Dissertations / Theses on the topic '1811-1886 Criticism and interpretation'
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Goodchild, Neil John English Media & Performing Arts Faculty of Arts & Social Sciences UNSW. "Liszt's technical studies: a methodology for the attainment of pianistic virtuosity." Awarded by:University of New South Wales, 2007. http://handle.unsw.edu.au/1959.4/38153.
Full textVan, Dine Kara Lynn. "Musical Arrangements and Questions of Genre: A Study of Liszt's Interpretive Approaches." Thesis, University of North Texas, 2010. https://digital.library.unt.edu/ark:/67531/metadc28488/.
Full textBourgon, Julie. "Création, éthique et vérité : Broch et Blanchot ; suivi de, En trompe-l'oeil." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ37193.pdf.
Full textTasis, Moratinos Eduardo. "El exilio en la poesía de Tomás Segovia y Angelina Muñiz Huberman." Thesis, University of St Andrews, 2011. http://hdl.handle.net/10023/1886.
Full textPham, Thien Truong. "Tanizaki Junʼichirō and the art of storytelling." Thesis, University of British Columbia, 1985. http://hdl.handle.net/2429/25504.
Full textArts, Faculty of
Asian Studies, Department of
Graduate
Bafna, Sonit. "A morphology of intentions : the historical interpretation of Mies van der Rohe's residenital [sic] designs." Diss., Georgia Institute of Technology, 2001. http://hdl.handle.net/1853/23335.
Full textSautter, Sabine. "Irrationality and the development of subjectivity in major novels by William Faulkner, Hermann Broch, and Virginia Woolf." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0017/NQ55379.pdf.
Full textMiller, Marc 1969. "The persona "Moyshe-Leyb" in the poetry of M.L. Halpern." Thesis, McGill University, 1996. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=24096.
Full textTongra-ar, Rapin. "Fanny Fern: A Social Critic in Nineteenth-Century America." Thesis, University of North Texas, 1995. https://digital.library.unt.edu/ark:/67531/metadc278370/.
Full textSmith, Laurel A. "A genre revised in the epic poetry of H.D. and Gwendolyn Brooks." Virtual Press, 1991. http://liblink.bsu.edu/uhtbin/catkey/776700.
Full textDepartment of English
Hogue, Cynthia Anne. "Figuring woman (out): Feminine subjectivity in the poetry of Emily Dickinson, Marianne Moore, and H.D." Diss., The University of Arizona, 1990. http://hdl.handle.net/10150/185054.
Full textPollard, Matthew. "The bodies of Kleist : aspects of corporeality in his dramatic works." Thesis, McGill University, 1997. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=35047.
Full textThis study is organized on the principle of Kleist's use of genre designation, the approximate chronological order of his plays, and the representation of the body. Chapter one focuses on Die Familie Schroffenstein, Der zerbrochne Krug, and Amphitryon and the notion of bodily authenticity and integrity; chapter two, on Die Hermannsschlacht and Penthesilea, looks at the spectacle of violence and its effect on the body mobilized by emotional extremity; the third chapter, on Kleist's most celebrated works, Prinz Friedrich von Homburg and Das Kathchen von Heilbronn, examines aspects of gender and vulnerability. The conclusion views his essay "Uber das Marionettentheater" not as a key to understanding his works, but rather as a culmination of them, and investigates Kleist's writing on the wounded body and its connection to grace.
Jeannotte, Valérie. "Temps morts : la femme qui tue la mort chez Théophile Gautier." Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=99725.
Full textPaddock, Virginia Lee. "Madness as metaphor : a study of mysticism in the life and art of Emily Dickinson." Virtual Press, 1991. http://liblink.bsu.edu/uhtbin/catkey/762988.
Full textDepartment of English
Roberts, Timothy Paul English UNSW. "Little terrors:the child???s threat to social order in the Victorian bildungsroman." Awarded by:University of New South Wales. English, 2005. http://handle.unsw.edu.au/1959.4/23930.
