced by the new name Martiniportella, which refers to the harbour of São Martinho do Porto (Portugal), where the extant specimens came from.
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Komisaruk, Ewa Grażyna. "Doświadczenie przestrzeni oblężonego Leningradu w dziennikach Lubow Szaporiny i Sofii Ostrowskiej." Przegląd Rusycystyczny, no. 3 (175) (June 16, 2021): 69–84. http://dx.doi.org/10.31261/pr.7802.

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Obiektem analizy w artykule są fragmenty dzienników Lubowi Szporiny (!879–1967) i Sofii Ostrowskiej(1902–1983), w których subiektywna przestrzeni Leningradu czasów blokady związana jest ze sposobem funkcjonowania człowieka w mieście. W centrum uwagi znalazły się następujące problemy: sposób percepcji i prezentacji pejzażu miejskiego, specyfika przestrzennym zachowań leningradczyków (w tym "technika" przemieszcania się w mieście), a także obserwacje i refleksje związane z obrazem miasta.
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Landsberg, Débora. "Dois poemas de Langston Hughes." Cadernos de Literatura em Tradução, no. 18 (September 30, 2017): 77–87. http://dx.doi.org/10.11606/issn.2359-5388.v0i18p77-87.

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O presente artigo apresenta a tradução para o português de dois poemas, “Dreams” e “Harlem [Dream Deferred]”, do escritor americano Langston Hughes (1902-1967). Em seguida, as traduções da autora foram analisadas segundo a metodologia proposta por Paulo Henriques Britto: examinar os componentes formais e semânticos do original segundo a contribuição que cada um deles dá ao efeito total do poema a fim de analisar objetivamente se foram reproduzidos com êxito na tradução.
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Neves, Carolina Somaio, and Rosana Moreira da Rocha. "Introduced and cryptogenic species and their management in Paranaguá Bay, Brazil." Brazilian Archives of Biology and Technology 51, no. 3 (June 2008): 623–33. http://dx.doi.org/10.1590/s1516-89132008000300025.

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The aim of this work was to identify the introduced and cryptogenic species in encrusting and associated communities of hard substrates in Paranaguá Bay, Brazil, and to attempt to determine which of these species could negatively affect the local community to suggest management strategies for these species. At least four introduced species were found - a large number in comparison with other port surveys. These were the hydrozoan Garveia franciscana Torrey, 1902, the polychaete Polydora cornuta Bosc, 1902, the barnacles Amphibalanus reticulatus (Utinoni, 1967) and Striatobalanus amaryllis Darwin, 1854, all with potentially harmful impacts. Of the 33 cryptogenic species, four were also listed in the literature as causing negative effects. We propose the following management practices: periodic cleaning of all underwater structures, population monitoring of invasive species and potential substrates, an information database of potential sources of introduction.
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KUBACZKOVA, MAGDALENA, and ROBIN KUNDRATA. "Annotated catalogue of the click-beetle subfamily Tetralobinae (Coleoptera: Elateridae)." Zootaxa 4323, no. 2 (September 21, 2017): 151. http://dx.doi.org/10.11646/zootaxa.4323.2.1.

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An annotated catalogue of the World Tetralobinae (Coleoptera: Elateridae) is presented. Two tribes are recognized, Tetralobini and Piezophyllini. Altogether, 78 species are classified in Tetralobinae. Tetralobini includes 73 species in six genera: Tetralobus Lepeletier & Audinet-Serville, 1828 (52 species; subgenus Tetralobus 51 species, subgenus Dodecamerus Laurent, 1968 one species), Neotetralobus Girard, 1987 (one species), Paratetralobus Laurent, 1964a (one species), Pseudalaus Laurent, 1967 (two species), Pseudotetralobus Schwarz, 1902 (16 species), and Sinelater Laurent, 1967 (one species). Piezophyllini includes only Piezophyllus Hope, 1842 (five species). Most Tetralobinae are distributed in the Afrotropical Region, and several species are additionally known from the Oriental, East Palaearctic, and Australian Regions. For each taxon we provide synonyms, information on types, type localities, distribution, and bibliography. Sinelater perroti (Fleutiaux, 1940) is recorded from Bhutan for the first time.
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MILLER, JEREMY A., CHARLES E. GRISWOLD, and CHARLES R. HADDAD. "Taxonomic revision of the spider family Penestomidae (Araneae, Entelegynae)." Zootaxa 2534, no. 1 (July 13, 2010): 1. http://dx.doi.org/10.11646/zootaxa.2534.1.1.

