Relevant bibliographies by topics / 1890-1979

Academic literature on the topic '1890-1979'

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Published: 4 June 2021
Last updated: 20 February 2023

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Journal articles on the topic "1890-1979"

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Farr, M. L. "John Albert Stevenson, 1890-1979." Mycologia 77, no. 6 (November 1985): 841. http://dx.doi.org/10.2307/3793296.

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Farr, M. L. "John Albert Stevenson, 1890–1979." Mycologia 77, no. 6 (November 1985): 841–47. http://dx.doi.org/10.1080/00275514.1985.12025173.

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Laborda Gil, Xavier. "Imaginario social e ideología en discursos patronales de Sax (1890-2010) y Rubí (1890-2003) bajo la perspectiva retórico-pragmática." Revista de Investigación Lingüística 21 (March 11, 2019): 53–75. http://dx.doi.org/10.6018/ril.21.366871.

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El artículo trata de la retórica de las salutaciones de las fiestas patronales en las localidades de Sax (Alicante, 1890–2010) y Rubí (Barcelona, 1890–2003). Estos corpus textuales proceden de los programa de las fiestas patronales. Los discursos reflejan vinculaciones institucionales, circunstancias históricas e influencias del periodismo y la publicidad. El estudio de las salutaciones, del subgénero epidíctico, muestra elementos de influencia ideológica y de creación del imaginario social. En los corpus de Sax y Rubí se aprecian las etapas informativa (1890–1930), ideológica (1931–1978) y publicitaria (1979–), en las que se pasa de una producción descriptiva (1890–1930) a otras de intención explícitamente ideológica (1931–1978) y, finalmente, publicitaria (1979–). Los discursos y los programas en que aparecen son constructos semióticos que reflejan discursos ideológicos y persuasivos sobre intereses sociales cambiantes, que cumplen finalidades de estabilización o de cuestionamiento de formas de poder. “Social imaginary and ideology in patron speeches. A rhetoric and pragmatic study of the festive corpus of Sax (1890.2010) and Rubí (1890–2003)”. The paper deals with the rhetoric of the salutations of the festivities in the localities of Sax (Alicante, 1890–2010) and Rubí (Barcelona, 1890–2003). These textual corpus come from the program of the patron festivities. The speeches reflect institutional linkages, historical circumstances and influences of journalism and publicity. The study of salutations, of the epidictic subgenre, shows elements of ideological influence and creation of the social imaginary. The informative (1890–1930), ideological (1931–1978) and advertising (1979–) stages are shown in those corpus from Sax and Rubí, in which one goes from a descriptive production (1890–1930) to one of explicit ideology (1931–1978) and, finally, the advertising stage (1979–). The speeches and programs in which they appear are semiotic constructs that reflect ideological and persuasive discourses on changing social interests, which fulfill goals of stabilization or questioning of forms of power.
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Hervois, Pauline. "Combats pour l’enfance : itinéraire d’un faiseur d’opinion, Alexis Danan (1890-1979)." Revue d'histoire de la protection sociale 8, no. 1 (2015): 213. http://dx.doi.org/10.3917/rhps.008.0213.

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Queirolo, Graciela. "Victoria Ocampo (1890-1979): Cruces entre Feminismo, Clase y Elite Intelectual." Clío & Asociados. La historia enseñada, no. 13 (February 17, 2009): 135–59. http://dx.doi.org/10.14409/cya.v1i13.1665.

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Masocha, Vincent, and Abisha Mugari. "Sport and Racial Inequality: An Analysis of Pre-Independence Zimbabwe (1890-1979)." Greener Journal of Sport and Physical Education 1, no. 1 (September 20, 2014): 001–7. http://dx.doi.org/10.15580/gjspe.2014.1.022814130.

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Lieberman, Bruce S. "Phylogenetic analysis of the Olenellina Walcott, 1890 (Trilobita, Cambrian)." Journal of Paleontology 75, no. 1 (January 2001): 96–115. http://dx.doi.org/10.1017/s0022336000031930.

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Phylogenetic analysis was used to evaluate evolutionary relationships within the Cambrian suborder Olenellina Walcott, 1890; special emphasis was placed on those taxa outside of the Olenelloidea. Fifty-seven exoskeletal characters were coded for 24 taxa within the Olenellina and two outgroups referable to the “fallotaspidoid” grade. The Olenelloidea, along with the genusGabriellusFritz, 1992, are the sister group of the Judomioidea Repina, 1979. The “Nevadioidea” Hupé, 1953 are a paraphyletic grade group. Four new genera are recognized,Plesionevadia, Cambroinyoella, Callavalonia, andSdzuyomia, and three new species are described,Nevadia fritzi, Cirquella nelsoni, andCambroinyoella wallacei. Phylogenetic parsimony analysis is also used to make predictions about the ancestral morphology of the Olenellina. This morphology most resembles the morphology found inPlesionevadiaandPseudojudomiaEgorova in Goryanskii and Egorova, 1964.
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González, María Soledad. "Una “heredera infiel” en los inicios de la sociedad de masas, Victoria Ocampo, Argentina, años veinte." Estudos Históricos (Rio de Janeiro) 33, no. 70 (August 2020): 383–402. http://dx.doi.org/10.1590/s2178-14942020000200009.

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Resumen En el presente artículo nos proponemos analizar a Victoria Ocampo (1890-1979) como gestora artística y cultural en la Argentina de los años veinte. Recurrimos para esto a las categorías en torno al género y la clase y la noción de “heredera infiel”. Realizamos este abordaje a partir de “Viraje”, cuarto volumen de su Autobiografía y algunas revistas de actualidades de la época. Sostenemos como hipótesis que Ocampo comienza a posicionarse mediante la articulación de lo público y lo privado sobre las áreas de vacancia del Estado, deseadas por la clase dirigente en los comienzos de una sociedad de masas.
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Novillo-Corvalán, Patricia. "Global South Modernism: Tagore, Victoria Ocampo, and the Geopolitics of Horizontal Relations." Modernist Cultures 16, no. 2 (May 2021): 164–90. http://dx.doi.org/10.3366/mod.2021.0327.

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This article explores cultural dialogues between countries located in the (so-called) global South, focusing on India and Argentina through the nexus between the Bengali author, artist, and educationalist Rabindranath Tagore (1861–1941) and the Argentine writer, publisher, and feminist Victoria Ocampo (1890–1979). The article examines the dialectical tensions that arose out of their encounter in Buenos Aires in 1924 which, while forging productive cultural networks through the globalist paradigms proposed by Ocampo's modernist review SUR and Tagore's Bengal-inflected notion of visva-sahitya – as well as the latter's significant contribution to the Argentine cultural scene – it also brought to the fore the geopolitics of empire by foregrounding India's and Argentina's fraught colonial relations with imperial Britain. 1
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Atabaki, Touraj, and Marcel van der Linden. "Introduction." International Review of Social History 48, no. 3 (November 24, 2003): 353–59. http://dx.doi.org/10.1017/s0020859003001111.

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In its long history Iran has experienced many eventful moments. The past century was far from exceptional in this respect: the country was ravaged by three major wars (1914–1918, 1941–1945, 1980–1988) in which hundreds of thousands of people died; two coups (1921, 1953) transformed power relations within the political and military elite; and two revolutions (1905–1911, 1978–1979) led to radical changes in social, cultural, and political relationships. The country's appearance has changed completely since the end of the nineteenth century. At the beginning of the twentieth century, a large proportion of the population lived in tribal communities; by the end of the century the central state was omnipresent. The capital, Tehran, expanded from a city of around 100,000 inhabitants in 1890 to a metropolis of over ten million.
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Dissertations / Theses on the topic "1890-1979"

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Maurel, Sylvie. "L'oeuvre de Jean Rhys : le texte et son ombre." Paris 3, 1995. http://www.theses.fr/1995PA030103.

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Le texte de jean rhys est le lieu d'une quete du referent. La chose, rendue incaccessible par les ecrans semiotiques du langage et du deja-dit, se refuse toujours au signe. Elle ne peut etre saisie qsue dans les zones d'ombre que les reseaux consensuels de la signification n'atteignent pas. Jean rhys met la reference en crise pour la reactiver. Elle travaille la forme romanesque de maniere a y faire entre l'ombre, sans jamais rompre avec la lisibilite du texte
Jean rhys's text is the locus of a referential quest. The thing, concealed by the semiotic screens of language and of previous texts, always eludes the sign. The referent can only be captured in the shadowy areas immune to the common signifying procedures. Jean rhys creates a referential crisis in order to reactivate reference. She refashions the novelistic form to give it access to the shadow without breaking away from "readability"
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Vincent, Nathalie. "Figures de l'errance : recherches linguistiques et stylistiques dans l'oeuvre de Jean Rhys." Toulouse 2, 1994. http://www.theses.fr/1994TOU20058.

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Bien que souvent qualifee de "simple" par la critique, l'ecriture de fiction de jean rhys doit avant tout sa remarquable force evocatrice a tout un ensemble de procedes stylistiques recurrents qui en font l'exutoire privilegie d'un esprit tourmente. Errant a travers leurs souvenirs et leur mal-etre existentiel, les heroines de jean rhys, dont il nous est do nne d'entendre la voix a travers une suite de monologues interieurs inepuisables, se presentent a tour de role comme des doubles de l'auteur, des mediatrices d'une vision tragique du monde. L'approche linguistique et stylistique, fondee pour l'essentiel sur les outils d'analyse fournis par les theories contemporaines de l'enonciation, nous permet d'apprehender la "complexite ordonnee" qui est au coeur du texte et qui reflete le processus mental ou, en d'autres termes, la strategie enonciative qui sous-tend l'emergence de chaque forme dans l'organisation finale du discours. Cette approche constitue en outre le moyen de mettre en evidence l'utilite du regard linguistique dans l'analyse litteraire, le texte se trouvant ainsi soumis aun nouvel eclairage qui revele sa logique interne et le montre comme produit coherent de la subjectivite particuliere qui lui donne naissance
Though often labelled as "simple" by a number of literary critics, jean rhys's writing owes a great part of its tremendous evocative power to a variety of recurrent stylistic devices which make it the vivid outlet of a tormented mind. Wandering through their memories and their existential suffering, jean rhys's heroines, whose discourse is to be heard throughout endless interior monologues, appear in turn as doppelganger of the author's inner self and as mediators of ther tragic vision of the world. The linguistic and stylistic approach, mostly founded on the latest developments of the contemporary theories of enunciation, brings us to the core of the "ordered complexity" harboured by the text. This complexity reflects the mental process or, in other words, the enunciative strategy which sets the stage for the occurences of specific forms in the final arrangement of discourse. This study is also meant to show how useful the linguistic approach can be in literary analysis since, throwing a new light on the text, it brings out its own logical organization and emphasizes the subjective workings that give it its lifeblood and its coherence
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Cetraro, Luna Elvira. "Los testimonios de Victoria Ocampo como proyecto cultural argentino moderno." Bachelor's thesis, Pontificia Universidad Católica del Perú, 2009. http://tesis.pucp.edu.pe/repositorio/handle/123456789/465.

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En esta tesis, intentaré presentar, a través del análisis de los Testimonios, el papel que Victoria Ocampo desempeñó como intelectual en la construcción de una cultura moderna en América Latina. Como lo comprueban las diez series de Testimonios, el aporte de Victoria Ocampo se centró en su labor de difusión cultural. Me interesa estudiar los Testimonios de Victoria Ocampo, debido a que presentan una nueva vertiente autobiográfica caracterizada por presentar experiencias a la manera de ensayos desde la perspectiva de los propios gustos e intereses de la autora. Los Testimonios me parecen originales porque no son ensayos convencionales, sino que más bien reflejan una escritura de corte personal, vinculada al género autobiográfico, que los convierte en ensayos literarios para ser estudiados en sí mismos y no como textos de consulta académica.
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Silva, Paulo Renato da. "Victoria Ocampo e intelectuais de Sur : cultura e política na Argentina (1931-1955)." [s.n.], 2004. http://repositorio.unicamp.br/jspui/handle/REPOSIP/279475.

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Orientador: Italo Arnaldo Tronca
Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas
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Mestrado
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Bourdeilh, Marc. "Langues et territorialité dans l'écriture de Victoria Ocampo." Poitiers, 2009. http://www.theses.fr/2009POIT5013.

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Notre étude a pour titre Langues et territorialité dans l'écriture de Victoria Ocampo, auteur argentin du XXè siècle, première femme à intégrer l'Académie Argentine de Lettres. Le nom de cette femme célèbre reste aussi attaché à la création de la revue littéraire, Sur. Notre travail s’est centré sur son œuvre littéraire composé de 10 volumes intitulés Testimonios, de 6 volumes autobiographiques et d'essais divers. Son écriture recourt, en plus de l'espagnol, au français et à l’anglais. Ce plurilinguisme, le plus souvent mal perçu, est à reconsidérer. L'éducation, l'entourage, les goûts personnels sont à l’origine de liens particuliers avec le français. Si les rapports entre l'écrivain et ses langues ont évolué, le français et l'anglais ont continué à métisser son écriture. Derrière ce plurilinguisme, se trouvent une philosophie de l'expression et l'esprit même de cette œuvre
The title of our study is Languages and territory in the writings of Victoria Ocampo, argentinian contemporary authoress, the first woman to join the Argentina Academy of Litterature. The name of this famous woman is well known because of the creation of the review, Sur. We focused on her writings, ten books the title of which is Testimonios, her autobiography and some essays. Not only she wrote in Spanish but in French and English too. This multilingualism that was often badly received must be studied. Her education, background, tastes made her have special ties with French language. Even if the writer evolved in her reflexion on languages, French and English languages continued to be present in her writing. Thanks to this multilingualism, we can discover her philosophy of expression, the spirit of her works
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Rovera, Catherine. "Scénographies de la voix dans l'oeuvre de Jean Rhys." Paris 3, 2001. http://www.theses.fr/2001PA030009.

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Cette these prend pour objet d'etude la poetique de la voix chez jean rhys (18901979). Elle cherche a retracer le cheminement de cette voix, a la fois singuliere et polymorphe, qui se construit au fil des romans et nouvelles. Il s'agit d'une ~uvre en triptyque, orchestree autour de trois lieux de memoire, qui sont autant de paysages culturels : le paris-boheme des annees folles; la scene musicalede l'angleterre edouardienne; l'archipel caribeen de la grande epoque coloniale. Entrant en resonance (mais parfois aussi en dissonance) avec ces trois poles d'attraction, la voix du sujet rhysien emprunte un cours sinueux, et meme tortueux, qui la conduit du roman naturaliste francais jusqu'a la chanson traditionnelle creole en passant par le music-hall anglais de l'avant-guerre. La modernite rhysienne serait alors dans le choix - peu orthodoxe - d'un modernisme teinte d'antillanite. La voix rhysienne est invariablement liee aux arts de la scene, et elle se livre au travers de scenarios d'ecriture relevant simultanement du texte de theatre et de la partition musicale. Elle emprunte en particulier a une multitude de genres ou de registres traditionnellement consideres comme mineurs : chanson populaire, melodrame, pantomime, operette, comedie musicale, spectacle de varietes. La culture populaire constitue par consequent le volet central de l'approche "scenographique" developpee dans cette these. On s'est interesse en priorite aux rapports etroits qui se nouent entre le musichall edouardien et l'ecriture moderniste de fiction. Ce travail repond ainsi a une double preoccupation, esthetique et culturelle, cela afin de rendre compte de la complexe choregraphie des corps et des voix qui gouverne le texte rhysien.
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Su, Hungdah. "Jean Monnet face à la politique européenne du général de Gaulle de 1958 à 1969." Paris 4, 1998. http://www.theses.fr/1998PA040047.

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Le grand dessein européen de Monnet, qui se compose d'une Europe unie, du partnership transatlantique et d'un concert mondial à trois, et la politique européenne du Général ne manquent pas des convergences. Néanmoins ces convergences ne pouvaient pas éliminer leurs divergences profondes. Si Monnet ne voyait aucun inconvénient dans la fusion totale des souverainetés française et d'autres pays européens, cela était intolérable pour de Gaulle, qui n'a accepté qu'une coopération bien que celle-ci puisse être très approfondie. En outre, les attitudes différentes à l'égard des États-Unis ont aggrave leurs divergences. Monnet acceptait l’OTAN et la direction des États-Unis sur le continent avant que l’Europe s'unisse. Cela a totalement contredit la position du Général. Par conséquent, l'un préconisait les « États-Unis d’Europe » et l'autre visait à créer l’ « Europe des états ». Mais Monnet a cherché un compromis jusqu'au premier veto du Général à l'entrée de la Grande-Bretagne. Il a désormais employé ses ressources dans la lutte contre la politique gaullienne. Son comité d'action a rassemblé la majorité des partis politiques des six. Amis de confiance des américains, Monnet participa de facto à l'élaboration de la politique européenne d'outre-Atlantique. Il a réussi à jouer le rôle du catalyseur, qui exerce l'influence sur les gens du pouvoir mais prend en même temps la distance du pouvoir. Monnet semble pourtant ne pas avoir eu la victoire dans sa lutte contre la politique gaullienne pendant les années soixante. Or à long terme, le grand dessein de Monnet est mis en réalité peu à peu. En 1991, l’Allemagne a été unifiée dans les cadre des communautés et de l’OTAN, non pas sur l'échiquier pan-européen voulu par de Gaulle. En outre, Monnet est devenu le symbole unique d'un engagement entier pour la construction européenne. Pourtant, cette construction européenne, pourra-t-elle conduire à la création d'une fédération européenne? Personne ne peut y répondre. Mais il est sûr que, pour une période encore très longue, la construction européenne continuera à se caractériser par une coexistence d'une certaine intégration et d'une certaine coopération. Il est donc regrettable que Monnet et de Gaulle n'aient pu arriver à une entente durable en matière d'affaires européennes pendant les années 1958-1969
Monnet's great design for Europe consisted of a unified Europe, a euro-American partnership and a world concert of big three. It was not entirely incompatible with de Gaulle’s European policy. However their divergences are huge. Monnet advocated a sovereignty merging, which was intolerable to de Gaulle. The latter preferred a traditional international cooperation. Besides, toward the USA, two men adopted different attitudes. Monnet accepted the American leadership on the continent before Europe is unified. That was in contradiction with de Gaulle’s policy. As a result, Monnet preconized a European federation while de Gaulle choosed the way to the confederation. But the clash didn't happen until de Gaulle imposed his first veto to the Great Britain’s participation to the common market in 1963. From that moment, Monnet tried his best to fight against de Gaulle’s European policy. His action committee gathers most of the political parties in the six member states of EEC. His personal relations with American leaders permitted him to de facto participate to the decision-making of the European policy of the USA. He played successfully the role of catalyzer. He had an influence upon the men with power but he took, at the same time, a distance from the power. Thought frustrated in the sixties, Monnet’s great design was partially realized in the following decades. In 1991, Germany was unified in the structure of NATO and EC instead of a pan-European system foreseen by de Gaulle. Later and later Monnet became the symbols of European integration movement. But will the integration lead to the creation of a European federation? Nobody knows it. However; in the foreseeable future, the European union will still consist of an integration and a cooperation. It is really regretful that Monnet and de Gaulle could not achieve a certain entente for Europe in the sixties
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Silva, Paulo Renato da. "Victoria Ocampo e intelectuais de 'Sur': cultura e política na Argentina (1931-1955)." reponame:Repositório Institucional da UNILA, 2016. http://dspace.unila.edu.br/123456789/563.

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Dissertação de Mestrado apresentada ao Departamento de História do Instituto de Filosofia e Ciências Humanas da Universidade Estadual de Campinas sob a orientação do Prof. Ítalo Arnardo Tronca. Orientador: Prof. Dr. Ítalo Arnaldo Tronca. 2004
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Este trabalho é uma leitura do discurso apolítico, cosmopolita e cultural de Victoria Ocampo e de colaboradores da revista cultural argentina Sur como uma forma de oposição ao nacionalismo e às pressões pelo engajamento político do intelectual entre 1931 e 1955, período marcado pelo nazi-fascismo na Europa e pelo peronismo na Argentina.
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Silva, Jacicarla Souza da [UNESP]. "Um (in)visible College na América Latina: Cecília Meireles, Gabriela Mistral e Victoria Ocampo." Universidade Estadual Paulista (UNESP), 2012. http://hdl.handle.net/11449/103647.

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Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)
Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
Latina é enfatizar a produção das mulheres inseridas nesse contexto, atentando para a importância de olhar as particularidades existentes na produção de autoria feminina latino-americana. Ana Pizarro (2004, p.168) chama a atenção para o discurso e o perfil de alguns grupos de escritoras que, nas primeiras décadas do século XX, estabelecem uma rede de contatos tanto intelectuais (leituras, diálogos) quanto pessoais. Isto acaba favorecendo uma postura de reflexão acerca da própria condição a que elas estavam circunscritas, é o que a autora denomina de «invisible college». Com base nesse conceito, a presente pesquisa visa a analisar a atuação de Cecília Meireles (1901-1964), Gabriela Mistral (1889-1957) e Victoria Ocampo (1890-1979) dentro do cenário cultural e literário latino-americano, mostrando, assim, a articulação desse (in)visible college existente entre Brasil, Chile e Argentina. A partir das cartas entre Gabriela Mistral e Ocampo, bem como entre Mistral e Cecília, pretende-se discutir o diálogo estabelecido entre elas em torno da concepção de “americanidade”, tendo como subsidio as próprias produções ensaística e literária das autoras, como também as correspondências que elas trocaram com o escritor mexicano Alfonso Reyes (1889-1959). Assim, pensa-se em discutir até que ponto a postura intelectual dessas mulheres compactua com as suas respectivas atividades literárias
Se nota que una de las tendencias de los estudios actuales de la crítica feminista en América Latina es señalar la producción de mujeres integradas en ese contexto, en que se destaca la importancia de observar las particularidades existentes en la producción de autoría femenina latinoamericana. Ana Pizarro (2004, p.168) llama la atención para el discurso y el perfil de grupos de escritoras que, en las primeras décadas del siglo XX, establecieron una red de contactos tanto intelectuales (lecturas, diálogos) como personales. Lo que les permitió una postura de reflexión sobre la condición misma que ellas estaban circunscritas, es lo que la autora denomina de «invisible college». Bajo este concepto, esta investigación pretende analizar la actuación de Cecília Meireles (1901-1964), Gabriela Mistral (1889-1957), Victoria Ocampo (1890-1979) dentro del escenario cultural y literario latinoamericano, mostrando, así, la articulación de ese (in)visible college entre Brasil, Chile y Argentina. A partir de las cartas entre Gabriela Mistral e Ocampo, así como entre Mistral y Cecília, se busca discutir el diálogo establecido entre ellas a lo que respecta a la concepción de “americanidad”, teniendo como aporte las producciones ensayística y literarias de las autoras, como también el cambio de correspondencias entre ellas y el escritor mexicano Alfonso Reyes. Así, se propone discutir hasta que punto la postura intelectual de esas mujeres acuerdan con sus respectivas actividades literarias
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Joubert, Claire. "La lectrice dans le texte : écriture et lecture au féminin dans les oeuvres de Dorothy Richardson, Katherine Mansfield et Jean Rhys, 1919-1939." Paris 3, 1993. http://www.theses.fr/1994PA030015.

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Ce travail explore le domaine d'intersection entre le texte et la sexualite, en proposant d'etudier l'inscription d'une subjectivite feminine au sein des recits de dorothy richardson (pilgrimage), katherine mansfiels (the collected short stories), et jean rhys (the left bank, quartet, after leaving mr mackenzie, et good morning, midnight). Il s'appuie sur les theories lacaniennes de l'ordre langagier pour faire apparaitre dans ces ecritures feminines des modeles enonciatifs particuliers, fondes sur une pratique de la litterature comme espace de lecture. La figure de la lectrice dans le texte surgit dans ces textes comme le trope revelateur de la nature discursive de la feminite qui s'articule a la sexuation des proces de la signification. Dorothy richardson, katherine mansfield et jean rhys, en textualisant la femme, orientent d'ecriture vers un deficit semantique, et, de diverses manieres, presentent la lecture comme un discours (du) feminin
This study explores the field of intersection between text and sexuality, as it proposes to examine the inscription of a feminine subjectivity within the fictional writings of dorothy richardson (pilgrimage), katherine mansfield (the collected short stories), and jean rhys (the left bank, quartet, after leaving mr mackenzie, and good morning, midnight). This analysis of gender takes root in the lacanian theories of the symbolic order of language in order to identify particular enunciative patterns, based on the practice of literature as a reading activity. The figure of the female reader in the text appears in these texts as the narrative locus for the exposition of the discursive nature of feminity and of gender identity, bound up with the sexual implications of signifying processes. By writing feminity into their texts, dorothy richardson, katherine mansfield and jean rhys direct the writing activity toward a semantic loss, and, through diferrent narrative strategies, offer a vision of reading as a feminine form of discourse, as the discourse of the female gender
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Books on the topic "1890-1979"

1

The rise of labour: The British Labour Party, 1890-1979. London: E. Arnold, 1988.

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Otunnu, Ogenga. Crisis of Legitimacy and Political Violence in Uganda, 1890 to 1979. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-33156-0.

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Carter, George G. Valuable-beyond-price: The story of Sister Lina M. Jones, 1890-1979. New Zealand: Wesley Historical Society (New Zealand), 1985.

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Carter, George G. Valuable beyond price: The story of sister Lina M. Jones, 1890-1979. [Auckland]: Wesley Historical Society (New Zealand), 1985.

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Kaberuka, Will. The political economy of Uganda, 1890-1979: A case study of colonialism and underdevelopment. New York: Vantage Press, 1990.

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Colonial policy and conflict in Zimbabwe: A study of cultures in collision, 1890-1979. New York: Crane Russak, 1992.

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Laybourn, Keith. The rise of labour: The British Labour Party 1890-1979 : problems and perspectives of interpretation. London: Edward Arnold, 1988.

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Government versus the market: The growth of the public sector, economic management, and British economic performance c. 1890-1979. Cheltenham, UK: E. Elgar, 1996.

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Du Bois, W. E. B. 1868-1963., Washington Booker T. 1856-1915, Garvey Marcus 1887-1940, Randolph A. Philip 1889-, and Wintz Cary D. 1943-, eds. African American political thought, 1890-1930: Washington, Du Bois, Garvey, and Randolph. Armonk, N.Y: M.E. Sharpe, 1995.

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American women writers and the Nazis: Ethics and politics in Boyle, Porter, Stafford, and Hellman. Charlottesville: University Press of Virginia, 2001.

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Book chapters on the topic "1890-1979"

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Wright, James R. "Long, Esmond R. (1890–1979)." In Encyclopedia of Pathology, 346–48. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-41995-4_2892.

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Otunnu, Ogenga. "The Amin Regime and Political Violence, 1971–1979." In Crisis of Legitimacy and Political Violence in Uganda, 1890 to 1979, 237–320. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-33156-0_5.

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Morsey, Rudolf. "Wilhelm Kiefer (1890–1979). Völkischer Schriftsteller und nationaler Amateurpolitiker, Emigrant und Remigrant." In Historisch-Politische Mitteilungen, 105–44. Köln: Böhlau Verlag, 2022. http://dx.doi.org/10.7788/9783412527846.105.

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Otunnu, Ogenga. "Crises of Legitimacy and Political Violence in Colonial Uganda, 1890–1962." In Crisis of Legitimacy and Political Violence in Uganda, 1890 to 1979, 71–155. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-33156-0_3.

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Otunnu, Ogenga. "Introduction." In Crisis of Legitimacy and Political Violence in Uganda, 1890 to 1979, 1–30. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-33156-0_1.

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Otunnu, Ogenga. "Background: Legitimacy and Political Violence in Pre-Colonial Societies." In Crisis of Legitimacy and Political Violence in Uganda, 1890 to 1979, 31–70. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-33156-0_2.

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Otunnu, Ogenga. "The Obote Regime and Political Violence, 1962–1971." In Crisis of Legitimacy and Political Violence in Uganda, 1890 to 1979, 157–235. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-33156-0_4.

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Otunnu, Ogenga. "Conclusion." In Crisis of Legitimacy and Political Violence in Uganda, 1890 to 1979, 321–30. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-33156-0_6.

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Omara-Otunnu, Amii. "The Post-Military Regimes and the Return to Civilian Rule (1979–80)." In Politics and the Military in Uganda, 1890–1985, 145–56. London: Palgrave Macmillan UK, 1987. http://dx.doi.org/10.1007/978-1-349-18736-2_12.

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"Settler rule in Southern Rhodesia, 1890–1979." In The Routledge Handbook of the History of Settler Colonialism, 269–84. Abingdon, Oxon ; New York, NY : Routledge, 2016. | Series: The: Routledge, 2016. http://dx.doi.org/10.4324/9781315544816-29.

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