Relevant bibliographies by topics / 18th century

Academic literature on the topic '18th century'

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Published: 4 June 2021
Last updated: 22 June 2024

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Journal articles on the topic "18th century"

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Bond, Ann. "18th-Century." Musical Times 127, no. 1726 (December 1986): 711. http://dx.doi.org/10.2307/964690.

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O'Loughlin, Niall. "18th-Century Concertos." Musical Times 128, no. 1728 (February 1987): 92. http://dx.doi.org/10.2307/964790.

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O'Loughlin, Niall. "18th-Century oboe." Musical Times 126, no. 1712 (October 1985): 609. http://dx.doi.org/10.2307/964930.

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O'Loughlin, Niall. "18th-Century Sonatas." Musical Times 128, no. 1731 (May 1987): 278. http://dx.doi.org/10.2307/965132.

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O'Loughlin, Niall. "18th-Century Wind." Musical Times 129, no. 1749 (November 1988): 604. http://dx.doi.org/10.2307/966798.

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Brown, Raymond. "18th-CENTURY BAPTISTS." Baptist Quarterly 43, no. 7 (July 2010): 434–36. http://dx.doi.org/10.1179/bqu.2010.43.7.005.

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Boyd, Malcolm. "18th-Century Vocal." Musical Times 126, no. 1703 (January 1985): 33. http://dx.doi.org/10.2307/962448.

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Boyd, Malcolm. "18th-Century Concertos." Musical Times 126, no. 1704 (February 1985): 101. http://dx.doi.org/10.2307/963482.

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O'Loughlin, Niall. "18th-Century Sonatas." Musical Times 126, no. 1708 (June 1985): 354. http://dx.doi.org/10.2307/964045.

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Crawford, Tim. "18th-century lutes." Early Music XXII, no. 3 (August 1994): 527–29. http://dx.doi.org/10.1093/earlyj/xxii.3.527.

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Dissertations / Theses on the topic "18th century"

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Maraun, Timothy Fritz. "Tension in 18th century Chinese painting." Thesis, University of British Columbia, 1990. http://hdl.handle.net/2429/31841.

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In Western scholarship, eighteenth century Chinese paintings have consistently been seen as playful, eccentric, and odd. This characterization has been based on the formal qualities of some of the paintings. At the same time, Chinese scholars have written of the scholarly virtues and ambitions of the painters producing the works. The contradiction between these two interpretations is in part consistent with the Western and Chinese approaches generally. But it also stems from the mixed signals and information generated in the eighteenth century. The nature of painting, not just formally, but socially has yet to be explained in a way which takes into account some actual historical contradictions of the eighteenth century. In order to explain these historical tensions, I combine a biographical (Chinese) approach with a contextual approach (Western) in a study of two different scholar painters, Zheng Xie and Li Shan. I juxtapose biographical sources with artworks, and less official writings relating Zheng Xie and Li Shan, in order to describe the tensions involved in painting for the literatus within the merchant culture of Yangzhou. These tensions existed between the literatus' expected status and that granted him, between his ideal of the role of painting in the scholar's life and the implications of commercial painting, and between his emphasis upon poetry and his popularity as a painter. In all cases, the tensions in eighteenth century literati painting arise from the difficult relationship between the painter and patron, and between the painter and the ideas of a broader public. The lack of a clear definition of "scholar" and "scholar painting" amongst literati illustrates the literatus' loss of control over the definition of his lifestyle.
Arts, Faculty of
Art History, Visual Art and Theory, Department of
Graduate
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Hill, Cecil. "”Theodora” and the 18th Century Feminist Movement." Bärenreiter Verlag, 1987. https://slub.qucosa.de/id/qucosa%3A38281.

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Brito, Nadia Francisca. "Merchants of Curacao in the early 18th century." W&M ScholarWorks, 1989. https://scholarworks.wm.edu/etd/1539625499.

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Cretney, Rosanna Elizabeth. "Digitising Euler : 21st-century methods for the study of 18th-century mathematics." Thesis, Open University, 2016. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.700283.