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Conflicting character evidence and a scarcity of male specimens has historically made placement of the spider subfamily Penestominae Simon problematic. The Penestominae was recently removed from the family Eresidae and promoted to family rank based on the results of a molecular phylogenetic study; a complementary taxonomic revision of the Penestomidae is presented here. Penestomidae contains a single genus, Penestomus Simon, 1902. The genus Wajane Lehtinen, 1967 was previously included in the Penestominae, and distinguished from Penestomus based on the lack of a cribellum. Wajane is, in fact, cribellate, and is here synonymized with Penestomus New synonymy. Nine Penestomus species are recognized: four species are redescribed (P. planus Simon, 1902, P. croeseri Dippenaar-Schoeman, 1989, P. stilleri (Dippenaar-Schoeman, 1989), new combination, and P. armatus (Lehtinen, 1967)) new combination, and five species are newly described (P. egazini sp. nov., P. kruger sp. nov., P. montanus sp. nov., P. prendinii sp. nov., and P. zulu sp. nov.). Male specimens are rare in collections; only P. egazini, P. montanus, and P. armatus are known from males, and only P. armatus is unknown from females. A dichotomous key to the species is provided. Data elements in this work have been disseminated across multiple electronic venues, including images on Morphbank, distribution data exposed through GBIF and explorable using Google Earth, new nomenclatural acts registered with ZooBank, and species pages on the Encyclopedia of Life. Where available, species descriptions include links to molecular sequence data on GenBank.
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Revelo-Tobar, Harol, Edith G. Estrada-Venegas, Armando Equihua-Martinez, and Jorge Valdez-Carrasco. "New records of oribatid mites from Michoacán state, Mexico." Entomological Communications 3 (December 9, 2021): ec03049. http://dx.doi.org/10.37486/2675-1305.ec03049.

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Eleven species of oribatid mites are reported from Michoacán state, Mexico for the first time: Ceratozetidae: unidentified species of Adoribatella Woolley, 1967; Damaeidae: Belbodamaeus (Lanibelba) palaciosi (Iglesias & Guzmán, 2012); Eremobelbidae: Eremobelba piffli Mahunka, 1985; Microzetidae: Acaroceras (Acaroceras) similis Balogh, 1962; Nothridae: Nothrus anauniensis Canestrini & Fanzago, 1877; Oppiidae: unidentified species of Cheloppia Hammer, 1971; Oppiella (Oppiella) nova (Oudemans, 1902); Pseudoamerioppia barrancensis (Hammer, 1961); Ramusella (Insculptoppia) merimna (Balogh & Mahunka, 1977); Wallworkoppia cervifer (Mahunka, 1983); and Scheloribatidae: Scheloribates (Scheloribates) elegans Hammer, 1958. The genera Cheloppia and Adoribatella are reported for the first time from Mexico.
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Dissertations / Theses on the topic "1902-1967"

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Müller, Dieter. "Discours réaliste et discours satirique : l'écriture dans les romans politiques de Marcel Aymé, "Travelingue", "Le chemin des écoliers", "Uranus /." Paris : Genève : Champion ; Slatkine, 1993. http://catalogue.bnf.fr/ark:/12148/cb35565532c.

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Ngningone, Carine. "Marcel Aymé, écrivain anticonformiste." Nantes, 2007. http://www.theses.fr/2007NANT3008.

