Academic literature on the topic '1896-1948 Criticism and interpretation'
Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles
Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic '1896-1948 Criticism and interpretation.'
Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.
You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.
Journal articles on the topic "1896-1948 Criticism and interpretation"
1
Salam, Abdul. "Samaun Bakri: Nationalist Portrait in 1925-1948." Yupa: Historical Studies Journal 2, no. 1 (May 31, 2018): 44–54. http://dx.doi.org/10.30872/yupa.v2i1.115.
Full textAbstract:
Samaun Bakri is one of many figures from Nagari Kurai Taji Pariaman West Sumatra, which enliven the national political stage. His movement in the Dutch Colonial period, began when he attended in Sumatra Thawalib Padang Panjang. The Kuminih movement, fronted by Communist propagandists, has changed its paradigm of thinking from moderate to radical. Sometimes Samaun is often the target of arrest with allegations of infidelity. This paper is compiled based on historical method, consist of; heuristics, criticism, interpretation, and historiography. The world of Islamic movement and modernization has indeed influenced the way of Samaun thinking. Several times, he was involved in the press, ranging from Persamaan, Sasaran, Penabur, and often wrote harsh criticisms of the Dutch government. After the Silungkang incident, he crossed over to the Partai Nasional Indonesia (PNI). During the Japanese occupation, he was involved in the management of PUTERA and Jawa Hokokai. His political career post-independence immediately dashed, when he served as Deputy Governor of West Java in 1946, KNIP members represent West Java, and became Deputy Resident of Banten in 1946-1948.
2
Lernout, Geert. "Who Wrote What When: The Bible, Science and Criticism." European Review 20, no. 3 (May 2, 2012): 301–15. http://dx.doi.org/10.1017/s1062798711000561.
Full textAbstract:
According to the traditional (or ‘whig’) interpretation of history, sometime in the seventeenth century science was born in the form that we know today, in a new spirit that can best be summed up by the motto of the Royal Society: nullius in verba, take nobody's word for it. In the next few centuries this new critical way of looking at reality was instrumental in the creation of a coherent view of the world, and of that world's history, which was found to be increasingly at odds with traditional claims, most famously in the case of Charles Darwin's theory of evolution. By the end of the nineteenth century, the divide between science and religion was described by means of words such as ‘conflict’ and ‘warfare,’ the terms used by John William Draper and Andrew Dickson White in the titles of their respective books: History of the Conflict between Religion and Science (1874) and History of the Warfare of Science with Theology in Christendom (1896).
3
Rossius, Iuliia. "Emilio Betti: from the history of law to the general theory of interpretation." Философская мысль, no. 11 (November 2020): 30–44. http://dx.doi.org/10.25136/2409-8728.2020.11.34232.
Full textAbstract:
The goal of this article consists in demonstration of the impact of research in the field of history and theory of law alongside the hermeneutics of Emilio Betti impacted the vector of this philosophical thought. The subject of this article is the lectures read by Emilio Betti (prolusioni) in 1927 and 1948, as well as his writings of 1949 and 1962. Analysis is conducted on the succession of Betti's ideas in these works, which is traced despite the discrepancy in their theme (legal and philosophical). The author indicates “legal” origin of the canons of Bettis’ hermeneutics, namely the canon of autonomy of the object. Emphasis is placed on the problem of objectivity in Betti's theory, as well as on dialectical tension between the historicity of the interpreted subject and strangeness of the object that accompanies legal, as well as any other type of interpretation. The article reveals the key moment of Betti's criticism of Hans-Georg Gadamer. Regarding the question of historicity of the subject of interpretation. The conclusion is made that the origin of the general theory of interpretation lies in the approaches and methods developed and implemented by Betti back in legal hermeneutics and in studying history of law. Betti's philosophical theory was significantly affected by the idea on the role of modern legal dogma in interpretation of the history of law. Namely this idea that contains the principle of historicity of the subject of interpretation, which commenced the general hermeneutical theory of Emilio Betti, was realized in canon of the relevance of understanding in the lecture in 1948, and later in the “general theory of interpretation”. The author also underlines that the question of objectivity of understanding, which has crucial practical importance in legal hermeneutics, was transmitted into the philosophical works of E. Betti, finding reflection in dialectic of the subject and object of interpretation.
