Relevant bibliographies by topics / 1856-57

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic '1856-57'

Author: Grafiati
Published: 29 July 2024
Last updated: 1 August 2024

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Journal articles on the topic "1856-57"

1

Gajapersad, Gita. "Uit De Economist Van 1856-57." De Economist 154, no. 2 (May 9, 2006): 321–23. http://dx.doi.org/10.1007/s10645-006-9006-1.

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Milder, Robert. "An Arch Between Two Lives: Melville and the Mediterranean, 1856-57." Arizona Quarterly: A Journal of American Literature, Culture, and Theory 55, no. 4 (1999): 21–47. http://dx.doi.org/10.1353/arq.1999.0012.

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Sparks, Carol D., and Barton H. Barbour. "Reluctant Frontiersman: James Ross Larkin on the Santa Fe Trail, 1856-57." Western Historical Quarterly 23, no. 3 (August 1992): 374. http://dx.doi.org/10.2307/971522.

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Faux, Steven F. "Faint Footsteps of 1856-57 Retraced: The Location of the Iowa Mormon Handcart Route." Annals of Iowa 65, no. 2 (April 2006): 226–51. http://dx.doi.org/10.17077/0003-4827.1049.

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Fricke, Hans-Dierk. "Der vermiedene Krieg zwischen Preußen und der Schweiz: Operationsgeschichtliche Aspekte der »Neuenburger Affaire« 1856/57." Militaergeschichtliche Zeitschrift 61, no. 2 (December 1, 2002): 431–60. http://dx.doi.org/10.1524/mgzs.2002.61.2.431.

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Allen, Harry. "Native companions: Blandowski, Krefft and the Aborigines on the Murray River expedition." Proceedings of the Royal Society of Victoria 121, no. 1 (2009): 129. http://dx.doi.org/10.1071/rs09129.

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This paper explores relations between Blandowski, Krefft and the Aborigines during the 1856-57 Murray River expedition. As with many scientific enterprises in Australia, Aboriginal knowledge made a substantial contribution to the success of the expedition. While Blandowski generously acknowledged this, Krefft, who was responsible for the day to day running of the camp, maintained his distance from the Aborigines. The expedition context provides an insight into tensions between Blandowski and Krefft, and also into the complexities of the colonial project on the Murray River, which involved Aborigines, pastoralists, missionaries and scientists.
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Connor, J. T. H. "Bibliographic Ghostbusting: The Evanescent Life and Spirited Times of the Canadian Journal of Homoeopathy (1856-57)." Scientia Canadensis: Canadian Journal of the History of Science, Technology and Medicine 43, no. 1 (2021): 29. http://dx.doi.org/10.7202/1078924ar.

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Urroz Leal, Verónica. "La invención civilista del proyecto liberal como propiciadora del arte conmemorativo de la Campaña Nacional de 1856." Revista Espiga 7, no. 14 (December 1, 2007): 45. http://dx.doi.org/10.22458/re.v7i14.1063.

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El escrito gira en torno tanto a la campaña militar de 1856-°©‐‑ 57, como también de la figura del héroe nacional Juan Santamaría, como eje primordial de la creación artística al servicio de la invención civilista proyectada por los “padres” del Estado Liberal en Costa Rica. En estas páginas se abordan algunos de los productos artísticos que surgieron a propósito de la Campaña del 56, entre ellos el Monumento Nacional y la Estatua de Juan Santamaría, como también referentes iconográficos de la gesta patria en la labor plástica de Enrique Echandi y Francisco Amighetti, artistas de gran relevancia en la historia del arte costarricense.
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Allen, Harry. "Introduction: Looking again at William Blandowski." Proceedings of the Royal Society of Victoria 121, no. 1 (2009): 1. http://dx.doi.org/10.1071/rs09001.

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THE 150th Anniversary of William Blandowski’s 1856-57 expedition to the Murray River provided the opportunity for the Royal Society of Victoria to hold a symposium to reassess the significance of Blandowski’s life and career before, during and after his time in Australia. Despite Blandowski’s significant role in the early years of the Royal Society, few of its members had heard of Blandowski and even fewer knew of his work as an artist and naturalist. This was part of the impetus behind the symposium. Another was to make information on the Murray River expedition available to residents of northwest Victoria and southwest New South Wales, the area where most of its collecting took place.
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Stapleton, Timothy J. "The Memory of Maqoma: An Assessment of Jingqi Oral Tradition in Ciskei and Transkei." History in Africa 20 (1993): 321–35. http://dx.doi.org/10.2307/3171978.

