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Books on the topic '190103 Art Theory'

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Author: Grafiati

Published: 10 December 2022

Last updated: 28 January 2023

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1

Adorno and art: Aesthetic theory contra critical theory. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2014.

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2

1942-, Harrison Charles, Wood Paul, and Gaiger Jason, eds. Art in theory, 1815-1900: An anthology of changing ideas. Oxford, UK: Blackwell Publishers, 2001.

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3

1942-, Harrison Charles, and Wood Paul, eds. Art in theory, 1900-2000: An anthology of changing ideas. Malden, MA: Blackwell Pub., 2003.

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4

1942-, Harrison Charles, and Wood Paul, eds. Art in theory, 1900-1990: An anthology of changing ideas. Oxford, UK: Blackwell, 1993.

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5

The art of the pose: Oscar Wilde's performance theory. New York: Peter Lang, 2010.

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6

Latvijas Mākslas akadēmija. Mākslas vēstures institūts, ed. History of Latvian art theory: Definitions of art in the context of the prevailing ideas of the time (1900-1940). Riga: Institute of Art History, Latvian Academy of Art, 2007.

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7

Vacano, Diego A. Von. The art of power: Machiavelli, Nietzsche, and the making of aesthetic political theory. Lanham: Lexington Books, 2007.

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8

Psychoanalysis and the future of theory. Oxford, UK: B. Blackwell, 1994.

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9

Modernities: Art-matters in the present. University Park, Pa: Pennsylvania State University Press, 1993.

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10

Nietzsche's philosophy of science: Reflecting science on the ground of art and life. Albany: State University of New York Press, 1994.

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11

Chandler, David. Atlas of military strategy: The art, theory, and practice of war, 1618-1878. London: Arms and Armour Press, 1996.

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12

Blühm, Andreas. Light!: The industrial age 1750-1900 : art & science, technology & society. New York: Thames & Hudson, 2001.

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13

Woud, Auke van der. The art of building: From classicism to modernity : the Dutch architectural debate 1840-1900. Aldershot: Ashgate, 2001.

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14

Art of the actual: Naturalism and style in early Third Republic France, 1880-1900. New Haven: Yale University Press, 2012.

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15

Deleuze, Gilles. Gérard Fromanger. London: Black Dog Publishing, 1999.

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16

Woud, Auke van der. The art of building: From classicism to modernity : the Dutch architectural debate 1840-1990. Aldershot, England: Ashgate, 2001.

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17

Rochlitz, Rainer. The disenchantment of art: The philosophy of Walter Benjamin. New York: Guilford Press, 1996.

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18

1901-, Marini Marino, and Finn David 1921-, eds. Marino Marini--the sculpture. New York: Abrams, 1993.

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19

Blur of the otherworldly: Contemporary art, technology, and the paranormal. Baltimore, MD: Center for Art and Visual Culture, University of M, 2006.

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20

Berger, Maurice. White - Whiteness and Race in Contemporary Art. Baltimore,Maryland: University of Maryland Baltimore County,Fine Arts Gallery, 2003.

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21

Durant, Mark Alice. Blur of the otherworldly: Contemporary art, technology, and the paranormal. Baltimore, Md: Center for Art and Visual Culture, 2006.

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22

Fumerton, Patricia, Pavel Kosek, and Marie Hanzelková. Czech Broadside Ballads as Text, Art, and Song in Popular Culture, ca. 1600–1900. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2022. http://dx.doi.org/10.5117/9789463721554.

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Abstract:

This landmark collection makes a major contribution to the burgeoning field of broadside ballad study by investigating the hitherto unexplored treasure-trove of over 100,000 Central/Eastern European broadside ballads of the Czech Republic, from the 16th to the 19th century. Viewing Czech broadside ballads from an interdisciplinary perspective, we see them as unique and regional cultural phenomena: from their production and collecting processes to their musicology, linguistics, preservation, and more. At the same time, as contributors note, when viewed within a larger perspective—extending one’s gaze to take in ballad production in bordering lands (such as Germany, Poland, and Slovakia) and as far Northwest as Britain to as far Southwest as Brazil—we discover an international phenomenon at work. Czech printed ballads, we see, participated in a thriving popular culture of broadside ballads that spoke through text, art, and song to varied interests of the masses, especially the poor, worldwide.

