Relevant bibliographies by topics / 1873-1957

Academic literature on the topic '1873-1957'

Author: Grafiati
Published: 4 June 2021
Last updated: 29 July 2024

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Contents

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic '1873-1957.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "1873-1957"

1

Campbell, Barbara E. "“Mabel K. Howell: A Modern Apostle,” 1873-1957." Methodist History 55, no. 1-2 (January 1, 2017): 97–107. http://dx.doi.org/10.5325/methodisthist.55.1-2.0097.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Chilcote, Paul W., and Ulrike Schuler. "“Mabel K. Howell: A Modern Apostle,” 1873-1957." Methodist History 55, no. 1-2 (January 1, 2017): 108–27. http://dx.doi.org/10.5325/methodisthist.55.1-2.0108.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Talamelli, Fabio. "SULLA POSIZIONE SISTEMATICA DI MECASPIS OTINI (COLEOPTERA, CURCULIONIDAE)." Fragmenta Entomologica 40, no. 1 (April 30, 2008): 119. http://dx.doi.org/10.4081/fe.2008.110.

Full text
Abstract:
<em>Mecaspis otini</em> Hoffmann, 1957, per la mancanza di omeri e tubercolo apicale delle elitre, viene trasferito nel genere <em>Pseudocleonus</em> Chevrolat, 1873 (comb. n.). Viene inoltre fornita una ridescrizione della specie.
APA, Harvard, Vancouver, ISO, and other styles
4

BLAKE, JAMES A. "New species and records of Orbiniidae (Annelida, Polychaeta) from continental shelf and slope depths of the Western North Atlantic Ocean." Zootaxa 4930, no. 1 (February 17, 2021): 1–123. http://dx.doi.org/10.11646/zootaxa.4930.1.1.

Full text
Abstract:
Twenty-four species of Orbiniidae, 12 new to science, are reported from continental shelf and slope (deep-sea) habitats of the western North Atlantic. The majority of new material was collected during reconnaissance and monitoring surveys along the entire U.S. Atlantic coast from New England to the Carolinas that were intended to understand the potential impacts of oil and gas exploration in poorly known offshore environments. Additional materials from shallow water and shelf habitats off New England and New York as part of other projects are also included. New collections of Califia schmitti (Pettibone, 1957), Leitoscoloplos acutus (Verrill, 1873), L. fragilis (Verrill, 1873), L. obovatus Mackie, 1987, L. robustus (Verrill, 1873), Scoloplos intermedius (Hartman, 1965), Orbinia swani (Pettibone, 1957), Phylo felix (Kinberg, 1866), P. norvegicus (Sars, 1872), P. ornatus (Verrill, 1873), and Questa trifurcata (Hobson, 1970) provide additional morphological details, variability, and extended geographic and bathymetric distributions of previously known species. New species include Leitoscoloplos pustulus n. sp., Scoloplos papillatus n. sp., S. pettiboneae n. sp., S. pseudoarmiger n. sp., S. verrilli n. sp., Leodamas cuneatus n. sp., L. mucronatus n. sp., L. notoaciculatus n. sp., Phylo paraornatus n. sp., Orbiniella acsara n. sp., O. armata n. sp., and O. mimica n. sp. Juveniles of some species of Leitoscoloplos and Scoloplos were found to resemble known species of the meiofaunal orbiniid genus Schroederella Laubier, 1962. As such, S. berkeleyi Laubier, 1971 is referred to synonymy with Leitoscoloplos acutus. More importantly, the genus Schroederella was found to be pre-occupied by Schroederella Enderlein, 1921 in the Insecta, Diptera, family Helomyzidae. Gesaschroederella nomen nov. is therefore proposed as a replacement name for the polychaete homonym.
APA, Harvard, Vancouver, ISO, and other styles
5

Göllner-Scheiding, Ursula. "Ergänzungen und Synonymisierungen zu 'Die Tingidae (Netzwanzen) der Äthiopis' (Insecta, Heteroptera: Tingoidea). Katalog der afrikanischen Arten." Beiträge zur Entomologie = Contributions to Entomology 54, no. 2 (December 20, 2004): 465–69. http://dx.doi.org/10.21248/contrib.entomol.54.2.465-469.