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Dominated by a settler heritage, South African history has forgotten or degraded many Africans who had a significant impact on the region. The more recent liberal and radical schools also suffer from this tragic inheritance. Maqoma, a nineteenth century Xhosa chief who fought the expansionist Cape Colony in three frontier wars, has been a victim of similar distortion. He has been characterized as a drunken troublemaker and cattle thief who masterminded an unprovoked irruption into the colony in 1834 and eventually led his subjects into the irrational Cattle Killing catastrophe of 1856/57 in which thousands of Xhosa slaughtered their herds on the command of a teenage prophetess. Recently, the validity of this portrayal has been questioned. Alan Webster has demonstrated that, throughout the 1820s and early 1830s, Maqoma attempted to placate voracious European raiders by sending them cattle tribute. Only after the British army and Boer commandos had forced his Jingqi chiefdom off its land for the third time did this ruler order retaliatory stock raids against the colony in late 1834.
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Dissertations / Theses on the topic "1856-57"

1

Chaumont, Bérangère. ""Noire et blanche" : la fête de nuit dans la littérature romantique (1821-1856)." Thesis, Normandie, 2017. http://www.theses.fr/2017NORMR036.

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Le romantisme français est hanté par la fête de nuit, thème obsédant qui s’incarne dans les productions poétiques, dramatiques et narratives, majeures comme mineures, dès les libations de Smarra ou les Démons de la nuit de Charles Nodier. À partir de ce constat, cette thèse déploie et analyse le choix du cadre nocturne pour écrire la fête entre 1821 et 1856. L’étude du motif permet de rouvrir l’analyse de la nuit romantique pour montrer que ce thème livre, non pas une, mais plusieurs poétiques dont certaines se révèlent ancrées dans la modernité. La fête de nuit intègre tout d’abord l’imaginaire nocturne « traditionnel » du romantisme, lui-même hérité de représentations anciennes de la nuit, noire et claire. Or, ces nuits fantastiques, oniriques et lyriques ne sont pas toutes les nuits romantiques. Alors que la première moitié du XIXe siècle invente la nuit blanche, la littérature se fait la chambre d’échos bruyante de nuits parisiennes agitées, reflets d’une époque qui annonce les mythes de la ville-lumière et de la fête impériale. Ces images, qui circulent entre « littérature panoramique » et corpus romantique, trahissent la passion du siècle pour le spectaculaire. La fête de nuit transforme le quotidien en spectacle. Les fictions esquissent en outre des types de la fête de nuit parisienne souvent proches de la figure de l’auteur romantique, habituellement présenté comme un mélancolique solitaire. Porteuse de contrastes entre lumière et nuit, vie et mort, la fête de nuit apparaît finalement comme une posture existentielle et scripturaire adoptée par l’homme romantique qui entend se révolter contre la nuit noire, avec les feux et les fantaisies de la nuit blanche
As a writing pattern, night feasts haunt French Romanticism since Nodier’s Smarra ou les Démons de la nuit (1821). The motif appears in poetic, dramatic and narrative works, in major as well as in minor productions. This thesis answers the following question : why is the night the place to write feasts in French Romanticism, between 1821 and 1856 ? In this way, this dissertation reopens the analysis of the Romantic night and shows that this theme provides not once but various poetics, some of them announcing modernity. Certainly, night feasts are part of a Romantic “classical” nocturnal imagination, inherited from ancient traditions. But fantastic, dreamlike and lyrical hues are not the only colors of the Romantic nights. In fact, thanks to the invention of night life in the early 19th century, Romantic works reflect restless Parisian nights, during a period which discovers night leisure activities, forecasting the myth of City of Light and the entertainment’s industry blooming during the Second Empire area. The images of the night feast, which circulate between “panoramic literature” and Romantic literature, reveal the century’s burning passion for sight. These nocturnal festivities transform everyday life into a show. Furthermore, fictions are brimming with archetypal characters inhabiting the Parisian festive nights, themselves often suggestive of the Romantic figure of the author, usually depicted as a melancholic loner. Based on contrasts, between light and darkness, life and death, the night feast is also an existential and creative pattern for Romantic authors who are using the night life and their lights as a way to rise up against the dark night
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Wright, Laurence. "Archdeacon Merriman, ‘Caliban’, and the Cattle-Killing of 1856–57." 2008. http://hdl.handle.net/10962/d1007212.

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[From the introduction]: Did Archdeacon Merriman accept that Mhlakaza was Wilhelm Goliath? The short answer is that we don’t know. However, historical problems sometimes yield, or at least buckle slightly, when approached from unusual, tangential perspectives.I believe it can be shown that in the terrible aftermath of the Cattle-Killing, Nathaniel Merriman was brooding on his former servant, Wilhelm Goliath, and that evidence of this preoccupation emerges indirectly in a very open and unexpected forum: a public lecture on Shakespeare.
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Books on the topic "1856-57"

1

Larkin, James Ross. Reluctant frontiersman: James Ross Larkin on the Sante Fe Trail, 1856-57. Albuquerque: University of New Mexico Press, 1990.