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Ecrivain entièrement associé au XXème siècle dans le sens où il l'appréhende en tant que sujet intellectuel et humain, Marcel Aymé au travers de son art, peut apparaître comme un des symboles de cette période à la fois riche d'un héritage culturel important et qui se projette par ailleurs dans une perspective qui ne l'est pas moins. Puisant dans le patrimoine de la langue et des valeurs spécifiques de la société traditionnelle française, il tente d'élaborer une philosophie qui en démontre l'originalité d'une part, mais souligne également le caractère suranné, désuet et proprement décalé de ce système de pensée, de l'autre. Cette manière qu'il a d'en référer constamment à « la normalité », au naturel ou au banal pour souligner ce qui est tout à fait singulier, exceptionnel et peu commun, détermine son choix intellectuel, ici l'anticonformisme. Décriée par certains, approuvée par d'autres, cette notion, parce qu'elle cristallise tout ce qu'il y a de contradictions dans l'esprit humain, permet de cerner la complexité de la pensée de Marcel Aymé. Originale, celle-ci a l'ambition de contester les idéologies prédominantes, et d'instaurer une autre échelle de valeurs susceptible celle-là de refléter la diversité et la richesse de la pensée contemporaine.
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Bélisle, Mathieu. "Le drôle-de-roman de Marcel Aymé /." Thesis, McGill University, 2002. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=79284.

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This thesis is a study of laughter (le "rire") and strangeness ("l'insolite") in five novels (Les Jumeaux du Diable, La Jument Verte, La Vouivre, Travelingue, La Belle Image) by French writer Marcel Ayme (1902--1967). The theoretical notions used are mainly provided by literary and philosophical works from Bakhtine and Ricoeur; they also come from the rich literary tradition of humour and supernatural (le "merveilleux"). An intimate reading of the funniness (la "drolerie") in the stories allows one to characterize each novel in particular, but it also provides essential grounds to some reflections on Marcel Ayme's art of the novel. Among aspects treated, great emphasis is put on supernatural beings (devil, fabulous animal), the splitting of narrative voice, on connivance and transgression, on exacerbation of materiality and resolution of antagonisms, on ambivalence of meaning and on humor as a refusal of seriousness.
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ZEE, HWANG SHEUE-SHYA. "Le monde paysan dans les oeuvres romanesques de marcel ayme." Lyon 2, 1988. http://www.theses.fr/1988LYO20047.

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Notre travail consiste a montrer premierement la conjugaison des realites geographiques (le vecu) et des donnees romanesques (l'imaginaire) qui permet a marcel ayme de tisser une toile de fond sur laquelle il depeint ses personnages ruraux, deuxiemement les traits dominants du paysan aymeen a travers son rythme quotidien et sa mentalite propre, troisiemement les amours paysannes qui conditionnent l'ambiance familiale et determinent les comportements des ruraux et finalement la sublimation de la vie rustique a travers une ferme enchantee
Our work consists in : firstly the conjugaison of geographical realities (the native land of the author) and romantic subjects (the imagination of the author) that allows him to build a background of his rural characters, secondly the caracteristics of the aymian peasant through his daily life and his mentality, thirdly the love of the country people that takes a prominent part in the family life and determines the peasant's behaviours, finally the sublimation of rustic life through a magic farm
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Loundagin, G. John. "Signing the blues : toward a theoretical model based on the intertextuality of psycholinguistic metonymy and jazz phraseology for reading the texts of Jack Kerouac and Langston Hughes." Virtual Press, 1994. http://liblink.bsu.edu/uhtbin/catkey/897530.

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That marginalized discourse communities practice differing modes of communication is a claim recently argued; critics have focused on the trope of metonymy as a means of signifying a discriminated-against group's silenced status within the mainstream society. What seems to be ignored in this discussion is how differing media--literature, music, painting--constitute texts that cut across discursive space (the site of these media) in a similar fashion. By positing the intertextuality (i.e., the similarity) of psycholinguistic metonymy and jazz phraseology, this thesis demonstrates how literary texts issuing from marginalized discourse communities can speak their subjectivities' full names. In Langston Hughes' "The Blues I'm Playing," metonymy and jazz serve as methods of analysis which show the subject-object relationship in artistic production. Jack Kerouac's On The Road constitutes a narrative subjectivity that, like jazz music, metonymically disrupts itself as silences speak from the realm of an Other. By accounting for the similarities between metonymy and jazz, this thesis asserts that more accurate readings can be derived from literature issuing from discourse communities which use jazz to signify.
Department of English
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Scheel, Charles. "Le réalisme magique de Marcel Aymé et le réalisme merveilleux de Jean Giono : deux modes narratifs distincts." Paris 3, 1994. http://www.theses.fr/1994PA03A006.

