Academic literature on the topic '1816-1855'
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Journal articles on the topic "1816-1855"
Rocha, Patricia Carvalho. "A PERFORMANCE DE GÊNERO EM THE PROFESSOR: UMA REVERSÃO DE EXPECTATIVAS." Em Tese 15 (December 31, 2009): 55. http://dx.doi.org/10.17851/1982-0739.15.0.55-61.
Full textStaines, Charles L., and Susan L. Staines. "Joseph Sugar Baly: The man and his entomological works." Beiträge zur Entomologie = Contributions to Entomology 49, no. 2 (September 13, 1999): 489–530. http://dx.doi.org/10.21248/contrib.entomol.49.2.489-530.
Full textСавченко, С. "Спалах зірки. До 200-річчя від дня народження Ш. Бронте (1816-1855)." Дати і події, no. 1 (7), перше півріччя 2016 (2015): 88–92.
Find full textSchaller, Enrique César. "Los puertos de la provincia de Corrientes. Organización, equipamiento y actividad comercial (1816-1855)." Folia Histórica del Nordeste, no. 24 (April 24, 2015): 59. http://dx.doi.org/10.30972/fhn.024300.
Full textDebarbat, Suzanne. "L'arc Geodesique le Plus Long: Delisle, Les Struve et L'observatoire de Pulkovo." Symposium - International Astronomical Union 141 (1990): 25–28. http://dx.doi.org/10.1017/s0074180900086125.
Full textPaul, Vinil Baby. "‘Onesimus to Philemon’: Runaway Slaves and Religious Conversion in Colonial ‘Kerala’, India, 1816–1855." International Journal of Asian Christianity 4, no. 1 (March 9, 2021): 50–71. http://dx.doi.org/10.1163/25424246-04010004.
Full textBosson, Alain. "Le traitement de la rage chez l'homme dans les campagnes vaudoises et fribourgeoises avant Pasteur: les observations thérapeutiques des Drs Guisan et Schaller au milieu du XIXe siècle." Gesnerus 58, no. 3-4 (December 3, 2001): 339–49. http://dx.doi.org/10.1163/22977953-0580304019.
Full textLancashire, Robert. "Jamaican Chemists in Early Global Communication." Chemistry International 40, no. 2 (April 1, 2018): 5–11. http://dx.doi.org/10.1515/ci-2018-0202.
Full textVega-Cendejas, María Eugenia, Mirella Hernández de Santillana, and Sonia Palacios-Sánchez. "Length–weight relations of 44 fish species (Actinopterygii) inhabiting an unprotected tropical coastal biological corridor of Yucatan, Mexico." Acta Ichthyologica et Piscatoria 53 (November 24, 2023): 201–7. http://dx.doi.org/10.3897/aiep.53.110519.
Full textMatos, Naylane Araújo, and Rosvitha Friesen Blume. "O papel dos paratextos em Wide Sargasso Sea (Jean Rhys) e na sua tradução brasileira (Léa Viveiros de Castro)." Em Tese 23, no. 1 (March 16, 2018): 230. http://dx.doi.org/10.17851/1982-0739.23.1.230-241.
Full textDissertations / Theses on the topic "1816-1855"
Nikkila, Sonja Renee. "Pseudonymity, authorship, selfhood : the names and lives of Charlotte Brontë and George Eliot." Thesis, University of Edinburgh, 2006. http://hdl.handle.net/1842/17556.
Full textGeary, Cynthia J. "Jane Eyre and the tradition of women's spiritual quest : echoes of the great goddess and the rhythms of nature in one woman's "private myth"." Virtual Press, 1989. http://liblink.bsu.edu/uhtbin/catkey/544126.
Full textDepartment of English
Ferez, Yvonne. "La solitude dans les romans de Charlotte Brontë." Paris 10, 1987. http://www.theses.fr/1987PA100116.
Full textCharlotte Brontë, withdrawn in the dreary "moors" of Yorkshire, tries to harmonize her characters and their background so as to give a keener perception of their isolation. The heroines especially, seek a form of integration by their fusion with the cosmos; this very personal approach brings out all the aspects of consciousness: emotions, passions and sufferings thus gain a greater suggestive force through the transforming power of imagination. There are, in charlotte Brontë's literary expression, two contradictory aspirations: at the same time a strong desire and a fear of solitude; the guest for a balance between these antinomic tendencies creates a neurosis that can only be cured by love and friendship. The androgynous aspect of the brontean characters reveals women writers' malaise and solitude in the literary world of the time. What Charlotte Brontë shows (and sometimes exposes) is single women's predicament and unbearable isolation in the victorian era: the heroines must struggle against prejudice and their fight increases their solitude; these women stifle their desires and weaknesses so as to overcome the obstacles of existence. The brontean characters perform a pilgrimage which brings them to a better knowledge of their inner self; they achieve a form of wisdom and fulfilment after they have met their "alter ego" who can understand them and communicate with them
Castillo, Heather Christine. "Jane Eyre's Gricean conversational portrait." CSUSB ScholarWorks, 2000. https://scholarworks.lib.csusb.edu/etd-project/1641.
Full textEllis, Jeanne. "Patriarchal structures of control and female homosocial relationships in the novels of Charlotte Brontë." Thesis, Stellenbosch : Stellenbosch University, 2001. http://hdl.handle.net/10019.1/52396.
Full textENGLISH ABSTRACT: In Charlotte Bronte's novels, the importance accorded to female homosocial relationships - such as friendship and the mother-daughter relationship - challenges the conventional structure of the Victorian realist novel, in which the focus of the female protagonist's development is almost exclusively on the eventual achievement of heterosexual marriage Structurally. heterosexual marriage at closure re-establishes the status quo that has been threatened or destabilised during the unfolding of the plot. Yet what Bronte's novels reveal, is that the status quo thus re-established also confirms patriarchy as a system in which the bonds between men are consolidated to maintain social, political and economic power as a male prerogative By contrast, the ideology that promotes marriage as the sine qua non of women's existence positions women as rivals and the representation of female homosocial relationships in the nineteenth-century novel is either relegated to the margins of the text or erased entirely. In Bronte's novels, the structural relationship between this conventional displacement of female homosocial relationships and the silencing and containment of female desire in heterosexual marriage at closure is consistently explored and subverted. In an increasingly complex process of rewriting the Victorian novel from a female perspective, Bronte's novels construct alternative plots that privilege the representation of female homosocial relationships even as they imitate conventional plot structure In so doing. the gendering of narrative voice as female lays claim to a female discourse of desire. which is rooted in female homosociality and inclusive of lesbian desire. Compulsory (female) heterosexuality which is exclusively domestic and maternal. IS therefore challenged by an alternative representation of female desire as defiant of the ngid categories Imposed by heterosexuality. because it is fiurd and multiple in Its expression This thesis explores the process of recuperation through which Bronte both places the representation of female hornosocial relationships at the centre of her novels and reveals patriarchal structures of control at work
AFRIKAANSE OPSOMMING: In die romans van Charlotte Bronte konfronteer the sentraliteit van vroulike homososiale verhoudings - soos vriendskap en die moeder-dogter verhouding - die konvensionele struktuur van die Victoriaanse realistiese roman. Volgens hierdie konvensionele struktuur is die fokus van die vroulike protagonis se ontwikkeling bykans uitsluitlik gerig op haar uiteindelike toetrede tot 'n heteroseksuele huwelik. Struktureel gesproke herstel die heteroseksuele huwelik by die sluiting van die roman die status quo wat bedreig of gedestabiliseer is gedurende die ontplooing van die roman. Wat Bronte se romans egter aan die lig bring, is dat die status quo wat so herstel word, ook die patriargale sisteem bevestig - waarbinne die bande tussen mans gekonsolideer word ten einde sosiale politieke en ekonomiese mag as 'n manlike prerogatief te waarborg Die ideologie wat die huwelik voorhou as die sine qua non van die vrou se bestaan posisioneer vroue as mededingers, en hierdeur word die uitbeelding van vroulike homososiale verhoudings in die negentiende-eeuse roman verskuif na die buitewyke van die teks, of word dit algeheel uitgewis. In Bronte se romans word die strukturele verwantskap tussen hierdie konvensionele verplasing van vroulike homososiale verhoudings en die demping of beheer van vroulike begeerte in die heteroseksuele huwelik voortdurend in die roman se sluiting ondersoek en ondermyn In 'n proses wat 'n toenemend ingewikkelde herskrywing van die Victonaanse roman vanuit 'n vroulike qesiqspunt inhou. stel Bronte se romans alternatiewc verwikkelinqsplanne saam wat voorrang gee aan die uitbeelding van vroulike hornososiale verhoudings terwyl hierdie storieplanne konvensionele struktuurplanne naboots. Ole manier waarop die verteller se stem so vervroulik word gee uiting aan 'n vroulike diskoers van begeerte wat gewortel IS In vroulike hornososialiteit en wat lesbiese begeerte insluit Verpliqte (vroullke) heteroseksualiteit. wat uitsluitlik huislik en moederlik IS, word dus gekonfronteer deur 'n alternatiewe uitbeeldinq van vroulike begeerte wat die rigiede kateqoriee opqele deur heteroseksualiteit verwerp en meer vloeibare en veelsoortiqe vorme van ultdrukklng daarstel Hierdie tests ondersoek die herstellinqsprcses waardeur Bronte die uitbeeldinq van vroulike hornososiale verhoudinqs sentraal plaas In haar romans, terwyl sy terselfdertyd die werkswyses van patriargale beheerstrukture aan die lig bring.
Randriambeloma-Rakotoanosy, Ginette. "Le roman féminin victorien et son rayonnement : Jane Eyre, Wuthering Heights et leurs lectrices à Madagascar, notamment en Imerina dans les années soixante." Dijon, 1987. http://www.theses.fr/1987DIJOL020.
Full textFor more than a century (1847-1969), Jane Eyre and Wuthering heights had been the objects of a world-wide attention as the impressive number of translations, editions, adaptations and critical works concerning those attests. This had led us to examine their most striking features within the context of the feminine novel in England. It then becomes obvious that such a popularity was due to their authors ‘views on women and their social functions, on romanticism (with an emphasis on love) and on Victorianism in so far as the two novels are representative of the trends and ideas of the Victorian era (conservatism, evangelism, sentimentalism, didacticism, prudery). A scrutiny of the way they were introduced in Imerina together with a general portrait of their Malagasy women readers in the 60 help to a better understanding of their impact. These reveal the importance of commercial exchange, literacy, education, translation and that of French language. Our conclusion is that three elements account for their popularity: - first, a community of interests their main subject being the eternal dilemma of women torn apart between their aspirations to more freedom and consideration and their feminine conditions - second, a community of culture: the presence of British protestant missionaries in Imerina in the nineteenth century has left an enduring influence on the minds causing a spontaneous identify
Singh, Jyoti. "The presentation of the orphan child in eighteenth and early nineteenth century English literature in a selection of William Blake's 'Songs of innocence and experience', and in Charlotte Brontë's 'Jane Eyre', and Emily Brontë's 'Wuthering Heights'." Thesis, Rhodes University, 2010. http://hdl.handle.net/10962/d1005628.
Full textHooker, Jennifer. "From paternalism to individualism : representations of women in the nineteenth century English novel." Scholarly Commons, 2000. https://scholarlycommons.pacific.edu/uop_etds/546.
Full textMoura, Caroline Navarrina de. "A walk with Catherine and Jane : the exposure of gothic conventions in Emily Brontë’s Wuthering Heights and Charlotte Brontë’s Jane Eyre." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2017. http://hdl.handle.net/10183/172913.
Full textThis thesis consists of a reading of Emily Brontë‘s Wuthering Heights (1847) and Charlotte Brontë‘s, Jane Eyre (1847), focusing on the body of Gothic conventions they hold, and the ways in which such conventions interfere with the movements of the two female protagonists, Catherine and Jane, each struggling to fit into their space, while trying to accomplish their desires. Although the two works are structurally different in several ways, they share an intense Gothic atmosphere and its consequent psychological density, which influences the mental frame of the two protagonists. In order to explore the relations among the structural, social and psychological aspects involved, a reading of the novels has been conducted, focusing on the presence of Gothic elements that stand for the challenges Catherine and Jane are bound to face. Literary critic Eve Kosofsky Sedgwick‘s work The Coherence of Gothic Conventions (1986) is used to identify and contextualise the capacity of Gothic imagery to reveal the weight of social conventions upon the natural process of growth of the two protagonists. Inasmuch as the pressure becomes intensified by the rules of gender settlements, the concept of Female Gothic is explored, as presented by Professor Carol Margaret Davison. Particular attention is paid to the imagery related to space – psychological space for the protagonists to grow emotionally, and physical space, as determinant of where and how they must move. Here the theoretical support is offered by Gaston Bachelard‘s poetics of the primitive elements, unveiling the body of images presented in the two novels. The conclusion indicates the solutions found by Catherine Earnshaw and by Jane Eyre to find their way and overcome the obstacles they meet; with comments on how revealing Gothic imagery is of the social conventions it represents.
Borie, Charlotte. "La poétique de l'intériorité chez Charlotte et Emily Brontë." Toulouse 2, 2009. http://www.theses.fr/2009TOU20041.
Full textThe development of identity and the process of self-possession is at the heart of Charlotte and Emily Brontë's writing. In Jane Eyre, Villette, Wuthering Heights and Emily Brontë's poetry, the reader follows the characters and personae (who are essentially female) through the life-voyage which brings them to get to know themselves, find their place in the world, inscribe themselves in it and transmit a vision of their interiority. The process of interiorisation consists in four phases. The first phase is about perception. The subjects discover the world and learn from this contact the necessity of searching for, and even recreating, the sense of belonging in order to gain happiness. Disappointed in the world, they withdraw into themselves, and the phase of feeling starts. The subjects shift from perception to intellection, shape their mental patterns, and try to recreate within themselves, virtually, the conditions of happiness. Imagination plays a major part in this process, but eventually, the inner shelter becomes a prison through the pathological expansion of interiority and the lack of reality. The third phase then begins, revolving around the idea of expression. The subjects, through speech, writing or painting, find ways to let out as much as frame their interiority. The result of their exteriorisation brings about the fourth phase, that of reception, during which intimate and competent readers carry on the process of the construction of identity
Books on the topic "1816-1855"
Zamojska, Dorota. Bursz-cygan-legionista: Józef Bogdan Dziekoński, 1816-1855. Warszawa: Wydawn. Neriton, 1995.
Find full textPauline, Nestor, ed. "Villette", Charlotte Brontë. London: Macmillan Press, 1992.
Find full text1816-1855, Brontë Charlotte, and Nestor Pauline, eds. Villette, Charlotee Brönte. Basingstoke: Macmillan, 1992.
Find full textHeather, Glen, ed. Jane Eyre. New York: St. Martin's Press, 1997.
Find full textLong, Hoeveler Diane, and Lau Beth 1951-, eds. Approaches to teaching Brontë's Jane Eyre. New York: Modern Language Association of America, 1993.
Find full textMyrick, Victor R. Wills of Pulaski County, Georgia: Wills book, 1810-1816, wills book "A", 1816-1854, wills book "B", 1855-1906. Warner Robins, Ga. (P.O. Box 2024, Warner Robins 31099-2024): Central Georgia Genealogical Society, 1994.
Find full textCharlotte, Brontë. The Letters of Charlotte Brontë. Charlottesville, Va: InteLex Corporation, 2003.
Find full textWinnifrith, Tom. A new life of Charlotte Brontë. New York: St. Martin's Press, 1988.
Find full text1946-, Geason Susan, ed. Regarding Jane Eyre. Milsons Point, N.S.W: Vintage, 1997.
Find full textNestor, Pauline. Charlotte Brontë. Totowa, N.J: Barnes & Noble Books, 1987.
Find full textBook chapters on the topic "1816-1855"
Maier, Sarah E. "Charlotte Brontë (1816–1855): (Un)Masked Author to Mythic Woman." In Biographical Misrepresentations of British Women Writers, 211–29. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-56750-1_12.
Full textBach, Susanne. "“I will never have another man in this house”. The Perpetual Curate Patrick Brontë and His Perpetual Daughter Charlotte (1816–1855)." In Women from the Parsonage, edited by Cindy K. Renker and Susanne Bach, 195–218. Berlin, Boston: De Gruyter, 2019. http://dx.doi.org/10.1515/9783110590364-011.
Full textVanTassel-Baska, J. "The Brontë Sisters: Charlotte Brontë (Currer Bell) 1816–1855, Anne Brontë (Acton Bell) 1818–1848, Emily Brontë (Ellis Bell) 1820–1849." In Encyclopedia of Creativity, e3-e5. Elsevier, 2011. http://dx.doi.org/10.1016/b978-0-12-375038-9.00032-7.
Full text"Chapter 9." In The Diary of a Maritimer, 1816-1901, edited by Nancy Redmayne Ross, 112–46. Liverpool University Press, 1996. http://dx.doi.org/10.5949/liverpool/9780969588597.003.0009.
Full textConference papers on the topic "1816-1855"
Philippov, A. V., and M. A. Azarkina. "Japan in the Middle of the 19th Century through the Eyes of Russian Traveler Ivan Goncharov (Based on the Library Collections of the Faculty of Asian and African Studies, St. Petersburg State University)." In IV Международный научный форум "Наследие". SB RAS, 2023. http://dx.doi.org/10.25205/978-5-6049863-7-0-45-58.
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