Dissertations / Theses on the topic '1846-1881 Criticism and interpretation'
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Loisel, Robert. "Figurines, suivi d'une, Etude de personnages." Thesis, McGill University, 1999. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=30184.
Full textThe second part of this thesis is an analysis of two Stefan Zweig short stories. In my analysis, I try to determine at which moment a character passes from being simply a character on paper to a "living" character. Thereby, I hope to disprove Florence Goyet's theory that a short story character is merely subjugated to a structure. I use the theory of reception, as Vincent Jouve used it to study novels.
Horst, Stephen Scott. "Dostoevsky as apologist." Thesis, University of Wales Trinity Saint David, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683031.
Full textEmmerson, Stephen B. "Programmatic and symbolic references in some early works of Bartók." Thesis, University of Oxford, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.670332.
Full textZhang, Zhaoyi. "Lu Xun : the Chinese "Gentle" Nietzsche = Lu Xun : Zhongguo "wen he" de Nicai." Frankfurt ; New York : Peter Lang, 2001. http://www.loc.gov/catdir/toc/fy02/2001038644.html.
Full textBerry, Robert James. "Conrad and Dostoevsky : an unsuspected brotherhood." Thesis, University of Stirling, 1993. http://hdl.handle.net/1893/2015.
Full textPanyaniti, Rawin. "Bartók as ethnomusicologist and composer: folk music and art music influences on his musical language." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1998. http://hub.hku.hk/bib/B31223278.
Full textYaffe, Phyllis Cohen 1948. "The 'artist and model' theme in Picasso's work between 1926 and 1963 /." Thesis, McGill University, 1987. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=74042.
Full textMontano, Rodríguez Rafael. "De raza a cultura : un acercamiento crítico al concepto de mestizaje y mexicanidad en Vasconcelos, Ramos, Paz y Fuentes." Thesis, McGill University, 1994. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=68123.
Full textCheng, Maorong. "Literary modernity : Studies in Lu Xun and Shen Congwen." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0018/NQ46330.pdf.
Full text車明星. "魯迅小說中的 人 : 吶喊 、 彷徨 初探 = The Being in Lu Xun's shortstory." Thesis, University of Macau, 2005. http://umaclib3.umac.mo/record=b1636171.
Full textTardin, Bruno Oliveira. "Nos umbrais da Frívola City: perversão e modernidade em Dentro da noite, de João do Rio." Universidade Federal de Viçosa, 2014. http://locus.ufv.br/handle/123456789/4892.
Full textConselho Nacional de Desenvolvimento Científico e Tecnológico
The work here presented aims to examine, from the psychoanalytic theory of Freudian and Jungian tradition, as well as from the theoretical postulates over the representation of modernity via the Literary Arts, in Latuf Isaias Mucci, Renato Cordeiro Gomes and Walter Benjamin, against the modern ambience brought by the years of the Belle Époque Rio de Janeiro‟s native folk, as well as ascertain the manifestation of perverse types and standards via the modern subject, through the bias of the literary discourse announced by João do Rio in his work Within the night. The goal is to properly apply the theoretical-critical fortune rescued in the study of the tales present in João do Rio‟s collectanea, in order to prove the existence of a phenomenology of perversion within his literary types.
O trabalho que aqui se apresenta tem por objetivo analisar, a partir da teoria psicanalítica de tradição freudiana e jungiana, bem como dos postulados teóricos a respeito da representação da modernidade pela Literatura, de Latuf Isaias Mucci, Renato Cordeiro Gomes e Walter Benjamin, diante do clima de modernidade instaurado pelos anos da Belle Époque de manifestação carioca, bem como averiguar a manifestação de tipos e padrões perversos através do sujeito moderno, pelo viés do discurso literário de João do Rio em sua obra Dentro da noite. A meta é aplicar adequadamente a fortuna teórico-crítica resgatada no estudo dos contos presentes na coletânea de João do Rio, a fim de que se comprove a existência de uma fenomenologia da perversão dentro de seus tipos literários.
張燁. "A traducao literal como instrumento de mudanca : o tradutor Lu Xun." Thesis, University of Macau, 2009. http://umaclib3.umac.mo/record=b2129840.
