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Books on the topic '1891-1936'

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Author: Grafiati

Published: 25 July 2024

Last updated: 30 July 2024

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1

Duthil, Christian. L'Almanac patoues de l'Ariejo: Un almanach en occitan de 1891 à 1936. Foix: Cercle occitan Pèire Lagarda de Foix, 2009.

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2

Isasti, Prudencio García. La España metafísica: Lectura crítica del pensamiento de Ramón Menéndez Pidal (1891-1936). Bilbao: Euskaltzaindia, 2004.

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3

Llonch, Montserrat. Tejiendo en red: La industria del género de punto en Cataluña (1891-1936). Barcelona: Publicacions i Edicions, Universitat de Barcelona, 2007.

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4

Montero, Manuel. La modernización capitalista: Ciclos económicos y desarrollo empresarial de Vizcaya entre 1891 y 1936 a través de la Bolsa de Bilbao. [Bilbao]: Universidad del País Vasco, Servicio Editorial, 2005.

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5

Struck, Johannes. Der patentrechtliche Ausführungs- und Lizenzzwang in der Rechtsprechung des Reichsgerichts: [Paragraph] 11 PatG 1877/1891/1911 bzw. [Paragraph] 15 PatG 1936 : unter besonderer Berücksichtigung des Tatbestandsmerkmals des Öffentlichen Interesses. Frankfurt am Main: PL Academic Research, 2014.

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6

Figes, Orlando. A people's tragedy: The Russian Revolution, 1891-1924. New York: Viking, 1997.

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7

Figes, Orlando. A people's tragedy: The Russian Revolution, 1891-1924. New York: Viking, 1997.

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8

Bergum, Bob. CHRONICLES of the HOOP 1891 1936. Independently Published, 2019.

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9

Ramiro Paz Carbajal, 1891-1936: Unha Vida Segada Pola Barbarie. Not Avail, 2003.

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10

Political Career of Floyd B. Olson. University of Minnesota Press, 1999.

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11

Struck, Johannes. Patentrechtliche Ausfuehrungs- und Lizenzzwang in der Rechtsprechung des Reichsgerichts: § 11 PatG 1877/1891/1911 Bzw. § 15 PatG 1936. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2014.

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12

Struck, Johannes. Patentrechtliche Ausfuehrungs- und Lizenzzwang in der Rechtsprechung des Reichsgerichts: § 11 PatG 1877/1891/1911 Bzw. § 15 PatG 1936. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2014.

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13

Memorias de la conspiración, 1931-1936: Quinta edición. Madrid: Ediciones Dyrsa, 1986.

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14

The First One Hundred Years: An Index of Publications of the Pennsylvania German Society (1891-1990), Including the Yearbooks of the Pennsylvania German Folklore Society (1936-1966). The Pennsylvania German Society, 1998.

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15

Pinder, Kymberly N. Painting the Gospel Blues. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039928.003.0002.

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This chapter examines William E. Scott's murals at Pilgrim Baptist Church in Chicago, including his 1936 Life of Christ series. Originally a synagogue designed by Louis Sullivan and Dankmar Adler in 1891, Pilgrim became the home of one the country's most politically influential black churches when sold to the congregation in 1920. In the 1930s Thomas A. Dorsey introduced blues singing into regular church services, making Baptist the birthplace of gospel music and one of the first megachurches in the United States. The chapter considers the support provided by Junius C. Austin, a prominent advocate of social change and black empowerment, to Scott's goals to create images that promoted black pride through a very conventional, representational painting style at Pilgrim Baptist Church. It also discusses the role of Scott and Dorsey in creating a visually and sonically inclusive atmosphere at the church. Finally, it highlights rebirth or resurrection, politically and socially, as the underlying theme of much of the rhetoric about the future of African Americans during the period.

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16

Figes, Orlando. People's Tragedy, A: Russian Revolution, 1891-1924. Pimlico, 1997.

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17

People's Tragedy: The Russian Revolution 1891-1924. Penguin Random House, 2017.

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18

A People's Tragedy: The Russian Revolution 1891-1924. Bodley Head, 2014.

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19

A people's tragedy: The Russian Revolution 1891-1924. London: Pimlico, 1997.

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20

A People's Tragedy : The Russian Revolution 1891-1924. Johnathan Cape, 1996.

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21

A people's tragedy: The Russian Revolution, 1891-1924. New York, N.Y: Penguin Books, 1998.

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22

Linares Valcárcel, Francisco. Apuntes biográficos sobre el escritor y editor Artemio Precioso García (1891-1945). Instituto de Estudios Albacetenses "Don Juan Manuel", 2021. http://dx.doi.org/10.37927/978-84-18165-47-4.

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Pocas personas viven su vida con la intensidad y la libertad, a pesar de todo y de todos, con que Artemio Precioso lo hizo. Los convulsos años 20 fueron el marco adecuado para que este abogado, periodista,empresario, gourmet, viajero empedernido y, en definitiva, bon vivant, extendiera sus alas y se bebiera la vida con la avidez del que la sabe única y la presiente no demasiado larga. Su personalidad arrolladora cautivó a las gentes de su tiempo en la misma medida que provocó el rechazo en los ambientes más conservadores. Artemio se colocó siempre en el centro de la polémica y supo sortear los zarpazos que desde el poder lo rozaron. Precioso, editor, autor de novela corta, periodista, viajero y empresario, ocupó un puesto privilegiado en los círculos culturales, editoriales y, al final, políticos, entre 1920 y 1936.

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23

Murray, Ann. Otto Dix and the Memorialization of World War I in German Visual Culture, 1914-1936. Bloomsbury Publishing Plc, 2023. http://dx.doi.org/10.5040/9781350354654.

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This book examines the confrontational war pictures of Otto Dix (1891–1969) and explores their role in shaping the memory of World War I in Germany during the years 1914-36. Dix’s thirty-eight months on the World War I battlefields profoundly influenced his post-war artistic career, and saw him produce some of the most enduring images of the conflict and establish himself as one of Europe’s leading modernists. Offering substantial new research and presenting numerous primary sources to an English readership for the first time, the book examines Dix’s war pictures within the broader visual culture of war in order to assess how they functioned alternatively as cutting-edge modernist art and transgressive war commemoration. Each chapter provides a case study of the first public display of one or more of Dix’s war pictures at key exhibitions and explores how their reception was subjected to changing socio-political and cultural conditions as well as divergent attitudes to the lost war. Bringing a unique perspective and original scholarship to Dix’s war works, Otto Dix and the Memorialization of World War I in German Visual Culture, 1914-36 is essential reading for art historians of the First World War and the visual culture of Weimar Germany

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