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Dans cette etude, je reprends et developpe le noyau de ma these redigee en langue anglaise et soutenue a l'universite du texas d'austin (magical versus marvelous realism as narrative modes in french fiction, 1991). Je propose d'y aborder plusieurs oeuvres de fiction de marcel ayme sous l'angle du mode narratif du "realisme magique" (defini par amaryll chanady dans magical realism and the fantastic - resolved versus unresolved antinomy, new york & london, garland publ. ; 1985) et quelques textes de la "premiere maniere" de jean giono, sous l'angle de ma propre definition d'un mode narratif du "realisme merveilleux". Alors que le realisme magique est defini par la resolution de l'antinomie entre les codes naturels et surnaturel, rendue possible par la reticence auctoriale, le realisme merveilleux est caracterise par la fusion des codes du mystere et du realisme produite par l'exaltation auctoriale
In this study i take up and develop in french the core of the dissertation i wrote and defended in english at the university of texas at austin in 1991: magical versus marvelous realism as narrative modes in french fiction. Several narratives by marcel ayme are analyzed in the light of "magical realism" (as redefined by amaryll chanady in magical realism and the fantastic - resolved versus unresolved antinomy, new york & london, garland publ. ;1985). Several works of jean giono's alleged "first manner" are approached from the angle of my own definition of "marvelous realism" as a narrative mode. While magical realism is caracterized mainly by the resolved antinomy between the natural and the supernatural codes, and by authorial reticence, marvelous realism is defined by the fusion of the antinomious codes in authorial exaltation
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羅凱華. "詹安泰詞學業績述略." Thesis, University of Macau, 2010. http://umaclib3.umac.mo/record=b2150193.

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Bélisle, Mathieu. "Le drôle de roman : rire et imaginaire dans les oeuvres de Marcel Aymé, Albert Cohen et Raymond Queneau." Thesis, McGill University, 2008. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=115637.

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The drole de roman gathers works by Marcel Ayme, Albert Cohen and Raymond Queneau, French novelists who belong to the same generation, share common readers and inspiration and, most of all, a specific vision: the nonserious. Their novels draw from the most obvious manifestations of the comical tradition (farce, burlesque) to its most subtle (irony, parody). In their works, laughter does not occupy a secondary position nor does it simply provide some reading impressions. In fact, laughter is often expressed by the characters and narrators themselves, whose sense of mischeviousness demonstrates the Rabelaisian joy of body and soul.
Besides, the drole is not restricted to its usual comical characteristics. In the prospect of literary history, it also refers to what stands apart from the realistic conventions inherited from Balzac and Zola. In other words, the drole is made of antirealism, merveilleux and fantasy. Thus, Ayme, Cohen and Queneau put forward their own response to the mimetic function of the 19th century realistic novel. Instead of renouncing the power of fiction, as Gide and Valery will often suggest, instead of denouncing its falseness, the three novelists give fiction even greater powers.
Based on the conclusions of the history of the novel and on studies concerning various aspects of its construction (the relation between reality and fiction, the conception of character and of its place in the community, the forms of the plot), this thesis wishes to shed light on the role and value of laughter through the study of three major themes: comedy, community and enchantment.
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Divett, Andrew Brennan. "Musical Ekphrasis in the Poetry of Nicolás Guillén, Federico García Lorca, and Langston Hughes." Thesis, University of North Texas, 2016. https://digital.library.unt.edu/ark:/67531/metadc955012/.

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Musical ekphrasis was occurring in the twentieth century in different centers around the world, Cuba: Andalusia, Spain; and Harlem, New York, simultaneously. The writers at the heart of this movement used poetry about music as a means to celebrate the cultures of the marginalized people in their lands, los negros, los gitanos, and African-Americans. The purpose of this study is to define musical ekphrasis and identify it in the works of Nicolás Guillén, Federico García Lorca, and Langston Hughes. Also explored are the common characteristics in ekphrastic poetry by the three poets and the common themes found in their ekphrastic poetry, as well as common influences. Each author is considered in the context of his surroundings and his respective culture, and how that influenced his musical tastes as well as his writing style.
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Songoulachvili, Catherine. "Les figures de l'animal chez Marcel Aymé et Mikhaïl Boulgakov." Clermont-Ferrand 2, 2008. http://www.theses.fr/2008CLF20002.

