Relevant bibliographies by topics / 1893-1983

Academic literature on the topic '1893-1983'

Author: Grafiati
Published: 4 June 2021
Last updated: 30 July 2024

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Journal articles on the topic "1893-1983"

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Süveges, Ildikó. "Aladár Kettesy (1893–1983)." Orvosi Hetilap 154, no. 52 (December 2013): 2086–87. http://dx.doi.org/10.1556/oh.2013.ho2477.

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Michael, J. H. "Harold William Sanders 1893–1983." Journal of the Australian Mathematical Society. Series A. Pure Mathematics and Statistics 39, no. 2 (October 1985): 143–45. http://dx.doi.org/10.1017/s1446788700022412.

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Thomas, J. H., and J. M. Grayson. "Walter Seneff Hough 1893-1983." Bulletin of the Entomological Society of America 31, no. 2 (June 1, 1985): 64. http://dx.doi.org/10.1093/besa/31.2.64a.

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Czubak, Jarosław, and Marzena Czubak. "Year of Professor Adam Gruca (1893-1983). On the 130th anniversary of his birth and the 40th anniversary of his death." Chirurgia Narządów Ruchu i Ortopedia Polska 88, no. 2 (June 16, 2023): 55–60. http://dx.doi.org/10.31139/chnriop.2023.88.2.1.

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The article presents a biography of Adam Gruca, one of the most famous Polish orthopaedic surgeon born December 3, 1893, died June 3, 1983 in Warsaw. He was Professor of medical sciences, and doctor honoris causa at the Medical Academies in Warsaw and Wrocław. The Polish Orthopedic Society was constituted at its first convention in Poznań in 1928, attended by Prof. Adam Gruca and his wife.
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Catteeuw, Karl. "L. van Rompaey, Strijd voor waardering. Het COV van 1893 tot 1983." BMGN - Low Countries Historical Review 120, no. 4 (January 1, 2005): 670. http://dx.doi.org/10.18352/bmgn-lchr.6317.

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Thiel, Stephanie. "Erna Scheffler – erste Richterin des Bundesverfassungsgerichts und Pionierin bei der Durchsetzung der Gleichberechtigung der Geschlechter." Göttinger Rechtszeitschrift 3, no. 5 (December 17, 2020): 149–57. http://dx.doi.org/10.55053/2020-3-5-1203.

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Der nachfolgende Beitrag skizziert in einem ersten Schritt das Leben von Erna Scheffler (1893–1983), der ersten Bundesverfassungsrichterin. Anschließend widmet er sich ihren Forderungen zur Umsetzung von Frauenrechten und gibt einen Einblick in die ersten Jahre der normativen Umsetzung des Gleichberechtigungsauftrags aus Art. 3 II GG. Dabei wird herausgestellt, welchen Einfluss das Bundesverfassungsgericht mit Erna Scheffler als Richterin auf die Umsetzung der Gleichberechtigung in der jungen Bundesrepublik hatte. Aufgrund der gebotenen Kürze erfolgt dabei eine Beschränkung auf ausgewählte Rechtsgebiete.
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WEI, YU-MEI, Rui-Liang Zhu, and S. ROBBERT GRADSTEIN. "Notes on Early Land Plants Today. 49. On Lejeunea huctumalcensis Lindenb. & Gottsche and the resurrection of Otigoniolejeunea (Spruce) Schiffn., an older name for Physantholejeunea R.M.Schust. (Marchantiophyta, Lejeuneaceae)." Phytotaxa 162, no. 4 (March 17, 2014): 236. http://dx.doi.org/10.11646/phytotaxa.162.4.8.

