Relevant bibliographies by topics / 1879-1954 Criticism and interpretation

Academic literature on the topic '1879-1954 Criticism and interpretation'

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Published: 10 December 2022
Last updated: 28 January 2023

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Journal articles on the topic "1879-1954 Criticism and interpretation"

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Futljaev, Nikita S., and Dmitry N. Zhatkin. "Russian Fate of the Poem by Robert Burns «Who is that at my bower-door?..»." Nauchnyi dialog, no. 7 (July 30, 2020): 284–98. http://dx.doi.org/10.24224/2227-1295-2020-7-284-298.

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The Russian translation reception of Robert Burns's poem “Who is that at my bower-door?..” (1783) is for the first time considered in the article. It is emphasized that the comic work did not attract the attention of Russian translators until 1862, when the unsatisfactory interpretation of V. D. Kostomarov, deprived of the emotionality of the English original, came out. The results of the analysis of translations of the poem created by M. N. Shelgunov (1879), T. L. Shchepkina-Kupernik (publ. 1936), S. Ya. Marshak (1939), S. Sapozhnikov (publ. 2014), E. D. Feldman (2017), A. V. Krotkov (publ. 2018) are presented. The perception of Burns’ work in Russian literary criticism and literary criticism is comprehended. In particular, numerous reviews and studies are analyzed (A. T. Twardowski, K. I. Chukovsky, E. G. Etkind, T. B. Liokumovich, R. Ya. Wright-Kovaleva, A. Bobyleva), caused by S. Ya. Marshak translation, who, despite all his liberties, preserved the atmosphere of a lively conversation between two people, and emphasized their intonational, emotional and gender differences. It is noted that, having entered into a polemic with S. Ya. Marshak, who made Burns unnecessarily classic and stylistically “smooth”, modern translators created interpretations in the spirit of courteous poetry, largely devoid of the aesthetics of the original, its unique melody.
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Abd Rahman, Yogi Pratama,. "BIOGRAFI BURHANUDIN MAHIR (1954-2016)." Istoria: Jurnal Ilmiah Pendidikan Sejarah Universitas Batanghari 2, no. 1 (May 9, 2018): 89. http://dx.doi.org/10.33087/istoria.v2i1.21.

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Abstract The puspose of the research to provide an overview of Burhanudin Mahir's Political Biography of 1954-2016. Starting from What is the background of education and socio-culture that affect the life of Burhanudin Mahir, to how the beginning of political career and the role of Burhanudin Mahir in building the area he leads. The method used in this research is a historical research method that systematically consists of four steps: heuristic, Criticism, Interpretation, Historiography.Research results obtained that Burhanudin Mahir was born in Jambi Kecil on 16 June 1954. He is the second of six brothers of the pair of Mahir Isaac and Arba'ah. He was raised in a religious, affluent and disciplined family because at that time his father was a Pasirah in Jambi Kecil village, Burhanudin Mahir could finish his education up to a bachelor degree at that time it was still very rare to find anyone who could get educational bench. He has held various important positions, starting from the position of chairman of the party, to the Chairman of the Batanghari District Legislative Council where he was the initiator of the Muaro Jambi regency, and his greatest momentum became the Regent of Muaro Jambi for two periods during which served as regent has many changes that he did from the field of Infrastructure, Education, Health, and Economics. Keywords: Biography Burhanudin Mahir (1954-2016), Political Career
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Rodiah, Ita. "New Historicism: Kajian Sejarah dalam Karya Imajinatif Ukhruj Minha Ya Mal’un Saddam Hussein." Jurnal Kajian Islam Interdisipliner 4, no. 2 (November 28, 2020): 125. http://dx.doi.org/10.14421/jkii.v4i2.1102.