Full text楊海一. "卡夫卡和魯迅比較研究 = A comparative study on Kafka and Luxun." Thesis, University of Macau, 2005. http://umaclib3.umac.mo/record=b1636183.
Full textPea, John B. "Black Elk, Neihardt, and the defeated hero." Virtual Press, 1991. http://liblink.bsu.edu/uhtbin/catkey/834124.
Full textDepartment of English
Chaves, Ramon Silva. "A paratopia do estigma: identidade e relato de si no discurso Recordações do escrivão Isaías Caminha, de Lima Barreto." Pontifícia Universidade Católica de São Paulo, 2018. https://tede2.pucsp.br/handle/handle/21512.
Full textMade available in DSpace on 2018-10-22T12:31:17Z (GMT). No. of bitstreams: 1 Ramon Silva Chaves.pdf: 1284894 bytes, checksum: 1ac63025fa80746c4b2dd18e342dae2a (MD5) Previous issue date: 2018-09-05
Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES
This thesis looks at paratopia of stigma and black identity in the literary discourse Recordações do Escrivão Isaías Caminha written by Lima Barreto in Brazil in 1909. Our research is based on French Discourse Analysis and predominantly on the theoretical-methodological assumptions of Dominique Maingueneau (1997;2015) about the constitutional literary discourse and literary paratopia. The main concern of this research is how the identity of the black Brazilian, an identity built under a violent system of social, economic and historical exploitation, behaves in the literary discourse Recordações do Escrivão Isaías Caminha? Our research hypothesis is that paratopia engender through stigma, a concept developed by Goffman (2012) to remodel the black identity through a historical reassessment and thus, promoting the effect of giving an account of oneself, a concept developed by Butler (2017). Our main goal is to study paratopia and use it to evaluate the construction of a black identity shaped early in the 20th century so as to become stigmatized. Our specific objective is to verify the scenographic organization and the constitution of the discursive ethos in the composition of literary paratopia in Recordações do Escrivão Isaías Caminha. Our thesis innovate when evaluating a corpus that is usually analyzed in Literature. Furthermore, it broadens the paratopia category by proposing the paratopia of stigma and associating it to ethnic-racial issues
Esta tese examina a paratopia do estigma e a identidade do negro no discurso literário Recordações do Escrivão Isaías Caminha, de Lima Barreto, produzido em 1909, no Brasil. Nossa pesquisa está fundamentada na Análise do Discurso de inspiração francesa, sobretudo, nos pressupostos teórico-metodológicos de Dominique Maingueneau (1997;2015) sobre o discurso constituinte literário e a paratopia literária. A questão central que essa pesquisa busca resolver é: como a identidade do negro brasileiro, construída sob um violento esquema de exploração social, econômico e histórico se comporta na construção do discurso literário Recordações do Escrivão Isaías Caminha? Como hipótese de pesquisa, entendemos que a paratopia se engendra por meio do estigma, noção apresentada por Goffman (2012), para remodelar a identidade do negro por meio de uma revisão histórica, promovendo, deste modo, o efeito de relato de si, noção apresentada por Butler (2017). Nosso objetivo geral é o de examinar a paratopia e por meio disso a avaliar a construção da identidade do negro que, no início do século XX, foi modelada de maneira a se tornar estigmatizada. Como objetivo específico queremos verificar a organização da cenografia e a constituição do ethos discursivo na composição da paratopia literária em Recordações do escrivão Isaías Caminha. Nossa tese inova ao avaliar um corpus tradicionalmente analisado pela Literatura. Além disso, busca ampliar a categoria de paratopia, pela proposição da paratopia do estigma, associando-a às questões étnico-raciais
嚴吳嬋霞. "魯迅與中國兒童文學的發展." Thesis, University of Macau, 1987. http://umaclib3.umac.mo/record=b1636197.
Full text"中德現代文化想像對話: 尼采思想在中國的詮釋." 2000. http://library.cuhk.edu.hk/record=b5895815.
Full text"2000年8月"
論文 (哲學碩士)--香港中文大學, 2000.
參考文獻 (leaves 89-97)
附中英文摘要.
