Relevant bibliographies by topics / 1887-1968 Criticism and interpretation

Academic literature on the topic '1887-1968 Criticism and interpretation'

Author: Grafiati
Published: 10 December 2022
Last updated: 29 January 2023

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Contents

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic '1887-1968 Criticism and interpretation.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "1887-1968 Criticism and interpretation"

1

Suwarno, Suwarno. "The Pattern of Relation of Muhammadiyah and Parmusi." Journal of Islamic and Muhammadiyah Studies 1, no. 2 (November 23, 2020): 25–33. http://dx.doi.org/10.21070/jims.v1i2.1065.

Full text
Abstract:
This study aims to reveal the pattern of relations between Muhammadiyah and the Indonesian Muslim Party (Parmusi). In this study, the author used the historical research method, following four steps. First, heuristics or collection of primary and secondary sources centered at the Muhammadiyah Central Library of Yogyakarta, the National Library of Jakarta, and the National Archives Office of the Republic of Indonesia (ANRI) Jakarta. Second, source criticism which includes external criticism to test the authenticity and internal criticism to determine the credibility of the source. Third, the interpretation or interpretation of historical facts resulting from the second step by conducting analysis and synthesis. Fourth, historiography or writing of historical work. The results showed that in the process of founding Parmusi in 1968, Muhammadiyah had played an important role as a midwife born in Parmusi. In the development of Parmusi until this party merged in the United Development Party (PPP) in 1973, Muhammadiyah's relations with Parmusi showed a more ideological rather than organizational relationship pattern.
APA, Harvard, Vancouver, ISO, and other styles
2

Erlina, Terra. "PERANAN KESATUAN AKSI MAHASISWA INDONESIA DAN KESATUAN AKSI PELAJAR INDONESIA DALAM PROSES PERALIHAN KEPEMIMPINAN NASIONAL TAHUN 1965-1968." Jurnal Wahana Pendidikan 7, no. 1 (January 31, 2020): 95. http://dx.doi.org/10.25157/wa.v7i1.3253.

Full text
Abstract:
Penelitian ini bertujuan untuk menjelaskan aksi mahasiswa indonesia dan kesatuan aksi pelajar indonesia dalam proses peralihan kepemimpinan nasional tahun 1965-1968. Perjuangan peranan aksi-aksi mahasiswa sebagai “pressure group” sangat besar. Metode yang digunakan dalam penelitian ini yaitu penelitian histori meliputi langkah-langkah sebagai berikut: (1). Heuristik (2). Kritik, (3). interpretasi (4). Historiografi. Hasil penelitian menunjukkan bahwa Supersemar dan gerakan aksi mahasiswa telah membawa kemenangan bagi Orde Baru melalui proses konstitusional terhadap penyelewengan ideologi, politik, ekonomi, sosial dan budaya.Kata Kunci : Aksi Mahasiswa, Peralihan KepemimpinanABSTRACTThis study aims to explain the actions of Indonesian students and the unity of Indonesian student action in the process of transitioning the national leadership in 1965-1968. In the struggle the role of student actions as a "pressure group" is very large. The method used in this research is historical research including the following steps: (1). Heuristics (2). Criticism, (3). interpretation (4). Historiography. The results showed that Supersemar and the student action movement had brought victory for the New Order through a constitutional process of ideological, political, economic, social and cultural distortion.Keywords: Student Action, Leadership Transition
APA, Harvard, Vancouver, ISO, and other styles
3

Egaña Etxeberria, Ibon. "Egiletasuna eta gorputza kritika feministaren argitan. Miren Agur Meaberen Kristalezko begi bat nobelaren irakurketa bat." Fontes Linguae Vasconum, no. 132 (December 17, 2021): 375–402. http://dx.doi.org/10.35462/flv132.5.

Full text
Abstract:
This article synthesizes the theoretical contributions that feminist criticism has made on authorship. Although Roland Barthes advocated the «death of the author» in 1968, the article argues that feminist criticism and recent research on authorship offer new views to rethink authorship. The article reflects on the relationship between authorship and the body, as well as on the characteristics of the autofiction as genre. These concepts are key to proposing an interpretation of the novel A glass eye (2013) by Miren Agur Meabe. The article proposes that Meabe’s novel poses a new embodied authorship, through autofiction.through autofiction. Artikulu honek kritika feministak egiletasunaz egindako ekarpen teorikoak jasotzen ditu. Roland Barthesek «egilearen heriotza» 1968an aldarrikatu bazuen ere, artikuluan argudiatzen da kritika feministak eta egiletasunaren inguruko ikerketa-lerroek egiletasuna birpentsatzeko tresnak eskaintzen dituztela. Egiletasunaren eta gorputzaren arteko harremanaz hausnartzen da, baita autofikzioak genero gisa dituen ezaugarriez ere. Kontzeptu teoriko horiek Miren Agur Meaberen Kristalezko begi bat (2013) nobela interpretatzeko gakoak dira. Artikuluak proposatzen du Meaberen eleberriak, autofikzioa erabiliz, egiletasun gorpuztu berri bat plazaratzen duela.
APA, Harvard, Vancouver, ISO, and other styles
4