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author, Danza Cynthia, ed. 311 Broadway Building, 311 Broadway, Manhattan: Built c. 1856-57; architect not determined. New York, N.Y.]: Landmarks Preservation Commission, 2010.

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author, Percival Marianne S., ed. 25 Park Place Building, 25 Park Place (aka 22 Murray Street), Borough of Manhattan: Built 1856-57 : Samuel Adams Warner, architect. New York, N.Y.]: Landmarks Preservation Commission, 2007.

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author, Percival Marianne S., ed. 23 Park Place Building , 23 Park Place (aka 20 Murray Street), Borough of Manhattan: Built 1856-57 : Samuel Adams Warner, architect. New York, N.Y.]: Landmarks Preservation Commission, 2007.

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Datta, Kalikinkar. The Santal insurrection of 1855-57. Calcutta: University of Calcutta, 1989.

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Dennis, Ronald. Zion's Trumpet: 1856-57 Welsh Mormon Periodical. Brigham Young University, 2017.

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The mutiny records: Oudh and Lucknow, 1856-57. Lahore: Sang-e-Meel Publications, 2004.

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Dwight, John Sullivan 1813-1893. Dwight's Journal of Music; V. 9-10, 1856-57. Creative Media Partners, LLC, 2021.

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Education, Massachusetts Board of. Annual Report of the Board of Education: 1856-57. Creative Media Partners, LLC, 2018.

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10

Ebey, Isaac. Diary Of Colonel Isaac N. And Mrs. Emily Ebey 1856-57. Kessinger Publishing, LLC, 2007.

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Book chapters on the topic "1856-57"

1

Blunt, Alison. "Home and Empire: Photographs of British Families in the Lucknow Album, 1856–57." In Picturing Place, 243–60. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003268260-14.

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von Roth, Dominik, and Ulrike Roesler. "Nr. 98 | Anonym [Johann Christian Lobe], „Das Gespenst der Zukunft“, in: Fliegende Blätter für Musik 2 (1855–57), Nr. 7 [nach dem 17. Juni 1856], S. 440–447." In Die Neudeutsche Schule – Phänomen und Geschichte, 1182–94. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-04923-0_98.

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Melville, Herman. "Journal 1856–57." In The Writings of Herman Melville: The Northwestern-Newberry Edition, Vol. 15: Journals, edited by Howard C. Horsford and Lynn Horth. Oxford University Press, 1989. http://dx.doi.org/10.1093/oseo/instance.00244469.

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"Decline: 1856-57." In Heinrich Wilhelm Ernst: Virtuoso Violinist, 213–22. Routledge, 2017. http://dx.doi.org/10.4324/9781315093048-20.

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"The Piazza (1856–57)." In Up from the Depths, 186–94. Princeton University Press, 2022. http://dx.doi.org/10.2307/j.ctv25c4zm0.26.

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"Chapter 22. The Piazza (1856–57)." In Up from the Depths, 186–94. Princeton University Press, 2022. http://dx.doi.org/10.1515/9780691236940-024.

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Carriere, Marius M. "The Decline of Know Nothingism: 1856–57." In The Know Nothings in Louisiana, 76–107. University Press of Mississippi, 2018. http://dx.doi.org/10.14325/mississippi/9781496816849.003.0005.

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This chapter discusses the continued Know Nothing election setbacks in the mid to late 1850s. However, the chapter emphasizes the belief that only the Know Nothings, according to many members, could avoid the sectional tension of the 1850s. While the state elections proved futile for the Know Nothings, the party continued to do well in Greater New Orleans. The chapter also continues to describe how Louisiana Democrats branded the Know Nothings as proscriptionists and abolitionists. The presidential election of 1860 is highlighted in this chapter with sectional stress assuming more importance than native Americanism. The ultimate failure of the Know Nothings in the state follows the party’s 1860 presidential election defeat and its gubernatorial defeat in 1857. Finally, the chapter summarizes how inexperience and lack of Know Nothing unity adversely affected the Know Nothings in these elections, as well as in the state legislature.
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"The Metaphysics of Indian-Hating (1856–57)." In Up from the Depths, 206–16. Princeton University Press, 2022. http://dx.doi.org/10.2307/j.ctv25c4zm0.28.

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"Collaborative Survival and Voices Abroad (1856–57)." In Collaborative Dickens, 78–101. Ohio University Press, 2019. http://dx.doi.org/10.2307/j.ctv224twng.9.

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Dickens, Charles. "To the Rev. Dr Henry Allon, [?1856–57]." In The British Academy/The Pilgrim Edition of the Letters of Charles Dickens, Vol. 8: 1856–1858, edited by Kathleen Mary Tillotson and Graham Storey, 500. Oxford University Press, 1995. http://dx.doi.org/10.1093/oseo/instance.00161659.

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