Full textNuckels, Rosa Turner. "Visions of Light In the Poetry of William Blake and Emily Dickinson." Thesis, University of North Texas, 1996. https://digital.library.unt.edu/ark:/67531/metadc279349/.
Full textProthero, James. "The influence of Wordsworth on twentieth-century Anglo-Welsh poets." Thesis, University of Wales Trinity Saint David, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683327.
Full textPrice, Kenneth Robert 1962. ""Nobody knows, so still it flows"—The Discourse of Water in the Poetry of Emily Dickinson." Thesis, University of North Texas, 1996. https://digital.library.unt.edu/ark:/67531/metadc277904/.
Full textMcSwain, Jeffrey Y. "Simul sanctification : Karl Barth's appropriation of Luther's dictum 'simul iustus et peccator'." Thesis, University of St Andrews, 2015. http://hdl.handle.net/10023/11818.
Full textWright, Ross M. "Karl Barth's academic lectures on Ephesians (Göttingen, 1921-1922) : an original translation, annotation, and analysis." Thesis, University of St Andrews, 2007. http://hdl.handle.net/10023/399.
Full textBromling, Laura Cappello, and University of Lethbridge Faculty of Arts and Science. "From the pens of the contrivers : perspectives on fiction in the nineteenth-century novel." Thesis, Lethbridge, Alta. : University of Lethbridge, Faculty of Arts and Science, 2003, 2003. http://hdl.handle.net/10133/154.
Full textiv, 120 leaves ; 28 cm.
Lima, Leandro Siqueira. "Glória e legado do primeiro romântico: Gonçalves de Magalhães." Universidade Federal do Espírito Santo, 2009. http://repositorio.ufes.br/handle/10/6457.
Full textThis study concerns itself with the works of Gonçalves de Magalhães the usherer of romanticism in Brasil , the age in which he emerged and the criticism for and against the almost forgotten author. In the intention of investigating these, a common denominator was found in 3 principal works of the carioca author: the poem Carta ao meu amigo Dr. Candido Borges Monteiro , the article Ensaio sobre a História da Literatura Brasileira and the inaugural volume of poems in the Romantic Movement, Suspiros poéticos e saudades. This denominator the author in search of a justification for his creative activity is in exaggerations of reference to himself, and are exposed with total sincerity in works with little attraction, influencing generations of criticism to observe the figure of the author at the loss of his works
Este trabalho tem interesse pela obra de Gonçalves de Magalhães, o introdutor do romantismo no Brasil, pela época de sua inscrição e pela crítica construída contra e a favor desse escritor quase esquecido. Na intenção de investigá-las, levantou-se um denominador comum em três obras principais do autor carioca: o poema Carta ao meu amigo Dr. Candido Borges Monteiro , o artigo Ensaio sobre a História da Literatura Brasileira e o volume de poemas inaugurador do movimento romântico, os Suspiros poéticos e saudades. Tal denominador o escritor em busca de uma justificativa para sua atividade criadora dá-se pelo exagero das referências a si mesmo, e que reveladas com total franqueza em meio a uma obra pouco atraente, influenciou as gerações de crítica a observar a figura do autor em detrimento de suas produções
Hart, Hilary 1969. "Sentimental spectacles : the sentimental novel, natural language, and early film performance." Thesis, University of Oregon, 2004. http://hdl.handle.net/1794/297.