Full text
Abstract:
Die Ergänzungen zum „Katalog der afrikanischen Arten“ der Tingidae betreffen die neue Gattung Therontingis Duarte-Rodrigues, 2002 und die fünf neuen Arten Cantacader affinis Lis, 2003, Cantacader iranicus Lis, 2001, Cantacader natalensis Lis, 2003, Agramma secunda Lis, 2003 und Therontingis theroni Duarte-Rodrigues, 2002. Von Lis synonymisiert werden die vier Arten Cantacader angustecostatus Štusak, 1979 = basilewekyi Schouteden, 1955, Cantacader insularis Drake, 1957 = afzelii Stål, 1873, Cantacader letabanus Duarte-Rodrigues, 1982 = clairi Schouteden, 1965 und Cantacader schoutedeni Štusak, 1984 = afzelii Stål, 1873. Für 10 Arten werden neue Fundorte bzw. neue Abbildungen genannt, neue Wirtspflanzen für Angolotingis vilhenai Drake, 1955 und Haedus cirratus Drake & Hill, 1964.
APA, Harvard, Vancouver, ISO, and other styles
6

Jager, J. de. "W.H. Nijhof, Kunst, katoen en kastelen. J.H. van Heek (1873-1957)." BMGN - Low Countries Historical Review 126, no. 1 (January 1, 2011): 123. http://dx.doi.org/10.18352/bmgn-lchr.7254.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Shevchenko, V. L., and T. M. Zhylina. "Taxonomic Structure of Nematode Communities of Epiphytic Mosses in Green Plantations of Chernihiv, Ukraine." Vestnik Zoologii 50, no. 6 (December 1, 2016): 477–82. http://dx.doi.org/10.1515/vzoo-2016-0054.

Full text
Abstract:
Abstract In the city of Chernihiv, nematodes of epiphytic mosses were studied for the fi rst time. 40 nematode species belonging to 30 genera, 20 families and 8 orders were revealed. Most of the identifi ed species belonged to the order Rhabditida: 12 species or 30 % of total number. Nematodes of the order Plectida were the most abundant in the studied communities, they composed 61.21 % of total specimens collected. Nine species: Plectus parietinus (Bastian, 1865) Paramonov, 1964, Mesodorylaimus bastiani (Butschli, 1873), Geomonhystera villosa Butschli, 1837, Tylocephalus auriculatus (Butschli, 1873) Anderson, 1966, Aphelenchoides composticola Franklin, 1957, Panagrolaimus rigidus (Schneider, 1866) Thorne, 1937, Eudorylaimus circulifera Loof 1961, Plectus parvus (Bastian, 1865) Paramonov, 1964, Laimaphelenchus penardi (Steiner, 1914) Filipjev et Sch. Stek., 1941 constituted the core of nematode communities in epiphytic mosses.
APA, Harvard, Vancouver, ISO, and other styles
8

van Langevelde, Ab. "C.M. van Driel, Een wereld op zichzelf. Prof. Gerard Wisse (1873-1957)." DNK : Documentatieblad voor de Nederlandse kerkgeschiedenis na 1800 44, no. 94 (June 1, 2021): 87–89. http://dx.doi.org/10.5117/dnk2021.94.006.vanl.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Houtman, C. "C.M. van Driel, Een wereld op zichzelf: Prof. Gerard Wisse (1873-1957)." NTT Journal for Theology and the Study of Religion 75, no. 2 (June 1, 2021): 296–97. http://dx.doi.org/10.5117/ntt2021.2.017.hout.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

SWANSON, DANIEL R. "Taxonomic changes in Salyavatinae (Heteroptera: Reduviidae), with an updated generic key." Zootaxa 4312, no. 3 (August 30, 2017): 515. http://dx.doi.org/10.11646/zootaxa.4312.3.6.