Lanius, Marcela, and Marcia Do Amaral Peixoto Martins. "Uma vasta surpresa: os prefácios ao romance de Zelda Sayre Fitzgerald." Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies 72, no. 2 (May 31, 2019): 205–24. http://dx.doi.org/10.5007/2175-8026.2019v72n2p205.

Full text
Abstract:
This article is informed by sociological approaches to translation in order to discuss the prefaces and introductions in both English and Portuguese of Save me the Waltz, Zelda Sayre Fitzgerald's only novel, written and published in 1932. We first analyze the author's identity such as it was built in her original literary system – an identity that is mostly negative, cemented in Harry T. Moore's preface to the 1968 English edition. Then, we discuss the preface to the Brazilian translation published in the 1980s, considering the historical context surrounding the book's production. Our aim is to determine to what extent the Brazilian preface, written by Caio Fernando Abreu, differs from Moore's interpretation and the North-American criticism the novel received upon publication in the 1930s.
APA, Harvard, Vancouver, ISO, and other styles
5

Adiyanto, Johannes. "Archi-text-ture: Architecting Through Writing." Architectural Research Journal (ARJ) 1, no. 1 (May 12, 2021): 1–7. http://dx.doi.org/10.22225/arj.1.1.3296.1-7.

Full text
Abstract:
Architecture is often understood as a real and tangible science, in the form of space and form. This understanding is associated with the origin of the word ‘techne’ which refers to the engineering in the construction process of a building, an architectural work. Writing on new architecture developed around 1968, at a time when architectural criticism by Louis Huxtable became known although the form of writing, identification both in pictures and description, had been done since the time of the Roman Empire by Vitruvius and later interpreted by Leon Battista in the Renaissance. This paper describes descriptively several examples and categories of writing about architecture, especially in Indonesia. The study uses an exploratory study approach with reference to the theory of architectural criticism from Attoe’s understanding. The descriptive exploration of this paper shows there are at least four categories of architectural writing in Indonesia, from those aimed at creating architectural narratives to making architectural texts which are then called archi-text-ture in the paper. The paper is not a final paper, because it is the start of a long textual journey, so it is made as an archi-text-ture construction process and to open up opportunities for further interpretation and development
APA, Harvard, Vancouver, ISO, and other styles
6

Hidayati, Nur, Anny Wahyuni, and Budi Purnomo. "JENDRAL HOEGENG IMAM SANTOSO: KAPOLRI JUJUR, DISIPLIN DAN SEDERHANA SEBAGAI TELADAN GENERASI MUDA." SWADESI: Jurnal Pendidikan dan Ilmu Sejarah 2, no. 1 (April 29, 2021): 25. http://dx.doi.org/10.26418/swadesi.v2i1.45819.

Full text
Abstract:
General Hoegeng Iman Santoso was the Chief of the Indonesian National Police (Kapolri) in 1968 - 1971. He is a son of the nation who was born in Pekalongan on October 14, 1921. This research uses the historical research method according to Daliman which consists of four steps, namely: 1) Heurustik ( data collection), 2) Source Criticism (testing), 3) Interpretation (Analysis), 4) Historiography (Writing History). The results of this study are 1) Biography of Hoegeng Iman Santoso 2) Career Tracks of Hoegeng Iman Santoso 3) Hoegeng's characters that can be imitated by the younger generation: a) honesty, namely behavior in an effort that makes him dependable in words, actions and activities, honesty Hoegeng should be used as a role model for the younger generation b) time discipline determines human fluency in achieving something he wants c) simplicity is an act that is in sync with actual conditions.
APA, Harvard, Vancouver, ISO, and other styles
7

Mertowijoyo, Bhre Widyaloka, and Ratna Endang Widuatie. "Kepemimpinan Bupati Abdul Hadi di Kabupaten Jember Tahun 1968-1979." Historia 4, no. 1 (July 30, 2021): 86. http://dx.doi.org/10.19184/jhist.v4i1.24620.