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Multiples sont les approches qui nous conduisent à imaginer, à écrire et à penser l'animal. Cette créature non humaine est, depuis toujours, l'objet d'"une énigme plus gênante" (Georges Bataille) que l'être humain tente de deviner, de percer ou de définir. En effet, l'animal l'amuse et le dérange, l'intrigue et le préoccupe au point de le troubler, de lui imposer une réflexion sur lui-même et sur autrui, car l'"animal prochain" (Florence Burgat) et "part maudite" (Georges Bataille) de l'homme refuse constamment d'être regardé comme une chose. Il se veut irrationnel et d'un esprit suprême, celui "de l'immanence et de l'immédiateté" (Georges Bataille). Image de notre intimité humaine, perturbateur de nos esprits, expression de nos subversions grotesques, outils de perversion, l'animal comme personnage principal est une représentation de soi et de celle de l'être humain. Dans un contexte culturel et philosophique, le symbolisme et le réalisme animaliers ouvrent ainsi une autre perspective à la fiction et à l'imagination humaine. La production littéraire qu'elle soit française ou russe intègre l'animal comme leitmotiv, comme un sujet central, à travers lequel Marcel Aymé et Mikhaïl Boulgakov exposent une parodie de la comédie humaine. De plus, instrument de l'imagination, moyen d'expression, l'animal, outre son rôle de domination et de possession, est perçu comme un reflet de nos préoccupations, de nos désirs, de nos ambitions. Mais il est surtout celui qui nous lie à notre passé et nous rappelle notre appartenance culturelle ou sociale. Par ailleurs, l'animal peut aussi être révélateur de l'identité collective, tout en posant des questions d'exclusion et d'inclusion. Ecrire et imaginer l'animal, mais aussi définir sa fonction et sa signification "poétique", permettent à Marcel Aymé et Mikhaïl Boulgakov d'aller au delà de la simple représentation naturaliste, de la simple tradition animalière tout en transgressant l'ordre réel et imaginaire. Il s'agit pour eux de montrer une présence animal qui oscille entre réalité et symbole, allégorie et métaphore, histoire et mythocritique, passé et présent. De fait, grâce aux différents procédés d'écriture, le réalisme fantastique de Mikhaïl Boulgakov et le réalisme magique de Marcel Aymé, d'une part soulèvent les interdits, les tabous et les inhibitions et, d'autre part, dénoncent les abus et les travers de la société humaine où les différentes figures de l'animal demeurent, avant tout, l'accessoire des fictions littéraires russes et françaises
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Books on the topic "1902-1967"

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Sindoni, Paola Ricci. Adrienne von Speyr: 1902-1967 : storia di una esistenza teologica. Torino: SEI, 1996.

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Chiavini, Roberto. Il grande cinema di fantascienza: Aspettando il monolito nero (1902-1967). Roma: Gremese, 2003.

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Mikolyzk, Thomas A. Langston Hughes: A bio-bibliography. New York: Greenwood Press, 1990.

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Kelley, James B. Bloom's how to write about Langston Hughes. New York: Bloom's Literary Criticism, 2009.

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Wall, William Henry. From healing to hell. Montgomery: Court Street Press, 2014.

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Lord, Graham. Marcel Aymé. Berne: P. Lang, 1987.

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Langston Hughes. Ipswich, Mass: Salem Press, 2013.

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Rummel, Jack. Langston Hughes: Poet. New York: Chelsea Ho., 1988.

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Rummel, Jack. Langston Hughes. New York: Chelsea House Publishers, 1988.

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Aymé, Marcel. Lettres d'une vie. Paris: Belles lettres - Archimbaud, 2001.

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Book chapters on the topic "1902-1967"

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Cai, Yu. "1967." In A Chronicle of China’s Notary History (1902–1979), 395–96. Singapore: Springer Nature Singapore, 2023. http://dx.doi.org/10.1007/978-981-99-1685-6_60.