Full text
Abstract:
The genera of Salyavatinae are briefly discussed. Nudiscutella frontispina Murugan & Livingstone, 1990 is considered a junior synonym of Paralisarda malabarica Miller, 1957 syn. nov. Thirteen species are transferred from Petalocheirus Palisot de Beauvois, 1805 and the following new combinations are proposed: Alvilla gulosa (Miller, 1940) comb. nov.; Alvilla obesa (Miller, 1940) comb. nov.; Alvilla spinosissima (Distant, 1903) comb. nov.; Alvilla tyrannus (Miller, 1940) comb. nov.; Platychiria congolensis (Miller, 1950) comb. nov.; Platychiria lapidaria (Miller, 1950) comb. nov.; Platychiria montana (Miller, 1950) comb. nov.; Platychiria praecox (Miller, 1950) comb. nov.; Platychiria similis (Miller, 1950) comb. nov.; Platychiria striata (Miller, 1950) comb. nov.; Platychiria ugandensis (Miller, 1950) comb. nov.; Platychiria unicolor (Miller, 1950) comb. nov.; and Rhachicephala fasciata (Distant, 1903) comb. nov.. Petalocheirus singularis Walker, 1873 is resurrected from synonymy under Petalocheirus malayus Stål, 1859 and transferred to Rhachicephala Truong, Zhao & Cai, 2007, resulting in Rhachicephala singularis (Walker, 1873) stat. rev. et comb. nov. A supplementary description of the female of Valentia langkawiensis Miller, 1940 is included. An updated key to the world genera of Salyavatinae concludes the study.
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "1873-1957"

1

Galindo, García Zaida María. "Eduardo Zamacois y Quintana (1873-1971) Memoria y Obra Periodística (1888-1957) Un siglo de historia entre dos continentes." Doctoral thesis, Universitat Autònoma de Barcelona, 2020. http://hdl.handle.net/10803/670517.