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Lejeunea huctumalcensis Lindenb. & Gottsche in Gottsche et al. (1847: 762), a widespread neotropical species, is one of the most unusual taxa in Lejeunea Libert (1820: 372) owing to the variable gynoecial innovation type which may be lejeuneoid or pycnolejeuneoid, the presence of ocelli in leaf lobes and the perianth keels usually with bifid or more ramified laciniae (Reiner-Drehwald & Ilkiu-Borges 2007). In other species of this large genus, innovations are invariably lejeuneoid, ocelli are lacking and perianth keels do not produce bifid or more ramified laciniae. The generic position of Lejeunea huctumalcensis has long been controversial and the species has been assigned to at least six different genera, including Ceratolejeunea (Spruce 1884: 77) Jack & Stephani (1892: 16), Hygrolejeunea (Spruce 1884: 77) Schiffner (1893: 124), Lejeunea, Otigoniolejeunea (Spruce 1884: 77) Schiffner (1893: 125), Pycnolejeunea (Spruce 1884: 246) Schiffner (1893: 124), and Trachylejeunea (Spruce 1884: 180) Schiffner (1893: 126) (Reiner-Drehwald & Ilkiu-Borges 2007). The latter authors showed that L. huctumalcensis is an older name for L. xiphotis Spruce (1884: 227), the type species of Lejeunea subg. Otigoniolejeunea Spruce (º Otigoniolejeunea (Spruce) Schiffn.), and thus L. huctumalcensis automatically becomes a member of this group. Otigoniolejeunea was provisionally accepted by Reiner-Drehwald & Ilkiu-Borges (2007) as a subgenus of Lejeunea, with L. huctumalcensis as its only species. Other recent authors, however, have treated Otigoniolejeunea as a mere synonym of Lejeunea (e.g., Grolle 1983; Singh 2013).
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Huang, Yue, Ruiwen Ma, Jie Li, and Shuyu Tu. "Sea Surface Temperature Changes Reflected by Diatoms in the P6-10 Core from 1893 to 2013 from Prydz Bay, Antarctica." Journal of Marine Science and Engineering 11, no. 7 (July 17, 2023): 1428. http://dx.doi.org/10.3390/jmse11071428.

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Identification and analysis was conducted on the diatoms from the 19 cm sediment of the P6-10 core, drilled from China’s 29th Antarctic Expedition, to attempt to semi-quantitatively reconstruct the annual sea surface temperature (SST) of Prydz Bay from 1893 to 2013. There were 30 species within the 12 genera of diatoms found, and the main contributors were Fragilariopsis curta, F. cylindrus, F. sublinearis, F. ritscheri, and Thalassiosira antarctica. They were divided into three categories based on their ecological affinity. The percentages of four specific species, i.e., F. curta, F. cylindrus, F. ritscheri, and F. separanda, which might be low SST indicators, were added together to represent the SST of Prydz Bay. With the help of cluster analysis, diatom assemblages were divided into diatom zones. Therefore, SST changes were divided into five stages by both the percentage of those four diatom species and the diatom zones: the high-temperature stage from 1893 to 1903, the cooling stage from 1903 to 1936, the stable and warm stage from 1936 to 1983, the low-temperature stage from 1983 to 1996, and the temperature rising stage from 1996 to 2013. On the multidecadal scale, SST change was affected by adjustments to solar radiation. On the contrary, the ENSO events mainly affected SST on the interannual scale. In addition, regarding the unique geographical environment (such as regional atmospheric circulation and a wind field) in Prydz Bay, volcanic eruptions and the like also played important roles in some exceptional periods.
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EASH-LOUCKS, WENDY E., and DAPHNE G. FAUTIN. "Taxonomy and distribution of sea anemones (Cnidaria: Actiniaria and Corallimorpharia) from deep water of the northeastern Pacific." Zootaxa 3375, no. 1 (July 4, 2012): 1. http://dx.doi.org/10.11646/zootaxa.3375.1.1.

