Academic literature on the topic '1867-1936'
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Journal articles on the topic "1867-1936"
Malkiel, Yakov, and Keith E. Karlsson. "Erik Staaff (1867–1936) — portrait rétrospectif." Studia Neophilologica 59, no. 1 (January 1987): 81–98. http://dx.doi.org/10.1080/00393278708587962.
Full textKUHLMANN, MICHAEL, and MAXIM YU. PROSHCHALYKIN. "Bees of the genus Colletes Latreille 1802 of the Asian part of Russia, with keys to species (Hymenoptera: Apoidea: Colletidae)." Zootaxa 3068, no. 1 (October 26, 2011): 1. http://dx.doi.org/10.11646/zootaxa.3068.1.1.
Full textSzabóky, Csaba, and Attila Takács. "New data to the Microlepidoptera fauna of Hungary, part XIX (Lepidoptera: Batrachedridae, Coleophoridae, Gracillariidae, Tortricidae)." Folia Entomologica Hungarica 82 (2021): 43–53. http://dx.doi.org/10.17112/foliaenthung.2021.82.43.
Full textHennepe, Mieneke te. "Jan Gerard de Lint (1867–1936): medische geschiedenis voor iedereen." Studium 6, no. 3 (December 1, 2013): 232. http://dx.doi.org/10.18352/studium.9280.
Full textHAAS, L. "Jean Martin Charcot (1825-93) and Jean Baptiste Charcot (1867-1936)." Journal of Neurology, Neurosurgery & Psychiatry 71, no. 4 (October 1, 2001): 524. http://dx.doi.org/10.1136/jnnp.71.4.524.
Full textMielke, Olaf H. H. "Notas sinonímicas sobre Hesperiidae neotropicais, com descrições de novos gêneros, espécies e subespécies (Lepidoptera)." Revista Brasileira de Zoologia 7, no. 4 (1990): 503–24. http://dx.doi.org/10.1590/s0101-81751990000400009.
Full textBaran, Tomasz. "New faunistic and host records of Lepidoptera from Poland, with Stigmella naturnella (KLIMESCH, 1936) reported for the first time." Polish Journal of Entomology / Polskie Pismo Entomologiczne 82, no. 1 (March 1, 2013): 25–33. http://dx.doi.org/10.2478/v10200-012-0020-0.
Full textSOUMYA, PULIYAKODE, and PURAYIDATHKANDY SUNOJKUMAR. "Justicia barapaniensis, a new name for Justicia salicifolia T. Anderson (Acanthaceae)." Phytotaxa 332, no. 1 (December 15, 2017): 98. http://dx.doi.org/10.11646/phytotaxa.332.1.12.
Full textCristina Díaz, M., Belinda Alvarez, and R. W. M. van Soest. "New Species of Demospongiae (Porifera) from the National Park “Archipiélago de los Roques”, Venezuela." Bijdragen tot de Dierkunde 57, no. 1 (1987): 31–41. http://dx.doi.org/10.1163/26660644-05701003.
Full textSHEN, SHUI-FA, XIU-JIE WANG, TING-TAI WANG, TING-DUN WEN, JIAN-ZHONG GU, ZHONG-DONG LIU, ZE-SHENG ZHANG, FU-RONG XU, SHI-JIE ZHENG, and JING-YI LIU. "DECAY OF 188Re AND TRS CALCULATIONS FOR ITS DAUGHTER NUCLIDE 188Os." International Journal of Modern Physics E 18, no. 07 (August 2009): 1603–14. http://dx.doi.org/10.1142/s0218301309013762.
Full textDissertations / Theses on the topic "1867-1936"
Dfouni, Ralph. "Les hommes ne pleurent pas, et Illuminations : de Pirandello vers Kaos." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape7/PQDD_0022/MQ50511.pdf.
Full textDfouni, Ralph. "Les hommes ne pleurent pas, et, Illuminations : de Pirandello vers Kaos." Thesis, McGill University, 1998. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=21208.