Full text
Abstract:
Eduardo Zamacois i Quintana (1873 Pineda de el Riu, Cuba-1971, Buenos Aires) és un escriptor i periodista espanyol, avui dia gairebé oblidat tot la seva extensa i variada obra i d’haver estat un promotor cultural del seu temps. Va viure de la seva ploma durant tota la seva vida i dels seus nombrosos viatges per Europa i Amèrica resulta un tresor documental de textos, reflex d’un segle d’història, societat, política i cultura. Va publicar nombrosos articles i cròniques, novel·les llargues, novel·les curtes, relats, contes, peces teatrals, llibres de viatge i obres autobiogràfiques. Dignes de menció són també les seves empreses i projectes editorials, conferències i incursions en ràdio i cinema. El que avui es coneix sobre la seva vida procedeix de les seves pròpies obres de caràcter autobiogràfic, novel·les, articles periodístics, tant de l’autor com dels seus coetanis; epistolaris, estudis realitzats sobre la seva obra literària amb anterioritat per altres investigadors i documents de diversa índole conservats a l’Arxiu Històric Nacional. La rellevància d’aquesta investigació rau principalment en dues raons: d’una banda, la “”reconstrucció”” de la biografia d’Eduardo Zamacois i Quintana; i, d’altra, l’anàlisi de la seva obra periodística en general, i l’elaboració i estudi de l’Índex Bibliogràfic de col·laboracions periodístiques en particular. Es tracta d’una investigació sense precedents. No existia fins ara una biografia completa de l’autor, ni estudis previs sobre la seva obra periodística.
Eduardo Zamacois y Quintana (1873 Pinar del Río, Cuba—1971, Buenos Aires) es un escritor y periodista español, hoy en día casi olvidado a pesar su extensa y variada obra y de haber sido un promotor cultural de su tiempo. Vivió de su pluma durante toda su vida y de sus numerosos viajes por Europa y América resulta un tesoro documental de textos, reflejo de un siglo de historia, sociedad, política y cultura. Publicó numerosos artículos y crónicas, novelas largas, novelas cortas, relatos, cuentos, piezas teatrales, libros de viaje y obras autobiográficas. Dignas de mención son también sus empresas y proyectos editoriales, conferencias e incursiones en radio y cine. Lo que hoy se conoce sobre su vida procede de sus propias obras de carácter autobiográfico, novelas, artículos periodísticos, tanto del autor como de sus coetáneos; epistolarios, estudios realizados sobre su obra literaria con anterioridad por otros investigadores y documentos de diversa índole conservados en el Archivo Histórico Nacional. La relevancia de esta investigación radica principalmente en dos razones: por un lado, la “reconstrucción” de la biografía de Eduardo Zamacois y Quintana; y, por otro, el análisis de su obra periodística en general, y la elaboración y estudio del Índice Bibliográfico de colaboraciones periodísticas en particular. Se trata de una investigación sin precedentes. No existía hasta la fecha una biografía completa del autor, ni estudios previos sobre su obra periodística.
Eduardo Zamacois y Quintana (1873 Pinar del Río, Cuba-1971, Buenos Aires) is a Spanish writer and journalist, nowadays almost forgotten despite his extensive and varied work and as cultural promoter of his time. He lived from his pen throughout his life and his numerous trips through Europe and America are a treasure of texts, which reflect a century of history, society, politics and culture. He published numerous articles and chronicles, long novels, short novels, stories, stories, plays, travel books and autobiographical works. Also noteworthy are its editorials and projects, conferences and raids on radio and film. What is known about his current life comes from his own autobiographical works, novels, journalistic articles, both of the author and of his companions; his letters, studies previously done in his literary work by other researchers and documents of various types preserved in the National Historical Archive. The relevance of this research lies mainly in two reasons: on the one hand, the “”reconstruction”” of the biography of Eduardo Zamacois and Quintana; and, on the other hand, the analysis of his journalistic work in general, and the elaboration and study of the bibliographic index of journalistic collaborations in particular. It is an unprecedented investigation. To date there was not a complete biography of the author, nor previous studies on his journalistic work.
APA, Harvard, Vancouver, ISO, and other styles
2

Joubert, Claire. "La lectrice dans le texte : écriture et lecture au féminin dans les oeuvres de Dorothy Richardson, Katherine Mansfield et Jean Rhys, 1919-1939." Paris 3, 1993. http://www.theses.fr/1994PA030015.

Full text
Abstract:
Ce travail explore le domaine d'intersection entre le texte et la sexualite, en proposant d'etudier l'inscription d'une subjectivite feminine au sein des recits de dorothy richardson (pilgrimage), katherine mansfiels (the collected short stories), et jean rhys (the left bank, quartet, after leaving mr mackenzie, et good morning, midnight). Il s'appuie sur les theories lacaniennes de l'ordre langagier pour faire apparaitre dans ces ecritures feminines des modeles enonciatifs particuliers, fondes sur une pratique de la litterature comme espace de lecture. La figure de la lectrice dans le texte surgit dans ces textes comme le trope revelateur de la nature discursive de la feminite qui s'articule a la sexuation des proces de la signification. Dorothy richardson, katherine mansfield et jean rhys, en textualisant la femme, orientent d'ecriture vers un deficit semantique, et, de diverses manieres, presentent la lecture comme un discours (du) feminin
This study explores the field of intersection between text and sexuality, as it proposes to examine the inscription of a feminine subjectivity within the fictional writings of dorothy richardson (pilgrimage), katherine mansfield (the collected short stories), and jean rhys (the left bank, quartet, after leaving mr mackenzie, and good morning, midnight). This analysis of gender takes root in the lacanian theories of the symbolic order of language in order to identify particular enunciative patterns, based on the practice of literature as a reading activity. The figure of the female reader in the text appears in these texts as the narrative locus for the exposition of the discursive nature of feminity and of gender identity, bound up with the sexual implications of signifying processes. By writing feminity into their texts, dorothy richardson, katherine mansfield and jean rhys direct the writing activity toward a semantic loss, and, through diferrent narrative strategies, offer a vision of reading as a feminine form of discourse, as the discourse of the female gender
APA, Harvard, Vancouver, ISO, and other styles
3