4
Babak, Galina. "AHAPII SHAMRAI IN SEARCH OF SYNTHETIC THEORY OF LITERATURE: 1920s." Слово і Час, no. 3 (June 20, 2022): 28–44. http://dx.doi.org/10.33608/0236-1477.2022.03.28-44.
Full textAbstract:
This article reconstructs the theoretical views of a literary historian and critic Ahapii Pylypovych Shamrai (1896—1952) in the context of perception of Oleksandr Potebnia’s philological and linguistic heritage — and at the same time in the context of the development of the formal method and sociological approach in Ukrainian literary criticism in the 1920s. The study offers a detailed analysis of Shamrai’s early work “O. Potebnia and the methodology
of the history of literature” (1924) in the connection with Russian formalists’ critical approach to Potebnia’s theoretical ideas. In his early work, Shamrai calls for a rethinking of Potebnia’s theory of the ‘inner form of the word’ and some of his other ideas, which, in his opinion, could be the basement for the further development of Ukrainian and Russian literary theory. Particular attention is paid to the study of a reader (audience) as a major component of literary analysis and interpretation. The idea of ‘studying a reader’ was crucial when Ukrainian scholars tried to combine two theoretical approaches — the formal and sociological methods. One of the best examples of such ‘synthetism’ in Ukrainian literary studies of the 1920s was Shamrai’s textbook “Ukrainian Literature. Brief overview” (1927, 1928), which is discussed in this article. The paper also argues that “synthetism” was inherent to the Ukrainian literary criticism of the 1920s in general. It was a theoretical framework used by many Ukrainian literary scholars, Oleksandr Biletskyi and Borys Jakubskyi being among them. Providing a historical context for Shamrai’s theories, the article also examines the historical and philological ideas of his older contemporary Oleksandr Biletskyi and estimates their influence on the development of Ukrainian literary criticism of that time
5
Susetyo, Berlian, and Ravico Ravico. "Kota Lubuklinggau Dalam Kurun Waktu 1825-1948." Criksetra: Jurnal Pendidikan Sejarah 10, no. 1 (February 10, 2021): 14–29. http://dx.doi.org/10.36706/jc.v10i1.12902.
Full textAbstract:
Abstrak: Kajian tentang Kota Lubuklinggau berdasarkan kronologis sejarah masih belum ada kajian yang komprehensif, sehingga terjadi kegagalan pemahaman generasi muda dalam memahami sejarah Kota Lubuklinggau. Penelitian ini bertujuan untuk mendeskripsikan kota Lubuklinggau pada masa Kolonial Belanda, masa pendudukan Jepang, masa setelah proklamasi kemerdekaan serta masa agresi militer pertama dan kedua. Metode penelitian yang digunakan ialah metode sejarah, antara lain heuristik, kritik sumber, intepretasi dan historiografi. Hasil penelitian menunjukan bahwa Lubuklinggau Tahun 1929 menjadi dusun kedudukan marga Sindang Kelingi Ilir, kemudian dikembangkan menjadi ibukota Onder Afdeeling Moesie Oeloe masa kolonial Belanda Tahun. Pada masa Jepang Tahun 1942, Lubuklinggau menjadi ibukota Bunshu Musikami Rawas. Pada masa setelah kemerdekaan Tahun 1945, Lubuklinggau menjadi Kawedanaan Musi Ulu sekaligus menjadi ibukota Kabupaten Musi Ulu Rawas. Kemudian pada masa agresi militer Belanda I Tahun 1947 dan agresi militer Belanda II Tahun 1948, Lubuklinggau menjadi pusat pemerintahan Karesidenan Palembang sekaligus pusat pemerintahan militer Sub Teritorium Sumatera Selatan (SUBKOSS). Kata Kunci: Moesie Oeloe, Musi Ulu Rawas, LubuklinggauAbstract: The study of Lubuklinggau City is based on historical chronology, there is still no comprehensive study, so that there is a failure in understanding the young generation in understanding the history of Lubuklinggau City. Furthermore, this study aims to describe the city of Lubuklinggau during the Dutch colonial period, the Japanese occupation period, the period after the proclamation of independence and the period of the first and second military aggression. The research method used is the historical method, including heuristics, source criticism, interpretation and historiography. The results showed that Lubuklinggau in 1929 became the hamlet of the Sindang Kelingi Ilir clan, then it was developed into the capital of Onder Afdeeling Moesie Oeloe during the Dutch colonial period. During the Japanese period in 1942, Lubuklinggau became the capital of the Bunshu Musikami Rawas. In the period after independence in 1945, Lubuklinggau became Kawedanaan Musi Ulu as well as the capital of Musi Ulu Rawas Regency. Then during the Dutch military aggression I in 1947 and Dutch military aggression II in 1948, Lubuklinggau became the center of the Palembang Residency government as well as the center of the South Sumatra SubTerritory (SUBKOSS) military government. Keywords: Moesie Oeloe, Musi Ulu Rawas, Lubuklinggau
6
Maar, Alexander. "A Metafísica de Copleston e o Debate com Russell." Revista Portuguesa de Filosofia 76, no. 4 (January 31, 2021): 1331–62. http://dx.doi.org/10.17990/rpf/2020_76_4_1331.