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Penelitian ini membuktikan bahwa kajian kesusastraan dengan menggunakan new historicism mampu mengungkap pelbagai kekuatan budaya, sosial, ekonomi, dan politik yang menyetubuh dan menyelinap dalam setiap sela teks sastra yang merupakan ranah estetik (aesthetic richness). Penelitian ini mengungkapkan bahwa karya sastra tidak dapat dipisahkan dengan pelbagai konteks zaman dan praksis budaya, sosial, ekonomi, serta politik yang melingkupinya. Penelitian ini tidak sependapat dengan konsep new criticism John Crowe Ransom (The New Criticism, 1941 dan Criticism as Pure Speculation, 1971) dan William K. Wimsatt dan Monroe Beardsley (The Intentional Fallacy, 1946 dan The verbal Icon, 1954) yang mengatakan bahwa karya sastra merupakan autotelic artefact. Sehingga menjadi tidak tepat ketika pemahaman terhadap sastra dikaitkan dengan pengarang, pembaca, maupun konteks di luar karya sastra. Penelitian ini mendukung konsep new historicism Stephen Greenblatt (Practicing New Historicism, 2000) yang menyatakan bahwa dunia imajinatif-estetis tidak pernah terlepas dari relasi kekuasaan dunia realitas yang termanifestasi dalam karya sastra sebagai apresiasi estetis individu dan praksis budaya, sosial, ekonomi, dan politik. Berdasarkan interpretasi kritis new historicism Greenblatt terhadap novel Ukhruj Minha Ya Mal’un diperoleh hasil penelitian berupa pemahaman karya imajinatif yang penuh dengan simbol yang lebih lengkap dan dalam (deeper understanding of value) dengan melibatkan konteks ekstrinsikalitas karya sastra di dalamnya dan novel Ukhruj Minha Ya Mal’un hadir sebagai tanggapan reflektif-imajinatif Saddam Hussein sebagai pengarangnya.[This research proves that literary studies using new historicism can reveal the various cultural, social, economic, and political forces that intercourse and sneak in every literary text: aesthetic richness. This research reveals that literary works cannot be separated from the various contexts of the era and the cultural, social, economic, and political praxis that surround them. This study disagrees with the concept of new criticism John Crowe Ransom (The New Criticism, 1941 and Criticism as Pure Speculation, 1971) and William K. Wimsatt and Monroe Beardsley (The Intentional Fallacy, 1946 and The verbal Icon, 1954) literature is an autotelic artifact. So it is not appropriate when the understanding of literature is associated with authors, readers, and contexts outside of literary works. This research supports Stephen Greenblatt's new historicism concept (Practicing New Historicism, 2000), which states that the imaginative-aesthetic world is never separated from the power relations of the world of reality which are manifested in literature as an individual aesthetic appreciation and cultural, social, economic, and political praxis. Based on the critical interpretation of Greenblatt's new historicism of the Ukhruj Minha Ya Mal'un novel, the research results are in the form of a deeper understanding of imaginative works of symbols (deeper understanding of value) involving the context of the extrinsicality of literary works in it and the novel Ukhruj Minha Ya Mal. 'un appears as the reflective-imaginative response of Saddam Hussein as the author.]
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Kaminski, Johannes. "Toward a Maoist Dream of the Red Chamber: Or, How Baoyu and Daiyu Became Rebels Against Feudalism." Journal of Chinese Humanities 3, no. 2 (July 25, 2017): 177–202. http://dx.doi.org/10.1163/23521341-12340049.

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Mao Zedong’s views on literature were enigmatic: although he coerced writers into “learning the language of the masses,” he made no secret of his own enthusiasm forDream of the Red Chamber, a novel written during the Qing dynasty. In 1954 this paradox appeared to be resolved when Li Xifan and Lan Ling presented an interpretation that saw the tragic love story as a manifestation of class struggle. Ever since, the conception of Baoyu and Daiyu as class warriors has become a powerful and unquestioned cliché of Chinese literary criticism. Endowing aristocratic protagonists with revolutionary grandeur, however, violates a basic principle of Marxist orthodoxy. This article examines the reasons behind this position: on the one hand, Mao’s support for Li and Lan’s approach acts as a reminder of his early journalistic agitation against arranged marriage and the social ills it engenders. On the other hand, it offers evidence of Mao’s increasingly ambiguous conception of class.
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Muslim, Muslim, and Ihsan Ihsan. "The Role of Sheikh Dr. H. Abdul Karim Amrullah in Developing Muhammadiyah in Maninjau West Sumatera." IJECA (International Journal of Education and Curriculum Application) 1, no. 3 (December 30, 2018): 5. http://dx.doi.org/10.31764/ijeca.v1i3.2120.