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This thesis aims to introduce ideas and methods from the emerging field of digital humanities into the study of history of mathematics, through case studies relating to the role of correspondence, commu- nication, and collaboration in Leonhard Euler's mathematical practice. Euler's known correspondence numbers almost three thousand letters, exchanged with hundreds of correspondents from across Europe. The correspondence is a vital source for understanding Euler's mathem- atics, but it has not yet been examined in great detail; this thesis is a contribution towards such a study. The thesis is motivated by a case study which highlights the cent- ral role of correspondence and personal contact in Euler's work on continued fractions. A desire for better understanding of the corres- pondence leads to the use of methods from the digital humanities, a relatively young field which has been evolving rapidly since the begin- ning of the 21st century. The thesis considers the particular challenges encountered when using such methods in the study of eighteenth- century mathematical texts. A database is used to facilitate the explor- ation and comprehension of Euler's correspondence. This enables the identification of a corpus of letters, all connected with the same math- ematical topic, which would be suitable for further study. A prototype digital edition of one of these letters is presented, featuring a tran- scription, editorial annotations, and digital facsimiles of the original manuscript. Finally, it is shown how existing digital tools that were designed for use in other fields, such as mathematics and cartography, may be appropriated to aid understanding of primary sources in the history of mathematics.
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Dwyer, John. "Virtuous discourse : sensibility and community in late eighteenth-century Scotland." Thesis, University of British Columbia, 1985. http://hdl.handle.net/2429/25786.

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This study explores the moral characteristics of late eighteenth-century Scottish culture in order to ascertain both its specific nature and its contribution to modern consciousness. It argues that, while the language of moral discourse in that socio-economic environment remained in large part traditional, containing aspects from both neo-Stoicism and classical humanism, it also incorporated and helped to develop an explicitly modern conceptual network. The language of sensibility as discussed by Adam Smith and adapted by practical Scottish moralists, played a key role in the Scottish assessment of appropriate ethical behaviour In a complex society. The contribution of enlightened Scottish moralists to the language and literature of sensibility has been virtually overlooked, with a corresponding impoverishment of our understanding of some of the most important eighteenth-century social and cultural developments. Both literary scholars and social historians have made the mistake of equating eighteenth century sensibility with the growth of individualism and romanticism. The Scottish contribution to sensibility cannot be appreciated in such terms, but needs to be examined in relation to the stress that its practitioners placed upon man's social nature and the integrity of the moral community. Scottish moralists believed that their traditional ethical community was threatened by the increased selfishness, disparateness, and mobility of an imperial and commercial British society. They turned to the cultivation of the moral sentiments as a primary mechanism for moral preservation and regeneration in a cold and indifferent modern world. What is more their discussion of this cultivation related in significant ways to the development of new perspectives on adolescence, private and domestic life, the concept of the feminine and the literary form of the novel. Scottish moralists made a contribution to sentimental discourse which has been almost completely overlooked. Henry Mackenzie, Hugh Blair and James Fordyce were among the most popular authors of the century and their discussion of the family, the community, education, the young and the conjugal relationship was not only influential per se but also reflected a particularly Scottish moral discourse which stressed the concept of sociability and evidenced concern about the survival of the moral community in a modern society. To the extent that literary scholars and historians have ignored or misread their works, they have obscured rather than enlightened eighteenth-century culture and its relationship with the social base.
Arts, Faculty of
History, Department of
Graduate
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Borenberg, Paul. "Servants : Power, Status and Opportunity in 18th Century Stockholm." Thesis, Uppsala universitet, Historiska institutionen, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-225670.

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Sinclair, Alistair John. "The emergence of philosophical inquiry in 18th century Scotland." Thesis, University of Glasgow, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.284694.

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Hwang, Ming-Chorng. "A study of urban form in 18th-century Beijing." Thesis, Massachusetts Institute of Technology, 1985. http://hdl.handle.net/1721.1/15063.

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Thesis (M.Arch.)--Massachusetts Institute of Technology, Dept. of Architecture, 1986.
MICROFICHE COPY AVAILABLE IN ARCHIVES AND ROTCH
Bibliography: leaves 140-144.
by Ming-Chorng Hwang.
M.Arch.
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Telesco, Paula Jean. "Enharmonicism in theory and practice in 18th-century music /." The Ohio State University, 1993. http://rave.ohiolink.edu/etdc/view?acc_num=osu148784688577955.

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Thornton, Peter. "Landscape decoration on Derby porcelain in the 18th century." Thesis, University of Manchester, 1995. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.575144.

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Books on the topic "18th century"

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Rougemont House Museum of Costume and Lace., ed. 18th century waistcoats. Exeter: Department of Leisure and Tourism, 1988.