Full textAbstract:
Father Frederick Copleston is best known for his carefully crafted works History of Philosophy and Thomas Aquinas. Copleston’s most notable metaphysical thesis is his interpretation of the argument from contingency, which he sees as the superior choice for theists. He draws on Aquinas and distinguishes between causa fieri and causa esse to argue that God is a higher order (vertical) cause of contingent causal series (horizontal). Copleston presents God not as a temporal first cause, but an ontologically ultimate cause necessary to explain a contingent universe. His contribution changed the way we read Aquinas. Copleston’s willingness to debate his thesis with different philosophical perspectives is illustrated by his acceptance to discuss God’s existence with Bertrand Russell, in 1948. This BBC radio debate epitomises the dispute between theists and atheists from the 1940s onwards. I undertake to expound and comment Copleston’s contribution to metaphysics, present relevant parts of the debate and provide criticism.
7
Gemini dan Kunto Sofianto, Galun Eka. "PERANAN LASYKAR HIZBULLAH DI PRIANGAN 1945-1948." Patanjala : Jurnal Penelitian Sejarah dan Budaya 7, no. 3 (September 1, 2015): 381. http://dx.doi.org/10.30959/patanjala.v7i3.107.
Full textAbstract:
AbstrakPenelitian ini menggambarkan Peranan Lasykar Hizbullah di Priangan dalam kurun waktu 1945 hingga 1948. Untuk merekontruksi permasalahan ini digunakan metode sejarah yang terdiri dari empat tahap, yaitu heuristik, kritik, interpretasi, dan historiografi. Adapun teknik yang digunakan dalam pengumpulan data digunakan studi literatur dan wawancara, yaitu mengkaji sumber-sumber literatur yang berkaitan dengan permasalahan yang diteliti dan mewawancarai saksi sejarah atau pelaku sejarah sebagai narasumbernya. Penelitian ini bertujuan untuk: (1) mengetahui latar belakang terbentuknya Lasykar Hizbullah di Priangan; (2) mengetahui proses terbentuknya Lasykar Hizbullah di Priangan; dan (3) mengetahui peranan Lasykar Hizbullah di Priangan pada masa revolusi kemerdekaan (1945-1948). Hasil penelitian menunjukkan bahwa Lasykar Hizbullah terbentuk pada 10 Januari 1945. Lasykar Hizbullah merupakan organisasi/sayap kepemudaan yang berada di bawah naungan Masyumi Karesidenan Priangan. Lasykar Hizbullah telah memberikan peran penting dalam mempertahankan kemerdekaan Indonesia. Mereka terlibat aktif dalam pertempuran-pertempuran melawan Belanda-Sekutu, seperti Bandung Lautan Api, Agresi Militer Belanda I, menyikapi Perjanjian Renville. Lasykar Hizbullah di Priangan pada perkembangannya terbagi menjadi dua kelompok: pertama, pro-pemerintah dan bergabung dengan TNI-Divisi Siliwangi sebagai hasil dari adanya program fusi badan-badan perjuangan dengan TNI pada 1947; kedua, kontra-pemerintah dan menjelma menjadi Tentara Islam Indonesia pada 1948, benteng terdepan Negara Islam Indonesia bentukan Kartosuwiryo. AbstractThis study illustrates the role of Laskar Hizbullah in Priangan in the period 1945 to 1948. In order to reconstruct the problem, this study uses history method which consists of four stages, namely heuristic, criticism, interpretation, and historiography. The techniques of data collection used literature and interviews, including reviewing the sources of literature related to the problems studied and interviewing the witnesses of history or historical actors as the respondents. This study aims to: (1) know the background of the Laskar Hizbullah formation in Priangan; (2) recognize the process of of Lasykar Hizbollah formation in Priangan; and (3) identify the role of Laskar Hizbullah in Priangan during the revolution of independence (1945-1948). The results showed that Laskar Hizbullah was formed on January 10, 1945. It is an organization under the auspices of Masjumi Priangan Residency. Hezbollah army has given an important role in maintaining the independence of Indonesia. They are actively involved in the battles against the Dutch-ally, such as Bandung Sea of Fire, Dutch Military Aggression I, addressing the Renville Agreement. Hezbollah army in Priangan, in its development, is divided into two groups: first, pro-government and join TNI-Siliwangi Division as a result of the fusion program ofstruggle agencies with the military in 1947; second, a counter-government and transformed into Islamic Army of Indonesia in 1948, the fort leading of Indonesian Islamic State of Kartosuwiryo formation.
8
Albinus, Lars. "Culture as a Monastic Rule." Wittgenstein-Studien 9, no. 1 (February 21, 2018): 85–99. http://dx.doi.org/10.1515/witt-2018-0007.
Full textAbstract:
Abstract:The German philosopher Peter Sloterdijk has taken a considerable interest in Wittgenstein’s concept of culture. The title of his book Du mußt dein Leben ändern, which is a quote from Rilke, also reflects one of Wittgenstein’s remarks, and Sloterdijk devotes a whole chapter to another quote, namely that “Culture is a monastic rule”, as Wittgenstein put it in 1948. Sloterdijk argues that Wittgenstein’s philosophy was, from the beginning, irreversibly formed by the secessionist movement in fin-de-siecle Vienna, and that he remained a cultural elitist at heart through his whole life. Thus Sloterdijk regards the concept of “language games” as ascetic instructions en miniature and reads Wittgenstein’s late philosophy as a veiled criticism of the so-called culture of his society, that is, “life forms” among ordinary language users who are blind to their own proclivities. I regard this interpretation as a gross misconception of Wittgenstein’s inclinations but also as a welcome opportunity to make some necessary distinctions between Wittgenstein’s views of culture in different phases of his philosophy.
9
Pawelec, Dariusz. "Traktatowo i polemicznie -Witold Wirpsza wobec Czesława Miłosza." Ruch Literacki 53, no. 3 (November 8, 2012): 305–19. http://dx.doi.org/10.2478/v10273-012-0019-x.
Full textAbstract:
Summary This article deals with the early reception of Czesław Miłosz’s A Moral Treatise (1948). Although it soon became a landmark with the literary cognoscenti, it was not particularly well understood. The fact that A Moral Treatise was much quoted but hardly ever subjected to a thorough interpretation indicates that its message was assumed to be practically too obvious for debate. Against this background of complacency, one of the few attempts at coming to grips with Miłosz’s work was Witold Wirpsza’s Polemical Treatise, published in the magazine Twórczość in May 1949. It was reprinted in his Polemics and Songs in 1951, and then in another volume of selected poems in 1956. These three editions of Wirpsza’s Treatise kept Miłosz’s absent text in the public eye and played the role of surrogate review. Later, when the political climate changed, Wirpsza’s text came up for severe criticism. However, as the article argues, unlike the numerous commentaries, glosses and appropriations of A Moral Treatise, Wirpsza’s polemical response to it, though firmly rooted in the social realist landscape of the day, is uniquely aware of the poetic merit of Miłosz’s work. Wirpsza’s versified, condensed interpretation of A Moral Treatise does convey its enigmatic nature and in this way helps us to understand why so many of the subsequent readings of that text proved more or less unsatisfactory.
