Academic literature on the topic '1879-1941'
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Journal articles on the topic "1879-1941":
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BÍLÝ, SVATOPLUK, and MARK HANLON. "A revision of the genus Bubastes Laporte & Gory, 1836 (Coleoptera: Buprestidae)." Zootaxa 4832, no. 1 (August 17, 2020): 1–75. http://dx.doi.org/10.11646/zootaxa.4832.1.1.
Abstract:
Taxonomic revision of the genus Bubastes Laporte & Gory, 1836. Thirteen new species are described: Bubastes barkeri sp. nov. (New South Wales, Queensland, Victoria), B. deserta sp. nov. (South Australia), B. dichroa sp. nov. (Western Australia), B. flavocaerulea sp. nov. (New South Wales, Queensland), B. hasenpuschi sp. nov. (Queensland), B. iridiventris sp. nov. (Western Australia), B. iris sp. nov. (Western Australia), B. macmillani sp. nov. (Western Australia), B. magnifica sp. nov. (Queensland, New South Wales), B. michaelpowelli sp. nov. (Western Australia), B. pilbarensis sp. nov. (Western Australia), B. remota sp. nov. (Northern Territory) and B. viridiaurea sp. nov. (Western Australia). The following seventeen new synonyms are proposed: Bubastes thomsoni Obenberger, 1928, syn. nov. = B. australasiae Obenberger, 1922, B. olivina Obenberger, 1920, syn. nov. = Neraldus bostrychoides Théry 1910, B. boisduvali Obenberger, 1941, syn. nov. = B. erbeni Obenberger, 1941, B. borealis Obenberger, 1941, syn. nov. = B. globicollis Thomson, 1879, B. laticollis Blackburn, 1888, syn. nov. = B. globicollis Thomson, 1879, B. simillima Obenberger, 1922, syn. nov. = B. globicollis Thomson, 1879, B. obscura Obenberger, 1922, syn. nov. = B. inconsistans Thomson, 1879, B. septentrionalis Obenberger, 1941, syn. nov. = B. inconsistans Thomson, 1879, B. viridicupraea Obenberger, 1922, syn. nov. = B. inconsistans Thomson, 1879, B. blackburni Obenberger, 1941, syn. nov. = B. kirbyi Obenberger, 1928, B. chapmani Obenberger, 1941, syn. nov. = B. kirbyi Obenberger, 1928, B. aenea Obenberger, 1922, syn. nov. = B. niveiventris Obenberger, 1922, B. saundersi Obenberger, 1928, syn. nov. = B. odewahni Obenberger, 1928, B. occidentalis Blackburn, 1891, syn. nov. = B. sphaenoida Laporte & Gory, 1836, B. persplendens Obenberger, 1920, syn. nov. = B. sphaenoida Laporte & Gory, 1836, B. splendens Blackburn, 1891, syn. nov. = B. sphaenoida Laporte & Gory, 1836 and B. strandi Obenberger, 1920, syn. nov. = B. suturalis Carter, 1915. Neotype is designated and redescribed for Bubastes cylindrica W. J. Macleay, 1888 and lectotypes are designated for Bubastes thomsoni Obenberger, 1928 and B. leai Carter, 1924. Morphological characters of the genus are presented and all species are illustrated (incl. historical types) and a key is provided for all species of the genus.
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GARCÍA, ANDRÉS F., and ADRIANO B. KURY. "Taxonomic revision of the Andean harvestman genus Rhaucus Simon, 1879 (Arachnida, Opiliones, Cosmetidae)." Zootaxa 4338, no. 3 (October 26, 2017): 401. http://dx.doi.org/10.11646/zootaxa.4338.3.1.
Abstract:
The Andean genus Rhaucus Simon 1879 is revised. Five valid species are recognized, including Rhaucus florezi sp. nov. The following nomenclatural acts are proposed. At genus level: Megarhaucus Mello-Leitão, 1941, Neorhaucus Pickard-Cambridge, 1905 and Pararhaucus Pickard-Cambridge, 1905 are considered junior subjective synonyms of Rhaucus. At species level: Neorhaucus aurolineatus Pickard-Cambridge, 1905 is considered a junior subjective synonym of Rhaucus vulneratus Simon, 1879; Rhaucus (Rhaucus) tristis Sørensen, 1932, Rhaucus (Rhaucus) muticus Sørensen, 1932 and Pararhaucus obscurus Pickard-Cambridge, 1905 are considered junior subjective synonyms of Rhaucus quinquelineatus Simon, 1879 (the latter combination is restored from current combination Flirtea quinquelineata); Flirtea paucimaculata Roewer, 1963, Rhaucus (Rhaucus) geographicus Sørensen, 1932, Metarhaucus reticulatus Roewer, 1912 and Metarhaucus fuscus Pickard-Cambridge, 1905 are considered junior subjective synonyms of Erginus serripes Simon, 1879 (that is here combined as Rhaucus serripes comb. rest.). Megarhaucus robustus Mello-Leitão, 1941 is newly combined as Rhaucus robustus (Mello-Leitão, 1941) comb. nov. Distribution maps of the species are provided. The new term multicapitate apophysis (mca) is introduced here for a special type of apophysis on coxa IV of males.
