Academic literature on the topic '1812-1889 Criticism and interpretation'
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Journal articles on the topic "1812-1889 Criticism and interpretation"
Rogacz, Dawid. "The living past and self-made future: Li Dazhao’s metaphilosophy of history." Człowiek i Społeczeństwo 53 (June 27, 2022): 187–99. http://dx.doi.org/10.14746/cis.2022.53.11.
Full textPetukhova, T. I., N. Yu Sokolova, and E. G. Khomyakova. "LANGUAGE REPRESENTATION OF INTERCULTURAL RELATIONS IN ANGLOPHONE ART DISCOURSE ON SOVIET FINE ARTS OF THE “THAW” PERIOD." Voprosy Kognitivnoy Lingvistiki, no. 4 (2021): 67–77. http://dx.doi.org/10.20916/1812-3228-2021-4-67-77.
Full textTernova, M. V. "CONCEPT OF THE STUDY OF ART BY R.J. COLLINGWOOD AS AN OBJECT OF THEORETICAL ANALYSIS." UKRAINIAN CULTURAL STUDIES, no. 1 (6) (2020): 36–40. http://dx.doi.org/10.17721/ucs.2020.1(6).08.
Full textMlikota, Jadranka, and Rene Čipanj Banja. "O Bojničićevoj Gramatici madžarskoga jezika iz drugoga kuta: uzroci i narav mijena izdanja gramatike na razmeđu dvaju stoljeća." Studia Slavica Academiae Scientiarum Hungaricae 66, no. 2 (January 16, 2023): 341–58. http://dx.doi.org/10.1556/060.2022.00018.
Full textIvaschenko, Tatiana S. "On the question of historical sources epic novel L. N. Tolstoy's "War and Peace "." Yugra State University Bulletin 12, no. 1 (April 15, 2016): 92–100. http://dx.doi.org/10.17816/byusu201612192-100.
Full textGrane, Leif. "Grundtvigs forhold til Luther og den lutherske tradition." Grundtvig-Studier 49, no. 1 (January 1, 1998): 21–41. http://dx.doi.org/10.7146/grs.v49i1.16265.
Full textAlbeck, Gustav. "Den unge Grundtvig og Norge." Grundtvig-Studier 37, no. 1 (January 1, 1985): 47–66. http://dx.doi.org/10.7146/grs.v37i1.15941.
Full textPurnaningsih, Herni, and Agus Mulyana. "PERLAWANAN BAGUS RANGIN: PERANG NASIONAL YANG TERLUPAKAN." FACTUM: Jurnal Sejarah dan Pendidikan Sejarah 6, no. 1 (April 1, 2017). http://dx.doi.org/10.17509/factum.v6i1.10021.
Full text"Sociological concept of Ukrainian literature by Professor KhINO V. Koryak." Journal of V. N. Karazin Kharkiv National University, Series "Philology", no. 80 (2019). http://dx.doi.org/10.26565/2227-1864-2019-80-02.
Full textDissertations / Theses on the topic "1812-1889 Criticism and interpretation"
Plamondon, Marc. "Music in the poetry of Robert Browning." Thesis, McGill University, 1994. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=26304.
Full textFirst, the state of music in nineteenth-century England is briefly discussed, followed by a discussion of Browning's musical background and an attempt to identify some general characteristics of musical poetry. The balance of the study is devoted to a discussion of the musicality of ten poems, among them "A Toccata of Galuppi's" and "Master Hugues of Saxe-Gotha". Emphasis is placed on these last two poems' ability to approximate a musical form: the toccata and fugue in the first, and the fugue in the second. The study concludes with a more general discussion of music in Browning's poetry.
Pendlebury, Kathleen Sarah. "Reading nonsense a journey through the writing of Edward Lear." Thesis, Rhodes University, 2008. http://hdl.handle.net/10962/d1002249.
Full textDavid, Lucie. "La fortune critique de Paul Morin, 1908-1958 /." Thesis, McGill University, 1992. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=56946.
Full textThis thesis focuses on the critical reception of Paul Morin's first two published books: Le Paon d'email (1911) and Poemes de cendre et d'or (1922), and attempts as well to retrace their critical fortunes up until the beginning of the sixties.