10
Gaižiūnas, Silvestras. "At the Origins of Modern Lithuanian Literary Studies. Phenomenon of Juozas Eretas." Pitannâ lìteraturoznavstva, no. 100 (December 27, 2019): 155–68. http://dx.doi.org/10.31861/pytlit2019.100.155.
Full textAbstract:
The article under studies is a critical survey of the activities of a Swiss scholar Juozas Eretas (1896–1984), one of the founders of Lithuanian Literary Studies, whose origin is closely related to the revival of the Lithuanian State (1918 р). Raised on the principles of the so-called Fribourg School, J. Eretas may be regarded as a vivid example of a catholic scientist. He emphasized the importance of the connection between research and thinking. In the 20-30s, having mastered the Lithuanian language, under the influence of the first translations of the world literary works into Lithuanian, Eretas laid the foundation of analytical criticism. He also took up the translation and, at the same time, became the founder of Lithuanian Germanic Studies, paying most of his attention to the Medieval German Literature, the heritage of mystics, the literature of “storm and drive”, particularly the works by Goethe and Schiller. In addition, Eretas made a considerable contribution to Lithuanian Theory of Literature: “Creating Philosophical Criticism in Literature” (lecture, 1922), “Philosophy and Poetry” (1924), “Methods of Literary Analysis” (1929). Eretas’ approach to German Literature was purely conceptual and rested on the idea of its universal nature (especially concerning Goethe): monographs “Young Goethe” (1932) and “Goethe Hundred Years Later” (1933). It is worth mentioning Eretas’ attitude to Goethe’s “Faust”. He interprets the main character typologically, as an eternal image of the world culture, pointing hereby to the increased attention to this image during the epoch of “storm and drive”. Eretas’ interpretation of the images of Faust and Mephistopheles, which present the idea of “dual world” that is so peculiar for Romanticism, seems very interesting and promising. Besides, Eretas was first in Lithuanian Literary Studies to refer to Goethe’s “Wilhelm Meister’s Apprenticeship” as to the novel of upbringing. Another significant subject of Eretas’ research was the History of World Mystics (the work “From the History of Mystics”, as well as the monographs on Tauler, Eckhart and Suso).
Dissertations / Theses on the topic "1896-1948 Criticism and interpretation"
1
Papachristos, Katherine. "Le théâtre de Tristan Tzara : le passage de l'oralité à l'écriture." Thesis, McGill University, 1996. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=40221.
Full textAbstract:
This doctoral thesis analyzes the plays of Tristan Tzara, specifically La Premiere Aventure Celeste de Monsieur Antipyrine (1920), La Deuxieme Aventure Celeste de Monsieur Antipyrine (1920), Coeur a Gaz (1921) et Mouchoir de Nuages (1924).In the first part of our study we examine the production of (dramatic) language in its oral, graphic and written qualities. The dada language of the two drama-manifestoes tends to adopt a syllabic writing which defines itself as a sonorousness free of syntaxico-semantic contingencies. The writing in Coeur a Gaz is more graphic in that it defines linear writing in terms of its inscription in a bidimensional frame (list, table) which caracterizes theatre in itself. And while Mouchoir de Nuages adhers more closely to dramatic writing of a metadiscursive nature, the apparent linearity of the writing of this drama leads to the subversion of the stage writing (scenography) and therefore of theatre itelf.
In the second part of our thesis we study the question of language reception, indispensable for the understanding of the Dada phenomenon in particular and theatrical in general. The aleatory vocality La Premiere Aventure Celeste de Monsieur Antipyrine provoked a violent reception by the historical spectator of 1920, whose esthetic parameters (horizon of expectation) are analyzed. Insofar as Coeur a Gaz is concerned the performance of 1923 consecrated the rupture of Andre Breton with the Dada group and led to the birth of the surrealist movement. Finally, the revolutionary scenographic work of Mouchoir de Nuages radically modifies the scenic perception of the spectator and announces the pluralist art of the twentieth century.