Full text
Abstract:
This study discusses the leadership of Regent Abdul Hadi in Jember Regency in 1968-1979. With the aim of knowing how Abdul Hadi's leadership was for two periods. This writing uses psychology to help provide an overview of the influence of individuals on the form and course of leadership. Leadership theory is used to analyze Abdul Hadi's form of leadership. This study employed a historical method consisting of heuristics, source criticism, interpretation, and historiography. Before becoming regent, he had a military background that influenced his leadership path. Abdul Hadi was elected Regent of Jember Regency by acclamation in 1968 when he served as Dandim 0824 Jember. The results showed that Abdul Hadi's paternalistic leadership style was used for two periods in regional development, this style was fatherly who always guided his subordinates. A friendly attitude and good communication between leaders and the community encouraged the development programs to be easier to implement. For example, in the construction of the Jami' Al Baitul Amien Mosque in Jember, the plan to build this mosque came from Abdul Hadi's desire to have a mosque that could accommodate the community for the next 5 years, but the funds at that time were insufficient. To overcome this, Abdul Hadi issued a policy to invite the whole community to work together in development, until in 1976 this development was completed. Another example of major development is the construction of the Gajah Mada to Kaliwates double way road. This development also involved the community in it, from joint discussions to the voluntary eviction of community houses. With the developments that have been carried out, Jember Regency has obtained facilities and better quality of life of the community
APA, Harvard, Vancouver, ISO, and other styles
8

Mofid, Moh, and Mohammad Zainal Hamdy. "Dekontruksi Pendekatan Kritik Sastra Terhadap Al-Quran Perspektif Amin Al-Khuli." Al-Irfan : Journal of Arabic Literature and Islamic Studies 4, no. 2 (October 13, 2021): 238–53. http://dx.doi.org/10.36835/alirfan.v4i2.5069.

Full text
Abstract:
The Qur'an is a collection of texts that require a very deep understanding and interpretation. Without interpretation, the text of the Qur'an remains a text that cannot speak. Literature is the result of human creation using the medium of written and spoken language, is imaginative, delivered in a unique way, and contains messages that are relatively. The purpose of this study is to explain the literary criticism approach to the Qur'an according to Amin Al-Khuli's view, so that we as Muslims understand more deeply about the contents of the Qur'an. Literary Approach as a Knife of Analysis in Understanding the Text of the Qur'an, Literary approach in interpretation actually emerged due to the large number of non-Arabs who converted to Islam and due to the weakness of the Arabs themselves in the field of literature, so it was felt necessary to explain to them about privileges and circumstances of the meaning of the content of the Qur'an. Then in the modern era the literary approach in the Qur'an was driven by Amin al-Khuli (died. 1968 AD) at the end of the twentieth century (20). He is a professor of Qur'anic studies at Cairo University. According to Amin al-Khuli, the Qur'an is the greatest book in Arabic. One of his theses states that the Qur'an is the greatest work of Arabic literature. The Qur'an has made the Arabic language never die, and along with its status as the language that God has chosen to convey His divine messages, makes the Qur'an itself as something that does not know dry.
APA, Harvard, Vancouver, ISO, and other styles
9

Ilhami, Muhammad Ridha. "BIOGRAPHIC VALUES OF H. ABDUL AZIS AS A SOURCE OF LEARNING IPS." Jurnal Socius 10, no. 2 (October 27, 2021): 96. http://dx.doi.org/10.20527/jurnalsocius.v10i2.9507.

Full text
Abstract:
The purpose of the research is to explain the biography and describe the values of the biography of H. Abdul Azis. Next, describe the efforts to make the values of the biography of H. Abdul Azis as a source of social studies learning. The research uses historical methods, with heuristics, criticism, interpretation and historiography stages. Collecting oral sources, written sources and sources of past relics, then critiqued and interpreted to produce historical writings. The results showed that Abdul Aziz was born in Telaga Silaba Village, Hulu Sungai Utara, December 31, 1936. He graduated from SMPN Part A Amuntai, Hulu Sungai Utara (HSU). He served as Mantri Pamong in the 1950s, then Camat of Sungai Turak (1962), Panggang Lake (1965) and Paringin (1968). Head of the Regional Secretariat Government Division to the Chairman of the Regional Legislative Council II HSU (1968-1978). Barito Kuala Regent for two periods 1978-1983 and 1978-1983. Died in Banjarmasin, January 13, 1987. H. Abdul Azis had the values of discipline, hard work, responsibility and social care that supported him, so he was successful as a government official and managed to raise a family. The values from the biography of H. Abdul Azis can be used as a source of social studies learning by integrating them in the syllabus and lesson plans for IPS for SMP/MTs Class IX. The conclusion of the study is that from the biography of H. Abdul azis, there are four main biographical values, namely the value of discipline, hard work, responsibility and social care that can be used as sources for social studies learning.
APA, Harvard, Vancouver, ISO, and other styles
10

Prabowo, Muhammad Danang, and Agus Setiawan. "Peran Harun Tohir dalam Operasi Klandestin Pada Konfrontasi Indonesia-Malaysia di Singapura (1965-1968)." Jurnal Pattingalloang 9, no. 3 (December 1, 2022): 228. http://dx.doi.org/10.26858/jp.v9i3.39265.