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LAM, TRUONG XUAN, WANZHI CAI, MASAAKI TOMOKUNI, and TADASHI ISHIKAWA. "The assassin bug subfamily Harpactorinae (Hemiptera: Reduviidae) from Vietnam: an annotated checklist of species." Zootaxa 3931, no. 1 (March 11, 2015): 101. http://dx.doi.org/10.11646/zootaxa.3931.1.7.
Abstract:
A checklist of all known Vietnamese species of the assassin bug subfamily Harpactorinae (Hemiptera: Heteroptera: Reduviidae) is presented with distributional and taxonomic notes. Sixty-five species in 35 genera of the subfamily are recognized in Vietnam. Eleven genera and 32 species are reported herein for the first time from this country. Newly recorded genera are Henricohahnia Breddin, 1900, Kalonotocoris Miller, 1941, Lingnania China, 1940, Lopodytes Stål, 1853, Macracanthopsis Reuter, 1881, Sclomina Stål, 1861, Serendiba Distant, 1906, Serendus Hsiao, 1979, Vesbius Stål, 1866, Villanovanus Distant, 1904, and Yolinus Amyot & Serville, 1843. New record species are Biasticus confusus Hsiao, 1979, B. flavinotus (Matsumura, 1913), Cosmolestes annulipes Distant, 1879, C. pulcher Hsiao, 1979, Cydnocoris fasciatus Reuter, 1881, C. gilvus (Burmeister, 1838), Endochus nigricornis Stål, 1859, Henricohahnia vittata Miller, 1954, Isyndus heros (Fabricius, 1803), I. pilosipes Reuter, 1881, Kalonotocoris curvipes Miller, 1941, Lingnania braconiformis China, 1940, Lopodytes spectabilis Miller, 1941, Macracanthopsis nodipes Reuter, 1881, Sclomina erinacea Stål, 1861, Serendiba nigrospina Hsiao, 1979, S. staliana (Horváth, 1879), Serendus geniculatus Hsiao, 1979, Sphedanolestes annulipes Distant, 1903, S. gularis Hsiao, 1979, S. impressicollis (Stål, 1861), S. pubinotus Reuter, 1881, S. trichrous Stål, 1874, S. xiongi Cai & Cai, 2004, Sycanus croceus Hsiao, 1979, Velinus annulatus Distant, 1879, V. malayus (Stål, 1863), V. rufiventris Hsiao, 1979, Vesbius purpureus (Thunberg, 1784), V. sanguinosus Stål, 1874, Villanovanus nigrorufus Hsiao, 1979, and Yolinus albopustulatus China, 1940. All the species are examined with Vietnamese materials except for Agriosphodrus dohrni (Signoret, 1862), Cydnocoris russatus Stål, 1867, and Sycanus atrocoeruleus Signoret, 1862.
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Honey, Michael. "On the Fly! Hobo Literature and Songs, 1879–1941 by Iaian McIntyre." Labor 17, no. 1 (March 1, 2020): 156–57. http://dx.doi.org/10.1215/15476715-7962997.
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CHEN, LING, YANG WANG, and DÁVID RÉDEI. "Taxonomic corrections for East and Southeast Asian Reduviidae (Hemiptera: Heteroptera)." Zootaxa 4948, no. 4 (March 23, 2021): 586–98. http://dx.doi.org/10.11646/zootaxa.4948.4.7.
Abstract:
The identities of certain East and Southeast Asian genera and species of Reduviidae (Hemiptera: Heteroptera) are clarified based on their type materials and taxonomic conclusions are drawn. The following new subjective synonymies and new combinations are proposed: Harpactorinae: Cutocoris Stål, 1859 = Paracydnocoris Miller, 1954, syn. nov.; Cutocoris distinctus (Miller, 1954), comb. nov. (transferred from Paracydnocoris) = Cydnocoris ventralis Hsiao, 1979, syn. nov.; Cutocoris macgillavryi (Miller, 1954), comb. nov. (transferred from Paracydnocoris); Henricohahnia wangi Ren, 2001 = H. obscara Cai & Li, 2003, syn. nov.; Pahabengkakia Miller, 1941 = Stalireduvius Tomokuni & Cai, 2004, syn. nov.; Pahabengkakia piliceps Miller, 1941 = S. nodipes Tomokuni & Cai, 2004, syn. nov.; Reduviinae: Reduvius xantusi (Horváth, 1879), comb. nov. (transferred from Velitra) = R. decliviceps Hsiao, 1976, syn. nov. Pahabengkakia piliceps is recorded from Laos for the first time.
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BIONDICH, MARK. "Vladko Maček and the Croat Political Right, 1928–1941." Contemporary European History 16, no. 2 (May 2007): 203–13. http://dx.doi.org/10.1017/s0960777307003797.