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This study aims to describe the role of Sheikh Dr. Abdul Karim Amrullah in developing Muhammadiyah in Maninjau. This type of research is qualitative research with historical methods, and heuristic measures, source criticism, interpretation, and historiography. The theory and approach in this research is the phenomenological approach and the theory of study figures. The results obtained from this study first, Sheikh Dr. H. Abdul Karim was a scholar who was born in 1879 Ad and died in 1945 A.D. He was born to a religious family, since childhood he has received a religious education from both parents and then continued his education through non-formal course. Secondly, the role of Sheikh Dr. H. Abdul Karim Amrullah in developing Muhammadiyah in Maninjau, backed by the religious condition of Maninjau that time has been mixed only, is no longer distinguished where the teachings of pure Islam and which are mixed with bid'ah, and Khurafat. This is what prompted Sheikh Dr. H. Abdul Karim Amrullah to make updates to Islam that has been corrupted in Maninjau. Therefore, to accelerate this renewal. He was the pioneering establishment of Muhammadiyah in Maninjau, after his return from Java in 1925 A.D.
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Brusotti, Marco. "Die Autonomie des ,souveränen Individuums‘ in Nietzsches Genealogie der Moral." Nietzsche-Studien 48, no. 1 (November 1, 2019): 26–48. http://dx.doi.org/10.1515/nietzstu-2019-0003.

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Abstract The second essay of Nietzsche’s Genealogy of Morals introduces the ‘sovereign individual’ as ‘responsible’, ‘autonomous’ and ‘free’. Does this affirmative use of moral terminology reveal an unexpected affinity between Nietzsche’s thought and philosophical modernity? In the last decades, this issue has been at the heart of a vast and controversial debate. My analysis shows that, rather than throwing light on Nietzsche’s general position, the specific use of Kantian terms in this passage of GM is due to a polemical intention. Implicitly, Nietzsche rejects Eduard von Hartmann’s criticism of the ‘absolute sovereignty of the individual’. The author of the Phänomenologie des sittlichen Bewusstseins (1879) sees the most radical herald of this ‘sovereignty’ in Max Stirner. From Nietzsche’s point of view, Hartmann’s rejection and Stirner’s affirmation share a reductive conception of ‘sovereignty’. Reinterpreting and ‘revaluing’ Kant’s moral terminology, Nietzsche aims to give an interpretation of individual sovereignty that is at the same time antithetical to Stirner’s and wholly at odds with Hartmann’s ethical views. In showing this, the paper gives a new answer to an old question; for already in the 1890s, Hartmann himself, accusing Nietzsche of plagiarizing Stirner, raised the issue of the historical relationship between the two philosophers. More generally, the paper shows that Nietzsche employs a specific textual strategy, which consists in taking Kantian terms in an ‘anti-Kantian’ sense and systematically cultivating the art of using ‘a moral formula in a supramoral sense’.
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Mata, Maria Eugénia. "Cardinal Versus Ordinal Utility: António Horta Osório's Contribution." Journal of the History of Economic Thought 29, no. 4 (December 2007): 465–79. http://dx.doi.org/10.1080/10427710701666610.

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The history of economic thought remembers António Horta Osório for Schumpeter's reference to him in the History of Economic Analysis, in the context of a general appraisal of available works using mathematical instruments and language. This, however, does not do him justice, as he should also be praised for his pioneering interpretation of Pareto's general equilibrium. According to Stigler (1965), the definitive substitution of the cardinal utility hypothesis for the ordinal utility perspective was achieved by Johnson (1913) and Slutsky (1915). Weber (2001) discusses how far Pareto used cardinality, elects Slutsky (1915) as a pioneer of demand theory and prefers to reserve to R. G. Allen (1932–34), L. R. Klein and H. Rubin (1947–48), Samuelson (1947–48), R. C. Geary (1950–51), and Richard Stone (1954) the role of establishing ordinal utility in studying the utility function. This paper shows that Osório (1911) considered the subject of ordinalism before Johnson and Slutsky addressed the issue, as he had rejected the possibility of measuring utility and clearly stated that general equilibrium is not affected if cardinality is replaced by the ordinal conception for utility, according to Pareto's last formulation. Upon reading his book it becomes clear that not only was he perfectly aware of Edgeworth's contribution on the utility indifference curves, but also of Pareto's attempts to preserve general equilibrium from Fisher's criticism against cardinalism. Historians of economic thought have forgotten one of the early twentieth-century neoclassical economists. In this way the History of Economics has neglected an interesting proof of the consolidation of the Paretian ideas on ordinality, an issue that was an exciting and uncharted territory at that moment.
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Szałek, Piotr K. "The Duhem-Quine Thesis Reconsidered." Studies in Logic, Grammar and Rhetoric 62, no. 1 (June 1, 2020): 73–93. http://dx.doi.org/10.2478/slgr-2020-0014.

