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Books on the topic '1810-1856 Criticism and interpretation'

Author: Grafiati

Published: 4 June 2021

Last updated: 11 February 2022

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1

Todd, R. Larry. Schumann and his world. Princeton, New Jersey: Princeton University Press, 2014.

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2

Købke, Christen. Christen Købke: 1810-1848. Edited by Nørregård-Nielsen Hans Edvard, Monrad Kasper, and Statens museum for kunst (Denmark). [Copenhagen]: Statens museum for kunst, 1996.

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3

Edvard, Nørregård-Nielsen Hans, Monrad Kasper, and Statens museum for kunst (Denmark), eds. Christen Købke: 1810-1848. Copenhagen: Statens museum for kunst, 1996.

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4

German, Mikhail I︠U︡rʹevich. Mikhail Vrubelʹ, 1856-1910. Sankt-Peterburg: "Avrora", 1996.

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5

German, Mikhail I︠u︡rʹevich. Mikhail Vrubelʹ (1856-1910): Alʹbom. Sankt Peterburg: Avrora, 2001.

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6

Marrey, Bernard. Louis Bonnier: 1856-1946. Liège: Mardaga, 1988.

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7

Fondazione Cassa di risparmio di Perugia., ed. Baldassarre Orsini: L'attività pittorica, 1732-1810. [Perugia, Italy]: Effe, 2008.

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8

Rodolfo Vantini (1792-1856). San Zeno Naviglio (BS) [i. e. Brescia, Italy]: Grafo, 2011.

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9

Seim, Andreas. Volkskundliche Skizzen von Rudolf Koch (1856-1921). Marburg: Jonas, 2000.

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10

Georg-Weerth-Chronik (1822-1856). Bielefeld: Aisthesis, 2006.

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11

Krebs, Harald. Fantasy pieces: Metrical dissonance in the music of Robert Schumann. New York: Oxford University Press, 1999.

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12

1733-1810, Zoffany Johann, ed. Johan Zoffany, 1733-1810. New Haven [Conn.]: Yale University Press, 2011.

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13

German, Mikhail I︠U︡rʹevich. Mikhail Vrubelʹ: 1856-1910. Sankt-Peterburg: Avrora, 2001.

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14

Manzoni francese (1805-1810): Dall'Illuminismo al Romanticismo. Rome: Laterza, 1993.

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15

Schedler, Uta. Roman Anton Boos (1733-1810): Bildhauer zwischen Rokoko und Klassizismus. München: Schnell & Steiner, 1985.

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16

(Pakistan), Muqtadirah-yi Qaumī Zabān, ed. Mīr Taqī Mīr: 1810 tā 2010 : Mīr shināsī : muntak̲h̲ab maz̤āmīn. Islāmābād: Muqtadirah Qaumī Zabān, 2010.

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17

Meng, Liuxi. Poetry as power: Yuan Mei's female disciple Qu Bingyun (1767-1810). Lanham: Lexington Books, 2007.

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18

Ai︠u︡pov, S. M. Ėvoli︠u︡t︠s︡ii︠a︡ turgenevskogo romana: 1856-1862 gg. : sootnoshenie metafizicheskogo i konkretno-istoricheskogo. Kazanʹ: Izd-vo Kazanskogo universiteta, 2001.

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19

Luis Prados de la Plaza. Memoria de Marcelino Menéndez y Pelayo (1856-1912). [Madrid]: Fundación Universitaria Española, 2006.

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20

Memoria de Marcelino Menéndez y Pelayo (1856-1912). Madrid: [s.n.], 2007.

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21

Lameński, Lechosław. Tomasz Oskar Sosnowski, 1810-1886: Rzeźbiarz polski w Rzymie. Lublin: Red. Wydawnictw Katolickiego Uniwersytetu Lubelskiego, 1997.

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22

Kunstmann, Joanna Waltraud. Emanuel von Seidl (1856-1919): Die Villen und Landhäuser. München: Scaneg, 1993.

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23

Heinrich Heines Lyrisches Intermezzo in Vertonungen von Robert Schumann und Robert Franz. Frankfurt am Main: Peter Lang, 2002.

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24

Rethinking Schumann. New York: Oxford University Press, 2011.

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25

Internationales, Georg-Weerth-Colloquium (1st 1992 Detmold Germany). Georg Weerth (1822-1856): Referate des I. Internationalen Georg-Weerth-Colloquiums 1992. Bielefeld: Aisthesis, 1993.

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26

Prorok u svoïĭ vitchyzni: Franko ta ĭoho spilʹnota, 1856-1886. Kyïv: Krytyka, 2006.

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27

Eliëns, Titus M. H. P. Berlage (1856-1934): Ontwerpen voor het interieur. Zwolle: Waaanders Uitgevers, 1998.