Abstract:
AbstractThe Croat Peasant Party was arguably the most important Croatian political party during the existence of the first Yugoslavia (1918–41). Under the leadership of Vladko Maček (1879–1964), it entered the most difficult period of its history: it was forced to contend with the royal dictatorship (1929–34) of King Aleksandar Karadjordjević, the Great Depression, growing nationality tensions and an increasingly volatile political climate in which the extremes of the right and left, represented in Croatia by the Ustaša and Communist parties respectively, contended for power. This article examines the contentious relationship between Maček's Croat Peasant Party and the fascist Ustaša movement between 1929 and 1941, and assesses Maček's legacy and his place in Croatia's 20th-century political history.
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Mosteiro, Javier, and Salvador Guerrero. "Idear y hacer en el dibujo de arquitectura de Antonio Flórez Urdapilleta (1879-1941)." EGA Revista de Expresión Gráfica Arquitectónica 25, no. 40 (November 17, 2020): 266. http://dx.doi.org/10.4995/ega.2020.14572.
Abstract:
<p>El nombre de Antonio Flórez nos llega hoy con pertinente valor. En las dos vertientes de su quehacer como arquitecto, las construcciones escolares y la intervención en notables conjuntos patrimoniales, el dibujo desempeñó un destacado papel, cuyo alcance abordamos en este escrito.</p><p>Al interés de sus dibujos profesionales, coherentes con la idea de arquitectura que proponía, hay que añadir el valor plástico de su acción gráfica. Si en Flórez encontramos siempre el <em>dibujar del arquitecto</em> —pensamiento y acción—, se da también en él el hacer del artista (figura a la que siempre se sintió próximo y cuya formación entendía arraigada con la del arquitecto).</p><p>Aun dentro de su singularidad y de su habilidad en el dibujo y la acuarela, Flórez es claro testimonio de lo que la práctica del dibujo representó en los arquitectos formados en la Escuela de Madrid en las primeras décadas del siglo XX.</p>
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Moreira, Felipe Ferraz Figueiredo, José Ricardo Inacio Ribeiro, and Jorge Luiz Nessimian. "A synopsis of the species of Mesovelia (Insecta: Heteroptera: Mesoveliidae) occurring in the floodplain of the Amazon River, Brazil, with redescriptions of Mesovelia mulsanti White and M. zeteki Harris & Drake." Acta Amazonica 38, no. 3 (2008): 539–50. http://dx.doi.org/10.1590/s0044-59672008000300020.
Abstract:
Mesovelia mulsanti White, 1879 and M. zeteki Harris & Drake, 1941 are newly recorded in the Amazon River floodplain, Brazil. A key to the three known species ocurring in this region is also provided. Mesovelia mulsanti can be distinguished from M. amoena and M. zeteki by the body length larger than 2.50 mm, the head without longitudinal brown stripes near midline, and the forefemur and midfemur of the male, which have ventral rows of spines. Mesovelia amoena differs from M. zeteki in aspects of body color and in number of spinules near posterior margin of abdominal sternite VI of male.
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RODRIGUES, JULIANA MOURÃO DOS SANTOS, ANTONIN JEAN JOHAN CRUMIÈRE, SILVIA PATRICIA MONDRAGÓN-F., IRINA MORALES, ABDERRAHMAN KHILA, and FELIPE FERRAZ FIGUEIREDO MOREIRA. "Description of a new species and new records of Gerromorpha (Insecta: Hemiptera: Heteroptera) from Panama and Colombia." Zootaxa 4958, no. 1 (April 14, 2021): 226–51. http://dx.doi.org/10.11646/zootaxa.4958.1.12.
Abstract:
The fauna of semiaquatic bugs (Insecta: Hemiptera: Heteroptera: Gerromorpha) from Panama has been explored mainly between the end of the 19th century and the first half of the 20th century, with few reports since then, whereas that from Colombia has been intensively studied in the last decade. Here, we describe Rhagovelia joceliae Rodrigues & Moreira, sp. nov. (Veliidae: Rhagoveliinae), from Panama. Additionally, new records from these countries are presented for Mesovelia mulsanti White, 1879, Mes. zeteki Harris & Drake, 1941 (Mesoveliidae: Mesoveliinae), Lipogomphus leucostictus (Champion, 1898) (Hebridae: Hebrinae), Hydrometra caraiba Guérin-Méneville, 1857 (Hydrometridae: Hydrometrinae), Platyvelia brachialis (Stål, 1860), Stridulivelia (Stridulivelia) raspa (Hungerford, 1929) (Veliidae: Veliinae), R. elegans Uhler, 1894, R. perija Polhemus, 1997, R. rosensis Padilla-Gil, 2011 (Veliidae: Rhagoveliinae), Euvelia advena Drake, 1957, Microvelia albonotata Champion, 1898, Mi. fantastika Padilla-Gil, 2019, Mi. mimula White, 1879 (Veliidae: Microveliinae), Metrobates laudatus Drake & Harris, 1937, Telmatometra ujhelyii Esaki, 1926 (Gerridae: Trepobatinae), Brachymetra albinervus (Amyot & Serville, 1843) (Gerridae: Charmatometrinae), Potamobates anchicaya Polhemus & Polhemus, 1995 (Gerridae: Cylindrostethinae), Limnogonus hyalinus (Fabricius, 1803), and Tachygerris opacus (Champion, 1898) (Gerridae: Gerrinae).