Full textThe nineteenth-century American sentimental novel has only in the last twenty years received consideration from the academy as a legitimate literary tradition. During that time feminist scholars have argued that sentimental novels performed important cultural work and represent an important literary tradition. This dissertation contributes to the scholarship by placing the sentimental novel within a larger context of intellectual history as a tradition that draws upon theoretical sources and is a source itself for later cultural developments. In examining a variety of sentimental novels, I establish the moral sense philosophy as the theoretical basis of the sentimental novel's pathetic appeals and its theories of sociability and justice. The dissertation also addresses the aesthetic features of the sentimental novel and demonstrates again the tradition's connection to moral sense philosophy but within the context of the American elocution revolution. I look at natural language theory to render more legible the moments of emotional spectacle that are the signature of sentimental aesthetics. The second half of the dissertation demonstrates a connection between the sentimental novel and silent film. Both mediums rely on a common aesthetic storehouse for signifying emotions. The last two chapters of the dissertation compare silent film performance with emotional displays in the sentimental novel and in elocution and acting manuals. I also demonstrate that the films of D. W. Griffith, especially The Birth of a Nation, draw upon on the larger conventions of the sentimental novel.
Notarangelo, Maria Luisa Douglas. "Connecting composition and literature through the rhetorical situation." CSUSB ScholarWorks, 2002. https://scholarworks.lib.csusb.edu/etd-project/2146.
Full textLi, Jing. "Problematics of self in moral space : a study of Willa Cather, Susan Glaspell and H.D." HKBU Institutional Repository, 2010. http://repository.hkbu.edu.hk/etd_ra/1177.
Full textPhiri, Aretha Myrah Muterakuvanthu. "Toni Morrison and the literary canon whiteness, blackness, and the construction of racial identity." Thesis, Rhodes University, 2009. http://hdl.handle.net/10962/d1002255.
Full textBailly, Jean-Jacques. "Eros et infini: essai sur les écrits de Marc-Alain Ouaknin." Doctoral thesis, Universite Libre de Bruxelles, 2005. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/211049.
Full text
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Doctorat en philosophie et lettres, Orientation philosophie
info:eu-repo/semantics/nonPublished
Cloutier, David 1948. "A Comparison of the Transcription Techniques of Godowsky and Liszt as Exemplified in Their Transcriptions of Three Schubert Lieder." Thesis, North Texas State University, 1987. https://digital.library.unt.edu/ark:/67531/metadc331767/.
Full textNiwa-Heinen, Maureen Anne. "Relational narrative desire : intersubjectivity and transsubjectivity in the novels of H.D. and Virginia Woolf." 2004. http://hdl.handle.net/1828/342.
Full textStocks, Lynette. "Gautier critique: liberte, fraternité et la défense du réalisme." Thesis, 2006. http://hdl.handle.net/2440/69454.
Full textThesis (Ph.D.) -- University of Adelaide, School of Humanities, 2006
"曾國藩詩學觀探論." 2007. http://library.cuhk.edu.hk/record=b5893406.
Full text"2007年9月".
論文(哲學碩士)--香港中文大學, 2007.
參考文獻(leaves 146-153).
"2007 nian 9 yue".
Abstract also in English.
Wu Qiaoyun.
Lun wen (zhe xue shuo shi)--Xianggang Zhong wen da xue, 2007.
Can kao wen xian (leaves 146-153).
Chapter 第一章 --- 緒論
Chapter 第一節 --- 硏究緣起 --- p.1
Chapter 第二節 --- 前人硏究曾氏詩學成果述評 --- p.3
Chapter 第三節 --- 硏究方法、材料及目標 --- p.6
Chapter 第二章 --- 詩歌批評觀
Chapter 第一節 --- 《十八家詩鈔》成書過程和編撰動機 --- p.8
Chapter 第二節 --- 對前代詩人的選評 --- p.15
Chapter 第三節 --- 論詩體 --- p.33
Chapter 第四節 --- 詩歌評語論說 --- p.43
Chapter 第三章 --- 詩歌創作、鑑賞論
Chapter 第一節 --- 詩歌創作論 --- p.72
Chapter 第二節 --- 聲調說:詩文以聲調爲本 --- p.84
Chapter 第三節 --- 曾氏詩歌創作實踐以及後世之評價 --- p.92
Chapter 第四章 --- 曾國藩論詩與當時詩壇之關係
Chapter 第一節 --- 曾氏詩學與桐城詩派的淵源 --- p.103
Chapter 第二節 --- 曾氏論詩與道、咸間宋詩派學說之異同 --- p.127
Chapter 第三節 --- 小結 --- p.140
Chapter 第五章 --- 結語 --- p.143
參考資料 --- p.146
"《黑奴籲天錄》的敘事者與譯文操縱." 2000. http://library.cuhk.edu.hk/record=b5895839.