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28

Heyde, Raf. Ivo Vermeersch, 1810-1852: Schilder van stadshoekjes en monumenten : het merkwaardige leven van een Maldegems kunstenaar. Maldegem [Belgium]: R. Heyde, 1988.

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29

Simposio, internazionale di studi italo-tedeschi (18th 1997 Merano Italy). XVIII Simposio internazionale di studi italo-tedeschi: Heinrich Heine (1797-1856) nel II centenario della nascita = XVIII. internationales Symposium deutsch-italienischer Studien : Heinrich Heine (1797-1856) zur 200. Wiederkehr des Geburtstages. Merano: Accademia di studi italo-tedeschi, 1998.

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30

August Menken: 1856-1903 : Späthistorist zwischen Köln, Berlin und Danzig. Petersberg: Michael Imhof, 2004.

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31

Ré órga na nGael: Joseph Cooper Walker (1761-1810). Indreabhán, Conamara: An Clóchomhar, Cló Iar-Chonnacht, 2013.

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32

Robert Schumann and the piano concerto. New York: Routledge, 2005.

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33

1803-1894, Jaba Alexandre, ed. Mela Meḧmûdî Bayezîdî, 1799-1867: Yekemîn çîroknûs u pexşannûsî Kurd : tojîneweyeke lebarey serhełdanî yekemîn çîroke Kurdîyekan le nêwan sałanî 1856-1860 da legeł bîbliyografiyayek bo çîrokî Kurdîy sałanî 1856-1939. Hewlêr [Kurdistan, Iraq]: Dezgay Çap u Biławkirdinewey Aras, 2000.

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34

Academia Venezolana de la Lengua, ed. Rafael María Baralt en la Academia Venezolana de la Lengua: Homenaje por el bicentenario de su nacimiento (1810-2010). Caracas: Academia Venezolana de la Lengua correspondiente de la Real Academia Española, 2012.

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35

Samson, Jim. The music of Chopin. Oxford: Clarendon Press, 1994.

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36

The music of Chopin. London: Routledge & Kegan Paul, 1985.

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37

Samson, Jim. The music of Chopin. London: Routledge & Kegan Paul, 1985.

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38

Depth psychology, interpretation, and the Bible: An ontological essay on Freud. Montreal: McGill-Queen's University Press, 2001.

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39

"Le soleil de la liberté": Henri Heine (1797-1856) : l'Allemagne, la France et les révolutions. Paris: PUPS, Presses de l'Université Paris-Sorbonne, 2006.

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40

Crompton, Louis. Shaw the dramatist. Lincoln: University of Nebraska Press, 1990.

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41

Pater Peter Singer OFM, 1810-1882: Ein Beitrag zur franziskanischen Musiktheorie und Komposit[i]onspraxis im 19. Jahrhundert im Raum Salzburg-Tirol. München: E. Katzbichler, 1990.

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42

1810-1860, Dreux Alfred de, ed. L'univers d'Alfred de Dreux, 1810-1860: Suivi du catalogue raisonné. Arles: Actes sud, 2008.

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43

Carl Robert Kummer, 1810-1889: Ein Dresdner Landschaftsmaler zwischen Romantik und Realismus. Petersberg: Michael Imhof, 2008.

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44

Der Dämon im Werk des russischen Symbolisten Michail Vrubel' (1856-1910): Skulptur, Illustrationen, Malerei. Saarbrücken: VDM Verlag Dr. Müller, 2008.

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45

Grunewald, Eckhard. Friedrich Heinrich von der Hagen, 1780-1856: Ein Beitrag zur Frühgeschichte der Germanistik. Berlin: W. de Gruyter, 1988.

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46

The poetry of Alfred de Musset: Styles and genres. New York: P. Lang, 1987.

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47

Créteil, Université Paris Est, and IMAGER (Research group), eds. L'autobiographie de Thomas De Quincey: Une anatomie de la douleur : "Confessions d'un mangeur d'opium anglais" (1821 et 1856), Suspiria de Profundis (1845), Esquisses autobiographiques (1853). Paris: Michel Houdiard, 2010.

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48

Dupeyron-Lafay, Françoise. L'autobiographie de Thomas De Quincey: Une anatomie de la douleur : "Confessions d'un mangeur d'opium anglais" (1821 et 1856), Suspiria de Profundis (1845), Esquisses autobiographiques (1853). Paris: Michel Houdiard, 2010.

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49

Gesellschaftskritik in Heines Lutezia: Unter besonderer Berücksichtigung der chinesischen Heine-Rezeption. Frankfurt am Main: P. Lang, 2004.

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50

Musée du Louvre. Chassériau (1818-1856), un autre romantisme: Actes du colloque, Musée du Louvre, Paris le 16 mars 2002. Paris: Documentation française, 2002.

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