Full text
Abstract:
Konfrontasi Indonesia-Malaysia merupakan peristiwa sejarah yang disebabkan karena pemerintahan Republik Indonesia di bawah Presiden Soekarno menolak pembentukan negara federasi Malaysia pada 31 Agustus 1963. Bagi Soekarno hal tersebut merupakan penghinaan terhadap cita cita revolusi Indonesia sebagaimana Federasi Malaysia merupakan bentukan Inggris dan produk dari paham Neo-Kolonialisme Imperialisme yang Bung Karno sangat tentang. Oleh karenanya, Soekarno menyerukan “Ganyang Malaysia” dan mengerahkan kekuatan militer Indonesia untuk menggempur Malaysia dengan cara membuka pendaftaran calon sukarelawan. Salah satu di antara orang yang mendaftarkan diri adalah Harun Tohir. Kelak, beliau akan melaksanakan operasi bersifat klandestin yang akan membawa dampak besar terhadap Singapura. Tujuan penelitian ini adalah untuk memahami peran Harun dalam operasi klandestin pada konfrontasi Indonesia-Malaysia dan dampak dari operasi Harun Tohir di Singapura pada masa konfrontasi. Selain itu, penelitian ini akan menggunakan pendekatan sejarah dan akan memakai metode sejarah yang terdiri dari empat tahapan, yakni heuristik, kritik, interpretasi, dan historiografi. Untuk tahap heuristik, sumber yang diperoleh merupakan sumber primer yang berupa dokumen dari Pusat Penerangan Marinir, sedangkan sumber sekunder diperoleh dari buku dan jurnal dengan topik serupa serta wawancara. Hasil penelitian menunjukkan bahwa Harun Tohir melakukan operasi klandestin dengan cara menyusup ke wilayah Singapura dan melakukan peledakkan terhadap gedung Macdonald House. Hal tersebut dilakukan dalam rangka membuat Malaysia dan sekutunya menjadi geger. Akibat aksinya, beliau tertangkap dan dihukum oleh Pemerintah Singapura berupa hukuman mati. Hal inilah yang membuat pemerintah Indonesia sampai bernegosiasi dengan pemerintah Singapura dalam rangka membebaskan Harun Tohir bersama rekannya Usman Janatin dari jeratan hukuman mati.Kata Kunci : Harun Tohir; konfrontasi Indonesia-Malaysia; operasi Klandestin; Abtract Indonesia-Malaysia confrontation was a historical event that caused by Republic of Indonesia’s government under President Soekarno reject the formation of Federal State of Malaysia on 31st August 1963. For Soekarno, such thing was an insult towards the dream of Indonesian revolution as Malaysian Federation was formed by the British and a product of Neo-colonialism and imperialism that Soekarno against. Therefore, Soekarno exclaims “Destroy Malaysia” and deploy Indonesian military power in order to defeat Malaysia by opening a recruitment for volunteer’s candidate. One of the people that registered himself was Harun Tohir. Later, he would conduct a clandestine operation that brought big effect towards Singapore. The purpose of this research is to understand Harun's role in clandestine operation during the Indonesia-Malaysia confrontation and the impact of Harun Tohir's operation in Singapore during the confrontation. In addition, this study will use a historical approach and will use historical method that consist of four steps which are heuristics, criticism, interpretation, and historiography. For the heuristic step, the sources obtained are primary sources in the form of documents from the Marine Corps Information Center, while secondary sources are obtained from books and journals with similar topics and interviews. The research results showed that Harun Tohir carried out a clandestine operation by infiltrating to Singapore territory and exploding the Macdonald House building. This was done in order to make Malaysia and its allies become agitated. As a result of his actions, he was arrested and sentenced by the Government of Singapore in form of death penalty. This is what prompted the Indonesian government to negotiate with the Singaporean government in order to save Harun Tohir and his colleague Usman Janatin from the death penalty.Keywords: Harun Tohir; Indonesia-Malaysia confrontation; Clandestine operation
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "1887-1968 Criticism and interpretation"

1

Berns, Torben. "Artifice and witness : representation judgement and accountability within a non-transcendent framework." Thesis, McGill University, 1993. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=69583.