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23

Painting in a world transformed: How modern art reflects our conflicting responses to science and change. Jefferson, N.C: McFarland & Co., 2005.

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24

Hawkes, Lory. The theory and criticism of virtual texts: An annotated bibliography, 1988-1999. Westport, Conn: Greenwood Press, 2001.

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25

1947-, Murphy Christina, and Law Joe, eds. The theory and criticism of virtual texts: An annotated bibliography, 1988-1999. Westport, Conn: Greenwood Press, 2001.

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26

Elisabeth, Ingles, ed. Bakst: The art of theatre and dance. London: Parkstone Press, 2000.

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27

1959-, Fortuyn Irene, and O'Brien Robert 1951-, eds. Works and projects. Amsterdam: Fortuyn/O'Brien, 2000.

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28

1941-, Venet Bernar, ed. Bernar Venet. Paris: Flammarion, 2007.

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29

Sarah Sze. New York, NY: Abrams, 2007.

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30

David, Nash. David Nash: Rückkehr der Kunst in die Natur = the return of art into nature. Bad Homburg v.d. Höhe: Scheffel, 2003.

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31

David, Nash. David Nash: Chêne & frêne de Pierre-de-Bresse. Calais: Musée des Beaux-Arts, 1990.

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32

David, Nash. David Nash: Sculpture 1971-90. [London]: Serpentine Gallery, 1990.

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33

David, Nash. David Nash: Forms into time. London: Academy Editions, 1996.

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34

Norbert, Lynton, ed. David Nash. New York: Abrams, 2007.

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35

David, Nash. David Nash: Sculpture and projects 1986-1989. London: Annely Juda Fine Art, 1989.

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36

David, Nash. David Nash: Chêne & frêne de Pierre-de-Bresse : Musée des beaux-arts, Calais, 7 avril-2 juin 1990. Calais: Musée des Beaux-arts, 1990.

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37

Hellings, James. Adorno and Art: Aesthetic Theory Contra Critical Theory. Palgrave Macmillan, 2014.

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38

Art in Theory 1815-1900: An Anthology of Changing Ideas. Blackwell Publishers, 1998.

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39

Wood, Paul, and Jason Gaiger. Art in Theory, 1815-1900: An Anthology of Changing Ideas. Blackwell Publishing Limited, 1998.

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40

Hohendahl, Peter Uwe. Fleeting Promise of Art: Adorno's Aesthetic Theory. Cornell University Press, 2013.

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41

Hohendahl, Peter Uwe. Fleeting Promise of Art: Adorno's Aesthetic Theory. Cornell University Press, 2013.

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42

(Editor), Charles Harrison, and Paul Wood (Editor), eds. Art in Theory 1900-2000: An Anthology of Changing Ideas. 2nd ed. Blackwell Publishers, 2002.

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43

Harrison, Charles. Art in Theory 1900-1990: An Anthology of Changing Ideas. Blackwell Publishers, 1993.

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44

Wood, Paul. Art in Theory, 1900-2000: An Anthology of Changing Ideas. Blackwell Publishing Limited, 2002.

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45

Art in theory, 1815-1900: An anthology of changing ideas. Blackwell, 1998.

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46

Art in theory, 1900-2000: An anthology of changing ideas. Blackwell, 2003.

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47

The Fleeting Promise of Art: Adorno's Aesthetic Theory Revisited. Cornell University Press, 2013.

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48

Struggle Over The Modern: Purity And Experience In American Art Criticism, 1900-1960. Fairleigh Dickinson University Press, 2005.

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49

Wiseman, Ari, and Judith Zilczer. Visual Music: Synaesthesia in Art and Music Since 1900. Thames & Hudson, 2005.

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50

Beyond the Frame: Feminism and Visual Culture, Britain 1850-1900. Routledge, 2000.

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