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Abstract The high point of the falsification of physical theories in a standard view of the philosophy of science is the so-called crucial experiment. This experiment is a kind of manipulated empirical test, which provides the criterion for distinguishing between two rival hypotheses, where one is an acceptable theory due to passing the test, and the other turns out to be an unacceptable theory as it does not pass the test. The crucial experiment was supposed to play a significant role because, in virtue of an empirical disconfirmation of one theory, the experiment was assumed to confirm the other as true. However, in 1906, in La théorie physique, son object et la structure (hereafter quoted in English translation as The Aim and Structure of Physical Theory (1906/1954)), Pierre Duhem famously argued against this view and stated that crucial experiments in physics are impossible as they are necessarily ambiguous and logically incomplete. His contention rested on the claim that, “[a] physical theory is not an explanation [of true reality in itself in virtue of some broad metaphysical ramification of physics]. It is a system of mathematical propositions, deduced from a small number of principles, which aim to represent as simply, as completely, and as accurately as possible a set of experimental laws” (ibid., p. 19). Furthermore, different theories could be equally suitable to represent a given group of experimental laws. And, assuming holism, no hypothesis could be tested in isolation, but merely as a part of a set of an entire scientific theory. The problem which Duhem identified in 1906 was slightly overshadowed and neglected in mainstream philosophy of science until the appearance of a challenging paper by Willard Van Orman Quine published in 1951 and entitled “Two Dogmas of Empiricism”. Quine’s paper caused a revival of interest in Duhem’s original formulation and gave a new impulse towards the problem in the form of the so-called Duhem-Quine thesis. The aim of this paper is to reconsider whether Duhem was right to argue that there are no crucial experiments in physics. In order to assess the validity of the thesis, first, this paper makes an exposition of Duhem’s arguments in their favour, and analyses the major criticisms of this position offered in the subject-literature of Adolf Grünbaum, who explicitly attacked the arguments for the thesis as inconclusive and false. Then, this paper presents possible modes of defence of the Duhem-Quine thesis and argues that the original formulation of the thesis is well qualified and plausible. Finally, this paper offers a pragmatic interpretation of the theory choice.
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Nurjanah, Fitri. "BABASAN JEUNG PARIBASA DALAM TAFSIR “SESEMPERAN TINA IBER” KARYA SAYUB SAYIDIN." AL-IBANAH 6, no. 2 (January 15, 2022). http://dx.doi.org/10.54801/iba.v6i2.72.