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Kalman, Bobbie. 18th century clothing. New York: Crabtree Pub. Co., 1993.

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Kalman, Bobbie. 18th century clothing. New York: Crabtree Pub. Co., 1993.

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18th century embroidery techniques. Lewes [England]: Guild of Master Craftsman, 2012.

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Ware, Cecilia. English 18th century cookery. [England?]: Roydon Pub., 1985.

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Vivian, Uı́bh Eachach, and Féile Zozimus (1st : 1991 : Dublin, Ireland), eds. 18th/19th century Dublin. Baile Átha Cliath: Gael-Linn, 1992.

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Satanowski, Robert. Polish 18th century symphonies. Southwater, West Sussex, England: Olympia, 1988.

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18th century stone buildings. Reykjavík: Salka, 2013.

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18th-century French painting. Paris: Terrail, 1999.

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Sewen, Marek. 18th century Polish symphonies. London: Olympia, 1992.

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Book chapters on the topic "18th century"

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Oats, Joclyn M. "18th century." In An Illustrated Guide to Furniture History, 214–37. Abingdon, Oxon ; New York : Routledge, 2021.: Routledge, 2021. http://dx.doi.org/10.4324/9780367808297-11.

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Held, Arthur-Jean. "The 18th century." In Periodontology, 16–21. Basel: Birkhäuser Basel, 1989. http://dx.doi.org/10.1007/978-3-0348-6402-2_6.

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Bollack, Françoise Astorg. "15th to 18th Century." In Old Buildings, New Ideas, 7–44. London: RIBA Publishing, 2023. http://dx.doi.org/10.4324/9781032646763-2.

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Freeborn, Dennis. "Modern English — the 18th century." In From Old English to Standard English, 376–406. London: Macmillan Education UK, 1998. http://dx.doi.org/10.1007/978-1-349-26665-4_19.

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Freeborn, Dennis. "Modern English — the 18th century." In From Old English to Standard English, 386–415. London: Macmillan Education UK, 2006. http://dx.doi.org/10.1007/978-0-230-20768-4_19.

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Kupsch-Losereit, Sigrid. "Pseudotranslations in 18th century France." In Transfiction, 189–202. Amsterdam: John Benjamins Publishing Company, 2014. http://dx.doi.org/10.1075/btl.110.13kup.

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Bowen, Brian. "The American Colonies, 18th Century." In The American Construction Industry, 79–89. New York: Routledge, 2021. http://dx.doi.org/10.1201/9781003130000-8.

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Stearns, Peter N. "A Late-18th-Century Transition." In Globalization in World History, 103–12. 4th ed. New York: Routledge, 2023. http://dx.doi.org/10.4324/9781003439615-9.

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Cottenden, Graham. "Making up breeches." In 18th Century Male Tailoring, 225–61. London: Focal Press, 2023. http://dx.doi.org/10.4324/9781003202400-7.

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Cottenden, Graham. "Original garments, patterns, photographs and measurements." In 18th Century Male Tailoring, 303–458. London: Focal Press, 2023. http://dx.doi.org/10.4324/9781003202400-9.

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Conference papers on the topic "18th century"

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Mott, Iain. "Haunting an 18th Century Peepshow." In ARTECH 2021: 10th International Conference on Digital and Interactive Arts. New York, NY, USA: ACM, 2021. http://dx.doi.org/10.1145/3483529.3483707.

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Markovic, Ivancica. "AGRICULTURAL CHANGES IN SLAVONIA DURING 18TH CENTURY." In SGEM 2014 Scientific SubConference on ANTHROPOLOGY, ARCHAEOLOGY, HISTORY AND PHILOSOPHY. Stef92 Technology, 2014. http://dx.doi.org/10.5593/sgemsocial2014/b31/s10.055.

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Newcomb, Sally. "LEWIS EVANS (1700-1756), 18TH CENTURY CARTOGRAPHER." In GSA Annual Meeting in Indianapolis, Indiana, USA - 2018. Geological Society of America, 2018. http://dx.doi.org/10.1130/abs/2018am-315943.

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Aliatis, Irene, Danilo Bersani, Pier Paolo Lottici, Iari-Gabriel Marino, Michela Berzioli, Antonella Casoli, Ilaria Cavazzoni, P. M. Champion, and L. D. Ziegler. "Raman Investigation On 18th Century Painted Wooden Sculptures." In XXII INTERNATIONAL CONFERENCE ON RAMAN SPECTROSCOPY. AIP, 2010. http://dx.doi.org/10.1063/1.3482524.