Cunningham, Thomas Robert. "The continuity of Wittgenstein's critical meta-philosophy." Thesis, University of Stirling, 2008. http://hdl.handle.net/1893/1055.
Full textPrpić, Maya. "Jean Cocteau : la morale du poète." Thesis, McGill University, 1990. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=59382.
Full textThree works in particular, Opium--Journal d'une desintoxication, La difficulte d'etre et le Journal d'un inconnu, permit us to retrace his poetic course.
Cocteau's art rests on the notion he has of poetry. With the help of the example set by Erik Satie, Raymond Radiguet and Pablo Picasso, he understood at an early age that poetry resided within him and that only by exploring himself and by following a set of morals--in this instance, morals signifies behaviour which conforms to the demands of poetry--would he attain a level of pure poetry.
All of this is evident as much in the ideas the poet conveys as in his style. The personality of the poet, his "ligne" to use Cocteau's words, becomes apparent the more the idea is accurate and the word chosen significant. As a result of this "ligne", of its presence in the work, the poet approaches immortality.
According to Cocteau, the work of a poet cannot flourish within human limits. The poet must transcend such limits to embody universal activity. It is for this reason that the poet must redefine religion and create for himself a personal mythology, that he must reconstruct the world starting from a play of spatial and temporal perspectives. His role thus proves essential to human survival. In effect, the poet fills the cosmic void in which man is evolving.
Smith, Karl A. "Dickens and the unreal city : the metropolitan symbolism of the mystery story." Thesis, University of St Andrews, 2002. http://hdl.handle.net/10023/14710.
Full textDicks, Henry. "Being and earth : an ecological criticism of late twentieth-century French thought." Thesis, University of Oxford, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.669967.
Full textMorgentaler, Goldie 1950. "When like begets like : Dickens and heredity." Thesis, McGill University, 1995. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=39968.
Full textIn the first of these, I argue that Dickens tended to define positive moral qualities, such as goodness, as hereditable. At the same time, he was reluctant to portray negative characteristics, such as criminality or insanity as being amenable to hereditary transmission. This assumption of a moral basis to heredity had ramifications for Dickens's understanding of human nature which, in turn spill over into his depiction of the broader public issues associated with heredity--its relationship to class, to race, and to history.
The very last section of the thesis focuses on the Darwinian revolution. There I argue that Dickens's attitude towards the importance of hereditary endowment changed after the publication of Darwin's The Origin of Species in 1859. I suggest that Darwin's book prompted Dickens to rethink his earlier deterministic approach to the problem of human identity. After 1859, Dickens jettisons heredity entirely as a factor in the formation of the self and replaces it with environment and experience. The last novels displace the Dickensian metaphors of hidden kinship and universal connection--both of which are related to heredity--and put in their place, the thematics of dispersal and disintegration.
Lawrie-Munro, Brian. "The double in Dickens' final completed novels /." Thesis, McGill University, 1997. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=27950.
Full textJennings, Maude M. J. "Studies in the poetry : the prosody and the poetic theory of Gerard Manley Hopkins." Virtual Press, 1986. http://liblink.bsu.edu/uhtbin/catkey/473721.
Full textBooks on the topic "1812-1889 Criticism and interpretation"
Cognitive style and perceptual difference in Browning's poetry. New York: Routledge, 2010.
Find full textRobert Browning. New York: St. Martin's Press, 1991.
Find full textAdam, Roberts. Robert Browning revisited. New York: Twayne Publishers, 1996.
Find full textPolanowski, Edward. Maria Dąbrowska: 1889-1965. Wrocław: Zakład Narodowy im. Ossolińskich, 1990.
Find full textRosa Chacel (1889-1994). Madrid: Ediciones del Orto, 2002.
Find full textBrowning's hatreds. Oxford [England]: Clarendon Press, 1993.
Find full textNoakes, Vivien. Edward Lear 1812-1888. London: Royal Academy of Arts in association with Weidenfeld and Nicolson, 1985.
Find full textNoakes, Vivien. Edward Lear, 1812-1888. London: Royal Academy of Arts, published in association with Weidenfeld and Nicolson, 1985.
Find full textNoakes, Vivien. Edward Lear, 1812-1888. London: Royal Academy of Arts ... in association with Weidenfeld and Nicholson, 1985.
Find full textEdward Lear, 1812-1888. New York: H.N. Abrams, 1986.
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