Fox, Stacey Jade. "The idea of madness in Dorothy Richardson, Leonora Carrington and Anais Nin." University of Western Australia. English and Cultural Studies Discipline Group, 2008. http://theses.library.uwa.edu.au/adt-WU2008.0194.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Quintana, Marín María Isabel. "Du cubisme à d'autres cathédrales : Diego Rivera et l'"Art Social" d'Elie Faure." Thesis, Paris 1, 2016. http://www.theses.fr/2016PA01H032.

Full text
Abstract:
Installé à Paris en 1911, Diego Rivera se rallie au cubisme pour retourner au réalisme en 1918. A cette époque, il tisse une amitié riche en échanges avec Élie Faure, socialiste comme lui. Faure voit chez l'artiste "une source inépuisable de surprises et d'enseignements»; Rivera considère l'historien de l'art comme l'un de ses« maîtres". Élie Faure a une compréhension de la société et de l'art basée sur la contribution de personnalités qui ont bouleversé la pensée et les arts depuis la Révolution française: Saint-Simon, Nietzsche, Dostoïevski, Tolstoï, Cézanne, entre autres. Déclarant l'échéance de l'esprit individualiste de la Renaissance, il annonce l'avènement d'un rythme collectif d'expression artistique sociale et monumentale, notamment architecturale, dont l'intention de «construire» en peinture est un symptôme. Le Moyen-âge français lui fournit un paradigme de l'ordre collectif et de I' «Art social», la cathédrale comme étant la plus parfaite expression, manifestation de la collaboration humaine et symbole même d'une civilisation. En 1921, décidé à militer pour l'établissement d'un nouvel ordre social, Rivera rentre dans son pays. Il est passionné par la socialisation de l'art et par l'architecture. Son discours et ses démarches révèlent ses affinités intellectuelles avec l'historien de l'art français et exprime une volonté de mener à son accomplissement l'"Art social". Cependant, les idées du peintre évoluent avec les évènements politiques, sociaux et culturels du Mexique, tenant compte du contexte mondial. Cet échange franco-mexicain illustre la complexité des transferts qui conduisent aux discours actuels de la mondialisation artistique
Moving to Paris in 1911, Diego Riverais won over to Cubism only to return to Realism in 1918. During that period, he builds a rich friendship with Elie Faure, a socialist like him. Faure sees in the artist ''an endless source of surprises and lessons." Rivera considers the art historian Faure as one of his "masters. "Elie Faure has an understanding of society based on the contribution of individuals who have changed thinking and the art since the French Revolution : Saint-Simon, Nietzsche, Dostoïevski, Tolstoï, Cézanne, and others. Declaring the end of the individualistic spirit of the Renaissance, he announces the beginning of a collective rhythm of social and monumental artistic expressions, especially in architecture, with the intention to "construct" by painting as an indication. The French Middle Ages provides Elie Faure with a paradigm of collective order and "Social Art," of which the cathedral is the most perfect expression - a manifestation of perfect human collaboration and a symbol of a civilization. In 1921, having decided ta campaign for the establishment of a new social order, Rivera returns ta his country. He is passionate about the socialization of art and architecture. His speech and his actions reveal his intellectual affinity with the French art historian and show a willingness to carry to completion "Social Art. "However, the painter 's ideas evolve with the political, social, and cultural events of Mexico, taking into account the global context. This Franco-Mexican exchange illustrates the complexity of the transfers that lead to the current globalization of artistic discourse
APA, Harvard, Vancouver, ISO, and other styles
5

Ludtke, Laura Elizabeth. "The lightscape of literary London, 1880-1950." Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:99e199bf-6a17-4635-bfbf-0f38a02c6319.