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Daigle, Jean. "PLOURDE, Bertha, Mgr L.-J.-Arthur Melanson 1879-1941. Montréal, Bellarmin, 1985. 515 p. 25,00 $." Revue d'histoire de l'Amérique française 40, no. 3 (1987): 439. http://dx.doi.org/10.7202/304474ar.
Dissertations / Theses on the topic "1879-1941":
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Ribeiro, Rubia Soraya Lelis. "As fotografias de André Bello (1879-1941): imagens da modernidade em São João Del Rei." Universidade Federal de Minas Gerais, 2006. http://hdl.handle.net/1843/VCSA-6XWPEA.
Abstract:
The aim of this dissertation about Social History of Culture is to approach the presence of photography, a sign of modernity, in a city of the state of Minas Gerais in Brazil. The specifications of the insertion of São João Del Rei, a city with a strong colonial tradition, are analysed in some speeches about progress and modernity, having André Bellos photographs (1879 1941) as the photograph representations of the city and its inhabitants. For this purpose, the dialogs that he had in his speeches with the modernity and progress, with the universe of photography, and with the speeches about São João Del Rei, produced by academic dissertation authors and chroniclers of local periods, are considered in this piece of work. In this context, the photography appears as a symbol of a kind of modernity that embodies either the signs of material progress and the signs that connect the city and its inhabitants to their ancient colonial times.O objetivo dessa dissertação de História Social de Cultura é abordar a presença da fotografia, signo da modernidade, em uma cidade do interior de Minas Gerais. Analisa-se as especificidades da inserção de São João del Rei, de arraigada tradição colonial, nos discursos sobre progresso e modernidade, a partir do trabalho de André Bello (1879-1941), ou seja, das representações fotográficas construídas por ele sobre a cidade e seus habitantes. Para tanto, estaremos considerando os diálogos que esse fotógrafo manteve com os discursos sobre modernidade e progresso, com o universo da fotografia e com os discursos sobre a cidade de São João del Rei, produzidos por memorialistas e cronistas de periódicos locais. Nesse contexto, a fotografia aparece como símbolo de uma modernidade que engloba tanto os signos do progresso material, quanto aqueles que vinculam a cidade e seus habitantes a seu passado colonial.
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Ko, Yeung Katherine. "From 'slavery' to 'girlhood'? age, gender and race in Chinese and western representations of the mui tsai phenomenon, 1879-1941." Click to view the E-thesis via HKUTO, 2007. http://sunzi.lib.hku.hk/HKUTO/record/B39558381.
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Ko, Yeung Katherine, and 高洋. "From 'slavery' to 'girlhood'? age, gender and race in Chinese and western representations of the mui tsai phenomenon, 1879-1941." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2007. http://hub.hku.hk/bib/B39558381.
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Buelvas-Garay, Alfonso-Rafael. "Poètiques de la modernité : d'Emile Nelligan à Claude Beausoleil." Tours, 2007. http://www.theses.fr/2007TOUR2027.
Abstract:
Dans ce travail nous explorons quelques productions littéraires d'Emile Nelligan et de Claude Beausoleil, tous deux poètes, le premier, annonçant une nouvelle poétique québécoise, et le deuxième traversant tous les parcours et détours de la poésie contemporaine à partir de 1972. Le fil conducteur de cette recherche est la manifestation de la modernité poétique au Québec à travers l'oeuvre d'Emile Nelligan et de Claude Beausoleil, en particulier pour ce dernier, d'"Intrusion ralentie, Au milieu du corps l'attraction s'insinue" et "Baroque du nord", ouvrages de référence pour lire les itinéraires en poésie québécoise. Nous avons pris en compte l'évolution et les transformations de la littérature québécoise à partir du début du XXe siècle jusqu'à 2003, année de publication de "Baroque du nord", en nous attachant aux désirs de ces deux auteurs pour s'installer dans les chemins de l'écriture et de l'acte poétique. Partant des études sur la modernité, nous avons souligné l'originalité de la vision esthétique de Nelligan et de Beausoleil. L'un voulant, même au prix de son bonheur intime, devenir poète ; l'autre, parcourant les espaces urbains montréalais pour décrypter une identité, un langage et rendre les possibles de la page. Nous avons montré aussi les liens intertextuels entre ces deux auteurs. L'exemple le plus probant est la référence permanente de l'écriture beausolienne aux voix de Nelligan, source d'inspiration de son oeuvre prolifique, au même titre que Gaston Miron et Hubert Aquin. Sur ces bases nous proposons la lecture de ce travail et montrons que c'est justement la composante de filiations et parentés qui confère au texte beausolien son caractère polyphonique et postmoderneIn this paper we explore some of literary productions of Emile Nelligan