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Dima, Gabriela. "ITALIAN RECIPES IN A WALLACHIAN 18TH CENTURY MANUSCRIPT." In 5th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS SGEM2018. STEF92 Technology, 2018. http://dx.doi.org/10.5593/sgemsocial2018/3.6/s14.039.

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Salomoni, A. "Dependency Parsing on Late-18th-Century German Aesthetic Writings." In DATeCH2017: 2nd International Conference on Digital Access to Textual Cultural Heritage. New York, NY, USA: ACM, 2017. http://dx.doi.org/10.1145/3078081.3078091.

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MORIMOTO, MITSUO. "INFINITE SERIES IN JAPANESE MATHEMATICS OF THE 18TH CENTURY." In Proceedings of the 13th International Conference on Finite or Infinite Dimensional Complex Analysis and Applications. WORLD SCIENTIFIC, 2006. http://dx.doi.org/10.1142/9789812773159_0020.

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Li, Fengyi, and Xiong Li. "Picturesque Garden Design in Early 18th Century: The Stourhead." In 2nd International Conference on Arts, Design and Contemporary Education. Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/icadce-16.2016.109.

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Bago, Petra, and Damir Boras. "Interoperability of an 18th century Italian-Latin-Croatian dictionary." In INFuture2015: e-Institutions – Openness, Accessibility, and Preservation. Department of Information and Communication Sciences, Faculty of Humanities and Social Sciences, Zagreb, Croatia, 2015. http://dx.doi.org/10.17234/infuture.2015.25.

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Pacheco Hora, Edmundo, and Pedro Augusto Jubran Bortolin. "ITALIAN INFLUENCES ON FRENCH CELLO REPERTOIRE IN 18TH CENTURY." In XXIII Congresso de Iniciação Científica da Unicamp. Campinas - SP, Brazil: Galoá, 2015. http://dx.doi.org/10.19146/pibic-2015-37733.

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Reports on the topic "18th century"

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Wandschneider, Kirsten. Lending to Lemons: Landschafts-Credit in 18th Century Prussia. Cambridge, MA: National Bureau of Economic Research, June 2013. http://dx.doi.org/10.3386/w19159.

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McLeod, Cynthia. Celebrating the Extraordinary Life of Elisabeth Samson. Inter-American Development Bank, August 1998. http://dx.doi.org/10.18235/0007931.

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Keller, Wolfgang, Carol Shiue, and Xin Wang. Capital Markets in China and Britain, 18th and 19th Century: Evidence from Grain Prices. Cambridge, MA: National Bureau of Economic Research, July 2015. http://dx.doi.org/10.3386/w21349.

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Cai, Wenjie, and Hwan-Ching Tai. String Theories: Chemical Secrets of Italian Violins and Chinese Guqins. AsiaChem Magazine, November 2020. http://dx.doi.org/10.51167/acm00006.

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The most valuable musical instruments in the world are 17-18th century violins from Cremona, Italy (made by Stradivari and Guarneri), and Chinese guqins (7-string zithers) from the 8-13th century. Today, musicians still prefer these antique instruments for their superior acoustic qualities that cannot be reproduced by later makers. Over the centuries, many theories have been proposed to explain the unique playing properties of famous violins and guqins, but most are based on conjectures rather than factual evidence.
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Clingingsmith, David, and Jeffrey Williamson. Mughal Decline, Climate Change, and Britain's Industrial Ascent: An Integrated Perspective on India's 18th and 19th Century Deindustrialization. Cambridge, MA: National Bureau of Economic Research, November 2005. http://dx.doi.org/10.3386/w11730.

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Beise, Jan. The helping and the helpful grandmother - The role of maternal and paternal grandmothers in child mortality in the 17th and 18th century population of French Settlers in Quebec, Canada. Rostock: Max Planck Institute for Demographic Research, January 2004. http://dx.doi.org/10.4054/mpidr-wp-2004-004.

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Rodrigues-Moura, Enrique, and Christina Märzhauser. Renegotiating the subaltern : Female voices in Peixoto’s «Obra Nova de Língua Geral de Mina» (Brazil, 1731/1741). Otto-Friedrich-Universität, 2023. http://dx.doi.org/10.20378/irb-57507.

