Academic literature on the topic '1843-1916'
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Journal articles on the topic "1843-1916"
Young, Barbara. "The beast in the jungle: Henry James 1843-1916." International Journal of Applied Psychoanalytic Studies 5, no. 4 (December 2008): 225–37. http://dx.doi.org/10.1002/aps.134.
Full textLoderer, Klaus J. "Christian Gottfried Hämmerle (1843 bis 1916) und die Backnanger Friedhofkapelle." Backnanger Jahrbuch 17 (December 22, 2023): 114–38. http://dx.doi.org/10.53458/bjb.v17i.9380.
Full textDörfel, Thorleif H., and Michael Ohl. "The wasp genus Sphex in Sub-Saharan Africa (Hymenoptera: Sphecidae)." European Journal of Taxonomy 796 (February 23, 2022): 1–170. http://dx.doi.org/10.5852/ejt.2022.796.1665.
Full textStekolshchikov, A. V., A. V. Gavrilyuk, and T. A. Novgorodova. "First records of some aphid species from Western Siberia (Homoptera: Aphididoidea)." Zoosystematica Rossica 16, no. 2 (December 20, 2007): 168. http://dx.doi.org/10.31610/zsr/2007.16.2.168.
Full textHam, G. van der. "J. Perry, Ons fatsoen als natie. Victor de Stuers 1843-1916." BMGN - Low Countries Historical Review 121, no. 1 (January 1, 2006): 157. http://dx.doi.org/10.18352/bmgn-lchr.6374.
Full textBousquet, Yves. "A REVIEW OF THE NORTH AMERICAN SPECIES OF RHIZOPHAGUS HERBST AND A REVISION OF THE NEARCTIC MEMBERS OF THE SUBGENUS ANOMOPHAGUS REITTER (COLEOPTERA: RHIZOPHAGIDAE)." Canadian Entomologist 122, no. 1 (February 1990): 131–71. http://dx.doi.org/10.4039/ent122131-1.
Full textCOLONNELLI, ENZO. "A revised checklist of Italian Curculionoidea (Coleoptera)." Zootaxa 337, no. 1 (October 24, 2003): 1. http://dx.doi.org/10.11646/zootaxa.337.1.1.
Full textGemie, Sharif. "Politics, Morality and the Bourgeoisie: The Work of Paul Leroy-Beaulieu (1843-1916." Journal of Contemporary History 27, no. 2 (April 1992): 345–62. http://dx.doi.org/10.1177/002200949202700207.
Full textMudure, Mihaela. "Carmen Sylva (Queen Elisabeth of Romania): A Trans-National Writer." Gender Studies 22, no. 1 (December 1, 2023): 144–67. http://dx.doi.org/10.2478/genst-2023-0039.
Full textTapinos, Georges Photios. "Paul Leroy-Beaulieu et la question de la population. L'impératif démographique, limite du libéralisme économique." Population Vol. 54, no. 1 (January 1, 1999): 103–24. http://dx.doi.org/10.3917/popu.p1999.54n1.0124.
Full textDissertations / Theses on the topic "1843-1916"
Valihora, Karen. "Reading the late James." Thesis, McGill University, 1991. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=61044.
Full textSchooling, Dominique. "Le visuel et le textuel dans les trois derniers romans de Henry James." Paris 3, 2004. http://www.theses.fr/2004PA030162.
Full textThis study is based on the visual and textual aspects of Henry James's last three novels : The Ambassadors, The Wings of the Dove and The Golden Bowl. I The Ambassadors Definition of the process of vision (from seeing to knowing); study of the descriptive technique and of point of view: conclusion on Strether's visual adventure in terms of anamorphosis. II The Wings of the Dove. Study of descriptions compared to Balzac's; definition of metaphor and classification; Milly's metaphoric metamorphosis as a dove; seduction as a theme and a technique. III The Golden Bowl. Study of description compared to the first two novels: derealisation of the fictional world; game, building and theatre images; from duplicity to duality: symbolic split/schism linked to the problem of interpretation
Tredy, Dennis. "Le regard innocent : le reflecteur et sa fonction dans les oeuvres de la période expérimentale de Henry James (1895-1899)." Aix-Marseille 1, 2003. http://www.theses.fr/2002AIX1A002.
Full textNeethling, Miemie. "Cape curtains : a study of selected Cape Town theatres, 1843-1916." Thesis, Stellenbosch : Stellenbosch University, 2002. http://hdl.handle.net/10019.1/52726.
Full textENGLISH ABSTRACT: This study aims to reconstruct the history of the Capetonian theatrical venue of the second half of the 19th century. It explores the many different venues used for theatrical activities. Venues discussed include amateur theatres such as the Hope Street Theatre, Roeland Street Theatre, Haupt's Theatre and the Drury Lane Theatre. Due to the extensive research already done on the African Theatre on Riebeeck Square and the Garrison Theatre they are only briefly mentioned as part of the background to the social dynamics of Victorian Cape Town. Quite often venues such as banqueting halls, drawing-rooms and wine stores doubled as theatrical venues. Halls discussed include the Oddfellows Hall, the Mutual Hall and the Drill Hall. Although the main objective of the study was the theatrical venue, it is impossible not to mention the different drama companies that occupied these venues. Therefore, the activities of the drama companies were also discussed to a certain extent, because of the strong interrelationship between company and theatre house. These include, among others, the companies of Sefton Parry and Disney Roebuck. For the purpose of this study the theatrical venue has been defined as an indoors space, which is divided into two clearly demarcated areas, namely the stage and the auditorium. Because of this definition the early African theatrical activities are not included in this study and it deals rather with the Western theatre tradition, namely that of the early Dutch and English artists. The study deals primarily with the dominant English theatre post-1850 and the shift from amateur to professional theatricals. Professional theatres include the Theatre Royals of Harrington Street and Burg Street, the Exhibition Theatre and the Good Hope Theatre. At the end of the thesis parallels are drawn between the 19th and 20th century theatre houses such as the Opera House and the Tivoli Theatre. Another issue addressed by the study is the quest for a permanent theatrical venue or building in the early Cape theatre tradition.
AFRIKAANSE OPSOMMING: Die studie poog om die geskiedenis van die Kaapse teaters te herstruktureer. Dit ondersoek die verskillende plekke en geboue wat vir teater aktiwiteite gebruik is gedurende die tweede helfte van die 19de eeu. Amateur teaters wat bespreek word is onder andere, die Hoopstraat Teater, die Roelandstraat Teater, Haupt se Teater en die Drury Lane Teater. Die Afrika Teater op Riebeeck Plein en die Garnisoen Teater vorm nie deel van hierdie studie nie, aangesien daar alreeds heelwat oor hierdie twee teaters geskryf is. Daar word slegs kortliks in die Inleiding na hulle verwys in die agtergrond tot Kaapstad gedurende die Victoriaanse tydperk. Dramas is nie net in formele teaters aangebied nie, maar ook in verskeie informele plekke soos banketsale en dies meer. Sale wat gebruik is vir sulke doeleindes was onder meer die Oddfellows Saal en die Mutual Saal. Alhoewel die hoof oogmerk van die studie die vermaaklikheidsplek (theatrical venue) is, sou dit onvoldoende wees om nie die verskillende drama geselskappe te noem wat in hierdie plekke opgetree het nie. Daarom is die aktiwiteite van die geselskappe ook bespreek na gelang van hul betrokkenheid by spesifieke teaters, onder andere die van Sefton Parry, James Lycett en Disney Roebuck. Die vermaaklikheidsplek word vir die doeleindes van hierdie studie gedefinieer as 'n binnehuise spasie wat verdeel word in twee duidelik afgebakende areas, naamlik die speelarea en die ouditorium. Die definisie hou egter sekere beperkinge in: Dit sluit die vroee inheemse Afrika teater aktiwiteite uit. Gevolglik word die vroee Westerse teater tradisie van die Hollanders en die Engelse bespreek. Die studie fokus hoofsaaklik op die meer dominante Engelse teater gedurende die tweede helfte van die 19de eeu, en die oorskakeling van amateur na professionele drama. Professionele teaters wat bespreek word is die Theatre Royals (Harrington Straat en Burg Straat), die Exhibition Teater en die Goeie Hoop Teater. Aan die einde van die tesis word daar 'n vergelyking getref tussen die 19de en 20ste eeuse teaters, soos byvoorbeeld die Operahuis (1893) en die Tivoli Teater (1903). Nog 'n aspek wat aangespreek word is die soeke na 'n permanente teatergebou binne die vroee Kaapse teater tradisie.
Durand-Bogaert, Fabienne. "De la séparation : Henry James du point de vue de ses traductions en langue française." Paris, EHESS, 1999. http://www.theses.fr/1999EHES0A16.
Full textWilliamson, C. L. "The practice of power in Henry James' The portrait of a lady, The wings of the dove and The golden bowl." Thesis, The University of Sydney, 1988. https://hdl.handle.net/2123/26288.
Full textIscu, Ionescu Andreea. "La correspondance de Henry James : hétéroglossia ou l'irréductibilité du Moi à travers les voix de l'écriture." Paris 7, 2013. http://www.theses.fr/2013PA070021.
Full textA prolific letter writer, Henry James composed more than fifteen thousand letters during his life, of which around ten thousand have survived but only a little over three thousand have been brought to light. Through this study of his published letters, I intend to demonstrate the ambivalence and the ambiguities of a man whose entire social relationships were subordinated to his wish to complete his work. In order to reach his goal and acquire the peace he desires, he puts on masks, disguising himself behind a contrived and disconcerting style that often confuses the meaning of his message. In addition, wishing to escape being unmasked as well as avoiding any kind of limited or simplistic image, James persists in erasing himself in the text, hiding himself behind his writing. This study attempts to folio w the series of such strategies deployed in his letters. A first detailed study of James' correspondence, this pièce of research focuses on a specific body of texts, particularly those presenting something out of the ordinary, which depart from the normal constraints of the genre, and not giving attention to regular themes unless the expressions used are unusual. There is a real polyphony to be discovered in this correspondence. This is discernible in the various ways that James addresses his recipients (something I’ve called "the voice of the writing"); it represents a diversity of speech at the heart of his letter writing. An analysis of the architecture of these "voices" unveils the writer's ambition to captivate and amaze his correspondents, but also to manipulate them by stopping and then starting the exchange of letters at his own volition
Seddon, Deborah Ann. "At play in the master's workshop: the experience of reading in the novels of Henry James." Thesis, Rhodes University, 1998. http://hdl.handle.net/10962/d1007451.
Full textPradeilles, Elisabeth. "La rupture dans les nouvelles fantastiques de Henry James." Paris 3, 1997. http://www.theses.fr/1997PA030091.
Full textHenry james's ghost stories - inasmuch as they obey the definition of the fantastic as a rupture of established order and as they rely on the obsessive consciousness of inevitable death expressing itself in the closure of a text which remains, however, forever resumed and mended in the hope of avoiding this promised end (ing) - form a linguistic << amusette >>, whose aim is to fill in a gap where fiction writing is hardly capable of retranscribing its own failures through devices of spacing and framing such as those psychoanalysis and art history have now made us used to. Between plato and derrida, jamesian writing wavers between presence and absence, thus introducing us to the writing and thought of our century
Geoffroy-Menoux, Sophie. "Henry James et la création fantastique." Toulouse 2, 1991. http://www.theses.fr/1991TOU20066.
Full textBooks on the topic "1843-1916"
Joel, Porte, ed. New essays on The portrait of a lady. Cambridge [England]: Cambridge University Press, 1990.
Find full textNeuwied, Kreismuseum, ed. Carmen Sylva, Königin Elisabeth von Rumänien (1843-1916). Neuwied: Kreismuseum Neuwied, 1999.
Find full textHocks, Richard A. The ambassadors: Consciousness, culture, poetry. New York: Twayne Publishers, 1997.
Find full textKrook, Dorothea. Henry James's The ambassadors: A critical study. New York: AMS Press, 1996.
Find full textKrook-Gilead, Dorothea. Henry James's The ambassadors: A critical study. New York: AMS Press, 1996.
Find full textCross, Mary. Henry James: The contingencies of style. Basingstoke: Macmillan P., 1993.
Find full textMerle, Roger. Carmen Sylva: L'extravagante reine Élisabeth de Roumanie, 1843-1916. Colomiers, BP 84, 31772 Cedex: M. Ittah, 1999.
Find full textMerle, Roger. Carmen Sylva: L'extravagante reine Elisabeth de Roumanie (1843-1916). Colomiers: M. Ittah, 1999.
Find full textBadea-Păun, Gabriel. Carmen Sylva: Uimitoarea regină Elisabeta a României 1843-1916. 2nd ed. București: Humanitas, 2007.
Find full textBender, Claire E. A concordance to Henry James's The turn of the screw. New York: Garland, 1988.
Find full textBook chapters on the topic "1843-1916"
Harden, Edgar F. "Chronology 1843–1916." In A Henry James Chronology, 5–148. London: Palgrave Macmillan UK, 2005. http://dx.doi.org/10.1057/9780230502796_3.
Full textSwiniarski, Louise. "Susan Blow (1843–1916)." In Early Years Pioneers in Context, 65–78. New York, NY : Routledge, 2016.: Routledge, 2016. http://dx.doi.org/10.4324/9781315747026-5.
Full textMcEwan, Neil. "Henry James 1843–1916." In The Twentieth Century (1900–present), 20–37. London: Macmillan Education UK, 1989. http://dx.doi.org/10.1007/978-1-349-20151-8_2.
Full textHébert, R. F. "Leroy-Beaulieu, Pierre-Paul (1843–1916)." In The New Palgrave Dictionary of Economics, 1–2. London: Palgrave Macmillan UK, 1987. http://dx.doi.org/10.1057/978-1-349-95121-5_1197-1.
Full textHébert, R. F. "Leroy-Beaulieu, Pierre-Paul (1843–1916)." In The New Palgrave Dictionary of Economics, 1–2. London: Palgrave Macmillan UK, 2008. http://dx.doi.org/10.1057/978-1-349-95121-5_1197-2.
Full textHébert, R. F. "Leroy-Beaulieu, Pierre-Paul (1843–1916)." In The New Palgrave Dictionary of Economics, 7788–89. London: Palgrave Macmillan UK, 2018. http://dx.doi.org/10.1057/978-1-349-95189-5_1197.
Full textBarclay, Katie, and François Soyer. "Henry James (1843–1916), What Maisie Knew." In Emotions in Europe 1517–1914, 128–33. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003175537-20.
Full text"Henry James (1843-1916)." In The Twentieth-Century American Fiction Handbook, 37–42. Oxford, UK: Wiley-Blackwell, 2012. http://dx.doi.org/10.1002/9781444393675.ch6.
Full textStone, Donald. "Henry James (1843–1916)." In The Cambridge History of Literary Criticism, 440–63. Cambridge University Press, 2013. http://dx.doi.org/10.1017/cho9781139018456.030.
Full textJohnson, Kendall. "Henry James, 1843–1916." In A Historical Guide to Henry James, 14–52. Oxford University Press, 2012. http://dx.doi.org/10.1093/acprof:osobl/9780195121353.003.0002.
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