and Claude Beausoleil. The first one introduced a new poetic expression of Quebec, and the second followed the roads and trails of contemporary poetry starting in 1972. The common thread running through this research is the introduction of the modern poetry of Quebec, especially in Beausoleil's reference books d'"Intrusion ralentie, Au milieu du corps l'attraction s'insinue" and "Baroque du nord". We took into account the evolution and transformation of Quebec literature from the beginning of the twentieth century until 2003, the year of publication of "Baroque du nord". Our focus was the desires of the two authors to settle in paths of writing and the art of poetry. Based on studies of modern literature, we emphasized the originality of the esthetic vision of Nelligan and Beausoleil. The former wants, even at the cost of his personal happiness, to become a poet. The latter is scanning the Montreal urban spaces to uncover and place the city's language, its identity, on the page. We have also demonstrated the intertextuel relationship between these two authors. The most conclusive observation is the continual reference of Nelligan in Beausoleil's writings, a source of inspiration not only for his prolific work, but for Gaston miron and Hubert Aquin as well. On this basis we suggest reading this work where we show that it is precisely this combination of affiliations and relationships which gives the text of Beausoleil its polyphonic and postmodern character
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Barreto, Márcio 1961. "O anacronismo do tempo : um debate atual entre Einstein e Bergson." [s.n.], 2007. http://repositorio.unicamp.br/jspui/handle/REPOSIP/280493.
Abstract:
Orientador: Laymert Garcia dos SantosTese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas
Made available in DSpace on 2018-08-10T05:21:56Z (GMT). No. of bitstreams: 1 Barreto_Marcio_D.pdf: 932212 bytes, checksum: 6572acb1f1980bbd4bda6f1454e3ac68 (MD5) Previous issue date: 2007
Resumo: O ponto de partida desta tese foi a observação das reações das pessoas diante das mudanças introduzidas pela teoria da Relatividade no conceito de tempo. As pessoas às quais me refiro são as do senso comum; estas, em geral, mostram certo desconforto em relação às múltiplas medidas do tempo previstas na teoria. Ao reagir contra o incômodo que a teoria provoca, o senso comum parece preferir permanecer apegado ao caráter absoluto do tempo newtoniano, apesar da já centenária teoria de Einstein. Daí o título da tese, O Anacronismo do Tempo. A investigação das referidas reações revelou a ressonância entre elas e a inquietação do filósofo Henri Bergson em relação ao mesmo tema. O debate sobre a Relatividade de 1922 entre Bergson e Einstein levantou a questão do significado filosófico do tempo, mas esta foi ofuscada pelo sucesso acadêmico e popular da teoria. Apesar das falsas aparências, Bergson não desejava preservar o tempo absoluto ou contestar a Relatividade, mas tentava retirar dela a pretensão de reduzir a duração a um psicologismo. Para o filósofo francês, é através das sinergias entre inteligência e intuição e entre física e metafísica que a humanidade pode construir uma ciência completa. Esta tese procura mostrar que Bergson vislumbrou na teoria de Einstein a oportunidade de recolocar a questão do tempo a serviço destas sinergias
Abstract: The starting point of this thesis was the observation of people's reactions in face of the changes introduced to the concept of time by Theory of Relativity. The people I refer to are those who have common sense and who, in general, display a certain level of discomfort in what concerns the multiple measurements of time predicted in the theory. In reacting against this discomfort provoked by the theory, common sense seems to prefer to cling to the absolute character of Newtonian time, in spite of Einstein's a-hundred-year old theory. Hence, the title of the thesis, The Anachronism of Time. The investigation of the above mentioned reactions has revealed a resonance between them and French philosopher Henri Bergson's restlessness concerning the same theme. The 1992 debate about Relativity between Bergson and Einstein raised the question of the philosophical meaning of time but this question was neglected due to the academic and popular success of the theory. Despite false appearances, Bergson didn't want to either preserve absolute time or contest Relativity, but tried to remove from it the intention of reducing the duration to a psycho-logic. For Bergson humanity can construct a complete science through synergies between intelligence and intuition and between physics and metaphysics. This thesis proposes to demonstrate that Bergson saw in Einstein's theory the opportunity to put the question of time to the service of these synergies
Doutorado
Doutor em Ciências Sociais
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Benoist-Bruneau, Anne-Marie. "Emile Nelligan et la postérité." Paris 4, 1999. http://www.theses.fr/1998PA040145.