"2000 nian 8 yue"
Zhuang Weihong.
Lun wen (zhe xue shuo shi)--Xianggang Zhong wen da xue, 2000.
Can kao wen xian (leaves 89-97)
Fu Zhong Ying wen zhai yao.
Chapter 一、 --- 引論 --- p.4
Chapter i. --- 現代槪念的構成 --- p.4
Chapter ii. --- 追求「現代」的文化史 --- p.6
Chapter iii. --- 理論結構 --- p.7
Chapter iv. --- 硏究限制 --- p.8
Chapter 二、 --- 中國現代化研究的重新審視 --- p.10
Chapter 1. --- 五四硏究的文獻回顧 --- p.10
Chapter i. --- 充滿意識形態的研究論題 --- p.10
Chapter ii. --- 反傳統主義論爭的由來 --- p.12
Chapter iii. --- 中心性硏究的批判 --- p.13
Chapter 2. --- 研究方法:哲學詮釋學 --- p.15
Chapter i. --- 效果歷史的形成
Chapter ii. --- 視界融合法則 --- p.17
Chapter iii. --- 詮釋的極限 --- p.19
Chapter 3. --- 現代文化想像的結構 --- p.21
Chapter 4. --- 「尼采與中國」的研究回顧 --- p.22
Chapter 5. --- 小結 --- p.24
Chapter 三、 --- 尼采在中國:視界融合的開始 --- p.26
Chapter 1. --- 尼采´ؤ與痛苦作戰的命途 --- p.27
Chapter i. --- 尼采的生平 --- p.27
Chapter ii. --- 尼采的思想 --- p.28
Chapter 2. --- 尼采在中國的歷史 --- p.31
Chapter 3. --- 五四知識份子詮釋尼采的特徵 --- p.34
Chapter i. --- 傳統成見下的詮釋:尼采作爲「反傳統」的符號 --- p.35
Chapter ii. --- 傳統成見下的詮釋:尼采作爲現代的符號 --- p.37
Chapter iii. --- 進化的呼喚 --- p.39
Chapter 4. --- 小結 --- p.40
Chapter 四、 --- 魯迅與尼采話語 --- p.42
Chapter 1. --- 魯迅與尼采的邂逅 --- p.43
Chapter i. --- 魯迅鬥爭的一生 --- p.43
Chapter ii. --- 前人的成果 --- p.44
Chapter iii. --- 尼采影響魯迅的程度 --- p.45
Chapter 2. --- 視界融合的準備:尼采與魯迅的現代文化藍圖 --- p.45
Chapter i. --- 魯迅的尼采話語 --- p.45
Chapter ii. --- 早期魯迅與尼采 --- p.49
Chapter iii. --- 精神戰士的讚歌 --- p.50
Chapter iv. --- 個人主義的疑惑 --- p.51
Chapter 3. --- 小結 --- p.53
Chapter 五、 --- 魯迅、尼采與傳統:從理解到融合 --- p.55
Chapter 1. --- 魯迅的尼采詮釋結構 --- p.55
Chapter 2. --- 進化論-雙重危機之下的超人「前見」 --- p.56
Chapter i. --- 尼采與終極關懷 --- p.57
Chapter ii. --- 魯迅的「前見」:虛無主義在中國 --- p.58
Chapter iii. --- 〈傷逝〉:終極關懷的雙重文本 --- p.59
Chapter iv. --- 呼喚力量的超人 --- p.62
Chapter V. --- 魯迅的超人心理意象:進化的超人 --- p.63
Chapter 3. --- 憐憫的弔詭-傳統「前見」下的超人 --- p.65
Chapter i. --- 超人與庸眾的矛盾 --- p.65
Chapter ii. --- 人道主義與超人的矛盾 --- p.66
Chapter iii. --- 超人與聖人的矛盾:一個心理分析 --- p.61
Chapter 4. --- 超人眼中的中國傳統 --- p.70
Chapter i. --- 超人和聖人之間的調和 --- p.70
Chapter ii. --- 〈狂人日記〉:庸眾與傳統 --- p.72
Chapter iii. --- 庸眾性心意圖象:魯迅文化心理的結構性分析 --- p.74
Chapter iv. --- 傳統徘徊於正負之間 --- p.75
Chapter v. --- 哀其不幸、怒其不爭:魯迅的現代文化意象 --- p.75
Chapter 5. --- 小結 --- p.80
Chapter 六、 --- 前瞻:尼采在中國一個未完的計劃 --- p.82
Chapter 1. --- 超人-一個被遺忘的現代想像 --- p.83
Chapter 2. --- 中國的後現代濫觴 --- p.84
Chapter 2. --- 傳統及現代 --- p.86
Chapter 2. --- 尼采在中國:一個未完成的計劃 --- p.87
參考書目 --- p.89
Schiefer, Barbara Claudia. "Dostoevsky's view of the Intelligentsia in 19th century Russia : a study of his major works." Diss., 1992. http://hdl.handle.net/10500/17674.
Full textLinguistics and Modern Languages
M.A. (Russian)
Schiefer, Barbara Claudia. "Dostoevsky's view of the "Intelligentsia" in 19th century Russia : a study of his major novels." Diss., 1992. http://hdl.handle.net/10500/17674.
Full textLinguistics and Modern Languages
M.A. (Russian)
"技術時代的翻譯與寫作: 以本雅明的「技巧」槪念重新測繪鲁迅的寫作地圖." 2000. http://library.cuhk.edu.hk/record=b5895835.
Full text"2000年8月"
論文 (哲學碩士)--香港中文大學, 2000.
參考文獻 (leaves 133-146)
附中英文摘要.
"2000 nian 8 yue"
Zhang Lijun.
Lun wen (zhe xue shuo shi)--Xianggang Zhong wen da xue, 2000.
Can kao wen xian (leaves1 133-146)
Fu Zhong Ying wen zhai yao.
Chapter 緒論
Chapter 第一節 --- 硏究目的及方法 --- p.1-6
Chapter 第二節 --- 硏究背景及簡介 --- p.6-8
Chapter 上篇 --- 文字的拱廊與時間的影象´ؤ´ؤ論魯迅的直譯與雜文
Chapter 第一節 --- 引言 --- p.9-13
Chapter 第二節 --- 翻譯與希望一一論魯迅的「直譯」 --- p.14-34
Chapter 第三節 --- 解剖圖說與歷史照相學 一一論魯迅的「雜文」 --- p.34-59
Chapter 第四節 --- 小結 --- p.59-61
Chapter 下篇 --- 可技術複製性時代的傳統技藝´ؤ´ؤ論魯迅作品中的「破壞」 與「救贖」
Chapter 第一節 --- 引言 --- p.62-63
Chapter 第二節 --- 傳統經驗的「不可傳遞性」 --- p.63-67
Chapter 第三節 --- 「幻燈片事件」中的技術與暴力 --- p.67-78
Chapter 第四節 --- 病態國民照相 ´ؤ´ؤ論魯迅小說中的媒體經驗 --- p.79-100
Chapter 第五節 --- 從〈懷舊〉到《故事新編》 ´ؤ´ؤ魯迅小說寫作中的「傳統技巧」 與「救贖」 --- p.100-128
Chapter 第六節 --- 小結:「破壞」與「救贖」 --- p.128-131
結語 --- p.132
參考書目 --- p.133-146
Bowen, Nellie. "Stylistic principles in three chamber works by Bela Bartok with particular reference to the role of the piano." Thesis, 1990. http://hdl.handle.net/10413/8917.
Full textThesis (M.Mus.)-University of Natal, Durban, 1990.
Keefer, James Robinson. "Dynasties of demons : cannibalism from Lu Xun to Yu Hua." Thesis, 2002. http://hdl.handle.net/2429/13094.
Full textTerrell, Nicholas James. "The burden of absolutism : transcendent idealism in Clough and Dostoevsky." Phd thesis, 2001. http://hdl.handle.net/1885/146191.
Full textBrukman, Jeffrey James. "Expanded tonality in three early piano works of Béla Bartók (1881-1945)." Diss., 1998. http://hdl.handle.net/10500/16102.
Full textMusicology
M.Mus.
Alblas, Anton. "La pratique journalière : Gide et Amiel: essai sur la pratique gidienne du journal vue par rapport au Journal intime d'Henri-Frédéric Amiel." Master's thesis, 1994. http://hdl.handle.net/1885/139450.
Full textCristo, George Constantine. "Unraveling Walt Whitman." Thesis, 2007. http://hdl.handle.net/1805/899.
Full textTitle from screen (viewed on Apr. 27, 2007) Department of English, Indiana University-Purdue University Indianapolis (IUPUI) Includes vita. Includes bibliographical references (leaves 65-70)
Bradley, Jocelyn. "An analysis of interpretations of F.M. Dostoevsky's the devils by soviet literary criticism during glasnost (1985-1991)." Thesis, 2016. http://hdl.handle.net/10539/20895.
Full textThis thesis undertakes to examine the interdependence of ideology and literary scholarship, in particular regarding the legacy of F.M. Dostoevsky, in the Soviet Union; and to investigate the reflection of political and ideological agenda in Soviet literary criticism's interpretations of Dostoevsky's novel, The Devils during the era of glasnost, 1985-1991. I shall isolate, identify and describe the principal, ideological trends reflected in literary critiques and analyses of this novel, published in the Soviet Union during this specific period of time. My thesis will build on and develop previous research conducted around the analysis of Ideological trends in the Soviet Union through a study of literature and official literary criticism. Western commentators, such as B J.Simmons,V. Seduro, and H. Mondry have demonstrated the correlation between. general shifts in Party domestic and international policy and the ideological viewpoints expressed in literature and literary criticism. They have found it to be a valid practice to analyse certain political, social and ideological factors in the Soviet Union through a close study of literature and literary criticism. In continuing this research, I shall demonstrate that Soviet literary criticism during glasnost could still be regarded as a mirror of political and ideological changes in society, and that Soviet criticism's interpretations of Dostoevsky's The Devils could once again be used to help distinguish, delineate and clarify the ideological trends that existed in Soviet Society during this era. I shall begin my analysis with a consideration of the effects of Gorbachev's glasnost reforms on Soviet culture in general, and on literary cd]~'cal practice in particular; and of the role that literary criticism played in Soviet society during this area. I shall then proceed to a brief historical overview of interpretations of The Devils by Russian and Soviet literary critics, from its publication until the eve of the glasnost reforms, This will demonstrate both the manner in which literary criticism has mirrored Ideological trends in the USSR, and the validity of centring my research on this novel. From there, I shall turn to an examination of how interpretations Offered by Soviet literary critics of The Devils, as well as attitudes expressed by them regarding the writer's world outlook, reflected the ideological trends that existed In Soviet society during glasnost. The interpretations to be analysed will be taken from a broad range of Soviet literary periodicals, mono graphs, and discussions, published in the Soviet Union between 1985 and 1992
"Nationalism as dilemma in (semi)colonial contexts: reading the short stories of James Joyce and Lu Xun politically." 2008. http://library.cuhk.edu.hk/record=b5896865.
Full textThesis (M.Phil.)--Chinese University of Hong Kong, 2008.
Includes bibliographical references (leaves 99-103).
Abstracts in English and Chinese.
Acknowledgements --- p.iii
Abstract --- p.iv
摘要 --- p.vi
Abbreviations --- p.viii
Chapter Chapter One: --- Introduction --- p.1
Nation and nationalism: problems and dilemmas --- p.2
James Joyce and Lu Xun --- p.10
Critical / ironical nationalism? --- p.16
Chapter Chapter Two: --- Negative Images of the Homeland --- p.21
Haunting death and insanity --- p.22
Problematic national identity and “backward´ح national character --- p.33
Chapter Chapter Three: --- Doubts Towards the Foreign Powers --- p.39
Criticizing the self-imposed inferiority --- p.42
Failed intellectuals --- p.53
Chapter Chapter Four: --- Rescuing the Nation Through Language --- p.63
Disillusionment with political revolutions --- p.63
Literary experimentations as alternative salvation --- p.76
Chapter Chapter Five: --- Conclusion --- p.83
After the short stories --- p.83
Exile and role of the intellectual --- p.89
Literature and politics --- p.96
WORKS CITED --- p.99