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Sea anemones sensu lato (members of cnidarian orders Actiniaria and Corallimorpharia) occurring in water of thenortheastern Pacific Ocean greater than 1,000 m (to the abyssal plain) are poorly known. Based on the literature andspecimens we examined in the four largest collections of animals from this area, we estimate that approximately 35 speciesoccur in these deep-water habitats and fewer than half have been documented there. Of the largest and most abundantepibenthic species, based on morphology, we identified two species of Corallimorpharia (both previously known) and 12of Actiniaria (three new). Half the sea anemone species are widely distributed: Actinauge verrillii McMurrich, 1893,Actinoscyphia groendyki n. sp., Actinostola faeculenta (McMurrich, 1893), Bathyphellia australis Dunn, 1983, Liponemabrevicorne (McMurrich, 1893), Metridium farcimen (Brandt, 1835), and Monactis vestita (Gravier, 1918). The others areknown only from the northeastern Pacific Ocean: Corallimorphus pilatus Fautin, White, and Pearson, 2002,Corallimorphus denhartogi Fautin, White, and Pearson, 2002, Anthosactis nomados White, Wakefield Pagels, and Fautin,1999, Bolocera kensmithi n. sp., Paraphelliactis pabista Dunn, 1982, Sagartiogeton californicus (Carlgren, 1940) (forwhich we designate a neotype), and Sicyonis careyi n. sp. A naturally occurring oxygen minimum zone (OMZ) off Oregonis expanding, and the marine life living within its virtually anoxic areas is threatened. Nine of the species we examined occur within the current depth range of the OMZ and may be threatened if the OMZ continues to strengthen and expand.
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Sekulić, Željko, and Saša Kunovac. "NEW OBSERVATIONS OF STOAT (Mustela erminea L.) IN BOSNIA AND HERZEGOVINA." Radovi Šumarskog fakulteta Univerziteta u Sarajevu 49, no. 1 (November 1, 2021): 81–87. http://dx.doi.org/10.54652/rsf.2019.v49.i1.27.

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UDK: 599.742.4(497.6) The Stoat occupies a wide range of habitats. It is often found in successional or forest-edge habitats, in the scrub, alpine meadows, marshes, riparian woodlands, hedgerows, and riverbanks that have high densities of small mammals, especially Microtus and Arvicola voles (KİNG, 1983). PULLİAİNEN, (1999) stated that coniferous and mixed woodlands are preferred, but that many other habitats are used including tundra and the summits of fells and mountains. Dense forests and deserts are avoided (KİNG, 1983). Although mentioned in all to-day's Laws on Hunting (1893 – 2014) in Bosnia-Herzegovina, there are not so many records of this species or official reports in hunting bag. Considering its geographic range (IUCN 2020), in Bosnia-Herzegovina, the stoat is recorded only in the western and northern parts of the country. İn this paper, we presented new localities where the stoat was observed in Bosnia-Herzegovina, as well as types of habitats where it was recorded.
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Dissertations / Theses on the topic "1893-1983"

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Prates, Maria Luzia Fouto. "Maria Lamas ( 1893-1983). Uma participante na história da mentalidade feminina." Master's thesis, Faculdade de Ciências Sociais e Humanas, Universidade Nova de Lisboa, 2011. http://hdl.handle.net/10362/5576.

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Dissertação apresentada para cumprimento dos requisitos necessários à obtenção do grau de Doutor em Estudos Portugueses, Cultura Portuguesa do século XX
Nascida nos finais do século XIX, Maria Lamas viveu até à década de oitenta do século XX, onde se destacou como mulher de cultura e da cultura. Durante o seu percurso, teve participações ao nível da literatura, sendo considerada como uma das precursoras da literatura infantil portuguesa, mas percorreu também o caminho da poesia, do romance, da novela. Na área da escrita movimentou-se ainda pela área da reportagem, de que resultou o livro único no nosso país, As Mulheres do Meu País, pela área da pesquisa, cujas repercussões são verificáveis em outros dois livros: A Mulher no Mundo e Mitologia Geral. Ainda na escrita, não podemos esquecer a sua participação jornalística, tanto em revistas femininas, como em jornais nacionais, como por exemplo, o jornal O Século, e ainda a sua actuação na área da tradução. A sua intervenção na sociedade destacou-se pela presidência do Conselho Nacional das Mulheres Portuguesas, pela actividade na Associação Feminina Portuguesa para a Paz e pela sua conduta política de oposição ao regime salazarista, que a levou à prisão e posteriormente ao exílio. Maria Lamas foi uma mulher que se relacionou com todos os sectores da sociedade, o que provamos através da correspondência mantida ao longo da sua vida. Na área da cultura, Maria Lamas constitui um exemplo a seguir, tendo-se desdobrado em actividades como a organização de exposições, participando como conferencista ou assistindo a congressos internacionais onde travou conhecimentos com individualidades mundiais. A prova do reconhecimento da sua actividade é-nos dada através de várias homenagens de que foi alvo, ainda em vida. O que tentamos demonstrar com este trabalho é que quando uma mulher quer, pode contribuir para a alteração da mentalidade de um país, foi este o caso de Maria Lamas. As nossas expectativas serão atingidas se o presente estudo trouxer um contributo para a história cultural do nosso país
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Charlon, Anne. "Condition féminine et roman féminin dans la Catalogne contemporaine, 1893-1983." Paris 4, 1987. http://www.theses.fr/1987PA040197.