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Abstract Persis as an organization centered at the Pasundan level, Persis uses Sundanese as a medium of da'wah, this is evidenced by the publication of the Sundanese language magazine At-Taqwa (1937). This magazine was discontinued during the revolution and was republished in 1949-1954. In 1967 the Bandung Branch together with E. Abdullah published Iber magazine which lasted until 2014. This Sundanese language magazine which lasted for approximately 47 years presented various Islamic studies, ranging from the rubric of interpretation to istifta. This research method uses qualitative methods. According to Bodgan and Taylor, qualitative methodology is a research procedure that produces descriptive data in the form of written or spoken words from people and observable behavior. This study will try to examine the Sundanese interpretation of Sayub Sayidin. The primary data source of this research is Sayub Sayidin's interpretation in Semperan Mutiara Iber. Judging from the source of his interpretation, Sayub Sayidin's commentary published in Iber magazine can be categorized as a biriwayat/bilmatsur interpretation. There are 17 chapters used by Sayub Sayidin to interpret the verses of the Koran. Babasan is deliberately presented as Sayub's criticism of the reality of people's lives, with the hope that through babasan in interpreting the Qur'an there will be a change in people's mindset. Keywords: Sundanese, Tafsir, Persis. Abstrak Persis sebagai organisasi yang berpusat di tatar Pasundan, Persis menjadikan bahasa Sunda sebagai media dakwah, hal ini terbukti dengan diterbitkannya majalah berbahasa Sunda At-Taqwa (1937). Majalah ini sempat berhenti pada masa revolusi dan kembali terbit pada tahun 1949-1954. Pada tahun 1967, persis cabang Bandung bersama E. Abdullah mengeluarkan majalah Iber yang bertahan hingga tahun 2014. Majalah bahasa sunda yang bertahan kurang lebih selama 47 tahun ini menyajikan berbagai kajian keislaman, dari rubrik tafsir hingga Istifta. Metode penelitian ini menggunakan metode kualitatif. Menurut Bodgan dan Taylor, metodologi kualitatif sebagai prosedur penelitian yang menghasilkan data deskriptif berupa kata-kata tertulis atau lisan dari orang-orang dan perilaku yang dapat diamati. Penelitian ini akan mencoba mengkaji tafsir Sunda dari Sayub Sayidin. Sumber data primer dari penelitian ini adalah tafsir Sayub Sayidin dalam Sesemperan Mutiara Iber. Ditinjau dari perspektif sumber tafsir, tafsir Sayub Sayidin yang dipublikasikan pada majalah Iber bisa dikategorikan sebagai tafsir biriwayat/bilmatsur. Terdapat 17 babasan yang digunakan Sayub Sayidin untuk menafsirkan ayat-ayat al-Quran. Babasan tersebut sengaja didatangkan sebagai kritik Sayub terhadap realitas kehidupan masyarakat yang dengannya ia berharap melalui babasan dalam menafsirkan al-Quran terjadi perubahan pola pikir di kalangan masyarakat. Kata kunci: bahasa sunda, Tafsir, Persis.
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Nakamura, Takeshi. "“This” and “Such” in the Receptacle Passage of Plato’s Timaeus." Archiv für Geschichte der Philosophie, April 17, 2021. http://dx.doi.org/10.1515/agph-2021-2016.

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Abstract One short passage on what is called the Receptacle in Plato’s Timaeus (49c–50a) has been the subject of much controversy since Cherniss presented an alternative reading of it in 1954. In this paper, I criticize an influential argument presented by Zeyl for a traditional reading, and propose a new interpretation which adopts the alternative reading on important sentences of the passage, but is not accompanied by the defects of Cherniss’ interpretation.
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Dissertations / Theses on the topic "1879-1954 Criticism and interpretation"

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Knowles, Sandra English Media &amp Performing Arts Faculty of Arts &amp Social Sciences UNSW. "The performances of a psychic privacy: waiting for the real miles Franklin." Awarded by:University of New South Wales. English, Media, & Performing Arts, 2007. http://handle.unsw.edu.au/1959.4/40564.

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Current scholarship on Miles Franklin emphasises the gaps and contradictions of a secretive and mysterious author. The eagerly awaited release of her private papers was marked by Paul Brunton's 2004 publication of her diaries, an edition that has been conceived and understood as a revelation of "the real Miles Franklin" (Lecture Title, State Library). This thesis disrupts the concept of a "real" Franklin by arguing that these diaries, in their manuscript form, give us more delay. Foregrounding the performative guises of the private diary subject, this thesis establishes that we are, and will always be, waiting for the real Miles Franklin to arrive. The insights of diary and textual theories illuminate Franklin, I will argue, as one who seeks the proliferative creativity of the anonymous author, and who would use her diary writing to escape definition within public discourse. Yet the tension between creativity and the daily enables us to see how potential is distorted into waiting in the surrogate space of these diaries, as Franklin seeks protection within the nostalgia of a national past and an Edenic vision of the future. This vantage point directs us to identify, as will be seen, the vulnerabilities and instabilities of this space for Franklin, as it implicates her in the dilemma of her times. In this way, we can ascertain how she holds the line as a "spotless virgin" (3 May 1942) in her resistance to the gender performances of new women, her refusal to be defined as one thing or another. This resistance to imitation will also be analysed as it plays out via the curse of Franklin's self-repetition in an Australia that waits, disrupting her attempts to achieve anonymity as the embodiment of a national literary tradition. In her avoidance of being a private text to be read, Franklin promotes herself, I will contend, as a "world classic" (Franklin Furphy 3) author of and in these diaries, resisting the transition from the readerly to the modernist writerly text at a time of artistic revolution (Barthes S/Z 4). In illuminating Franklin's exposure to these very vulnerabilities as a subject-in-process, in a document intended for posthumous publication, this thesis will establish that she has made a courageous contribution to the complexities of a particular moment within Australian modernity
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Gadbois, Pauline. "La parole parlée dans l'oeuvre de Jacques Brault 1954-1965 /." Thesis, McGill University, 1990. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=59886.

