Academic literature on the topic '1814-1884 Criticism and interpretation'
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Journal articles on the topic "1814-1884 Criticism and interpretation"
Khangireev, Ilya Alexandrovich. "Problems of Textual Criticism and Interpretation in the “Hymn of the Fathers” Based on the Example of the Image of King David (Sir. 47:1-13)." Христианское чтение, no. 6 (2020): 84–92. http://dx.doi.org/10.47132/1814-5574_2020_6_84.
Full textKilcourse, Carl S. "Son of God, Brother of Jesus: Interpreting the Theological Claims of the Chinese Revolutionary Hong Xiuquan." Studies in World Christianity 20, no. 2 (August 2014): 124–44. http://dx.doi.org/10.3366/swc.2014.0082.
Full textShmiher, Taras. "TRANSLATION QUALITY ASSESSMENT AT THE CROSSROADS OF ETHNOLINGUISTICS AND ETHNOGRAPHY: TARAS SHEVCHENKO’S “IRZHAVETS” IN ENGLISH TRANSLATIONS." Vertimo studijos 7, no. 7 (April 5, 2017): 82. http://dx.doi.org/10.15388/vertstud.2014.7.10533.
Full textSpivak, Igor A. "On the New Trends in Translation of Abd al-Zahir’s Texts." Materials in Archaeology, History and Ethnography of Tauria, no. XXVI (2021): 673–91. http://dx.doi.org/10.37279/2413-189x.2021.26.673-691.
Full textAlbeck, Gustav. "Den unge Grundtvig og Norge." Grundtvig-Studier 37, no. 1 (January 1, 1985): 47–66. http://dx.doi.org/10.7146/grs.v37i1.15941.
Full textCarroll, Richard. "The Trouble with History and Fiction." M/C Journal 14, no. 3 (May 20, 2011). http://dx.doi.org/10.5204/mcj.372.
Full textDissertations / Theses on the topic "1814-1884 Criticism and interpretation"
Teoli, Maria-Luisa. "La ballata romantica in Italia /." Thesis, McGill University, 1992. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=56622.
Full textThe first two chapters of this thesis concentrate on the origins of the popular ballad and its first occurrence in Italy.
The third chapter examines the major ballad writers in Italy. Particular attention is given to Luigi Carrer and Giovanni Prati.
The final chapters are a discussion of Italy's minor ballad writers, followed by a conclusion.
Armstrong, Susan Ouellette. "The legacy of Everett Titcomb." Thesis, Boston University, 1990. https://hdl.handle.net/2144/41698.
Full textPrado, Elisa dos Santos. "As edições não póstumas de Inocência (1872/1884), de Visconde de Taunay : análise do primeiro capítulo /." Assis : [s.n.], 2013. http://hdl.handle.net/11449/94090.
Full textBanca: Marco Antonio Domingues Sant'Anna
Banca: Heloisa Helou Doca
Resumo: Esta dissertação objetiva analisar o primeiro capítulo das duas edições não póstumas (1872 e 1884) do romance Inocência, do Visconde de Taunay (1843-1899), sob o ponto de vista filológico. Para tal foram utilizados os referenciais teóricos da filologia, da crítica textual, da crítica genética, da edótica e da estilística segundo os seguintes autores: César Nardelli Cambraia; Bárbara Spaggiari e Maurizio Perugi; Cecília Almeida Salles; Segismundo Spina; José Lemos Monteiro e Nilce Sant‟Anna Martins. Alfredo d‟Escragnolle Taunay atuou e escreveu sobre várias esferas do Brasil do século XIX, mas sua fama é atribuída a apenas duas de suas produções: La Retraite de Laguna (1871) e Inocência (1872). Pelo fato de o meio acadêmico ainda não ter ressaltado a necessidade da elaboração de uma análise aprofundada da recepção e das alterações pelas quais o romance campestre possa ter passado após tantas publicações, é que este estudo propõe a aplicação de dois procedimentos da crítica textual, recensio e collatio, por meio dos quais se revelarão, a partir de uma amostragem, as alterações às quais o texto foi submetido e a importância dessas escolhas em função de algumas coordenadas indicadas pela fortuna crítica. Este processo contribui para desmistificar o processo criativo das obras de arte (crítica genética) e também auxilia na criação de um conjunto de regras que constituem marcas de estilo do autor, presentes no processo de edição e reedição da obra
Abstract: This dissertation aims to analyze the first chapter of the two not posthumous editions (1872 and 1884) of the novel Inocência, by Visconde de Taunay (1843-1899), using the philological approach. For this purpose, it was used the theoretical frame of references of philology, textual criticism, genetic criticism, ecdotics and stylistics according to the following authors: César Nardelli Cambraia; Bárbara Spaggiari e Maurizio Perugi; Cecília Almeida Salles; Segismundo Spina; José Lemos Monteiro e Nilce Sant‟Anna Martins. Alfredo d'Escragnolle Taunay acted and wrote about various spheres of nineteenth-century Brazil, but his fame is attributed to only two works of him: La Retraite de Laguna (1871) and Inocência (1872). Considering that academia has not emphasized the necessity of developing a thorough examination of the reception and the changes through which the country novel has spent after so many publications, this study proposes the application of two procedures of textual criticism, recensio and collatio, by means of which will show, from a sample, the changes to which the text was submitted and the importance of these choices on the basis of some coordinates indicated by critical fortune. This process helps to demystify the creative process of art works (genetic criticism) and also helps in creating a set of rules that constitute the author's style tags, present in the editing and re-editing process of the work
Mestre
Jordan, Linda. "German science-fiction magazines of Hugo Gernsback, 1926-1935." Thesis, McGill University, 1986. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=65493.
Full textTrani, Maria. "La poesia di E.A. Mario /." Thesis, McGill University, 1992. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=68141.
Full textThe first part introduces us to the neapolitan regional poetry as well as to its language to finally conclude with the poetry set to music: the song. The ideal atmosphere is the cafe-chantant. The poets of the time including Salvatore Di Giacomo and the generation after are surveyed.
The second part deals with the author. It describes his life, his art and his works, rich of popular and especially classical elements, which crowned him with success.
Prado, Elisa dos Santos [UNESP]. "As edições não póstumas de Inocência (1872/1884), de Visconde de Taunay: análise do primeiro capítulo." Universidade Estadual Paulista (UNESP), 2013. http://hdl.handle.net/11449/94090.
Full textEsta dissertação objetiva analisar o primeiro capítulo das duas edições não póstumas (1872 e 1884) do romance Inocência, do Visconde de Taunay (1843-1899), sob o ponto de vista filológico. Para tal foram utilizados os referenciais teóricos da filologia, da crítica textual, da crítica genética, da edótica e da estilística segundo os seguintes autores: César Nardelli Cambraia; Bárbara Spaggiari e Maurizio Perugi; Cecília Almeida Salles; Segismundo Spina; José Lemos Monteiro e Nilce Sant‟Anna Martins. Alfredo d‟Escragnolle Taunay atuou e escreveu sobre várias esferas do Brasil do século XIX, mas sua fama é atribuída a apenas duas de suas produções: La Retraite de Laguna (1871) e Inocência (1872). Pelo fato de o meio acadêmico ainda não ter ressaltado a necessidade da elaboração de uma análise aprofundada da recepção e das alterações pelas quais o romance campestre possa ter passado após tantas publicações, é que este estudo propõe a aplicação de dois procedimentos da crítica textual, recensio e collatio, por meio dos quais se revelarão, a partir de uma amostragem, as alterações às quais o texto foi submetido e a importância dessas escolhas em função de algumas coordenadas indicadas pela fortuna crítica. Este processo contribui para desmistificar o processo criativo das obras de arte (crítica genética) e também auxilia na criação de um conjunto de regras que constituem marcas de estilo do autor, presentes no processo de edição e reedição da obra
This dissertation aims to analyze the first chapter of the two not posthumous editions (1872 and 1884) of the novel Inocência, by Visconde de Taunay (1843-1899), using the philological approach. For this purpose, it was used the theoretical frame of references of philology, textual criticism, genetic criticism, ecdotics and stylistics according to the following authors: César Nardelli Cambraia; Bárbara Spaggiari e Maurizio Perugi; Cecília Almeida Salles; Segismundo Spina; José Lemos Monteiro e Nilce Sant‟Anna Martins. Alfredo d'Escragnolle Taunay acted and wrote about various spheres of nineteenth-century Brazil, but his fame is attributed to only two works of him: La Retraite de Laguna (1871) and Inocência (1872). Considering that academia has not emphasized the necessity of developing a thorough examination of the reception and the changes through which the country novel has spent after so many publications, this study proposes the application of two procedures of textual criticism, recensio and collatio, by means of which will show, from a sample, the changes to which the text was submitted and the importance of these choices on the basis of some coordinates indicated by critical fortune. This process helps to demystify the creative process of art works (genetic criticism) and also helps in creating a set of rules that constitute the author's style tags, present in the editing and re-editing process of the work
Theobald, John. "Paradoxical solitude in the life, letters, and poetry of John Keats, 1814-1818." Thesis, St Andrews, 2009. http://hdl.handle.net/10023/749.
Full textDuggett, Thomas J. E. "Wordsworth's Gothic politics : a study of the poetry and prose, 1794-1814." Thesis, St Andrews, 2007. http://hdl.handle.net/10023/361.
Full textMarais, Lodewikus Stefanus. "Die huis as betekenisvolle ruimte in enkele Afrikaanse gedigte, met spesifieke verwysing na die bewoningsfilosofiee van Heidegger, Bolnow en Bachelard en Vierluik." Thesis, Stellenbosch : Stellenbosch University, 2008. http://hdl.handle.net/10019.1/86862.
Full textENGLISH ABSTRACT: The first section of this thesis aims at creating a reading strategy for the analysis of poetry thematically concerned with habitation and the space of the house. Selected Afrikaans poems, forming part of a newer house-poetry that breaks away from the idyllic, genial representation of the house in earlier Afrikaans poetry, are examined. The theoretical equipment utilised in this examination is the habitation philosophies of Martin Heidegger, Otto Friedrich Bollnow and Gustav Bachelard. Various related insights in the work of these philosophers are developed into a three-tiered model for the interpretation of house poetry. Supplementing the abovementioned framework is the socio-historical work of Joseph Rykwert and Ton Lemaire. Both these theorists explore the close connection between the space of the house and the realisation of mortality and transience. The application of the philosophical model facilitates, on the micro level of image and word choice, a fresh understanding of the selected poems, as well as a wider philosophical contextualisation of their thematic content. The reading strategy and the application thereof could also provide the means with which a new philosophical scrutiny of Afrikaans house-poetry can be achieved. The abovementioned formal essay is presented as coupled with a collection of original Afrikaans poems, entitled Vierluik, the creative section of this thesis. Vierluik examines, among other things, aspects of habitation in city, town and countryside, and reflects on descent, rootedness, displacement and the interconnection of space and identity.
AFRIKAANSE OPSOMMING: Die eerste gedeelte van hierdie tesis het as doel die daarstelling van ’n leesstrategie waarmee poësie wat tematies oor die huisruimte en bewoning handel, ondersoek kan word. Geselekteerde Afrikaanse gedigte, wat deel vorm van ’n nuwer huispoësie wat sedert die sestigerjare wegbreek van die idilliese, gemoedelike uitbeelding van die huis in vroeër Afrikaanse gedigte, word ondersoek. Die teoretiese apparatuur wat in hierdie ondersoek aangewend word, is die bewoningsfilosofieë van Martin Heidegger, Otto Friedrich Bollnow en Gustav Bachelard. Verskeie verbandhoudende insigte in die werk van hierdie denkers word ontwikkel tot ’n drieledige interpretasiemodel vir huispoësie. Hierby dien as aanvulling die kultuur-historiese werk van Joseph Rykwert en Ton Lemaire, waarin die noue band tussen die huisruimte en die doods- of verganklikheidsbesef uitgewerk word. Die toepassing van hierdie filosofiese begripsapparatuur fasiliteer op die mikrovlak van beelde en woordkeuse ’n vars verstaan van die vyf geselekteerde gedigte, asook ’n breër filosofiese kontekstualisering van hulle tematiese inhoud. Die leesstrategie en toepassings sou ook ’n filosofiese oopdek van die huispoësie in Afrikaans kon bemiddel. Hierdie akademiese gedeelte dien verder as ’n verbandhoudende oefening by die kreatiewe gedeelte van die tesis, naamlik ’n digbundel, Vierluik. Die bundel ondersoek, onder andere, aspekte van bewoning in stad, dorp en platteland, en bied ’n besinning aan oor herkoms, geworteldheid, verplasing en die verweefdheid van ruimte en identiteit.
Cumps, Dorian. "De eenheid in de tegendelen: de psychomachische verhaalwereld van F. Bordewijk (1884-1965) en de mythe van de hermafrodiet." Doctoral thesis, Universite Libre de Bruxelles, 1995. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/212522.
Full textBooks on the topic "1814-1884 Criticism and interpretation"
1884-1967, Serebri︠a︡kova Zinaida Evgenʹevna, ed. Zinaida Serebri︠a︡kova, 1884-1967. Moskva: Art-Rodnik, 2006.
Find full textLopes, Oscar. Jaime Cortesão, 1884-1960. Lisboa: Biblioteca Nacional, Ministério da Cultura, 1985.
Find full text1960-, Ardito Vitangelo, Ardito Vitangelo 1960-, and Schmitthenner Paul 1884-1963, eds. Paul Schmitthenner, 1884-1972. Roma: Gangemi, 2014.
Find full text1803-1884, Richter Ludwig, and Lichtenstern Christa, eds. Ludwig Richter: 1803-1884 : eine Revision. Berlin: Gebr. Mann, 2003.
Find full textLeskelä, Pekka. Arkkitehti Oiva Kallio 1884-1964. Espoo: Teknillinen korkeakoulu, Arkkitehtiosasto, Arkkitehtuurin historia, 1998.
Find full textAbadie, Paul. Paul Abadie, architecte 1812-1884. Paris: Éditions de la Réunion des musées nationaux, 1988.
Find full textauthor, Bagdami︠a︡n Irina, ed. Georgiĭ I︠A︡kulov: (1884-1928). Erevan: Nat︠s︡ionalʹnai︠a︡ galerei︠a︡ Armenii, 2010.
Find full textBadali︠a︡n, Viktorii︠a︡. Georgiĭ I︠A︡kulov: 1884-1928 : khudozhnik, teoretik iskusstva. Erevan: Ėdit Print, 2010.
Find full textSpieler, Reinhard. Max Beckmann, 1884-1950: Der Weg zum Mythos. Köln: B. Taschen, 1994.
Find full textAaslestad, Petter. Dømt til kunst: Jonas Lies romaner 1884-1905. [Oslo]: Rådet for humanistisk forskning NAVF, 1992.
Find full textBook chapters on the topic "1814-1884 Criticism and interpretation"
Rhoten, Eulace Scott. "Cultural Diversity and the Digital Divide." In Global Information Technologies, 3025–47. IGI Global, 2008. http://dx.doi.org/10.4018/978-1-59904-939-7.ch215.
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