Abstract:
Emile Nelligan est un poète de référence. Il est vrai qu'il a été le premier à s'exprimer à la première personne du singulier et à utiliser des images singulièrement fortes. Son talent a été découvert par Louis Dantin qui l'a préfacé. Sa célébrité a été renforcée par quelques apparitions aux séances de l'école littéraire de Montréal. Cette poésie sans référence au pays natal a généré une querelle entre exotistes et régionalistes. L'hommage rendu au poète incitera des amateurs à écrire. Rejean Ducharme fera réciter ses vers par ses personnages de roman, tous des adolescents épris de liberté. Charles ab der Halden fut le défenseur, en France, de la poésie canadienne-française et de Nelligan. Cette poésie est si énigmatique que la mise en parallèle de différentes interprétations du poème La vierge noire aide à une meilleure interprétation. Emile Nelligan initie la poésie de l'intériorité. Un rapprochement avec Arthur Rimbaud s'impose tant les deux grands mythes sont comparables. Poète de la solitude, Emile Nelligan a-t-il influencé les grands poètes contemporains? Saint-Denys Garneau qui avoue ne pas le connaitre ressent un malaise comparable mais pratique une poésie plus libérée. Alain Grandbois, par sa personnalité et sa forme poétique, s'éloigne de la poésie de Nelligan mais cherche comme lui un ailleurs pour abolir le temps et l'espace. Anne Hébert semble, par une parole libératrice, donner réponse aux sujets d'angoisse de Nelligan. Les thèmes récurrents communs à tous ces poètes permettent d'envisager un particularisme québécois. Des écrivains plus jeunes comme Normand Chaurette et Claude Beausoleil se réfèrent à Nelligan montrant ainsi que celui-ci a facilité la naissance d'une identité québécoise. C'est pourquoi Emile Nelligan appartient incontestablement à la postérité.
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Arriagada, Venturini Felipe. "Evaluación de las políticas educacionales del gobierno de Pedro Aguirre Cerda." Tesis, Universidad de Chile, 2014. http://www.repositorio.uchile.cl/handle/2250/116685.
Abstract:
Seminario para optar al título de Ingeniero Comercial, Mención EconomíaLa presente investigación se cuestiona si el primer gobierno radical en Chile, liderado por Pedro Aguirre Cerda (1938 – 1942) tuvo un impacto estadísticamente significativo en Educación, usando como variable relevante para esto la tasa de alfabetismo. Para esto, se confeccionó una base de datos panel utilizando los Censos en la Población en Chile de 1907, 1920, 1930, 1940, 1952, 1960 y 1970. Con este panel, y mediante regresiones econométricas, se estimó un modelo para testear la veracidad de nuestra hipótesis, “el gobierno de Pedro Aguirre Cerda si tuvo un impacto significativo en educación, sobre ciertos grupos en particular”. La metodología consistió en, separando a la población en grupos de edad, suponer grupos afectados y no afectados por las políticas de Pedro Aguirre Cerda, y estimar la diferencia entre estos grupos. Los resultados de la investigación arrojan que no hay evidencia estadística que pueda afirmar que hubo un impacto de Pedro Aguirre Cerda en las tasas de alfabetismo de dichos grupos. Como conclusión, es relevante considerar las limitaciones del presente trabajo, como también su aporte para investigaciones posteriores.
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Merker, Joël. "Philosophie générale des mathématiques : techniques et métaphysiques de l'Irréversible-synthétiqueProblème de Riemann-Helmholtz-LieThéorie des groupes continus de transformations (d'après l'oeuvre de Sophus Lie et Friedrich Engel)." Paris 7, 2012. http://www.theses.fr/2012PA070084.
Abstract:
(I) La technique mathématique incorpore en permanence des questionnements qui ouvrent sur des métaphysiques transversales : métaphysique des notations ; métaphysique de l'expansion symbolique ; métaphysique du caractère irréversiblement et nécessairement synthétique du Calcul. Sur un plan trans-historique, l'exigence ubiquitaire et reproductible de généralisation manifeste un autre aspect de l'irréversibilité du questionnement mathématique, car ce qui est technique exprime et étudie les questionnements dans leur complexité ramifiée-démultipliée. De plus, caractère auto-compulsif du Calcul, nécessité interne des combinatoires, gouvernance transformationnelle des symboles et genèse incontournable du Multiple par l'Un incitent à entrevoir une morphogenèse a posteriori du Concept dans et par le Calcul. Enfin, l'universalité des ouvertures mathématiques montre que les connaissances demeurent potentielles et que les totalisations cachent toujours des connaissances non structuralistes qui sont d'un niveau synthétique supérieur. (II) Est-il possible de caractériser l'espace euclidien tridimensionnel qui s'offre si immédiatement à l'intuition physique au moyen d'axiomes mathématiques simples et naturels ? Plus généralement, est-il possible de caractériser les espaces de Bolyai-Lobatchevskii à courbure constante négative, ainsi que les espaces de Riemann à courbure constante positive, à l'exclusion de toute autre géométrie contraire à une intuition directe ? Les travaux de Sophus Lie, et notamment la Theorie der Transformationsgruppen (2100 pages, 1884--93) écrite en collaboration avec Friedrich Engel, offrent une solution complète et rigoureuse à ce problème soulevé et traité de manière incomplète par Helmholtz. L'introduction historique, philosophique et mathématique ainsi que la traduction française qui sont proposées aspirent à faire connaître un aspect de l'{\oe}uvre monumentale de