Full text
Abstract:
From the first electric lights in London along Pall Mall, and in the Holborn Viaduct in 1878 to the nationalisation of National Grid in 1947, the narrative of the simple ascendency of a new technology over its outdated predecessor is essential to the way we have imagined electric light in London at the end of the nineteenth century. However, as this thesis will demonstrate, the interplay between gas and electric light - two co-existing and competing illuminary technologies - created a particular and peculiar landscape of light, a 'lightscape', setting London apart from its contemporaries throughout the late nineteenth and early twentieth centuries. Indeed, this narrative forms the basis of many assertions made in critical discussions of artificial illumination and technology in the late-twentieth century; however, this was not how electric light was understood at the time nor does it capture how electric light both captivated and eluded the imagination of contemporary Londoners. The influence of the electric light in the representations of London is certainly a literary question, as many of those writing during this period of electrification are particularly attentive to the city's rich and diverse lightscape. Though this has yet to be made explicit in existing scholarship, electric lights are the nexus of several important and ongoing discourses in the study of Victorian, Post-Victorian, Modernist, and twentieth-century literature. This thesis will address how the literary influence of the electric light and its relationship with its illuminary predecessors transcends the widespread electrification of London to engage with an imaginary London, providing not only a connection with our past experiences and conceptions of the city, modernity, and technology but also an understanding of what Frank Mort describes as the 'long cultural reach of the nineteenth century into the post-war period'.
APA, Harvard, Vancouver, ISO, and other styles
6

"Journeys viewed, heard and read: literary impressionism, music and consonance in Dorothy Richardson's Pilgrimage." 2008. http://library.cuhk.edu.hk/record=b5893664.

Full text
Abstract:
Wong, Yong Yi.
Thesis (M.Phil.)--Chinese University of Hong Kong, 2008.
Includes bibliographical references (leaves 143-151).
Abstracts in English and Chinese.
Abstract --- p.i
摘要 --- p.iii
Contents --- p.iv
Introduction --- p.1
Chapter Chapter 1 --- Colours and Letter; Painting and Writing: Literary Impressionism in Pilgrimage --- p.32
Chapter Chapter 2 --- Notes and Words; Listening and Reading: Music and Reading in Pilgrimage --- p.79
Chapter Chapter 3 --- Consonance --- p.113
Conclusion Arts in a Chord --- p.132
Work Cited --- p.143
APA, Harvard, Vancouver, ISO, and other styles
7

Gear, Nolan Thomas. "Spectatrices: Moviegoing and Women's Writing, 1925-1945." Thesis, 2021. https://doi.org/10.7916/d8-an6s-j049.

Full text
Abstract:
How did cinema influence the many writers who also constituted the first generation of moviegoers? In Spectatrices, I argue that early moviegoing was a rich imaginative reservoir for anglophone writers on both sides of the Atlantic. Coming to cinema from the vantage of the audience, I suggest that women of the 1920s found in moviegoing a practice of experimentation, aesthetic inquiry, and social critique. My project is focused on women writers not only as a means of reclaiming the femininized passivity of the audience, but because moviegoing offered novel opportunities for women to gather publicly. It was, for this reason, a profoundly political endeavor in the first decades of the 20th century. At the movies, writers such as Jessie Redmon Fauset, Zora Neale Hurston, H.D., Dorothy Richardson, and Virginia Woolf developed concepts of temporary community, alternative desire, and discontinuous form that they then incorporated into their literary practice. Where most scholarship assessing cinema’s influence on literature is governed by the medium-specificity of film, my project emphasizes the public dimension of the movies, the fleeting and semi-anonymous intimacy of the moviegoing audience. In turning to moviegoing, Spectatrices opens new methods of comparison and cross-canonical reorganization, focusing on the weak social ties typified by moviegoing audiences, the libidinal permissiveness of fantasy and diva-worship, the worshipful rhetoric by which some writers transformed the theater into a church, and most significantly, the creation of new public formations for women across different axes of class, gender, and race. In this respect, cinema’s dubious universalism is both an invitation and a problem. Writers from vastly different regional, racial, linguistic, and class contexts were moviegoers, together and apart; but to say they had the same experience is obviously inaccurate. In this project, I draw from historical accounts of moviegoing practices in their specificity to highlight that whereas the mass-distributed moving image held the promise, even the premise, of shared experience, moviegoing was structured by difference. The transatlantic organization of the project is meant to engage and resist this would-be universality, charting cinema’s unprecedented global reach while describing differential scenes and modes of exhibition. Focusing on moviegoing not only permits but requires a new constellation of authors, one that includes English and American, Black and white, wealthy and working class writers alike. Across these axes of difference, women theorized the politics and possibilities of gathering, rethinking the audience as a vital and peculiar social formation.
APA, Harvard, Vancouver, ISO, and other styles
8