2
Koopmann, Jean-Philippe. "Interprétation des lieux dans cinq oeuvres en prose d'André Breton." Thesis, McGill University, 1996. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=26740.
Full textAbstract:
This Master's thesis proposes to examine the place of space in five works by Andre Breton which are: Nadja (1928); Les Vases communicants (1932); L'Amour fou (1937); Arcane 17 (1945); Martinique charmeuse de serpents (1948). The first chapter of this thesis deals with the problem of space and its definitions through a sequence of seven authors who propose different perspectives. The second chapter explores the literary, the imaginary and the textual spaces in the aforementionned works while taking into account numerous surrealist concepts proposed by Breton.
3
Levesque, Patrick. "Les voix de Vivier : langage harmonique, langage mélodique et langage imaginaire dans les dernières oeuvres de Claude Vivier." Thesis, McGill University, 2004. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=81501.
Full textAbstract:
The five last vocal works of Claude Vivier: Lonely Child, Bouchara, Prologue pour un Marco Polo, Wo bist Du Licht! and Trois airs pour un opera imaginaire have in common different stylistic characteristics. The detailed analysis of these characteristics reveals the influence of tonal music in the melodic, harmonic and formal construction of these works. The tonal character of the music is masked by total chromaticism and the presence of harmonic spectra built through frequency addition, a technique borrowed from spectral music. These five works are also related by the use of an imaginary language, characteristic of Vivier's late music, serving a dual semantic and musical function. The conclusion of this thesis will discuss the evolution of these various characteristics in the context of Claude Vivier's life and aesthetics.
4
Wong, Chong Stephen. "La nourriture dans l'oeuvre romanesque de Georges Bernanos /." Thesis, McGill University, 1991. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=60564.
Full textAbstract:
The presence or absence of food in the novels of Bernanos lie within a highly meaningful system of values and images. From a list of references to food, we will define the nature and role of food in Bernanos' novels. Then we shall try to bring out the symbolic system which organizes the various elements of this theme in one coherent whole. Thus we will see that food, scarce in this work, is always associated with evil, or tends to disappear in a system of images related to sin. As for food acceptable in the eyes of Bernanos, it also eventually loses its material quality by becoming metaphors of the spiritual world.
5
Ouellette, Julie. "Écrire à partir de la fin : Georges Bernanos et le roman de combat." Thesis, McGill University, 2005. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=100668.
Full textAbstract:
"Books are books, and can suffer the same fate as men. They too can be killed in battle," wrote Georges Bernanos in Francais, si vous saviez. Bernanos' work thus demands to be read through the optic of his battle against the modern spirit. If the polemical focus is clear in his political writings, criticism of his work has never fully recognized its deployment throughout his novels. It is therefore when Bernanosian fiction renounces any expression of its intention, eluding any dimension of rhetoric---when it is dramatically demobilized---that it is meant to be its most scandalous.What is the mission of fiction in the Bernanosian project? Based on the tools of reconciled rhetoric of figures and argumentation, the aim of this work is to re-examine the Bernanosian triple paradox of "convincing of the obvious without using words those who share his beliefs" which generates the tension of his project of writing from the end; that is to say finding a language worthy of Christian truth, a language so "true" and so "transparent" that it could be capable of immediate conversion of souls. To fully understand the place of battle in Bernanosian writing, the notion of the end as a creative principle is examined through three main themes: the preludes to the end of time (eschatology), the final struggle for the end (agony) and the end results of writing (aim).
Writing from the end fundamentally implies a return to the origins. The focus of this study will be to demonstrate that the Bernanosian project, through a return to the source of spiritual authority and a re-examination of asceticism, is a central part of the vast enterprise of reappropriation of language defining French literature after the armistice. The search for this language capable not of convincing but of conquering is mainly studied through the voices the author gives his characters who are simple in heart and soul: to his heroes who are "strangers to a certain fencing with language," locked in a perpetual battle with words. The analysis of these heroes' discourse in this "slow tongue" attempts to determine the exact, though improbable, degree to which their babbling voices carry a weight of authority.
6
Johnson, Andrew M. "Error and epistemological process in the Pentateuch and Mark's Gospel : a biblical theology of knowing from foundational texts." Thesis, University of St Andrews, 2011. http://hdl.handle.net/10023/1896.