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Often designated as "le poete de la parole parlee", Jacques Brault, author of a substantial and rigourous work dealing with poetry, language, writing and art, is one of the most significant modern writers of Quebec. In our literature, rare are the figurative expressions inventing their own trajectory and rarer still is the emblematic used to evoke simultaneously the essence of a generation, a work, a writer, a style. The expression "la parole parlee" says it all.
This figure of speech, intimately linked to though and writing, has progressed from a rhetorical to a living expression throughout the eleven years on which our study focuses. In the analysis of this period, "la parole parlee" stands out as the obscure leitmotiv which favours a dialogue between the critical and the creative in the act of writing. Finding its own way, the work discovers a refrangible and versatile universe and the unique voice of Jacques Brault.
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Robbins, Ann. "La Signification et l'Influence des Cinq Sens sur le Suet de la Domestication dans l'Oeuvre de Colette: The Signification and Influences of the Fice Senses on the Opic of Domestication in the Work of Colette." Fogler Library, University of Maine, 2003. http://www.library.umaine.edu/theses/pdf/RobbinsA2003.pdf.

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Parnell, William A. "Space, Consciousness, and Gender in Colette." PDXScholar, 1993. https://pdxscholar.library.pdx.edu/open_access_etds/742.

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Colette's desire, to reveal the different levels of difficulties in relationships, results in the creation of three masterpieces, L e Ble en Herbe, La Chatte, and La Vagabonde. Through her characters in these novels, the author exposes the spatial boundaries set by each couple. Also, she concentrates on the maturation of the protagonists. The woman's function in society transforms as she gains personal power, and she becomes self-reliant. Finally, Colette evades sexual stereotyping by introducing the reader to the issues of gender and androgyny. She helps to dispel the sexual myths around the. idea of normal stereotyping. Themes such as male and female physical characteristics and related "socially acceptable" behaviors are addressed. In general, these works clarify ideas about the way in which individuals associate with one other. Chapter I will analyze the spatial limitations created by the protagonists. It will examine two binary oppositions, "in/out" and "dream-world/reality". The "in/out" opposition will focus on both physical and mental spaces, whereas the "dream-world/reality" opposition will magnify tangible and unreal spaces. This chapter's objective is to demonstrate the uses of territorial boundaries and deduce their affects in relationships. Chapter II will investigate the association between Colette's characters and the liberation of womankind. The aim is to examine the female characters' growth in regard to the society around her. As well, obtaining personal power and the concept of empowerment is treated ~y studying the use of the female voice. This chapter will show a recurring theme of women overcoming the forces of patriarchy and moving beyond the confines of societal rules. Chapter III will study the issue of gender and androgyny in Colette's characters. It will bring to light Colette's use of gender roles, and the way in which her protagonists search out an identity and learn about themselves. Finally, this chapter will cover gender stereotypes and Colette's contemporary view of such an issue. In summary, the novels to be treated, Le Ble en Herbe, La Chatte, and La Vagabonde, will move through three different levels of development in the growth of the characters, from adolescence through young adulthood and into maturity. This notion will be utilized in each chapter and will demonstrate Colette's theme of relationships which spirals out of three connected ideas, space, consciousness and gender.
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Villemure, Geneviève. "La spirale dans l'oeuvre de Normand Chaurette de 1980 à 1986." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ37241.pdf.

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Cooper, Shari Susan Friedman. "J.I. Segal, between two worlds." Thesis, McGill University, 1988. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=63954.

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Boyle, Amy L. "Marcel Broodthaers and Fred Wilson : contemporary strategies for institutional criticism." Thesis, McGill University, 2005. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=98914.