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"Hughes, Langston 1902–1967." In Reader's Guide to Literature in English, 746–49. Routledge, 2012. http://dx.doi.org/10.4324/9780203303290-41.

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"Langston Hughes (1902 –1967)." In The Columbia Companion to the Twentieth-Century American Short Story, 300–305. Columbia University Press, 2004. http://dx.doi.org/10.7312/gelf11098-058.

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Shandell, Jonathan. "Langston Hughes (1902–1967)." In Visions of Tragedy in Modern American Drama, 45–52. Bloomsbury Publishing Plc, 2018. http://dx.doi.org/10.5040/9781474276955.ch-004.

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"Langston Hughes (1902–1967)." In The American Sonnet, 43–44. University of Iowa Press, 2023. http://dx.doi.org/10.2307/j.ctv32r03gt.33.

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Haddad, Vincent. "Hughes, Langston (1902–1967)." In Routledge Encyclopedia of Modernism. London: Routledge, 2019. http://dx.doi.org/10.4324/9781135000356-rem2088-1.

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Langston Hughes was one of the most accomplished, influential writers of the 20th century. Influenced by the inclusive ‘I’ of Walt Whitman and the musical styling of Carl Sandburg, his innovative poetic syncopation of the blues, jazz, and Negro spirituals became an emblem of the Harlem Renaissance, for which his poetry collections The Weary Blues (1926) and Fine Clothes to the Jew (1927) are pioneering texts. Hughes was first and foremost an American writer, in the truest sense of the word: his involvement in the leftist cultural resistance to overthrow racial oppression, along with his immensely popular works in translation, made Hughes hugely significant in Latin America for artists and intellectuals such as Nicolás Guillén and Claude McKay.
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"XLIV. Arnold Köttgen (1902–1967)." In Staatsrechtslehrer des 20. Jahrhunderts, 731–42. De Gruyter, 2018. http://dx.doi.org/10.1515/9783110546682-044.

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Miller, R. Baxter. "Langston Hughes, 1902-1967:A Brief Biography." In A Historical Guide to Langston Hughes, 23–63. Oxford University PressNew York, NY, 2003. http://dx.doi.org/10.1093/oso/9780195144338.003.0002.

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Abstract As a now somewhat legendary name for so many readers of varying persuasions (he was more popular and less revered in his own century), Langston Hughes was perhaps the most wide-ranging and persistent black American writer in the twentieth century. From the Harlem Renaissance of the early twenties, to the Black Arts reorientations of the sixties, his short stories, novels, dramas, translations, and seminal anthologies of the works of others at home and abroad helped unify peoples in the African Diaspora. He helped nurture, in other words, so profoundly the generations after him. His early writing was an innovative complement to the talent of his contemporaries, including the Keatsian verse of Countee Cullen, the avantgarde and even prophetic painting of Aaron Douglas, and the musical flamboyance of Josephine Baker. In his late twenties and early thirties, he helped inspire the writers Margaret Walker and Gwendolyn Brooks.
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Rodríguez-Estrella, Ricardo, Ma Carmen Blázquez, and Juan Manuel Lobato G. "Avian Communities of Arroyos and Desert Oases in Baja California Sur: Implications for Conservation." In Biodiversity, Ecosystems, And Conservation In Northern Mexico, 334–54. Oxford University PressNew York, NY, 2005. http://dx.doi.org/10.1093/oso/9780195156720.003.0017.

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Abstract The Baja California peninsula and its associated offshore islands have been the focus of much ornithological research since the late nineteenth cen-tury (e.g., Anthony 1893; Brewster 1902; Grinnell 1928; Bancroft 1930; Davis 1959; Stager 1960; Banks 1967; Cody 1983; Wilbur 1987; Erickson and Howell 2001). However, most studies have been descriptive, if not anecdotal. They typically have dealt with taxonomy and distribution, many of them focusing only on aquatic birds. In contrast, there have been few published studies on the ecol-ogy of land birds, and little is known in particular on the habitat preferences and movements (includ-ing migratory routes) of non breeders.
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"Booth, C. (1902-3, 1967) On the city: Physical pattern and social structure." In Poverty, inequality and health in Britain: 1800-2000. Policy Press, 2001. http://dx.doi.org/10.56687/9781447342175-015.

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