Full textAbstract:
This thesis will consider the possibility of an epistemological process described in the narratives and teaching of the Pentateuch and the Gospel of Mark. The specific nature of this epistemological process will be explored upon the priorities constrained by the texts themselves. While the epistemological objectives are not always perspicuous to the reader of the canon, error is more clearly diagnosed in these narratives. This thesis then investigates the epistemological process by looking primarily at where characters of the narratives 'get it wrong' according to the narrative's diagnosis. Primacy appears to be given in these texts to heeding the authenticated and authoritative voice first, and then enacting the authoritative guidance in order to see what is being shown; in order 'to know'. Errors occur along the same boundaries. Failure to heed the authoritative voice creates a first order of error, while failure to enact the guidance yields a second order of error. We begin at the fore of the canon working through these Pentateuchal texts as they are presented to the reader. In the first chapter, the necessity of this current study will be defended. As well, we will survey various attempts at describing a 'biblical epistemology' and their deficiencies and/or methodological shortcomings. Chapter 2 will advance the case that Genesis 2-3 actually yields sufficient epistemological categories which resemble the rest of the Pentateuchal descriptions of error in more than superficial ways. Genesis 2 is analyzed as paradigmatic for proper epistemological process while Genesis 3 is paradigmatic of error. It is upon the boundary of the authenticated voice that error is assessed in the Garden of Eden. These patterns of error are lexically and conceptually reverberated in the stories of the patriarchs and Joseph. Chapter 3 then looks at how these features discovered in Genesis are interwoven in the reader's mind as they come to the stories regarding Moses' prophetic authentication, Pharaoh's errors, and eventually Israel's own errors. The errors of Balak with Balaam in Numbers are considered as further reason to believe that this epistemological process is not reserved for Israel. Chapter 4 explores the unique connections between Israel's Deuteronomic reflections and the creation narratives of Genesis. The fifth chapter leaps to the Gospel of Mark to discern whether or not any of these patterns from the Pentateuch remain in the Gospel narrative. In the final chapter, the fruit of our theological reading is brought forward to interact with current epistemological theories (mostly in analytic philosophy). These contemporary epistemologies are found wanting to describe anything like what we found in the scriptures. Implications are then drawn for theological prolegomena and praxis.
7
Cooper, Shari Susan Friedman. "J.I. Segal, between two worlds." Thesis, McGill University, 1988. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=63954.
Full text
8
Vachon, Jean-Olivier. "L'artiste-passeur chez J. A. Loranger et G. Roy, et, La grange traversee." Thesis, McGill University, 2001. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=32949.
Full textAbstract:
A thematic and formal analysis of Jean-Aubert Loranger's poetic tale "Le Passeur" [1920], and of Gabrielle Roy's novel La Montagne secrete [1962], shows that the construction of the two heroes' respective identity is directly related to the representation of small and large rivers in the two stories. Considering the generic difference between the two texts, these similarities---which are shaped up in a four steps "organizing scheme"---suggest the existence of a real structure in the construction of the modern identity (quebecoise). La Grande traversee, an historical novel about the massive Irish emigration of 1847, narrates the quest of identity of Seamus Doyle, while following the same four steps of this particular movement.
9
Griffin, Brent. ""Plagues of the New World Order": Technology and Political Alternatives in William Gibson's Neuromancer." Fogler Library, University of Maine, 2006. http://www.library.umaine.edu/theses/pdf/GriffinBX2006.pdf.
Full text
10
Fortier, Marie. "L'image de la femme dans les "grande proses" d'André Breton." Thesis, McGill University, 1990. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=59881.
Full textAbstract:
Woman is an ever-present image in the prose poems Nadja, L'amour fou and Arcane 17 by Andre Breton. While the image incorporates several autobiographical references, this is not the revelation. With textual recurrence forming a thematic, topical thread, the image is seen in its poetic, symbolic and mythical dimensions. Woman offers a surrealist poet a rhetorical gift. In these works the image of woman acquires symbolic value. It is identified with Nature in its cosmic, telluric reality, rooted in the unconscious in its oneiric reality. It is epiphanic in that it gives access to the Other's vision. To the poet it represents, to use Carl Jung's hermeneutic, the archetypal figure of the Anima. In its mythical dimensions, finally, the image calls forth the great visions of femininity: Muse, Sprite, Fairy, Elf, Virgin...
Books on the topic "1896-1948 Criticism and interpretation"
1
Antonin Artaud's writing bodies. Oxford: Clarendon, 2005.
Find full text
2
Vögele, Christoph. Niklaus Stoecklin, 1896-1982. [Winterthur]: Kunstmuseum Winterthur, 1996.
Find full text
3
Pinillos, Manuel. Poesía completa, 1948-1982. Zaragoza: Prensas Universitarias de Zaragoza, 2008.
Find full text
4
1962-, Martínez-Barca María P., ed. Poesía completa, 1948-1982. Zaragoza: Prensas Universitarias de Zaragoza, 2008.
Find full text
5
1898-1948, Lenz Karl, ed. Karl Lenz (1898-1948). Marburg: Jonas, 1999.
Find full text
6
Schmidt-Caroll, Erna. Erna Schmidt-Caroll: 1896-1964. Bönen: Kettler Kunst, 2003.
Find full text
7
Stout, John Cameron. Antonin Artaud's alternate genealogies: Self-portraits and family romances. Waterloo, Ont., Canada: Wilfrid Laurier University Press, 1996.
Find full text
8
Stout, John Cameron. Antonin Artaud's alternate genealogies: Self-portraits and family romances. Waterloo, Ont: Wilfrid Laurier University Press, 1996.
Find full text
9
David Shterenberg, 1881-1948. Moskva: ART-Rodnik, 2006.
Find full text
10
Ragon, Michel. Atlan, mon ami: 1948-1960. [Paris]: Galilée, 1989.
Find full textBook chapters on the topic "1896-1948 Criticism and interpretation"
1
Fiedler, Lutz. "Communist Dissidents." In Matzpen, 29–77. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474451161.003.0002.
Full textAbstract:
The first chapter illuminates the genesis of Matzpen, which started with the expulsion of four members from the Communist Party of Israel in autumn 1962. The chapter begins by situating this event within the much broader processes of de-Stalinization after Nikita Khrushchev’s “secret” revelations at the 20th Congress of the Soviet Communist Party in 1956. Yet, although the founding of Matzpen paralleled in many ways the path of the European New Left, the chapter emphasizes the specific objections to the Communist Party’s analysis of Israeli society and the Middle East conflict that played a role in the early evolution of Israel’s New Left. First, Matzpen’s criticism of the Israeli trade union Histadrut is reconstructed. Matzpen’s call for the establishment of a new, democratic representation for the Israeli workers is traced back to the famous seamen strike in Haifa in 1951. Second, the chapter discusses the emergence of the dissidents’ independent interpretation of Israel’s conflict with the Arab world: At variance with their party’s ideological interpretations of the war of 1948, they began delving into the questions of Israel’s borders and Palestinian refugees to expose a previously concealed link between the founding of the Jewish state and the Palestinian catastrophe – the Nakba.
2
Tooke, Daniel. "Prokofiev and the Soviet Symphony." In Rethinking Prokofiev, 39–58. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190670764.003.0005.
Full textAbstract:
The contrasting fates of Prokofiev’s last three symphonies vividly illustrate the problematic status of the symphony during the Stalinist period, because of its inherent difficulty in satisfying a key tenet of Socialist Realist aesthetics: that all art should communicate ideological engagement. While t Fifth Symphony (1944) was immediately acclaimed as a major contribution to Soviet symphonism, the Sixth (1945–47) was roundly condemned during the anti-cosmopolitanism campaign of 1948; and although the Seventh (1951–52) won official approval, it was widely regarded as an artistic failure resulting from enforced compromise. That music critics tended to focus primarily on the putative ideological content of abstract instrumental works, and to downplay suggestions of foreign influence, often led them to advance highly questionable interpretations of the music’s import. This chapter draws on a range of contemporary music criticism and archival materials, which have clouded objective perception of both the Soviet symphony and Prokofiev’s later instrumental works.