Full text
Abstract:
This thesis considers the notion that it is the future which judges the present and that judgement is always guilty. In effect to understand modernity on its own terms one would have to inquire if we have any more right to affirm a given future than to deny one?
The question arises as follows. If a subject exists prior to the process which is its being, an uncomfortable aporia ensues.
Firstly, if being human is understood as "becoming", i.e. humans can and do appear through the enactment of change, then "being" itself is temporal. How then does this self secure its appearance other than through the very process it assumes itself to be prior to? Such a securing would imply an absolute uniformity and homogeneity not predicated on human-enacted change. If securing is in fact the aim of appearance, and therefore the operative term in judgement, what then are the consequences of action in terms of created results?
In other words, what are the consequences of the temporality of "being"? It continues to produce a world. The second question then is: how does one judge, make and act, toward a future which properly speaking, cannot be our rightful concern?
The question is approached initially through a discussion of the integral terms. In the final chapters, an attempt is made to understand the premise of Marcel Duchamp's Etant Donnes. Duchamp's work is taken as paradigmatic of making circumventing the aporia of self-revelation through becoming.
APA, Harvard, Vancouver, ISO, and other styles
2

Porcina, Mark. "I am not a ceramicist." Thesis, Lethbridge, Alta. : University of Lethbridge, Dept. of Art, c2012, 2012. http://hdl.handle.net/10133/3393.

Full text
Abstract:
Ceramics has always existed on the fringes of craft and high art. The purpose of this thesis project is to elevate clay beyond the traditions of craft by examining the historical use of clay and the everyday object. My research looks specifically at works by Marcel Duchamp, Andy Warhol, Jeff Koons and Jasper Johns in order to examine the origin of displaying the massproduced object and reflecting upon it’s validity as high status art object. In this project I am also interested in infrastructural systems within modern architecture-- plumbing, wiring, heat ducts vents-- with a specific focus on systems lurking inside walls and how these function to influence architectural space. With the advent of modern plumbing, concealing these elements was adopted as the new standard and still exists today. Through the presentation of defamiliarized handmade objects, my exhibition presents the appearance of manufactured material through the serial manipulation of scale, surface and quantity. The result reveals a clay piece that renders the material unrecognizable providing the viewer with a new view on the object's tradition.
v, 47 leaves : ill. ; 29 cm
APA, Harvard, Vancouver, ISO, and other styles
3

Reiswig, Amy. "Robinson Jeffers, hermit of Carmel : recontextualizing inhumanism." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/MQ64185.pdf.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Sanborn, Robert E. "Free servitude : a study of the mythos in the poetry of Edwin Muir." Virtual Press, 1986. http://liblink.bsu.edu/uhtbin/catkey/468077.

Full text
Abstract:
The poetry of Edwin Muir has inspired a distinctive body of criticism. Realizing that his poetry is inexorably linked with his life, Roger Knight, Michael Phillips, Peter Butter and others have produced fine studies of his work against a biographical background. Margaret Anderson has contributed an important dissertation on the importance of dualism in the poems. R. P. Blackmur, J. R. Watson and Kathleen Raine have published articles that are central in informing any new Muir scholarship.This study intends to illuminate the source of Muir's inspiration, to show that his imagery is drawn from the mythos. A general review of Muir criticism supports the theory that the imaginative background he knew as the Fable, which underlies all temporal human behavior (labeled as the Story) is also the collective unconscious of Jung, the Spiritus Mundi of Yeats, the "inseeing" of Rilke, and the Mythos of Aristotle.The study reviews Muir criticism and the poetic technique of Muir, develops a special definition of "mythos" and goes on, through the explication of selected Muir poems, to show how his poetic and philosophical growth was influenced by his unique ability to gain access to the most powerful of Aristotle's four modes of Rhetoric. Finally, the study crystalizes Muir's overall aesthetic in the oxymoronic conclusion to his 1956 masterpiece, "The Horses," the term "free servitude."Muir felt that we can only function at our full potential when we use the power of our imagination to realize the essential duality of the human condition. We are, to an extent, free, and in a state of servitude. In Freudian terms, the superego enslaves us through guilt and our debt to the concept of civilization, while the id urges us on the ultimate freedom represented by the unchecked expression of violence and sex.The study concludes with an examination of Muir's final enigmatic symbol, found in the title of his last collection of poems: One Foot in Eden. Man, through the imaginative realization of his immortality, may plant one foot in Eden; the other foot remains trapped in the Labyrinth, Muir's symbol for the bewildering, impersonal complexity of our twentieth century beaurocractic wasteland. The transcendence of this entrapment gave Muir his purpose, in life and in art.
APA, Harvard, Vancouver, ISO, and other styles
5

Bagraim, Abigail Sarah. "The Hasidic spirit as the foundation of the art of Marc Chagall." Thesis, Rhodes University, 1987. http://hdl.handle.net/10962/d1002189.