Full text"2000年8月"
論文 (哲學碩士)--香港中文大學, 2000.
參考文獻 (leaves 208-219)
附中英文摘要.
"2000 nian 8 yue"
Zhang Wanli.
Lun wen (zhe xue shuo shi)--Xianggang Zhong wen da xue, 2000.
Can kao wen xian (leaves 208-219)
Fu Zhong Ying wen zhai yao.
摘要 --- p.i
前言 --- p.v
目錄
Chapter 第一章 --- 引言 --- p.1
Chapter 第二章 --- 小說敘事者與操縱理論 --- p.8
Chapter 2.1 --- 小說的敘事者 --- p.8
Chapter 2.2 --- 操縱理論 --- p.14
Chapter 2.3 --- 《黑奴籲天錄》的敘事者與譯文操縱 --- p.24
Chapter 第三章 --- 《黑奴籲天錄》的翻譯背景 --- p.26
Chapter 3.1 --- 原文的内容 --- p.26
Chapter 3.2 --- 原文的文化系統 --- p.28
Chapter 3.2.1 --- 政治 --- p.28
Chapter 3.2.2 --- 宗教 --- p.3 2
Chapter 3.2.3 --- 婦女地位 --- p.33
Chapter 3.2.4 --- 作者 --- p.35
Chapter 3.3 --- 對 Uncle Tom´ةs Cabin 的評論 --- p.40
Chapter 3.4 --- 譯文的文化系統 --- p.48
Chapter 3.4.1 --- 政治 --- p.49
Chapter 3.4.2 --- 教會的活動 --- p.52
Chapter 3.4.3 --- 婦女地位 --- p.53
Chapter 3.4.4 --- 翻譯的功利主義 --- p.55
Chapter 3.4.5 --- 譯者 --- p.58
Chapter 3.4.5.1 --- 林纾 --- p.58
家庭 --- p.58
政治思想 --- p.60
婦女觀 --- p.63
文學作品 --- p.65
Chapter (一) --- 創作及文學觀 --- p.65
Chapter (二) --- 翻譯及翻譯觀 --- p.68
Chapter 3.4.5.2 --- 魏易 --- p.73
Chapter 3.5 --- 對《黑奴籲天錄》的評論 --- p.75
Chapter 第四章 --- 《黑奴籲天錄》的敘事者(一) ´ؤ´ؤ宗教的表述及婦女形象的表述 --- p.85
Chapter 4.1 --- 宗教的表述 --- p.86
Chapter 4.1.1 --- 基督教與小說中的人物 --- p.89
Tom與湯姆 --- p.90
Cassy與凱雪 --- p.107
Quimbo與昆蒲、Sambo與三蒲 --- p.110
Topsy與托弗收 --- p.112
其他 --- p.115
George與哲而治 --- p.116
Chapter 4.1.2 --- 基督教與敘事者聲音 --- p.126
Chapter 4.1.3 --- 宗教的表述´ؤ´ؤ總結 --- p.135
Chapter 4.2 --- 婦女形象的表述 --- p.137
Chapter 4.2.1 --- 婦女形象 --- p.138
婦女角色 --- p.138
女性讀者 --- p.148
Chapter 4.2.2 --- 廚房的比喻 --- p.156
Chapter 4.2.3 --- 婦女形象的表述´ؤ´ؤ總結 --- p.164
Chapter 第五章 --- 《黑奴籲天錄》的敘事者(二) ´ؤ´ؤ敘事距離與奴隸制度的關係 --- p.166
Chapter 5.1 --- 敘事者與小說人物的距離 --- p.166
Chapter 5.2 --- 敘事者與讀者的距離 --- p.172
Chapter 5.3 --- 總結 --- p.184
Chapter 第六章 --- 結語 --- p.187
Chapter 6.1 --- 譯者對敘事者的操縱 --- p.187
Chapter 6.2 --- 「忠實的譯者」 --- p.199
參考書目 --- p.208
Douglas, William N. "Futures far and near : the science fiction of Olaf Stapledon." Phd thesis, 2010. http://hdl.handle.net/1885/151075.