Hamilton, Susan E. Maier. "Sarah Grimke's rhetoric for empowerment : her life and letters." Thesis, 1992. http://hdl.handle.net/1957/37154.

Full text
Abstract:
In twentieth century America, women continue the age-old struggle for recognition as whole, intelligent individuals, not just an "other," less hearty, less deserving or less capable being than man. Sarah Grimke spoke of the inequalities over 150 years ago during the abolitionist movement when she compiled her major arguments into a series of letters originally published individually in the New England Spectator, then as a volume in 1838 entitled Letters on the Equality of the Sexes and the Condition of Woman. Grimke gets to the core of the matter and dares to challenge long-standing patriarchal tradition and beliefs. Feminists have since tried to categorize her ideas into a particular philosophy, giving her credit as the first American feminist. However, the difficulty lies in labeling her from a twentieth century perspective (feminism) when her intent was to be heard as an individualshe wanted to break the barriers which categorizing creates. The strength of the Letters lies in their rhetorical soundness as an art which speaks profoundly to its audience, transcending the boundaries of time. This study focuses on the rhetorical soundness of the Letters, providing a close analysis, that reveals Sarah Grimke's rhetorical methods, and her reaffirmation of classical notions of rhetoric. The study also contextualizes the letters while answering the critical question: Why should we read the letters now, in the twentieth century when slavery is an issue long since resolved and women have been given the right to vote and have been assured of equal rights under the equal rights amendment? We must read primary texts, not secondary or interpretive texts, to experience the author's rhetoric and recapture her intentions.
Graduation date: 1992
APA, Harvard, Vancouver, ISO, and other styles

Books on the topic "1873-1957"

1

Dumas, Freda Payne. Payne profiles: Some ancestors and descendants of William Oscar Payne, 1873-1957. [United States]: F.P. Dumas, 2000.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

Nikolova, Veska. Sei͡a︡chŭt: D-r Boris Minchov Vazov, 1873-1957 : zhiznen i tvorcheski pŭt na politika, publit͡s︡ista, diplomata. Veliko Tŭrnovo: IK "Vital", 2000.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Chizzali, Michael. Ich bin 100 Jahre zu spät geboren: Studien zum weltlichen Musikschaffen des Tiroler Komponisten Josef Gasser (1873-1957). Innsbruck: Innsbruck University Press, 2014.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Zumwalt, Rosemary Lévy. The enigma of Arnold van Gennep (1873-1957): Master of French folklore and hermit of Bourg-la-Reine. Helsinki: Suomalainen Tiedeakatemia, 1988.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Zumwalt, Rosemary Lévy. The enigma of Arnold van Gennep (1873-1957): Master of French folklore and hermit of Bourg-la-Reine. Helsinki: Suomalainen Tiedeakatemia, 1988.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Pohl, Manfred. Deutsche Bank in London 1873-1998. München: Piper, 1998.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

Radford, Jean. Dorothy Richardson. New York: Harvester Wheatsheaf, 1991.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Radford, Jean. Dorothy Richardson. Bloomington: Indiana University Press, 1991.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Piero, Manzoni. Piero Manzoni: Works 1957-1961. London: Karsten Schubert, 1989.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Pescosolido, Guido. Gaetano Salvemini (1873-1957): Ancora un riferimento : atti del convegno di studi tenutosi a Roma l'11 e il 12 dicembre 2007 in collaborazione con la Fondazione "Ernesto Rossi e Gaetano Salvemini". Manduria: P. Lacaita, 2010.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "1873-1957"