Full textIlluminations: From Pirandello toward Kaos ( criticism). When the filmmakers the brothers Taviani decide to undertake their adaptation of Luigi Pirandello's four short stories for the screen, they choose Kaos for the title of their film. Through the study of two of the four adapted short stories, this thesis tries to demonstrate that the adaptation of a literary work or a written text to a filmic text necessarily passes through a chaos that separates the two very different languages. The interpretative work consists of passing through this same chaos using different writing and mise en scene techniques. The aim of this short study is to dissect the links that exist between the two very distinct entities, the written text and the filmic text, through a magisterial and concrete example.
Budor, Dominique. "Les raisons de l'ecriture : analyse de l'oeuvre romanesque de luigi pirandello." Paris 3, 1987. http://www.theses.fr/1987PA030144.
Full textRich in significance as far as the story of the subject of writing is concerned and replete with the ideological effects entailed by the emergence of each text within the general text, the prose work of luigi pirandello is characterized by a combinatory system which places the process of signification beyond the configurations of the utterances and within enunciation itself. Novel after novel, the phatic tension becomes more strongly marked : the writing unveils its main function which is that of staging the identity problem, while the reader, prisoner of the text, becomes the indispensable and submissive partner of the writer who tries to reach an unlimited semiosis through a dialogue with himself. The writing, though, comes up against the various forms of spectacle (theatre and cinema) which, at the turn of the century, make of the work of art a marketable product and reveal the inadequacies of the written work in those modified conditions of emission and especially reception. Literature can only recover its power through making of the word a tool of revenge and of the theatre an opportunity for the imaginary to stage itself. Lastly, pirandello's writing, actuated by the urges of compensation and release, also reflects the wrenching conflicts of experience. Procedures of indirection reveal more than they hide the impossible harmony between the erotic tension which drives towards the other and the fervour of writing which makes of the ego its own object of desire : the actress alone, in so far as she becomes the "body" of the writing, remedies this splitting of the ego and founds the power of the poet. Refusing both the trauma of birth and the pain of being a man, pirandello thus comes into being as a writer
Mastrogianakos, John. "The role-within-the-role : two Pirandellian novellas and their dramatic adaptation." Thesis, McGill University, 1994. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=68118.
Full textSince all Pirandellian characters role-play, and as a consequence portray and assume multiple identities, this thesis examines the function and significance of this technique in both narrative and theatrical contexts. It attempts to show that while the device is a feature common to all three works, it is in the dramatic adaptation that role-playing in relation to identity acquires its more visible and effective treatment.
Sarrinikolaou, Irene School of Media Film & Theatre UNSW. "The ontological status of Pirandello???s metacharacters: six characters in search of a Platonic author." Awarded by:University of New South Wales. School of Media, Film & Theatre, 2006. http://handle.unsw.edu.au/1959.4/25974.
Full textOlive-Lalanne, Annie. "La condition féminine dans l'œuvre narrative et théâtrale de Luigi Pirandello." Paris 4, 1995. http://www.theses.fr/1995PA040238.
Full textFor the study of the condition and image of women in the work of Luigi Pirandello, an historical survey of the women's condition in Italy, and more precisely in Sicily, as well as a rapid study of the feminist movements in the early part of the XXth century, have seemed compulsory. A further analysis of how Pirandello introduced the female characters was made. An evolution of these characters emerged: the funest, destructive female progressively turns into a sublime woman, idealized in the maternity myth a typology of female characters in Pirandello’s narrative and theater works, has been made, regarding the influence which could have on them, the typically Mediterranean misogyny, jealousy, the often tragic misunderstanding between spouses, the harmful role played by the mother in law; the pathetic solitude of a sole woman, perhaps ugly or widowed. Finally a detailed survey, following the chronological order of appearance, of female characters in Pirandello’s theater pieces was made; first in the pieces written before 1925 : from the early successes to the apogeum of "Six personnages en quête d'auteur", and "Henry IV". And, in a second part, we have determined how had the encounter of the author with the actor Marta Abba deeply changed his conception of the female characters
Vittori, Gérard. "Sujet, réel et signes dans l'oeuvre de Pirandello." Nice, 1990. http://www.theses.fr/1990NICE2006.
Full textTo know the truth, the human body is not a privileged point of knowledge, neither for the subject, nor for the others. On the contrary, the body is the point of the ambiguity of sense. Only will gives the authentic sense ; but the natural and the verbal signs give the subject to the distorsion of sense. God is for the others the guarantee of "adaquatio rei et intellectus". In fact, the authority, subsititute of true transcendence, establishes the transarentness of the language because it instaurates realty in the language. Reality is founded by the "text". This "text" alienates the subject, and removes him from his own truth. The name (with the story it brings), the actions, give the subject to the others. Th eone who wants to make truth appear is said to be mad. The return of the reality of the others, event if it is possible, has against itself the time, by which any expression of oneself is possible. The truth of the subject can express itself, without suffering the alienating "text" of the others in the fusional relation, the pattern of which is the relation to the mother. This type of relation can become an universal intersubjectiveness
Chiappero, Francine. "Recherche sur : la nature, cadre et miroir de la destinée humaine, dans les nouvelles de Luigi Pirandello." Nice, 1985. http://www.theses.fr/1985NICE2035.
Full textNature is a positive look in Pirandello's novels ; it's a less known subject too. The landscape of the novels is often open and sunny. It's different from the protagonists who are uncommunicative, oppressed by the mischance, a sicilian fatality, like the writer who says about it, he has writtent his life instead of living it. The landscape is an evasion for the protagonists and the author himself who feels a great ankering about it. He always remembers his Agrigente where he was born on June 28th of 1867. His novels are the proof of this nostalgia of the writer and his protagonists. So, Nature becomes the synonym of escape. More, the protagonists fight for life and the symbol of life is represented by the importance taken by the grass for them : la mano del malato povero, canta l'epistola, "Aeternam donaies domine". The first part of our research offers the different appearences of the landscape to the raeder, a weather sunnier than unhappy, because it's quite always quastion of sicilian sky in Pirandello's novels
Marotta, Antonella. "Pirandello nel teatro di Eduardo." Thesis, McGill University, 2002. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=79793.
Full textPoitras, Louise. "L'évolution des conditions de travail des députés d'arrière-ban de l'assemblée législative de la province de Québec entre 1867 et 1936." Master's thesis, Université Laval, 1993. http://hdl.handle.net/20.500.11794/29165.
Full textBooks on the topic "1867-1936"
1968-, Botsiou Konstantina, ed. Panagēs Tsaldarēs (1867-1936). Athēna: Hidryma tēs Voulēs tōn Hellēnōn gia ton Koinovouleutismo kai tē Dēmokratia, 2014.
Find full textPanzetta, Alfonso. Arturo Stagliano: 1867-1936 : sculture e disegni. Moncalieri (Torino): Renaissance, 1999.
Find full textPanzetta, Alfonso. Arturo Stagliano: 1867-1936 : sculture e disegni. Moncalieri (Torino): Renaissance, 1999.
Find full textPirandello, Luigi. Luigi Pirandello, 1867-1936: His plays in Sicilian. Lewiston, N.Y: Edwin Mellen Press, 1998.
Find full textWalters, Susan Pauline. Emma Sproson (1867-1936): A Black Country suffragette. Northampton: Nene College, 1993.
Find full textSciaky, Roberto. Ethiopia, 1867-1936: History, stamps and postal history : addendum. Vignola (Mo), Italy: Vaccari, 2001.
Find full textRobert, Yves. Henry Chéron: 1867-1936 : un grand nom de l'histoire normande. Cabourg: Cahiers du temps, 2010.
Find full textBoschiggia, Elisabetta. Guida alla lettura di Pirandello. Milano: Mondadori, 1986.
Find full textMacchia, Giovanni. Pirandello, o, La stanza della tortura. 2nd ed. Milano: A. Mondadori, 1992.