Sophus Lie qui demeure essentiellement peu évoqué au sein de la philosophie traditionnelle de la géométrie. (III) Le mémoire de doctorat s'achève par une traduction anglaise annotée du premier volume de la Theorie der TransformationsgruppenThe mathematical technique permanently incorporates questionings which open up transversal metaphysics : metaphysics of notation ; metaphysics of symbolic swelling ; metaphysics of the irreversibly and necessary synthetical character of Calculation. At a trans-historical level, the ubiquituous exigence of generalization demonstrates another aspect for the irreversibility of mathematical questioning, because what is technical expresses and studies questionnings in their ramified-demultiplied complexity. In addition, auto-compulsory character of Calculation, internal necessity of combinatorics, transformational governing of symbols, and genesis of the Multiple by the One incite to foresee an a posteriori genesis of the Concept inside and by means of the Calculation; Lastly, the universality of the Open in mathematics shows that knowledges remain potential and that tentative totalisations always hide non-structural knowledges that lie in deeper synthetical levels. (II) is it possible to characterize the Euclidian space which shows up so immediately to the physical institution by means of mathematical axioms that are simple and natural ? More generally, is it possible to characterize the constant curvature spaces of Bolyai-Lobatchevskii, and as well the constant curvure Riemann spaces, excluding any other geometry which contradicts direct intuition ? The works of Sophus Lie, and notably the Theorie der Transformationsgruppen (2100 pages, 1884--93), written in collaboration with Friedrich Engel, offer a complete and rigorous solution to this problem, raised and treated incompletely by Helmholtz. The historical, philosophical and mathematical introduction, ans as well the French translation that are here proposed aim at exhibiting an aspect of the monumental work of Sophus Lie that remains essentially rarely mentioned within traditional philosophy of geometry. (III) The doctoral memoir ends up with an annotated English translation of the first volume of the Theorie der Transformationsgruppen
9
Laniel, Marie. "Espaces habités : les récritures de l'appartenance dans l'oeuvre de E. M. Forster et Virginia Woolf." Paris 3, 2008. http://www.theses.fr/2008PA030065.
Abstract:
Tout en définissant des modalités d’écriture nouvelles, E. M. Forster et Virginia Woolf continuent d’entretenir des liens étroits avec leurs prédécesseurs victoriens et maintiennent avec eux un dialogue ininterrompu. Chacun des deux auteurs passe cet intertexte au crible de sa propre écriture, en développant des stratégies d’adaptation et de détournement qui lui sont propres. Pour prendre possession de cet héritage commun, Forster et Woolf réinvestissent les bastions de l’appartenance victorienne et le fief symbolique de grandes figures littéraires, telles que Thomas Carlyle, John Ruskin et Matthew Arnold. Résolus à exorciser les spectres de la Muscular School, ils font des incursions sur le territoire de Thomas Hughes et Charles Kingsley. Pour redéfinir la conception arnoldienne de la culture, ils s’approprient la figure vagabonde du « scholar-gipsy », et mettent en œuvre une pratique de la lecture buissonnière, hors des sentiers battus du canon. Leur réflexion sur l’appartenance littéraire les amène également à revisiter les grands foyers intellectuels du XIXe siècle : les débats philosophiques des « illumers » de Cambridge, la rhétorique flamboyante de Thomas Carlyle, la pensée éclairée de Leslie Stephen, l’imaginaire lumineux de John Tyndall. Au fil de ces pèlerinages littéraires, Forster et Woolf font dévier les itinéraires commémoratifs associés aux romans des sœurs Brontë, à l’imaginaire muséal ruskinien, et aux pageants historiques de Rudyard KiplingAs well as crucial experiments in form and style, the works of E. M. Forster and Virginia Woolf bear the mark of a vital connection and a continuing dialogue with their Victorian forebears. Engaged in constant critical debate with one another, both writers submit the works of their predecessors to their own specific strategies of adaptation and subversion. In an attempt to come to terms with this common legacy, Forster and Woolf make frequent and disruptive pilgrimages on Victorian territory and revisit the literary haunts of renowned men of letters such as Thomas Carlyle, John Ruskin and Matthew Arnold. Determined to confront the ghosts of the Muscular School, they trespass on the literary ground of Thomas Hughes and Charles Kingsley. To revise Matthew Arnold’s vision of culture, they appropriate the poetic figure of the « scholar-gipsy » and advocate the practice of truant reading, off the beaten track of the literary canon. Their meditation on textual legacy also leads them to revisit the works of nineteenth-century luminaries : the philosophical discussions of the Cambridge « illumers », the flamboyant rhetoric of Thomas Carlyle, the enlightened writings of Leslie Stephen, the imagery of light in John Tyndall’s works. During those literary pilgrimages, Forster and Woolf depart from the commemorative itineraries connected with the Brontë sisters’ novels, John Ruskin’s art criticism, and Rudyard Kipling’s historical pageants
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Cassigneul, Adèle. "Voir, observer, penser : Virginia Woolf et la photo-cinématographie." Thesis, Toulouse 2, 2014. http://www.theses.fr/2014TOU20048.
Abstract:
Partant de l'influence de la photographie victorienne de Julia Margaret Cameron, de la photographie et du cinéma d'avant-garde des années 1920 et de la production photographique de Virginia Woolf elle-même (albums de Monk's House), cette étude pose l'hypothèse que l'écriture de Virginia Woolf s'en inspire pour devenir à la fois photographique et cinématographique, photo-cinématographique. Explorant le texte comme dispositif complexe, nous analysons la plasticité de sa prose à travers motifs et stratégies de représentation afin de voir dans quelle mesure photographie et cinéma réforment et reforment le texte woolfien, dans ses modalités formelles et esthétiques, ainsi que dans sa portée éthique et politique. Après avoir replacé l'œuvre dans son contexte moderniste et souligné l'importance du rôle joué par la Hogarth Press, qui permet à l'écrivaine d'intégrer des images en texte, nous mettons en évidence le cinématisme de ses œuvres à travers l'exploration photo-filmique de la ville moderne et la structuration en montage du flux de conscience. Nous considérons ensuite le battement anachronique des fluctuations temporelles qui structurent l'œuvre dans ses phénomènes mémoriels de hantise et de survivance, l'image faisant retour en texte dans une durée contractée (instantané) ou dilatée (défilé d'images), à la fois personnelle et intime, collective et historique. Nous envisageons enfin le texte comme un espace de négociation subversif où l'image permet à l'auteure de prendre position "poéthiquement", alors que sont mis en scène des personnages atypiques à l'identité inassignableThis study contends that Virginia Woolf's writing draws its inspiration from Julia Margaret Cameron's Victorian photographs, the 1920s avant-garde photography and cinema, and Woolf's own Monk's House Albums, making her work at once photographic and cinematographic, or photo-cinematographic. Exploring the Woolfian text as a complex representation device, I examine the plasticity of its prose and narrative strategies to show how photography and cinema help to shape its aesthetic, but also ethical and political contents. This thesis first places Woolf's works in their modernist context and underlines the part played by the Hogarth Press, enabling Woolf to include images in her texts. I then shed light on the kinematic aspect of her work by analysing the photo-filmic exploration of the London scene and the montage of stream of consciousness. The third part probes into the anachronic rhythm of fluctuating time, emphasising the haunting aspects of memory through surviving images that condense their temporality in the instant (snapshot) or unroll it (streaming images) ; thus time achieves a personal and intimate, but also collective and historical dimension. Finally, I look at the Woolfian text as a subversive place of negotiation inhabited by eccentric characters with elusive identities and in which images help the author to make a "poethical" stand
Books on the topic "1879-1941":
1
Wyczynski, Paul. Nelligan: 1879-1941 : biographie. Montréal: Fides, 1987.
2
Plourde, Bertha. Monseigneur L.-J.-Arthur Melanson, 1879-1941. Montréal: Bellarmin, 1985.
3
Ouellet, Serge. Anse-au-Griffon (Saint-Joseph): Répertoire : naissances, 1879-1941, mariages et décès, 1879-2004. Longueuil, Québec: Éditions historiques et généalogiques Pepin, 2007.
4
Maruševski, Olga. Društvo umjetnosti: 1868-1879-1941 : iz zapisaka Hrvatskog društva likovnih umjetnika. Zagreb: DPUH, 2004.
5
Tušek, Karel. Karel Hašler, 1879-1941: Autentický příběh o skutečné osobnosti Karla Hašlera. Praha: Rozmluvy, 1992.
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Tušek, Karel. Karel Hašler, 1879-1941: Autentický příběh o skutečné osobnosti Karla Hašlera. Praha: Rozmluvy, 1992.
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Wyczynski, Paul. Émile Nelligan: Biographie. Montréal, Qué: BQ, 1999.
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Nagorski, Andrew. The greatest battle: The fight for Moscow 1941-42. London: Aurum, 2008.
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Humm, Maggie. Snapshots of Bloomsbury: The private lives of Virginia Woolf and Vanessa Bell. New Brunswick, N.J: Rutgers University Press, 2006.
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Humm, Maggie. Snapshots of Bloomsbury: The private lives of Virginia Woolf and Vanessa Bell. New Brunswick, N.J: Rutgers University Press, 2005.
Book chapters on the topic "1879-1941":
1
"HASEGAWA SHIGURE (1879–1941)." In The Modern Murasaki, 267–92. Columbia University Press, 2006. http://dx.doi.org/10.7312/cope13774-010.
2
"Frederick Griffith (1879–1941): Discovery of Transformation." In Pioneers in Microbiology, 289–95. WORLD SCIENTIFIC, 2017. http://dx.doi.org/10.1142/9789813200371_0031.