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This thesis compares two contemporary artists who practice institutional criticism, Marcel Broodthaers and Fred Wilson. Looking specifically at Broodthaers's fictional museum project the Musee d Art Moderne, Departement des Aigles from 1968-1972 and Wilson's 1992 installation Mining the Museum at the Maryland Historical Society, this thesis will critically analyze each artist's similar application of deconstruction as a method. Both artists employ allegory and history as aesthetic strategies of deconstruction; using allegorical structure, the artists mobilize objects that have been arrested in history, disrupting a historical continuum that would otherwise remain foreclosed. The focus of this study will be to explore the critical approaches of Broodthaers and Wilson individually as well as the similar theoretical tendencies of the artists jointly; this investigation will assess the effect of institutional criticism on the museum's present condition, unfolding both what has changed and what is still at play within this practice.
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Burton, Samantha. "Re-mapping modernity : the sites and sights of Helen McNicoll (1879-1915)." Thesis, McGill University, 2005. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=83172.

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Canadian artist Helen McNicoll (1879-1915) has long been neglected in art historical scholarship. Although well-known and well-regarded during her lifetime, her work has since been marginalized as feminine and dismissed as old-fashioned. Through the lens of a modernist art historical tradition that has privileged the urban and masculine above all else, McNicoll's Impressionist depictions of sunlit beaches, open fields, and rural women at work may indeed seem quaintly nostalgic. In this thesis, I argue that these images can and should be seen as both representations of modernity and assertions of feminist thought. McNicoll travelled throughout England and Europe, and across the Atlantic Ocean in search of artistic subject matter; viewed within the context of tourism---which has been theorized as a fundamentally modern activity---her images appear modern in ways that have not traditionally been recognized.
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Johnson, Andrea C. (Andrea Carswell). "Garden imagery in the poetry of Wallace Stevens (1879-1955)." Thesis, McGill University, 1986. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=72085.

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Creativity, for Wallace Stevens, depends on connections to the natural world which can be examined through garden imagery. Chapters one and two focus on Stevens' private writing, identifying the range of garden environments and natural expanses to which he responded and associating these responses with his aesthetic sensibilities. Continental and Adamic traditions in garden imagery are explored as are contemporary practices in conservation and horticulture. Chapter three concentrates on poems which treat the garden as a locus amoenus of repose and delight where a poet can engage his imaginative faculties with sensual reality. Chapter four analyzes poems whose garden imagery elucidates Stevens' attempts to confront social and political as well as aesthetic issues. Chapters five and six examine Stevens' consideration of the garden as a hortus mentis, emblematic of creative experience, where Stevens assesses the relation of expression to environment and celebrates life lived "in the word of it."
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Vézina, Anne-Marie. "La femme dans l'oeuvre de Colette et de Virginia Woolf /." Thesis, McGill University, 1986. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=65916.

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Books on the topic "1879-1954 Criticism and interpretation"

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Unamuno, Miguel de. Escritos bilbainos (1879-1894). Bilbao: [s.n.], 1999.

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Mauleón, Jesús. Obra poética: (1954-2005). Pamplona: Institución Príncipe de Viana, 2005.

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Cazenave, Élisabeth. F. Marius de Buzon: 1879-1958. Paris: Édition Les Abd-el-Tif, 1996.

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Cazenave, Élisabeth. F. Marius de Buzon: 1879-1958. Paris: Édition Les Abd-el-Tif, 1996.

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Hüther, Julius. Julius Hüther, 1881-1954. München: R. Höcherl, 1989.

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Lāshīn, Maḥmūd Ṭāhir. Maḥmūd Ṭ̣āhir Lāshīn, 1894-1954. al-Qāhirah: al-Majlis al-Aʻlá lil-Thaqāfah, 1999.

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Cursiefen, Gisela. Hubert Ritzenhofen 1879-1961: Leben und Werk. Berlin: Tenea, 2000.

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Notebooks 1924-1954. London: Quartet, 1995.

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Canani, Luciano Berni. Plinio Mesciulam: Opere 1948-1954. Milano: Mazzotta, 2007.

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1879-1920, Michelazzi Giovanni, ed. Giovanni Michelazzi: 1879-1920. Modena [Italy]: Franco Cosimo Panini, 1993.