Find full textLuigi, Pirandello. Nel tempo della lontananza, 1919-1936. Caltanissetta: S.Sciascia, 2008.
Find full textBook chapters on the topic "1867-1936"
Mehlhorn, Heinz. "Theiler, Arnold (1867–1936)." In Encyclopedia of Parasitology, 2650. Berlin, Heidelberg: Springer Berlin Heidelberg, 2016. http://dx.doi.org/10.1007/978-3-662-43978-4_3145.
Full textMehlhorn, Heinz. "Theiler, Arnold (1867–1936)." In Encyclopedia of Parasitology, 1. Berlin, Heidelberg: Springer Berlin Heidelberg, 2015. http://dx.doi.org/10.1007/978-3-642-27769-6_3145-2.
Full textGaudillière, Jean-Max. "Luigi Pirandello (1867–1936)." In Madness and the Social Link, 42–65. Routledge, 2020. http://dx.doi.org/10.4324/9781003057468-3.
Full textTauchen, Jaromír, and David Kolumber. "Great Theorists of Central European Integration in the Czech Republic." In Great Theorists of Central European Integration, 273–311. Central European Academic Publishing, 2023. http://dx.doi.org/10.54171/2023.mg.gtocei_8.
Full text"Thomas Birch, in 1758 by Ralph Church with brief Johns Hopkins Variorum edition of Spenser’s col-annotations, and in the same year by John Upton lected works, The Faerie Queene was edited by Edwin ‘with a glossary, and notes explanatory and critical’ Greenlaw, Charles Grosvenor Osgood, Frederick of over 350 pages. In 1805 Henry John Todd pro-Morgan Padelford, and Ray Heffner (1932–38). It duced the first variorum edition. In 1897–1900 Kate sought to establish an accurate text, and cited extens-M. Warren edited the poem with brief notes. On the ively from earlier historical commentary, but by earlier editions, see Wurtsbaugh 1936 and ‘biblio-deliberate policy omitted all annotation except for a graphy, critical’ in the SEnc. few critical cruxes. Since then Books I and II and the Beginning in the nineteenth century, separate Cantos of Mutabilitie have been edited with substan-books were published for school-children, most with tial annotation by Robert Kellogg and Oliver Steele the poem carefully expurgated and notes heavily in 1965; Books I and II with excellent critical com-philological. The most valuable are editions of Books mentary by Douglas Brooks-Davies in 1977; selec-I and II in 1867 and 1872 by G.W. Kitchin; Book I tions with annotations by Frank Kermode in 1965, by H.M. Percival in 1893 and by Lilian Winstanley by A.C. Hamilton in 1966, and by Hugh Maclean in in 1914–15; Book V by Alfred B. Gough in 1968, 1982, and (with Anne Lake Prescott) 1993; 1918/21; and Books I and II in 1966 and 1965 by the whole poem in the Longman Annotated Poets P.C. Bayley. For a list of early editions, see Carpenter series by A.C. Hamilton in 1977, and with minimal 1923:115–18; for an analysis of their contribution to annotation by Thomas P. Roche, Jr, assisted by English studies, see Radcliffe 1996:104–14. The C. Patrick O’Donnell, Jr, in 1978. Oxford edition of The Faerie Queene by J.C. Smith in My frequent references to The Spenser Encyclope-1909, which collated the first two quartos and the dia, published now over a decade ago, indicate the first folio, was used in the edition of Spenser’s poet-continuing excellence of the entries by its distin-ical works by Smith and E. de Selincourt, 1912, with guished contributors." In Spenser: The Faerie Queene, 42. Routledge, 2014. http://dx.doi.org/10.4324/9781315834696-40.
Full textConference papers on the topic "1867-1936"
Shoup, Terry E., and Lilia Sanchez. "A Least-Squared Optimization Approach to the Design of Belleville Springs." In ASME 1991 International Computers in Engineering Conference and Exposition. American Society of Mechanical Engineers, 1991. http://dx.doi.org/10.1115/cie1991-0143.
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