Full text
Abstract:
In considering Chagall's art the observer is immediately struck by the constancy of his almost obsessive repetition of certain symbols and themes. In this way Chagall has created his own fantasy world, one with which the observer soon becomes acquainted and grows to love and understand.
APA, Harvard, Vancouver, ISO, and other styles
6

Zipp, Collin. "A theoretical exploration of the transformative properties of experience." Thesis, Lethbridge, Alta. : University of Lethbridge, Dept. of Art, 2011, 2011. http://hdl.handle.net/10133/3243.

Full text
Abstract:
This thesis document serves as a support paper for my exhibition titled, Selected Work. The goal of this document is to present and discuss a set of ideas and interests as they pertain to my studio practice and thesis project in particular, and to contemporary (ie. current) art practices in general. In this document I examine selected works from Marcel Duchamp, Andy Warhol, Andy Kaufman, Maurizio Cattelan and Richard Prince. Through the exploration of these artists and their works, I begin by examining the object and the conditions that give it approval as an art object. Using these conditions, I examine the effect that experience has on the object. This support paper will serve as a glossary of terms and theoretical concerns relevant to my thesis exhibition
vi, 64 leaves : col. ill. ; 29 cm
APA, Harvard, Vancouver, ISO, and other styles
7

Laue, Ingrid Elizabeth. "Pictorialism in the fictional miniatures of Albert Paris Gütersloh." Thesis, University of British Columbia, 1987. http://hdl.handle.net/2429/27367.

Full text
Abstract:
The purpose of this study has been to investigate and analyze the "fictional miniatures," i.e., the short prose works, of Albert Paris Gütersloh. The assumption was that a marked interrelationship exists between these and Gütersloh's painted miniatures. Given the fact that Gütersloh was both writer and painter, and since many of the questions which logically arise out of this duality either have not been addressed at all in the scholarly literature on Gütersloh, or dealt with only superficially, it was felt that the approach used in the present study had to focus, to some extent, on the artist's dual talent. The study attempts to illustrate Gütersloh's artistic nature in conjunction with an investigation of one area of artistic expression, namely the short fictional works. The method was one of proceeding from the general to the particular, i.e., by first examining the complex phenomenon of the "painting writer," or "writing painter," as well as the widely discussed notion of "reciprocal illumination" of the arts. This, together with the detailed analysis of scholarly works on Gütersloh as well as his own theoretical writings on art was seen as part of the necessary "anatomy" of the study. Although the narrational quality of the painted miniatures has been alluded to by several other critics, the inherent similarity between Gütersloh's painted and "literary miniatures" (i.e., his short prose works) is being analyzed for the first time in this study. It aims at proving the claim that the former's overriding characteristic is their distinctly narrational quality. As such the paintings are permeated with a writer's imagination, a feature which makes their narrative component as important as the pictorial. Each of these small-scale paintings depicts some crucial point in a "story," thereby forcing the viewer to imagine a "before" as well as an "after" of each specific scene — in other words, to see these paintings in epic terms. By isolating such elements as delineation, framing, staging, setting, and colour (both descriptive and metaphorical) among others, it could be shown that the fictional miniatures give evidence of Gütersloh's persistent inclination to think, and write, in "pictures," hence to work from a largely pictorial conception: the story-line frequently is developed as a series of static "pictures" which are given as much compositional weight as the chronologically progressing plot. It could also be demonstrated that the general phenomenon of Fantastic Realism is a pronounced feature not only of the painted but also of the literary miniatures. The conclusion the study reaches is that Gütersloh's artistic expression, whether as writer or painter, is of a much more unified nature than has previously been argued; that both forms of artistic expression are of a complementary nature, and that this phenomenon is exemplified most succinctly in his fictional miniatures.
Arts, Faculty of
Central Eastern Northern European Studies, Department of
Graduate
APA, Harvard, Vancouver, ISO, and other styles
8

Armstrong, Susan Ouellette. "The legacy of Everett Titcomb." Thesis, Boston University, 1990. https://hdl.handle.net/2144/41698.

Full text
Abstract:
Titcomb's compositions and writings are the products of a life lived in New England, mainly in Amesbury and Boston. Because the innovations that came about from the Oxford movement reached that part of this country first, Titcomb was one of the first church musicians to become involved with its innovations. Chapter 1 is devoted to a biographical account of his early life in Amesbury, and documents his work at the Church of the Messiah in Auburndale and Christ Church in Andover, where he took the two positions immediately after his high school graduation. Chapter 2 treats the fifty years that he worked at St. John the Evangelist, building up the choir and its repertoire to such an extent that other churches invited the group to give liturgical recitals. Chapter 3 discusses his teaching activities at the New England Conservatory, Boston University, the Wellesley Conference, and his work with the Schola Cantorum at the Church of St. John the Evangelist, all of which influenced many young musicians who brought their craft to churches throughout the United States. Chapters 4-6 are devoted to his choral, organ, and miscellaneous works: examples from unpublished manuscripts will be discussed; premiers are documented, and excerpts of correspondence from the composer are given concerning specific works. His compositional style will be discussed with assessments of individual works, and examples will be given from the different styles and genres to which he contributed. Chapter 7 discusses his writings, which deal specifically with the work of an organist and choirmaster in an Episcopal church. Titcomb's ideas concerning the musical life of a parish will be examined, including his thoughts on the performance of hymns, the choice of fitting music for the liturgy, and the accompaniment of Plainsong.
APA, Harvard, Vancouver, ISO, and other styles
9

Iwama, Marilyn Joy. "When Nikkei women write, transforming Japanese Canadian identities, 1887-1997." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp02/NQ34557.pdf.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Wishart, Ruth. "Georg Trakl and the literature of decadence." Thesis, University of St Andrews, 1994. http://hdl.handle.net/10023/13361.

Full text
Abstract:
This thesis examines the poetry of Georg Trakl within the context of literary decadence in Europe at the turn of the century (1880-1914). It provides an analysis of Trakl's early writing, and traces themes of literary decadence which recur throughout his work, particularly in the late prose and the dramatic fragment of 1914. In so doing, it also undertakes a comparative study of Trakl's poetry and decadent literature in Austria, Germany, France and England. Chapter One looks at the literary background and attempts a definition of what was understood by literary decadence in France and Germany at the end of the nineteenth century. Chapter Two examines motifs of crime and horror in Trakl's writing, paying particular attention to the concept of Lustmord in the early dramas Blaubart and Don Juans Tod and the later dramatic fragment of 1914. Chapter Three examines the issue of sexual guilt, and the portrayal of women in Trakl's poetry, from the femme fatale of the early poetry to the figure of the sister and the androgyne in the later poetry. Chapter Four traces the theme of blasphemy from the early lyric to the last poetic utterances of 1914, and touches briefly on the question of Trakl as a Christian poet. Chapter Five looks at motifs of isolation, obsession with death and decay, and poetry as the expression of the poet's etat d'ame. Chapter Six provides an analysis of the language and style of the early poetry, focusing on Trakl's affinity with the style of literary decadence.
APA, Harvard, Vancouver, ISO, and other styles
More sources

Books on the topic "1887-1968 Criticism and interpretation"

1

Ferlenga, Alberto. Pikionis, 1887-1968. Milano: Electa, 1999.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

Dawn, Ades. Marcel Duchamp. New York, N.Y: Thames and Hudson, 1999.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

de, Duve Thierry, ed. The Definitively unfinished Marcel Duchamp. Halifax, N.S: Nova Scotia College of Art and Design, 1991.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Ramírez, Juan Antonio. Duchamp: Love and death, even. London, UK: Reaktion Books, 1998.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Derridada: Duchamp as readymade deconstruction. Lanham, MD: Lexington Books, 2008.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Meseure, Anna. August Macke 1887-1914. Ko ln: Benedikt Taschen, 1993.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

Mink, Janis. Marcel Duchamp, 1887-1968: Art as anti-art. Köln [Germany]: Taschen, 2013.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

1887-1968, Duchamp Marcel, ed. Marcel Duchamp, 1887-1968: Art as anti-art. Köln: Benedikt Taschen, 1995.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Alchemist of the avante-garde: The case of Marcel Duchamp. Albany, NY: State University of New York Press, 2004.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

María, Faerna José, ed. Duchamp. New York: Cameo/Abrams, 1996.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "1887-1968 Criticism and interpretation"

1

Fairfax, Daniel. "Afterlives of the Apparatus." In The Red Years of Cahiers du Cinéma (1968-1973). Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463728508_ch06.

Full text
Abstract:
In this chapter, the focus lies on the “afterlives” of Cahiers du cinéma’s post- 1968 period in Anglo-American film studies since the latter’s consolidation as an academic discipline in the 1970s. Championed by journals such as Screen, the writings of the Cahiers critics attained a wide purchase in the nascent field, but this often came at the expense of a reductive interpretation, compounded by the limited corpus of available translated texts, and in later decades many of the positions associated with Cahiers increasingly came under attack, while even its defenders admitted to the state of crisis that the “political modernism” it represented had entered. But this chapter also shows the wider influences that Cahiers has had on film scholarship, such as the importance of Comolli for the rise of the “new film history” movement, and it concludes by stressing the necessity for a productive re-reading of the original Cahiers texts.
APA, Harvard, Vancouver, ISO, and other styles
2