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"clash between the beauty-loving Renaissance and the he [Spenser] was quickly swept overboard because of moral Reformation. In the light of the medieval reli-his inability to write like Donne, Eliot, and Allen gious tradition examined by Tuve, Guyon destroys Tate’ (1968:2). His extended interpretation of Book the Bower because he ‘looks at the kind of complete II, The Allegorical Temper (1957), followed by essays seduction which means the final death of the soul’ on the other books, traces the changing psycholo-(31). gical or psychic development of the poem’s major If the New Critics of the 1930s to the early 1950s characters by ‘reading the poem as a poem’ (9) rather had been interested in Spenser (few were), they than as a historical document. My own book, The would not have considered his intention in writing Structure of Allegory in ‘The Faerie Queene’ (1961a), The Faerie Queene because that topic had been dis-which I regard now as the work of a historical critic missed as a fallacy. For Wimsatt and Beardsley partly rehabilitated by myth and archetypal criticism, 1954:5 (first proclaimed in 1946), ‘The poem is not examines the poem’s structure through its patterns the critic’s own and not the author’s (it is detached of imagery, an interest shared with Alastair Fowler, from the author at birth and goes about the world Spenser and the Numbers of Time (1964), and by beyond his power to intend about it or control it)’. Kathleen Williams, Spenser’s ‘Faerie Queene’: The So much for any poet’s intention, conscious or World of Glass (1966). unconscious, realized or not. Not that it would have In any history of modern Spenser criticism – for a mattered much, for the arbiter of taste at that time, general account, see Hadfield 1996b – Berger may T.S. Eliot, had asked rhetorically: ‘who, except schol-serve as a key transitional figure. In a retrospective ars, and except the eccentric few who are born with glance at his essays on Spenser written from 1958 to a sympathy for such work, or others who have delib-1987, he acknowledges that ‘I still consider myself erately studied themselves into the right apprecia-a New Critic, even an old-fashioned one’ who tion, can now read through the whole of The Faerie has been ‘reconstructed’ by New Historicism Queene with delight?’ (1932:443). In Two Letters, (1989:208). In Berger 1988:453–56, he offers a per-Spenser acknowledges that the gods had given him sonal account of his change, admitting that as a New the gift to delight but never to be useful (Dii mihi, Critic he had been interested ‘in exploring complex dulce diu dederant: verùm vtile numquam), though representations of ethico-psychological patterns’ he wishes they had; and, in the Letter to Raleigh, he apart from ‘the institutional structures and discourses recognizes that the general end of his poem could be that give them historical specificity’. Even so, he had achieved only through fiction, which ‘the most part allowed that earlier historical study, which had been of men delight to read, rather for variety of matter, concerned with ‘historical specificity’, was ‘solid and then for profite of the ensample’ (10). As a conse-important’. For the New Historicist Louis Adrian quence, he addresses his readers not by teaching them Montrose, however, earlier historical scholarship didactically but rather through delight. It follows that ‘merely impoverished the text’ (Berger 1988:8), and if his poem does not delight, it remains a closed book. he is almost as harsh towards Berger himself, com-Several critics who first flourished in the 1950s and plaining that his writings ‘have tended to avoid direct 1960s responded initially to Spenser’s words and confrontations of sociopolitical issues’, though he imagery rather than to his ideas, thought, or histor-blames ‘the absence of a historically specific socio-ical context. One is Donald Cheney, who, in Spenser’s political dimension’ on the time they were written – Image of Nature (1966), read The Faerie Queene a time when ‘the sociopolitical study of Spenser was ‘under the intensive scrutiny which has been applied epitomized by the pursuit of topical identifications or in recent decades to metaphysical lyrics’, seeking the cataloguing of commonplaces’ (7). In contrast, out ‘ironic, discordant impulses’, ‘rapidly shifting the New Historicism, of which he is the most elo-allusions’, and the poet’s ‘constant insistence upon quent theorist, sees a work embedded – i.e. intrins-the ambiguity of his images’ (7, 17, 20). Another is ically, inextricably fixed – not in history generally, Paul Alpers, whose The Poetry of ‘The Faerie Queene’ and certainly not in ‘cosmic politics’ that Thomas (1967) demonstrated that individual stanzas of the Greene 1963:406 claims to be the concern of all epics, poem may be subjected to very intense scrutiny. A but in a historically specific sociopolitical context. third, the most influential of all, is Harry Berger, Jr, (For further comments on their clash, see Hamilton." In Spenser: The Faerie Queene, 25. Routledge, 2014. http://dx.doi.org/10.4324/9781315834696-23.

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