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La condition féminine constitue le thème essentiel de la prose narrative féminine catalane. Les bouleversements politiques qu'a connus l’Espagne au cours du vingtième siècle ont eu des répercutions particulièrement nettes en catalogne et pour les femmes. La prose narrative féminine est le lieu d'expression privilégié de ces bouleversements. Pour autant il convient de distinguer trois périodes de création, qui correspondent aux trois grandes phases de l'histoire espagnole contemporaine. La première, qui va de la fin du dix-neuvième siècle aux années vingt, correspond à la naissance d'un roman féminin catalan. Deux noms dominent cette période : Dolors Monserdà qui créé un roman de revendication féministe, et Catarina Albert-Victor Catala qui, tout en se démarquant des luttes féministes, brosse des portraits de femmes peu conformes aux idéaux de l'époque. La seconde période correspond aux années de la république qui voient l'apparition de nombreuses jeunes romancières qui se caractérisent par un ton ironique et léger et une grande volonté de changements. La plupart de ces romancières cesseront d'écrire après la guerre. L'exception la plus notable est Merce Rodoreda, dont l'œuvre, considérable appartient à deux périodes.
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Charlon, Anne. "Condition féminine et roman féminin dans la Catalogne contemporaine, 1893-1983." Lille 3 : ANRT, 1989. http://catalogue.bnf.fr/ark:/12148/cb37603828p.

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Frumkin, Beverly Ann. "The influence of the art of Antonio Gaudí on the work of Joan Miró /." Thesis, McGill University, 1987. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=63764.

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Meurer, Clio Elizabeth de Carvalho. "Joan MIRÓ, René MAGRITTE : écriture et création picturale." Paris 7, 2008. http://www.theses.fr/2008PA070003.

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C'est en procédant à une analyse de l'interaction entre l'écriture et l'image dans les œuvres de Joan Miró et de René Magritte que ce travail de mise en contraste cherche à vérifier quel est le rôle joué par l'écriture dans la création picturale - vérifier comment le langage écrit influence, interfère et/ou s'incorpore dans la genèse de l'œuvre d'art. Le texte est structuré autour de quatre axes centraux d'analyse, chacun comportant son propre fondement théorique et méthodologique. Le premier axe examine les fondements du modus operandi des deux artistes, et vise à mettre en valeur l'importance que la poésie a eue dans leur construction. Le deuxième confronte les deux artistes sans les comparer et pose la question de l'interaction entre le texte et l'image dans leurs œuvres picturales respectives (titres de tableaux, narration en peinture, influences littéraires, illustration) - et de même dans leur production littéraire, en prenant comme objet leurs poèmes et proses, ainsi que les aphorismes de Magritte. Les deux axes suivants explorent le rôle de l'écriture dans la création picturale des deux artistes au travers du prisme de la critique génétique. Le troisième étudie le processus de création de Magritte en prenant comme objet d'étude sa correspondance, laquelle conserverait la trace d'une documentation disparue. Dans le quatrième axe, les carnets de travail et les dessins préparatoires de Miró servent de base à une réflexion qui vise à dégager les principales fonctions que l'écriture occupe à l'intérieur du processus de création d'une peinture. C'est donc à la lumière de l'écriture que ce travail cherche à comprendre la création picturale de Miró et de Magritte
The present work has as its main objective to verify the role of writing in pictorial creation - to verify how written language may influence, interfere with and/or incorporate itself into the genesis of an artwork. It does so by carrying out a contrastive analysis of the interaction of text and image in the works of Joan Miró and René Magritte. The research rests upon four main axes of analysis, each one having its own methodology and its own theoretical approach. The first axis examines the founding principles of the artists' modus operandi, in an attempt to bring forth evidence of the important role played by poetry in the construction of such principles. The second axis places the two artists side by side in order to analyze a certain number of aesthetic instances where text and image interact with one another, first in their graphic and plastic work (titles, narrative, literary influences, illustration), and then in their literary work (their poetry and prose, as well as Magritte's aphorisms). The third and fourth axes of analysis explore the question of the role of writing in pictorial creation from the perspective of genetic criticism. The third axis tries to bring an understanding of Magritte's creative process through the traces that can be found in his correspondence. The fourth and last axis of analysis searches for the main operative functions of writing in the notebooks and the preliminary drawings of Miró, in order to see how writing can play a role in the creation of an image. It is thus through writing that this work aims to bring an understanding of the pictorial creation of Miró and Magritte
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Dessus, de Cérou Marie-Agnès. "Le desir a l'oeil dans l'art pictural ou la question de "la femme" dans l'oeuvre de joan miro." Paris 7, 1998. http://www.theses.fr/1998PA070080.

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Visionner l'epoque surrealiste conduit au centre de la creation artistique ou le mouvement, les pratiques, les pensees liberatrices font partie d'une ideologie existentielle a la recherche du vrai desir. A paris, mira aura un "choc" en decouvrant avec emerveillement ce monde de l'art dont il pratiquera les methodes. Eternel revolte, toujours en lutte entre principe de plaisir et principe de realite, le peintre vit d'illusion dans la folie des grandeurs, et travaille sans cesse pour ne pas s'ecrouler. L'oeuvre a pour enjeu le phallus : eviter a tout prix l'angoisse de castration ou la rencontre avec la chose, revelatrice du manque d'objet. Du deni de la castration, miro recherche d'une facon obsedante la purete de "la forme-mere", tout au long de son oeuvre, qu'il consacre a "la femme" comme enigme du feminin, et qui pose la question : qu'est ce qu'une femme? la toile finie, par une injonction, miro appelle l'autre : "vois!" devant les veux qu'il captive, le regard est fascine. L'inquietante etrangete rencontree dans l'oeuvre ou se presentifie "l'oeil" semble se substituer a la chose maternelle, jusqu'a mettre le regard en souffrance comme dans l'experience faite avec des etudiants. Selon l'appartenance sexuelle, les reactions different devant l'oeuvre, support de la scene primitive. Comment se deroule la dynamique du regard a partir de l'experience du miroir ou deux personnes l'artiste et le spectateur ont pour enjeu l'objet a, le langage de la phenomenologie du visible et de l'invisible? quelle serait l'articulation du desir entre l'objet deja perdu et l'objet a, dans sa fonction de "piege a regard" lacanien? comment le regard pervers impose-t-il la jouissance esthetique de cet exces de reel? enfin, comment l'homme et la femme sont-ils determines par la fonction phallique et la loi de la castration, a la question du feminin?
Viewing the surrealist period leads to the centre of the artistic creation where changes, customs and liberating thought are part of an existential ideology in search of the real desire. In paris, miro is truly amazed discovering this world of art which methods he will practice. Everlasting rebel, he is always in struggle between two principles : pleasure and reality ; the artist lives on illusion in delusion of grandeur and constantly works in order not to collapse. Phallus is the stake of his works : avoiding at any price the castration's fear and the meeting with the thing which is revealing of the lack of object. By refusing castration, miro is obsessed by the search for + mother form ; purity. In his whole works, which is dedicated to + woman ;, regarded as an enigma, he asks the following question: + what's a woman? ;. Once his painting achieved, miro orders the other to see. This one is fascinated. The disturbing strangeness, met in miro's works where the eye is omnipresent, seems to replace the maternal thing and it goes so far as to put the glance in suffering, as it was already proved in an experiment made with students. Reactions to the works - support of fantasy- are different, depending on sex identity. How does the eyes react to the mirror experiment when two persons, respectively the artist and the spectator, have as a stake the a object which is the language of the so called phenomenology of visible and invisible? what would be the desire connection between the lost object and the a object, when it acts as a + glance trap ; (the principle elaborated by lacan, a french psycho analyst)? how does the vicious look impose the aesthetic pleasure of that over reality? at least, how are men and women determined by both phallic function and castration law to the question of feminine?
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Greene, Charlotte Jordon. "Fantastic dreams : William Liu and the origins and influence of protest against the White Australia Policy in the 20th century." Thesis, The University of Sydney, 2005. http://hdl.handle.net/2123/4028.

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The structure of this study of William Liu will closely reflect his ideas and the major historical influences in his life, and will span the period from 1893 through ninety years spent mainly in Sydney, ending in 1983, the year before the beginning of the attack on multiculturalism launched by the historian Geoffrey Blainey. The memorialisation of Liu in the post-Blainey “immigration debate” period will then be considered. The study will also reflect the changes in protest against racially discriminatory immigration policies in Australia, as Liu moved from a period in which his was an almost isolated critique to one in which he was able to embrace the ever-widening group of people opposed to the ‘White Australia Policy’. This process has not been fully examined, perhaps due to the fact that the protest often appeared to have little impact upon policy. But the way in which Liu and other protestors expressed their view of what Australia should be and how the ‘White Australia Policy’ affected this vision sheds a great deal of light on these periods in Australian history. The structure of this thesis around Liu’s life, beginning with a period in which the ‘White Australia Policy’ was widely accepted, and ending in a period in which multiculturalism was entrenched as official policy, emphasises the cultural shift which was brought about by decades of protest against the Anglo-conformist model of Australian identity
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Greene, Charlotte Jordon. ""Fantastic dreams" William Liu and the origins and influence of protest against the White Australia Policy in the 20th century /." University of Sydney, 2005. http://hdl.handle.net/2123/4028.

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Doctor of Philosophy
The structure of this study of William Liu will closely reflect his ideas and the major historical influences in his life, and will span the period from 1893 through ninety years spent mainly in Sydney, ending in 1983, the year before the beginning of the attack on multiculturalism launched by the historian Geoffrey Blainey. The memorialisation of Liu in the post-Blainey “immigration debate” period will then be considered. The study will also reflect the changes in protest against racially discriminatory immigration policies in Australia, as Liu moved from a period in which his was an almost isolated critique to one in which he was able to embrace the ever-widening group of people opposed to the ‘White Australia Policy’. This process has not been fully examined, perhaps due to the fact that the protest often appeared to have little impact upon policy. But the way in which Liu and other protestors expressed their view of what Australia should be and how the ‘White Australia Policy’ affected this vision sheds a great deal of light on these periods in Australian history. The structure of this thesis around Liu’s life, beginning with a period in which the ‘White Australia Policy’ was widely accepted, and ending in a period in which multiculturalism was entrenched as official policy, emphasises the cultural shift which was brought about by decades of protest against the Anglo-conformist model of Australian identity
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Carneiro, Junior Renato Augusto. "Amor em tempos de ressentimento." reponame:Repositório Institucional da UFPR, 2011. http://hdl.handle.net/1884/25891.

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Resumo: Esta tese se insere no universo de estudos sobre os sentimentos na política, usando como referencial teórico principal textos de Hannah Arendt, buscando entender como o amor, categoria tipicamente pertencente à esfera privada, pode ser usado na análise de fatos da história política do Brasil recente, como a resistência da sociedade civil à ditadura militar brasileira, no período entre 1964-1979. Para tanto, tomou-se por fontes artigos na imprensa de Alceu Amoroso Lima, cujo pseudônimo era Tristão de Athayde, intelectual respeitado como uma das maiores vozes a serviço da Igreja Católica no Brasil, além de cartas diárias que escreveu à filha religiosa enclausurada em mosteiro de São Paulo. Por meio deste conjunto de documentos é feita análise do ressentimento que, na leitura de Alceu, motivava militares e civis para o golpe que afastou o governo de João Goulart, instalando uma ditadura que progressivamente suprimiu as liberdades democráticas da vida nacional por 21 anos. Alceu insistiu, até sua morte, em 1983, na conciliação, no diálogo, no perdão e participou ativamente na campanha pela anistia e pela liberdade, como forma de restaurar o convívio dos brasileiros.
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Aslangul, Claire. "Représentations de la guerre chez les peintres, graveurs et dessinateurs allemands au XXe siècle dans le contexte européen : traditions, évolutions et ruptures dans les codes iconographiques." Paris, EPHE, 2003. http://www.theses.fr/2003EPHE4066.

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La thèse examine les traces que les conflits du vingtième siècle ont laissé dans les productions artistiques allemandes (peinture, gravure, dessin). La guerre moderne met les artistes devant un certain nombre de défis : évolutions des formes de combat, armes nouvelles causant des blessures inédites, mort de masse sans précédent ; citons aussi le rôle croissant des autres images (photographie, cinéma, etc. ), ainsi que le risque d'esthétisation de la guerre par son "importation" dans le monde de l'art. Quelles furent les réponses à ces défis?Les productions allemandes sont examinées en contexte : la présentation des codes iconographiques antérieurement en vigueur permet de saisir les ruptures et continuités dans la représentation des conflits modernes, l'émergence de motifs nouveaux, les procédés de palimpseste à partir d'éléments anciens du répertoire. Des œuvres d'autres artistes européens sont présentées à titre de comparaison. Pour affiner l'analyse globale, quatre parcours individuels sont examinés, ceux de Franz Radziwill (1895-1983), Otto Pankok (1893-1966), Heinrich Maria Davringhausen (1894-1970) et Andreas Paul Weber (1893-1980), qui avaient tous vingt ans lorsqu'éclata la Première Guerre Mondiale, et qui ont également mis en images les autres conflits du siècle - de la guerre d'Espagne à celle du Vietnam. L'interrogation centrale de cette recherche tourne autour de la question du rapport aux traditions : malgré la nouveauté des conflits, le recours à des procédés de composition et à des sujets hérités est fréquent, que ce soit sur le mode de la reprise pure et simple, ou du jeu subversif sur les codes visant à heurter les horizons d'attente des spectateurs
The aim of this Ph. D is to look into the traces left by 20th century conflicts in German art (painting, engraving, and graphic arts). With modern warfare, artists are faced with several challenges, among which changing methods of combat, new weapons causing new types of wounds, casualties reaching unprecedented figures, but also the increasing importance of other types of images (from photography, the cinema, etc), and the risk of war being "aestheticized" by being transfered into the field of art. What were the responses to these challenges ? The works of German artists are studied here in their context : the iconographic conventions that prevailed earlier on are introduced, to bring out the breaks and continuities in the representation of modern conflicts, the emergence of new motifs, the development of palimpsest works made from stock elements. Comparisons are made with works by other european artists. To refine the overall analysis, the individual paths of four artists are examined : those of Franz Radziwill (1895-1983), Otto Pankok (1893-1966), Heinrich Maria Davringhausen (1894-1970) and Andreas Paul Weber (1893-1980). All of them were twenty years old when World War I broke out, and also pictured the other conflicts of the century (from the Spanish to the Vietnam War). The key question in this research revolves around the relationship with tradition : in spite of the novelty of the conflicts, inherited processes of composition and themes are often resorted to, whether simply taken up again, or meant as a subversive play on conventions, aiming to clash with the viewer's expectations
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Books on the topic "1893-1983"

1

1893-1983, Miró Joan, ed. Joan Miró, 1893-1983. Köln: Taschen, 2000.

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A, Petrova E., Gosudarstvennyĭ russkiĭ muzeĭ (Saint Petersburg, Russia), Museo d'arte moderna e contemporanea di Trento e Rovereto, and Fondation Maeght, eds. Joan Miró: 1893-1983. St. Petersberg: Palace Editions, 2004.

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Mink, Janis. Joan Miró, 1893-1983. Köln: Benedikt Taschen, 1993.

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1893-1983, Miró Joan, and Centre Georges Pompidou, eds. Joan Miró (1893-1983). Paris]: Centre Pompidou, 2013.

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Instituto da Biblioteca Nacional e do Livro (Portugal), ed. Maria Lamas, 1893-1983: [catálogo]. Lisboa: Presidência do Conselho de Ministros, Instituto da Biblioteca Nacional e do Livro, 1993.

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Jadot, Maurice. Maurice Jadot (1893-1983): Sculpture, wallpieces, graphics. London: Business Design Centre, 1987.

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Erben, Walter. Joan Miró, 1893-1983: Mensch und Werk. Köln: Benedikt Taschen Verlag, 1988.

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Miró, Joan. Joan Miró, 1893-1993. Barcelona: Fundació Joan Miró, 1993.

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Fundació Joan Miró (Barcelona, Spain), ed. Joan Miró, 1893-1993. Boston: Little, Brown, 1993.

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Erben, Walter. Joan Miró, 1893-1983: The man and his work. Köln, Germany: Taschen, 2003.

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Book chapters on the topic "1893-1983"

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Kappel, Elisabeth. "Pauline Alderman (1893–1983)." In Arnold Schönbergs Schülerinnen, 415–22. Stuttgart: J.B. Metzler, 2019. http://dx.doi.org/10.1007/978-3-476-05144-8_4.

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"Miró (1893-1983)." In Línea y color, 190–98. Vervuert Verlagsgesellschaft, 1999. http://dx.doi.org/10.31819/9783964564764-029.

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Malberg, Nathalie Carré de. "Emmanuel Mönick (1893-1983)." In Dictionnaire historique des inspecteurs des Finances 1801-2009. Institut de la gestion publique et du développement économique, 2012. http://dx.doi.org/10.4000/books.igpde.3639.

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"Aldridge, Albert Herman (1893–1983)." In Eponyms and Names in Obstetrics and Gynaecology, 2–3. Cambridge University Press, 2019. http://dx.doi.org/10.1017/9781108421706.004.

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Schulz-Nieswandt, Frank. "Einleitung." In Horst Wolfram Geißler (1893–1983), 23–38. Nomos Verlagsgesellschaft mbH & Co. KG, 2021. http://dx.doi.org/10.5771/9783748923473-23.

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Schulz-Nieswandt, Frank. "IV. Horst Wolfram Geißler." In Horst Wolfram Geißler (1893–1983), 93–156. Nomos Verlagsgesellschaft mbH & Co. KG, 2021. http://dx.doi.org/10.5771/9783748923473-93.

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Schulz-Nieswandt, Frank. "I. Erste Begegnungen mit Horst Wolfram Geißler: Verdrängte Numinosität und keimende Erinnerung." In Horst Wolfram Geißler (1893–1983), 39–46. Nomos Verlagsgesellschaft mbH & Co. KG, 2021. http://dx.doi.org/10.5771/9783748923473-39.

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Schulz-Nieswandt, Frank. "V. Rückblick und Ausblicke." In Horst Wolfram Geißler (1893–1983), 157–66. Nomos Verlagsgesellschaft mbH & Co. KG, 2021. http://dx.doi.org/10.5771/9783748923473-157.

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Schulz-Nieswandt, Frank. "Vorwort als einführender Vorort der Einleitung." In Horst Wolfram Geißler (1893–1983), 11–22. Nomos Verlagsgesellschaft mbH & Co. KG, 2021. http://dx.doi.org/10.5771/9783748923473-11.

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Schulz-Nieswandt, Frank. "Titelei/Inhaltsverzeichnis." In Horst Wolfram Geißler (1893–1983), 1–10. Nomos Verlagsgesellschaft mbH & Co. KG, 2021. http://dx.doi.org/10.5771/9783748923473-1.

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