Full textPillay, Ivan Pragasan. ""Could it be madness - this?" : bipolar disorder and the art of containment in the poetry of Emily Dickinson." Thesis, 2007. http://hdl.handle.net/10413/827.
Full textThesis (M.A.)-University of KwaZulu-Natal, Pietermaritzburg, 2007.
Lin, Wan-yu, and 林菀榆. "The Analysis and Interpretation of “Ballade in b Minor, No. 2” by Franz Liszt (1811-1886)." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/80177884569003242026.
Full text東吳大學
音樂學系
99
Abstract The purpose of this thesis is to analyze and discuss the interpretation of Ballade in b Minor by Franz Liszt. Liszt is one of the most important musicians in the Romantic Period. He composed two ballades. His first ballade, Ballade No. 1 in D-flat major, started in 1848 and completed in 1849. His second ballade was finished in 1953. At the same year, he also composed Piano Sonata in b minor. This thesis is going to situate the context of Liszt’s music and explore the composition background of this piece. Furthermore, this thesis is to discuss the prevailing romanticism, virtuosity at his time, and the influence of Chopin’s ballade on Liszt’s works. This thesis also analyzes the creation through different perspectives, including skills, interpretation, related background, and performance interpretation. The b Minor Ballade(1853), based on the ancient Greek love story of Hero and Leander composed by three themes. He developed the method of "transformation of themes" as part of his revolution in form which shows his unique music texture and style. In tonality and harmony, this piece has abundant sonority. Concerning transformation of major and minor, the composer uses common-tone modulation, enharmonic modulation, and some featured chords, including Neapolitan Sixth, and Diminished 7th chords. Liszt’s music shows incredibly difficult piano skill by dazzling notes and exaggerating contrast. Nevertheless, this piece is still visually vivid and poetic: not only does the listener see the stories depicted in the music, but also the emotional worlds are palpable. Keyword: Liszt, Romanticism, Virtuosity, Ballade, Ballade in b Minor
"Dialects in music, an innovative idea: a study of Franz Liszt's symphonic poems." Chinese University of Hong Kong, 1992. http://library.cuhk.edu.hk/record=b5887074.
Full textThesis (M.Phil.)--Chinese University of Hong Kong, 1992.
Includes bibliographical references (leaves 134-137).
PREFACE --- p.iii
Chapter Chapter One --- PROLOGUE- THE CLASSICAL AND ROMANTIC STYLES --- p.1
Chapter Chapter Two --- THE CONCEPT OF DIALECTICS AND TRANSCENDENCE --- p.9
Chapter Chapter Three --- STUDY OF FRANZ LISZT'S SYMPHONIC POEMS --- p.15
Les preludes (1848) --- p.18
Ce qu'on entend sur la montagne (1848-9) --- p.27
Tasso: lamento e trionfo (1849) --- p.38
Heroide funebre (1849-50) --- p.47
Prometheus (1850) --- p.55
Mazeppa (1851) --- p.63
Festklange (1853) --- p.71
Orpheus (1853-4) --- p.79
Hungaria(1854) --- p.86
Hunnenschlacht (1857) --- p.95
Die Ideale (1857) --- p.103
Hamlet (1858) --- p.112
Von der Wiege bis zum Grabe (1881-2) --- p.120
Chapter Chapter Four --- EPILOGUE - SOME OBSERVATIONS --- p.128
BIBLIOGRAPHY --- p.134