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Out of ~11.000.000 enslaved Africans disembarked in the Americas, ~ 46% were taken to Brazil, where transatlantic slave trade only ended in 1850 (official abolition of slavery in 1888). In the Brazilian inland «capitania» Minas Gerais, slave numbers exploded due to gold mining in the first half of 18th century from 30.000 to nearly 300.000 black inhabitants out of a total ~350.000 in 1786. Due to gender demographics, intimate relations between African women and European men were frequent during Antonio da Costa Peixoto’s lifetime. In 1731/1741, this country clerk in Minas Gerais’ colonial administration, originally from Northern Portugal, completed his 42-page manuscript «Obra Nova de Língua Geral de Mina» («New work on the general language of Mina») documenting a variety of Gbe (sub-group of Kwa), one of the many African languages thought to have quickly disappeared in oversea slaveholder colonies. Some of Peixoto’s dialogues show African women who – despite being black and female and therefore usually associated with double subaltern status (see Spivak 1994 «The subaltern cannot speak») – successfully renegotiate their power position in trade. Although Peixoto’s efforts to acquire, describe and promote the «Língua Geral de Mina» can be interpreted as a «white» colonist’s strategy to secure his position through successful control, his dialogues also stress the importance of winning trust and cultivating good relations with members of the local black community. Several dialogues testify a degree of agency by Africans that undermines conventional representations of colonial relations, including a woman who enforces her «no credit» policy for her services, as shown above. Historical research on African and Afro-descendant women in Minas Gerais documents that some did not only manage to free themselves from slavery but even acquired considerable wealth.
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Soramäki, Kimmo. Financial Cartography. FNA, October 2019. http://dx.doi.org/10.69701/ertx8007.

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Geographic maps have been of military and economic importance throughout the ages. Rulers have commissioned maps to control the financial, economic, political, and military aspects of their sovereign entities. Large scale projects like the Ordnance Survey in the UK in the late 18th century, and the Lewis and Clark Expedition a few decades later to map the American West, are early examples of trailblazing efforts to create accurate modern maps of high strategic importance. Digitalization, globalization, and a larger urban and educated workforce necessitate a new understanding of the world, beyond traditional maps based on geographic features. Many of today's most critical threats know no geographic borders. For instance, cyber attacks can be orchestrated through globally distributed bot networks; just-in-time manufacturing relies on the free flow of goods across jurisdictions; global markets and the infrastructures that support them relay information and price signals globally within seconds. A lack of understanding financial interdependencies was clearly demonstrated by the freezing of credit markets in the last financial crisis and the uncertainty created by Brexit. Ten years after the financial crisis, we are still only beginning to map, model and visualise these critical maps of the financial world. We call for attention to work on a large scale project of "Financial Cartography" to address this gap. In financial cartography, we replace geographic proximity with logical proximity, such as financial interdependence, similarity (e.g., of portfolio or income streams), a flow of transactions or a magnitude of exposures. Similar to geographic maps, financial maps will find many important uses across business, government and military domains. Critically, they are needed for protection and projection of state power, for optimizing and managing risks in business, and in making policy decisions related to the major challenges of climate change, mass migration and geopolitical instability. Fundamentally, cartography is a way that reality can be modeled to communicate information on “big data” sets. Cartography allows one to simplify and reduce the complexity of the data to highlight salient features of the data, and to filter out noise. This makes maps ideal devices to increase the bandwidth by which information can be communicated to its users, for making quick decision based on complex data. In the following pages, we make a case and provide starting points for a research agenda around "Financial Cartography" in three interrelated parts: Maps of Trade Networks Maps of Financial Markets and Maps of Financial Market Infrastructures
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17th & 18th Century Sculpture in Quito. Inter-American Development Bank, October 1994. http://dx.doi.org/10.18235/0006442.

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Graphics from Latin America and the Caribbean: January 18th - March 9th, 2002. Inter-American Development Bank, January 2002. http://dx.doi.org/10.18235/0005918.

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43 lithographs, etchings, linocuts, woodcuts, silkscreens and other works in various graphic techniques by 40 artists from the Americas were presented at the Riverside Art Museum, Riverside, California. On loan from the IDB Cultural Center; the artistic holdings serve to promote understanding of the cultural heritage of its member countries. Included in the exhibit are graphics by important 20th century Mexican muralists José Clemente Orozco, Diego Rivera, and David Alfaro Siqueiros; the surrealist Roberto Sebastián Matta; Carlos Mérida and others.
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