Dissertations / Theses on the topic '190103 Art Theory'
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Seevinck, Jennifer. "Emergence in interactive art." Thesis, University of Technology, Sydney, 2011.
Find full textGaffney, Kiley. "Cosmopolitan tendencies in recent intersubjective art." Thesis, University of Queensland, 2015. https://eprints.qut.edu.au/89196/1/Kiley%20Gaffney%20PhD%20Thesis%20for%20QUT.pdf.
Full textUpchurch, Diane M. (Diane Marie). "Nineteenth Century Light and Color Theory: Rainbow Science in the Art of Frederic Edwin Church." Thesis, University of North Texas, 1991. https://digital.library.unt.edu/ark:/67531/metadc500448/.
Full textLeandro, Sandra 1970. "Teoria e crítica de arte em Portugal-(1871-1900)." Master's thesis, Instituições portuguesas -- UNL-Universidade Nova de Lisboa -- FCSH-Faculdade de Ciências Sociais e Humanas, 1999. http://dited.bn.pt:80/29429.
Full textRoset, i. Juan Isidre. "La concepció antimoderna i la deshumanització de l’art; fortuna crítica de l’obra d’Alfred Sisquella i Oriol (Barcelona, 1900 – Sitges, 1964)." Doctoral thesis, Universitat de Barcelona, 2018. http://hdl.handle.net/10803/666293.
Full textThe thesis is composed of two volumes: the first one devoted to the study of the antimodern conception and the dehumanization of art, applied to the critical fortune of Alfred Sisquella i Oriol (1900-1964); the second volume corresponds to the repertoire of images of the painter's work. Alfred Sisquella's stylistic career was changing; part from the avant-garde and primitivism, tendencies that he abandoned to evolve towards realistic and naturalistic approaches with incursions into vibrationism, new objectivity and surrealism.The whole of his production has been shaped by the portraitures of his wife Antònia Rambla, a model of serenity that will be the Catalan woman of the twentieth century, and his paintings were titled antimodern. In this research we discover little-known aspects of the work and the artistic context of the years ten, twenty and thirty of the twentieth century, in particular the origins of the group Hall of the Evolutionists of which Alfred Sisquella was a founding member and constituent. We also review the constellation of artists formed in the Sala Parés (Barcelona) from 1925 and in the period of the postwar period and the Franco regime. The review of Homenots: Alfred Sisquella (1959), biographic essay by Josep Pla, contrasted with the heterogeneous documentation offers new profiles in appreciation of the work of this painter and theoretical artist of the art unjustly forgotten. The work is a small contribution to the historical recuperation of the artists and intellectuals of the Generation of 1917.
Bennett, Michael, and n/a. "For a labourer worthy of his hire : Aboriginal economic responses to colonisation in the Shoalhaven and Illawarra, 1770-1900." University of Canberra. School of Resource, Environmental and Heritage Sciences, 2003. http://erl.canberra.edu.au./public/adt-AUC20050331.134721.
Full textDeWitt, Amy L. "Parental Portrayals in Children's Literature: 1900-2000." Thesis, University of North Texas, 2005. https://digital.library.unt.edu/ark:/67531/metadc4884/.
Full textMcKinney, Timothy R. (Timothy Richmond). "Harmony in the Songs of Hugo Wolf." Thesis, University of North Texas, 1989. https://digital.library.unt.edu/ark:/67531/metadc331583/.
Full textMcGowan, James (James John). "Harmonic Organization in Aaron Copland's Piano Quartet." Thesis, University of North Texas, 1995. https://digital.library.unt.edu/ark:/67531/metadc278850/.
Full textBush, Joan Spooner. "A Comparison of Traditional Norming and Rasch Quick Norming Methods." Thesis, University of North Texas, 1993. https://digital.library.unt.edu/ark:/67531/metadc277818/.
Full textSchaefer, Sergio. "A teoria estética em Adorno." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2012. http://hdl.handle.net/10183/49667.
Full textThis paper is an attempt to study Theodor W. Adorno‟s model proposition formulated in an essay-like and parataxic-like model in his Ästhetische Theorie. The paper pursues a better understanding of Adorno´s thought model, its today‟s actuality both as a criticism manifest and as a possibility of cognitive construction no longer dependent on a rationality that supersedes the particularities of the object under study, inhibiting them in favour of the subject‟s sovereignty. The paper also tries to make it clearer how the concept of esthetics, in Adorno, has become a theoretical experiment to present social and historical objects – works of art – that do not yield vis-a-vis the exchange value game and which, by means of an enigmatic language and of a utopic perspective, propose changes in favour of the present-day status quo. Besides, this paper also tries to show that Adorno‟s Ästhetische Theorie has overcome the hopeless and pessimistic traits that marked Adorno‟s discourse: human nature is not bound to repress itself and to repress nature and men. A work of art resists and, upon resisting, it denies. Upon denying, it proposes something that does not exist, something non-identical, something one does not know what it really is. A desire for something new, free from the totalizing weight of the Aufklärung permeates the Ästhetische Theorie.
Allan, Derek. "Art and the human adventure : Andre Malraux's theory of art." Phd thesis, 2007. http://hdl.handle.net/1885/150976.
Full textOsborne, Jaquelyn Lisa. "Sport, art and contingency : redescriptions." Thesis, 1996. https://vuir.vu.edu.au/18201/.
Full textCermatori, Joseph Paul. "Traditions of the Baroque: Modernist Conceptual Stagings Between Theory and Performance." Thesis, 2016. https://doi.org/10.7916/D8FN1665.
Full textWerier, Leah. "From Vitrine to Screen: Art and the Architecture of Commodity Display." Thesis, 2021. https://doi.org/10.7916/d8-jgd0-7f97.
Full textWalton, Judith May. "By hand and eye: dance in the space of the artist’s book." Thesis, 2010. https://vuir.vu.edu.au/16100/.
Full textFleming, Steven Peter. "The bed maker's model a thematic study of Louis I. Kahn's 1961 article "Form and design" in terms of Plato's theory of forms as treated in The Republic." Diss., 2003. http://www.newcastle.edu.au/services/library/adt/public/adt-NNCU20040329.192248/index.html.
Full textWood, Deborah. "Frida's moustache : making faces in women's self-portraiture, an exegesis." Thesis, 2001. https://vuir.vu.edu.au/16076/.
Full textBoyle, Mark. "Do you like my pics? : exhibition and exegesis as self reflective study." Thesis, 2012. https://vuir.vu.edu.au/21477/.
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