1

Barens, Ingo. "Spiethoff, Arthur August Kaspar (1873–1957)." In The New Palgrave Dictionary of Economics, 1–2. London: Palgrave Macmillan UK, 1987. http://dx.doi.org/10.1057/978-1-349-95121-5_1799-1.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Barens, Ingo. "Spiethoff, Arthur August Kaspar (1873–1957)." In The New Palgrave Dictionary of Economics, 1–2. London: Palgrave Macmillan UK, 2008. http://dx.doi.org/10.1057/978-1-349-95121-5_1799-2.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Barens, Ingo. "Spiethoff, Arthur August Kaspar (1873–1957)." In The New Palgrave Dictionary of Economics, 12820–22. London: Palgrave Macmillan UK, 2018. http://dx.doi.org/10.1057/978-1-349-95189-5_1799.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Neville, Julia. "Clara Henrietta Daymond (1873–1957)." In Devon Women in Public and Professional Life, 1900–1950, 57–80. University of Exeter Press, 2021. http://dx.doi.org/10.47788/lzqp8976.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Journet, Nicolas. "Arnold van Gennep (1873-1957) : les rites de passage." In La culture, 79–85. Éditions Sciences Humaines, 2002. http://dx.doi.org/10.3917/sh.journ.2002.01.0079.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

"Arnold van Gennep (1873-1957): Aspekte des Weiterwirkens seiner Konzepte." In Jahrbuch für Europäische Ethnologie. Dritte Folge 6- 2011, 35–48. Verlag Ferdinand Schöningh, 2011. http://dx.doi.org/10.30965/9783657773305_005.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

"8. Existential Impressionism and Cultural Status: Dorothy Richardson (1873–1957)." In From Chaos to Catastrophe?, 90–101. De Gruyter, 2018. http://dx.doi.org/10.1515/9783110581836-010.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Sneller, Rico. "Enhancing Ecological Awareness as Distance Awareness." In Fostering an Ecological Shift Through Effective Environmental Education, 23–36. IGI Global, 2024. http://dx.doi.org/10.4018/979-8-3693-2577-3.ch002.

Full text
Abstract:
This chapter focuses on the viability of distance awareness as an indispensable ingredient of form awareness and, subsequently, environmental education. It studies relevant motifs in the work of two post-Romantic German thinkers, Ludwig Klages (1872-1956) and Hermann Friedmann (1873-1957). The main argument comprises two areas of concern: 1) enhancing crisis awareness and reintegration, and 2) promoting poetry education. As a common thread running through these areas, consciousness as distance awareness imposes itself. Distance should not be taken as a quantity but rather as an original quality that justifies itself.
APA, Harvard, Vancouver, ISO, and other styles
9

Brogan, Una. "The Body and the Machine: The Sensory Discoveries of the Cyclist." In The Alternative Modernity of the Bicycle in British and French Literature, 1880-1920, 139–203. Edinburgh University Press, 2022. http://dx.doi.org/10.3366/edinburgh/9781474488600.003.0004.

Full text
Abstract:
The third chapter examines the new aesthetic and sensory experiences of the cyclist. Returning to some authors already examined and integrating others such as J. W. Allen (1865–1944), J. H. Rosny (1856–1940), Alfred Jarry and Dorothy Richardson (1873–1957), I analyse the ways in which the bicycle offered direct contact with speed and mechanism alongside a rich sensory experience. Cyclists enjoyed a hybrid of mechanical and corporeal sensations which provided rich ground for literary experimentation. The close relationship between rider and machine allowed a questioning of the man/machine dichotomy, moving away from the alienation of the industrial era in order to achieve a more empowering and meaningful interaction with technology.
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic '1873-1957' for particular source types:
Journal articles Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography