Academic literature on the topic '1885-1959 Criticism and interpretation'
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Journal articles on the topic "1885-1959 Criticism and interpretation"
1
Osimo, Bruno. "On psychological aspects of translation." Sign Systems Studies 30, no. 2 (December 31, 2002): 607–27. http://dx.doi.org/10.12697/sss.2002.30.2.15.
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Translation science is going through a preliminary stage of selfdefinition. Jakobson’s essay “On linguistic aspects of translation”, whose title is re-echoed in the title of this article, despite the linguistic approach suggested, opened, in 1959, the study of translation to disciplines other than linguistics, semiotics to start with. Many developments in the semiotics of translation — particularly Torop’s theory of total translation — take their cue from the celebrated category “intersemiotic translation or transmutation” outlined in that 1959 article. I intend to outline here the contributions that the science of translation — following a semiotic perspective opened by Peirce and continued by Torop — can gather from another discipline: psychology. The “totalistic” approach to translation provided by Torop can be more deeply enforced by applying to it the consequences deriving from the psychological insight offered by the concept of “interpretant” as mental sign; the perceptual interpretation of the prototext; reading and writing as intersemiotic translation processes; unlimited semiosis as interminable analysis; primary and secondary process in dreams and in other kinds of translation; metaphor and disambiguation as mental processes; the defenses activated when translation criticism (review) and self-criticism (revision) are made.
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Irshanto, Andre Bagus. "KIPRAH POLITIK PAGUYUBAN PASUNDAN PERIODE 1927-1959." Diakronika 17, no. 1 (July 31, 2017): 75. http://dx.doi.org/10.24036/diakronika/vol17-iss1/17.
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“KIPRAH POLITIK PAGUYUBAN PASUNDAN PERIODE 1927-1959”. The author takes the topic of Paguyuban Pasundan with the above title, because it is based on the results of the study of literature by the author, that there is still the lack of works that discuss Paguyuban Pasundan, especially about political activities. The main issues that will be raised in this thesis is that Paguyuban Pasundan is not limited active in social and cultural sectors but also actively engaged in politics. Based on the main issue can be developed into three formulation of research: What is the background to the Paguyuban Pasundan? How is the political role of the Paguyuban Pasundan period 1927-1959? How is the end of political struggle Paguyuban Pasundan in 1959? The method used is the historical method which consists of four stages, namely Heuristic, Criticism, Interpretation, Historiography, and to be helped by using an interdisciplinary approach from the social sciences (especially of Sociology and Politics). The technique that author uses is the study of literature related to the theme of the author analyzed. Based on the results of the study of literature by the author, Paguyuban Pasundan period 1927-1959 has an important role, especially in the political field. In the period 1927-1942 establishing PPPKI, GAPI and active in the Volksraad. The period of 1942- 1945 some of its members active in the formation of Japanese agencies suchas newspapers Tjahaja, PETA and Java Hokokai. Period 1945-1950 actively opposed the establishment of Negara Pasundan founded by the Dutch and the last period of 1950-1959 which Paguyuban Pasundan involvement in the 1955 general election.
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Bertonneau, Thomas F. "Like Hypatia before the Mob: Desire, Resentment, and Sacrifice in The Bostonians (An Anthropoetics)." Nineteenth-Century Literature 53, no. 1 (June 1, 1998): 56–90. http://dx.doi.org/10.2307/2902970.
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Recent criticism of Henry James's The Bostonians (1885) tends to vindicate the plan of Olive Chancellor to recruit the young Verena Tarrant to the cause of radical feminism. This essay argues that such an interpretation can be made only at the cost of ignoring the novel's plea for recognizing the validity of the subject's own plan for himself or herself, a recognition that Olive's intentions regarding Verena violate. The essay makes use of an allusion in James's novel to Charles Kingsley's Hypatia (1853) that has been over-looked by previous critics. Exploring the relation between James's and Kingsley's novels permits us to understand that The Bostonians is a novel about sacrifice-the dedication of individuals to causes not their own and against their will. James ultimately affirms a dialogical view of human existence in which each individual makes an implicit demand to be included as an equal partner in a reciprocal conversation about life. The highest form of this conversation is love.
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Nurjaman, Andri, Arzam Arzam, Zufriani Zufriani, and Doli Witro. "Tokoh Politik Islam Era Orde Lama Indonesia: Kajian Pemikiran KH Idham Chalid Dalam Menerima Konsep Demokrasi Terpimpin Tahun 1965." Ishlah: Jurnal Ilmu Ushuluddin, Adab dan Dakwah 4, no. 1 (June 20, 2022): 53–74. http://dx.doi.org/10.32939/ishlah.v4i1.132.
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After the ups and downs of the cabinet during the parliamentary democracy or often referred to as liberal democracy, Soekarno implemented a new concept and model of democracy since 1959 called guided democracy. Nahdlatul Ulama which at that time was chaired by KH Idham Chalid accepted Soekarno’s guided democracy concept, and NU was the only Islamic party that accepted guided democracy. The purpose of writing this article is to find out the political thoughts of KH Idham Chalid in accepting the concept of guided democracy. The method used in the preparation of this article uses the historical method, namely heuristics (search for sources), the main primary sources are the Islamic fire magazine published in 1965 and the book Islam and Guided Democracy, both primary sources written directly by KH Idham Chalid. Criticism (source selection), interpretation (interpretation) and historiography (writing). The results of this study are known that KH Idham Chalid accepted the concept of guided democracy because NU’s politics were flexible and chose to cooperate with the authorities, he had the idea that the concept of guided democracy was in accordance with Islamic teachings, namely syuro or deliberation.
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Muchlis, Musdalifah, and Jumadi Jumadi. "Sekolah Rakyat di Enrekang, 1950-1959." Jurnal Pattingalloang 6, no. 2 (August 17, 2019): 88. http://dx.doi.org/10.26858/pattingalloang.v6i2.12144.
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Penelitian ini bertujuan untuk mengetahui kondisi pendidikan di Enrekang sebelum tahun 1950, sistem pendidikan sekolah rakyat dan perkembangan sekolah rakyat di Enrekang tahun 1950-1959. Sistem dan perkembangan sekolah rakyat dalam penelitian ini berfokus pada kebijakan pemerintah, partisipasi masyarakat, guru sekolah rakyat, minat murid, kondisi dan peralatan sekolah. Jenis penelitian ini adalah penelitian Kualitatif, dengan menggunakan metode sejarah melalui tahapan: heuristik (pengumpulan sumber), kritik sumber, interpretasi, dan historiografi. Hasil penelitian menunjukkan bahwa sekolah rakyat sudah ada pada masa pemerintahan Belanda tahun 1905 sedangkan di Enrekang tahun 1926 namun nama Volkschool. Nama sekolah Rakyat dipakai setelah Indonesia merdeka. Kondisi Sekolah rakyat di Enrekang sebelum tahun 1950 masih dalam keadaan terbelakang namun setelah lima tahun merdeka keadaan sudah semakin membaik. Sistem pendidikan sekolah rakyat setelah kemerdekaan terutama dalam kurikulum yang awalnya hanya belajar membaca, menulis dan berhitung kini semakin bertambah.seperti contohnya belajar sejarah. Sekolah rakyat di Enrekang mengalami perkembangan di lihat dari semakin banyaknya sekolah yang berubah dari SR 3 atau 4 menjadi 6 tahun karena jumlah siswa bertambah. Perkembangan tersebut karena adanya peran aktif masyarakat dan pemerintah yang turut andil dalam kemajuan pendidikan.Kata Kunci: Sekolah rakyat dan Enrekang.AbstractThis study aims to determine the condition of education in Enrekang before 1950, the education system of public schools and the development of community schools in Enrekang in 1950-1959. The system and development of community schools in this study focused on government policy, community participation, community school teachers, student interests, school conditions and equipment. This type of research is a qualitative study, using the historical method through stages: heuristics (source collection), source criticism, interpretation, and historiography. The results showed that the people's school had existed during the Dutch administration in 1905 while in Enrekang in 1926 the name was Volkschool. The name People's school was used after Indonesian independence. The condition of people's schools in Enrekang before 1950 was still underdeveloped, but after five years of independence the situation had improved. The education system of the people's schools after independence, especially in the curriculum which initially only learned to read, write and count is now increasing. For example studying history. Public schools in Enrekang are experiencing growth in view of the increasing number of schools that change from SR 3 or 4 to 6 years as the number of students increases. This development was due to the active role of the community and the government that contributed to the progress of education.Keywords: Community school and Enrekang
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Nilova, Anna. ""POETICS" OF ARISTOTLE IN RUSSIAN TRANSLATIONS." Проблемы исторической поэтики 19, no. 4 (December 2021): 7–39. http://dx.doi.org/10.15393/j9.art.2021.9822.
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The article presents an overview of the existing translations of Aristotle's “Poetics”, characterizes the features of each of them. In the preface to his translation of Aristotle's “Poetics”, V. Zakharov characterized the work of the Greek philosopher as a “dark text.” Each translation of this treatise, which forms the basis of European and world literary theory, is also its interpretation, an attempt to interpret the “dark places.” The first Russian translation of “Poetics” was made by B. Ordynsky and published in 1854, however, the Russian reader was familiar with the contents of the treatise through translations into European languages and its expositions in Russian. For instance, in the “Dictionary of Ancient and New Poetry” Ostolopov sets out the Aristotelian theory of drama and certain other aspects of “Poetics” very close to the original text. Ordynsky translated the first 18 chapters of “Poetics”, focusing on the theory of tragedy. The translator presented his interpretation of Aristotle’s concept in an extensive preface, commentaries and a lengthy “Statement.” This translation set off a critical analysis by Chernyshevsky, and influenced his dissertation “Aesthetic relations of art to reality”, in which the author polemicizes with the aesthetics of German romanticism. In 1885 V. Zakharov published the first complete Russian translation of “Poetics”, in which he offered his own interpretation of Aristotle's teaching on language and epic. The author of this translation returns to the terminology of romantic aesthetics, therefore the translation itself is outside the main line of perception of the teachings of Aristotle by domestic literary theory, which is clearly manifested in the translations of V. G. Appelrot (1893), N. N. Novosadsky (1927) and M. L. Gasparov (1978). The subject of discussion in these translations was the interpretation of the notions of μῦϑος and παθος, the concepts of mimesis and catharsis, the source of suffering and the tragic, the possibility of modernizing terminology. An important milestone in the perception and assimilation of Aristotle's treatise by Russian literary criticism was its translation by A. F. Losev, which was not published, but was used by the author in his theoretical works and in criticizing other interpretations of “Poetics”. M. M. Pozdnev penned one of the last translations of “Poetics” (2008). The translator does not seek to preserve the peculiarities of the original style and interprets “Poetics” within the framework and terms of modern literary theory, focusing on its English translations. The main subject of the translator's reflection is Aristotle's understanding of the essence and phenomenon of poetic art. Translations of the Greek philosopher's treatise reflect the history of the formation and development of the domestic theory of literature, its main topics and terminological apparatus.
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Boltwood, Scott. "‘Mildly Eccentric’: Brian Friel's Writings for the Irish Times and the New Yorker." Irish University Review 44, no. 2 (November 2014): 305–22. http://dx.doi.org/10.3366/iur.2014.0126.
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The conventional view of Brian Friel's career portrays him as a struggling writer whose first stories appeared in the New Yorker in late 1959. After briefly producing a small body of finely crafted, albeit conventional, short stories, he devoted himself to writing plays full-time after the phenomenal success of Philadelphia, Here I Come! (1964). This traditional interpretation of Friel's career also relies upon the assertion that the young writer also turned away from prose because of his inability to break free of the genre's constricting conventions, which were imposed both by foreign editors demanding nostalgic portrayals of rural Ireland and, as first argued by Ulf Dantanus, by Friel's own ‘failure to free himself’ from the influence of Frank O'Connor. This article challenges our view of Friel's early career in several ways. First and foremost, it uncovers a trove of seventy six previously unknown ‘essay/stories’ that he wrote for The Irish Times between September 1957 and May 1962, short experimental pieces that force the reader to question her/his assumptions about the form and content of Friel's early career. Second, when contextualized among his uncollected stories for the New Yorker and the Irish Press, we recognize a radically different story writer than previously described in the criticism.
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Kauhanen, Katri. "From Seoul to Paris." positions: asia critique 28, no. 3 (August 1, 2020): 575–602. http://dx.doi.org/10.1215/10679847-8315140.
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The Korean National Council of Women, a women’s organization established in 1959, has received criticism in Korean literature for its collaboration with the authoritarian regimes that ruled South Korea for decades. This article, however, argues for a different kind of interpretation. The Korean National Council of Women came together to join the International Council of Women, a major international women’s organization that was looking for new affiliations in the recently decolonized parts of Asia and Africa in the midst of Cold War competition. Thus, we should view the existence of the Korean National Council of Women in the framework of transnational women’s activism and how the Cold War shaped it. After outlining the connections made between South Korean women and the International Council of Women, the article analyzes the projects proposed by the Korean National Council of Women under the anti-communist authoritarian regime. Based on archival research in South Korea and Belgium, this article argues that instead of following rules from above, the Korean National Council of Women negotiated a way to combine the advancement of women’s issues with the development of the nation. The International Council of Women, while criticizing communist women for their close relationship with the state, celebrated the achievements its South Korean affiliate made as a state-registered organization.
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Hidayat, Asep Achmad, Andri Nurjaman, Jafar Ahmad, Doli Witro, and Raid Alghani. "NAHDLATUL ULAMA IN FACING THE GUIDED DEMOCRACY 1959-1965: AN OVERVIEW OF SOCIAL AND POLITICAL FACTORS." Jurnal Lektur Keagamaan 20, no. 2 (December 25, 2022): 567–98. http://dx.doi.org/10.31291/jlka.v20i2.1069.
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ABSTRACT Nahdlatul Ulama is one of the Islamic political parties that took part in the national political arena during President Soekarno's time from parliamentary democracy to the transition period from parliamentary democracy to guided democracy. NU's progress was closely related to its social and political factors which required NU to accept and integrate into President Soekarno's new government system. This paper aims to reveal the social and political factors that enabled NU to face and then accept guided democracy. This article employed a qualitative approach, particularly the historical study method. In tracing the socio-religious history in this study, the stages of heuristics, criticism, interpretation and historiography were taken. The results showed that NU's social factors in dealing with guided democracy were due to the presence of the PKI which was so strong in national politics and so close to President Soekarno. To deal with the PKI, like it or not, NU had to enter the government in order to resist the PKI and divert President Soekarno's inclination towards NU. Meanwhile, the political factor was to maintain NU's position in government, where had always received a share. NU efforts were done solely to protect Muslims, especially ahlussunnah waljamaah an-nahdliyah. Keywords: Guided Democracy, Nahdlatul Ulama, Socio-Political Factors. ABSTRAK Nahdlatul Ulama merupakan salah satu partai politik Islam yang berkiprah di kancah perpolitikan nasional masa Presiden Soekarno sejak demokrasi parlementer bahkan mampu bertahan pada masa transisi dari demokrasi parlementer ke demokrasi terpimpin. Hal ini karena ada faktor sosial dan politik yang mengharuskan NU menerima dan masuk pada sistem pemerintahan baru Presiden Soekarno. Tulisan ini bertujuan untuk mengungkap faktor sosial dan politik yang memungkiakan NU menghadapi dan kemudian menerima demokrasi terpimpin. Artikel ini menggunakan pendekatan kualitatif, dengan metodi studi sejarah. Dalam menelusuri sejarah sosial keagamaan dalam penelitian ini, ditempuh tahapan heuristik, kritik, interpretasi dan historiografi. Hasil penelitian menunjukan bahwa faktor sosial NU dalam menghadapi demokrasi terpimpin karena adanya eksistensi PKI yang begitu kuat dalam politik nasional dan kedekatannya dengan Presiden Soekarno. Untuk menghadapi PKI maka NU mau tidak mau harus masuk dalam pemerintahan dalam rangka membendung PKI dan mengalihkan kecenderungan Presiden Soekarno kepada NU. Sedangkan faktor politik adalah untuk mempertahankan kedudukan NU di pemerintahan yang sejak zaman demokrasi parlementer NU selalu mendapatkan jatah, hal ini dilakukan semata-mata untuk menjaga dan melindungi umat Islam khususnya ahlisunnah waljamaah an-nahdliyah. Kata kunci: Demokrasi Terpimpin Faktor Sosial-Politik, Nahdlatul Ulama.
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Tricahyono, Danan. "Meniti Jalan Nasionalisasi Aset Perusahaan Belanda Di Indonesia: Menguntungkan Atau Merugikan." Criksetra: Jurnal Pendidikan Sejarah 10, no. 2 (August 10, 2021): 98–113. http://dx.doi.org/10.36706/jc.v10i2.13401.
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Abstrak: Indonesia sebagai negara merdeka memiliki cita-cita berdikari dalam berbagai bidang kehidupan. Salah satunya di bidang ekonomi sebagai pilar pembangunan. Cara yang ditempuh untuk menata kehidupan ekonomi dilakukan dengan penuh liku-liku. Langkah-langkah yang ditempuh diantaranya dengan menasionalisasi berbagai bangunan umum vital milik asing dengan pembayaran ganti rugi. Penelitian ini bertujuan untuk menganalis jalan yang ditempuh oleh pemerintah guna melakukan nasionalisasi, pelaksanaan nasionalisasi dalam berbagai sektor perusahaan milik Belanda, dan pengaruh nasionalisasi perusahaan terhadap berbagai bidang kehidupan seperti ekonomi, politik, dan sosial. Penelitian ini menggunakan metode sejarah yang terdiri dari lima langkah: heuristik (pengumpulan sumber), kritik (verifikasi sumber), interpretasi (penafsiran), dan historiografi (penulisan sejarah). Hasil penelitian menunjukan jika cikal bakal nasionalisasi perusahaan-perusahaan dimulai sejak masa pergerakan nasional yang mengarah pada konsep Indonesianisasi, proses pelaksanaan nasionaliasi mengacu pada Undang-Undang Nomor 86 Tahun 1958 Tentang Nasionalisasi Perusahaan-Perusahaan Milik Belanda. Mengenai teknis pelaksanaan nasionalisasi perusahaan Belanda diatur pada Peraturan Pemerintah Nomor 3 Tahun 1959 tentang pembentukan Badan Nasionalisasi Perusahaan Belanda. Perusahaan yang dinasionalisasi bergerak dalam bidang pertanian dan perkebunan, perdagangan, industri dan tambang, perbankan, listrik dan gas, transportasi, dan konstruksi. Pengaruh dari nasionaliasi berupa keluarnya modal, goyahnya neraca keuangan, dan administrasi perusahaan. Perusahaan yang dinasionaliasi dalam perjalannya berubah menjadi BUMN.Kata kunci: nasionalisasi, perusahaan, BelandaAbstract: Indonesia as an independent country has aspirations to be independent in various fields of life. One of them is in the economic sector as a pillar of development. The method taken to organize economic life was carried out in a twisted manner. The steps taken include nationalizing various vital public buildings owned by foreigners with compensation payments. This study aims to analyze the path taken by the government to nationalize, the implementation of nationalization in various sectors of Dutch-owned companies, and the effects of company nationalization on various fields of life such as the economy, politics, and society. This research uses the historical method which consists of five steps: heuristics (source collection), criticism (source verification), interpretation (interpretation), and historiography (historical writing). The results showed that if the nationalization of companies started from the time of the national movement that led to the concept of Indonesianization, the process of implementing nationalization referred to Law Number 86 of 1958 concerning the Nationalization of Dutch Owned Companies. Regarding the technical implementation of the nationalization of Dutch companies, it is regulated in Government Regulation Number 3 of 1959 concerning the formation of the Dutch Company Nationalization Agency. The nationalized companies are engaged in agriculture and plantation, trade, industry and mining, banking, electricity and gas, transportation, and construction. The effects of nationalization are in the form of capital outflows, unstable balance sheets, and company administration. Companies that are nationalized on the way turn into BUMN.Keywords: nationalization, company, Netherlands
Dissertations / Theses on the topic "1885-1959 Criticism and interpretation"
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Estrada-Berg, Victoria. "Art Criticism and the Gendering of Lee Bontecou's Art, ca. 1959 - 1964." Thesis, University of North Texas, 2005. https://digital.library.unt.edu/ark:/67531/metadc5587/.
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This thesis identifies and analyzes gendering in the art writing devoted to Lee Bontecou's metal and canvas sculptures made from the 1959 - 1964. Through a careful reading of reviews and articles written about Bontecou's constructions, this thesis reconstructs the context of the art world in the United States at mid-century and investigates how cultural expectations regarding gender directed the reception of Bontecou's art, beginning in 1959 and continuing through mid-1960s. Incorporating a description of the contemporaneous cultural context with description of the constructions and an analysis of examples of primary writing, the thesis chronologically follows the evolution of a tendency in art writing to associate gender-specific motivation and interpretation to one recurring feature of Bontecou's works.
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Sanborn, Robert E. "Free servitude : a study of the mythos in the poetry of Edwin Muir." Virtual Press, 1986. http://liblink.bsu.edu/uhtbin/catkey/468077.
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The poetry of Edwin Muir has inspired a distinctive body of criticism. Realizing that his poetry is inexorably linked with his life, Roger Knight, Michael Phillips, Peter Butter and others have produced fine studies of his work against a biographical background. Margaret Anderson has contributed an important dissertation on the importance of dualism in the poems. R. P. Blackmur, J. R. Watson and Kathleen Raine have published articles that are central in informing any new Muir scholarship.This study intends to illuminate the source of Muir's inspiration, to show that his imagery is drawn from the mythos. A general review of Muir criticism supports the theory that the imaginative background he knew as the Fable, which underlies all temporal human behavior (labeled as the Story) is also the collective unconscious of Jung, the Spiritus Mundi of Yeats, the "inseeing" of Rilke, and the Mythos of Aristotle.The study reviews Muir criticism and the poetic technique of Muir, develops a special definition of "mythos" and goes on, through the explication of selected Muir poems, to show how his poetic and philosophical growth was influenced by his unique ability to gain access to the most powerful of Aristotle's four modes of Rhetoric. Finally, the study crystalizes Muir's overall aesthetic in the oxymoronic conclusion to his 1956 masterpiece, "The Horses," the term "free servitude."Muir felt that we can only function at our full potential when we use the power of our imagination to realize the essential duality of the human condition. We are, to an extent, free, and in a state of servitude. In Freudian terms, the superego enslaves us through guilt and our debt to the concept of civilization, while the id urges us on the ultimate freedom represented by the unchecked expression of violence and sex.The study concludes with an examination of Muir's final enigmatic symbol, found in the title of his last collection of poems: One Foot in Eden. Man, through the imaginative realization of his immortality, may plant one foot in Eden; the other foot remains trapped in the Labyrinth, Muir's symbol for the bewildering, impersonal complexity of our twentieth century beaurocractic wasteland. The transcendence of this entrapment gave Muir his purpose, in life and in art.
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Erasmus, Shirley. "Challenging Biblical boundaries: Jeanette Winterson’s postmodern feminist subversion of Biblical discourse in Oranges are not the only fruit (1985) and Boating for beginners (1985)." Thesis, Rhodes University, 2018. http://hdl.handle.net/10962/59121.
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This thesis investigates the subversion of Biblical discourse in Jeanette Winterson’s first two novels, Oranges are Not the Only Fruit and Boating for Beginners. By rewriting Biblical stories Winterson challenges traditional Western religious discourses and their rules for heteronormative social and sexual behaviours and desires. Winterson’s texts respond to the patriarchal nature of socially pervasive texts, such as the Bible, by encouraging her readers to regard these texts with suspicion, thus highlighting what can be seen as a ‘postmodern concern’ with the notion of ‘truth’. Chapter One of this thesis comprises a discussion of Biblical boundaries. These boundaries, I argue, are a process of historical oppression which serves to subjugate and control women, a practice inherent in the Bible and modern society. The Biblical boundaries within which women are expected to live, are carefully portrayed in Oranges and then comically and blasphemously mocked in Boating. Chapter One also argues that Winterson’s sexuality plays an important role in the understanding of her texts, despite her desire for her sexuality to remain ‘outside’ her writing. Chapter Two of this thesis, examines the mix of fact and fiction in Oranges, in order to create a new genre: fictional memoir. The chapter introduces the concept of the ‘autobiographical pact’ and the textual agreement which Winterson creates with her readers. In this chapter, I examine Winterson’s powerful subversion of Biblical discourse, through her narration of Jeanette’s ‘coming out’ within a Biblical framework. Chapter Three of this thesis examines Winterson’s second book, Boating, and the serious elements of this comic book. This chapter studies the various postmodern narrative techniques used in Boating in order to subvert Biblical and historical discourse. Chapter Three highlights Winterson’s postmodern concern with the construction of history as ‘truth’. Finally, Chapter Four compares Oranges and Boating, showing the texts as differing, yet equally relevant textual counterparts. This chapter examines the anti-feminine characters in both texts and Winterson’s ability to align her reader with a feminist or lesbian viewpoint. This thesis argues that Winterson’s first two texts deliberately challenge Biblical discourse in favour of a postmodern feminist viewpoint.
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Collett, Jenna Lara. "'I want to tell the story again': re-telling in selected novels by Jeanette Winterson and Alan Warner." Thesis, Rhodes University, 2011. http://hdl.handle.net/10962/d1002291.
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This thesis investigates acts of ‘re-telling’ in four selected novels by Jeanette Winterson and Alan Warner.Re-telling, as I have defined it, refers to the re-imagining and re-writing of existing narratives from mythology, fairy tale, and folktale, as well as the re-visioning of scientific discourses and historiography. I argue that this re-telling is representative of a contemporary cultural phenomenon, and is evidence of a postmodern genre that some literary theorists have termed re-visionary fiction. Despite the prevalent re-telling of canonical stories throughout literary history, there is much evidence for the emergence of a specifically contemporary trend of re-visionary literature. Part One of this thesis comprises two chapters which deal with Winterson’s Sexing the Cherry (1989) and Weight (2005) respectively. In these chapters, I argue that, although the feminist and historiographic elements of her work are significant, there exist further motivations for Winterson’s acts of re-telling in both Sexing the Cherry and Weight. In Chapter One, I analyse Winterson’s subversion and re-imagining of historiography, as well as her re-telling of fairy tale, in Sexing the Cherry. Chapter Two provides a discussion of Winterson’s re-telling of the myth of Atlas from Greek mythology, in which she draws on the discourses of science, technology, and autobiography, in Weight. Part Two focuses on Warner’s first two novels, Morvern Callar (1995) and These Demented Lands (1997). In both novels, Warner re-imagines aspects of Christian, Celtic and pagan mythology in order to debunk the validity of biblical archetypes and narratives in a contemporary working-class setting, as well as to endow his protagonist with goddess-like or mythical sensibilities. Chapter Three deals predominantly with Warner’s use of language, which I argue is central to his blending of mythological and contemporary content, while Chapter Four analyses his use of myth in these two novels. This thesis argues that while both Winterson and Warner share many of the aims associated with contemporary re-visionary fiction, their novels also exceed the boundaries of the genre in various ways. Winterson and Warner may, therefore, represent a new class of re-visionary writers, whose aim is not solely to subvert the pre-text but to draw on its generic discourses and thematic conventions in order to demonstrate the generic and discursive possibilities inherent in the act of re-telling.
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王心靈. "現代寓言: 阿來長篇小說研究= A study on Alai's novel as allegory." HKBU Institutional Repository, 2015. https://repository.hkbu.edu.hk/etd_oa/171.
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阿來(1959- )，生於四川省的嘉絨藏區，曾任教師、編輯、雜誌社社長等，現專事寫作。在長達三十二年的寫作生涯中，阿來經歷了由新詩至短篇小說、散文至長篇小說的文類轉變，他的作家使命在長篇小說階段得以確立，是有意識地書寫西藏的漢語作家。阿來的長篇小說除了表現本民族的興衰，又是人類共同歷史命運的寫照，他以寓言書寫的方式豐富了文本的內涵。 寓言性是當代中國小說一個值得關注的美學特徵，因此，本文以阿來三部長篇小說為研究對象：《塵埃落定》(1998)、《空山》三部曲(2005、2007、2009)、《格薩爾王》(2009)，分析其中的寓言性藝術意義。這三部作品皆以漢藏文化的交匯與碰撞為題材，反面書寫故鄉因歷史的發展、時代的轉變而表現的不同面向：《塵埃落定》寫的是二十世紀五十年代前土司制度和末代土司家族的滅亡過程；《空山》是五十年代至九十年代的一段村莊史；《格薩爾王》是對藏族英雄史詩的重述，以現代觀念探討歷史發展過程中的命運主題。阿來以長篇小說的形式探究歷史轉型期中，文化與人心的困境，有著內在精神的繼承。 本文以〈現代寓言：阿來長篇小說研究〉為題，嘗試以本雅明的現代寓言理論來探討作品的藝術內涵：「破碎」、「廢墟」、「憂鬱」等美學元素於文本的呈現，這些現代性的特質如何在小說的本土經驗裡被細述彰顯，以帶出作品的普世共性。在探究過程中，我們能了解在文學與歷史的互動關係中，作品的真實內涵及說故事的意義。
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Vrba, Marya. "The literary dream in German Central Europe, 1900-1925 : a selective study of the writings of Kafka, Kubin, Meyrink, Musil and Schnitzler." Thesis, Swansea University, 2011. https://cronfa.swan.ac.uk/Record/cronfa42396.
Full textAbstract:
This thesis examines the literary dream in selected works by Kafka, Kubin, Meyrink, Musil and Schnitzler, with a particular focus on the redefinition of subjectivity through dreamlife. The introductory chapter contextualises these case studies in the broader field of oneirocriticism, emphasising the dream's ancient role as fixtional template and its specific significance in the destabilised environment of German Central Europe during the early twentieth century. Alfred Kubin's Die andere Seite (1909), which uses the 'other side' as metaphor for both oneiric and artistic experience, reveals the inherent dualism of the literary dream and its close relationship with creativity. In Robert Musil's Die Verwirrungen des Zdglings Tdrlefi (1906), the protagonist serves as the model for a new type of self-determining subject who draws on the knowledge of dreams and irrationality. Franz Kafka's texts reveal techniques for integrating the dream into fictional worlds that are already dreamlike through the prevalence of (literalised) metaphor and free association. Gustav Meyrink, in Der Golem (1915), shares Kafka's interest in concretised metaphor, but also explores the dream's associations with occult practices, used as a defence against the threatening claims of science. Finally, Arthur Schnitzler's literary dreams offer a direct confrontation with psychoanalysis and a dismantling of nineteenth-century ideals of gender and bourgeois love. Overall, it is argued that the literary dreams by these authors hold varied responses to fragmentation of the Ich in the face of psychological 'vivisection', theories of relativity, and the collapse of old social orders. The dream, as a nightly 'psychosis', crystallised the pervasive fears of self-loss during this period; however, in its perennial role as micro-narrative, it also provided a site for re-construction of the subject. The incorporation of dreams in fictional lives served as a metonymical guide for the integration of un- and subconscious experience overall.
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Perrin, Julie. "Le role de L'existentialisme sartrien dans le roman L'arrache coeur = The role of Sartre's existentialism in the novel L'arrache coeur /." Fogler Library, University of Maine, 2004. http://www.library.umaine.edu/theses/pdf/PerrinJ2004.pdf.
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Kiriloff, Vera. "How does what's bred in the bone come out in the flesh? : Devora Neumark's interventions and the concept of flesh." Thesis, McGill University, 2005. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=98543.
Full textAbstract:
This thesis examines seven of Devora Neumark's artistic interventions that activate an embodied transfer or continuity of knowledge. I am inspired by phenomenologist Maurice Merleau-Ponty's notion of "the flesh of the world," that is the element enabling a reversibility between subject and object, specifically with regard to the body. Neumark draws from a repertoire of her everyday activities like crocheting or peeling beets to make a stew. She resituates the activity from one which is traditionally practiced in the private sphere of the home, often undervalued, to one which critically engages passersby in various urban settings. I study the repetitive capacities of these everyday activities, how they are negotiated in the public sphere, and how they remain (re)productively in the flesh through body-to-body transmission. Flesh becomes the operative concept in this thesis and activates a phenomenology in Neumark's interventions that goes beyond Merleau-Ponty's and which engages with both aesthetic and socio-political questions.
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Grimanis, Catherine. "The narrator in D.H. Lawrence's travel fiction : nostalgia, disillusion, and vision." Thesis, McGill University, 1989. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=61874.
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Prévost, Maxime. "Gaiete perverse et rire de force dans l'œuvre de Victor Hugo." Thesis, McGill University, 2000. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=37816.
Full textAbstract:
This thesis studies the theme of laughter in the works of Victor Hugo, distinguishing two topical networks: that of perverse gaiety and that of forced laughter. Part One (La Gaiete perverse) shows how Hugo, drawing various commonplaces related to cruel laughter in the gothic novel, creates a first family of characters whose laugh derives from their demented nature (the monster, the headsman, the priest, the outlaw, the mob, the court jester). Part Two (La Tristesse des justes) concerns the Hugo which, between 1845 and 1862, fashions a mythology of the People renewing with commonplaces related to perverse gaiety, which he now links to characters seen as pillars of the Second Empire (the tyrant, the soldier, the police officer). While the wicked laugh, the just man cries, and the laughter of the oppressed (the convict, the prostitute, the street urchin) is constrained. Part Three (Le Rire de force) considers three works dating from Hugo's exile, including L'Homme qui rit, where the author clearly defines what constitutes forced laughter: a victim's exultation caused by the perversity of his social torturer, the tyrant. This transition from perverse gaiety (which stems from individual perversion) to forced laughter (the result of society's perversion) will be interpreted as the reflexion of a shift in the identity of Hugo's implied reader. While the first Hugo wrote about the people, the later Hugo aspires to write for the people, which considerably affects the meaning conferred to various commonplaces used throughout his writing career.
Books on the topic "1885-1959 Criticism and interpretation"
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Jämsänen, Auli. Juho Mäkela, (1885-1943). [Oulu]: Pohjoinen, 1997.
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Carl Spitzweg 1808-1885. München: Prestel, 2007.
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Hennaut, Eric. Henry Lacoste, architecte: 1885-1968. Bruxelles: AAM Éditions, 2008.
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Hennaut, Eric. Henry Lacoste, architecte: 1885-1968. Bruxelles: AAM Éditions, 2008.
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Honegger, Emmanuel. Louis-Philippe Kamm, 1882-1959. Barr [France]: Verger, 2011.
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Khafājī, Muḥammad ʻAbd al-Munʻim. Shāʻir al-Shām Khalīl Mardam, 1895-1959. Bayrūt: Dār al-Jīl, 1992.
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Shāʻir al-Shām Khalīl Mardam, 1895-1959. Bayrūt: Dār al-Jīl, 1992.
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Jeyapālan̲, Ka. Pan̲mukap pārvaiyil Paṭṭukkōṭṭai, 13.4.1930-8.10-1959. Cen̲n̲ai: Cēkar Patippakam, 2000.
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1877-1959, Kubin Alfred, ed. Alfred Kubin der Zeichner 1877-1959. Wien: C. Brandstätter, 1988.
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Hekkema, Herma. S.J. Bouma, 1899-1959. Groningen: Wolters-Noordhoff, 1992.
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