"clash between the beauty-loving Renaissance and the he [Spenser] was quickly swept overboard because of moral Reformation. In the light of the medieval reli-his inability to write like Donne, Eliot, and Allen gious tradition examined by Tuve, Guyon destroys Tate’ (1968:2). His extended interpretation of Book the Bower because he ‘looks at the kind of complete II, The Allegorical Temper (1957), followed by essays seduction which means the final death of the soul’ on the other books, traces the changing psycholo-(31). gical or psychic development of the poem’s major If the New Critics of the 1930s to the early 1950s characters by ‘reading the poem as a poem’ (9) rather had been interested in Spenser (few were), they than as a historical document. My own book, The would not have considered his intention in writing Structure of Allegory in ‘The Faerie Queene’ (1961a), The Faerie Queene because that topic had been dis-which I regard now as the work of a historical critic missed as a fallacy. For Wimsatt and Beardsley partly rehabilitated by myth and archetypal criticism, 1954:5 (first proclaimed in 1946), ‘The poem is not examines the poem’s structure through its patterns the critic’s own and not the author’s (it is detached of imagery, an interest shared with Alastair Fowler, from the author at birth and goes about the world Spenser and the Numbers of Time (1964), and by beyond his power to intend about it or control it)’. Kathleen Williams, Spenser’s ‘Faerie Queene’: The So much for any poet’s intention, conscious or World of Glass (1966). unconscious, realized or not. Not that it would have In any history of modern Spenser criticism – for a mattered much, for the arbiter of taste at that time, general account, see Hadfield 1996b – Berger may T.S. Eliot, had asked rhetorically: ‘who, except schol-serve as a key transitional figure. In a retrospective ars, and except the eccentric few who are born with glance at his essays on Spenser written from 1958 to a sympathy for such work, or others who have delib-1987, he acknowledges that ‘I still consider myself erately studied themselves into the right apprecia-a New Critic, even an old-fashioned one’ who tion, can now read through the whole of The Faerie has been ‘reconstructed’ by New Historicism Queene with delight?’ (1932:443). In Two Letters, (1989:208). In Berger 1988:453–56, he offers a per-Spenser acknowledges that the gods had given him sonal account of his change, admitting that as a New the gift to delight but never to be useful (Dii mihi, Critic he had been interested ‘in exploring complex dulce diu dederant: verùm vtile numquam), though representations of ethico-psychological patterns’ he wishes they had; and, in the Letter to Raleigh, he apart from ‘the institutional structures and discourses recognizes that the general end of his poem could be that give them historical specificity’. Even so, he had achieved only through fiction, which ‘the most part allowed that earlier historical study, which had been of men delight to read, rather for variety of matter, concerned with ‘historical specificity’, was ‘solid and then for profite of the ensample’ (10). As a conse-important’. For the New Historicist Louis Adrian quence, he addresses his readers not by teaching them Montrose, however, earlier historical scholarship didactically but rather through delight. It follows that ‘merely impoverished the text’ (Berger 1988:8), and if his poem does not delight, it remains a closed book. he is almost as harsh towards Berger himself, com-Several critics who first flourished in the 1950s and plaining that his writings ‘have tended to avoid direct 1960s responded initially to Spenser’s words and confrontations of sociopolitical issues’, though he imagery rather than to his ideas, thought, or histor-blames ‘the absence of a historically specific socio-ical context. One is Donald Cheney, who, in Spenser’s political dimension’ on the time they were written – Image of Nature (1966), read The Faerie Queene a time when ‘the sociopolitical study of Spenser was ‘under the intensive scrutiny which has been applied epitomized by the pursuit of topical identifications or in recent decades to metaphysical lyrics’, seeking the cataloguing of commonplaces’ (7). In contrast, out ‘ironic, discordant impulses’, ‘rapidly shifting the New Historicism, of which he is the most elo-allusions’, and the poet’s ‘constant insistence upon quent theorist, sees a work embedded – i.e. intrins-the ambiguity of his images’ (7, 17, 20). Another is ically, inextricably fixed – not in history generally, Paul Alpers, whose The Poetry of ‘The Faerie Queene’ and certainly not in ‘cosmic politics’ that Thomas (1967) demonstrated that individual stanzas of the Greene 1963:406 claims to be the concern of all epics, poem may be subjected to very intense scrutiny. A but in a historically specific sociopolitical context. third, the most influential of all, is Harry Berger, Jr, (For further comments on their clash, see Hamilton." In Spenser: The Faerie Queene, 25. Routledge, 2014. http://dx.doi.org/10.4324/9781315834696-23.

Full text
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic '1887-1968 Criticism and interpretation' for particular source types:
Journal articles Dissertations / Theses Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography