Dissertations / Theses on the topic '1809-1849 Criticism and interpretation'
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Brackeen, Stephanie E. (Stephanie Ellen). "Edgar Allan Poe's Use of Archetypal Images in Selected Prose Works." Thesis, University of North Texas, 1993. https://digital.library.unt.edu/ark:/67531/metadc501065/.
Full textKessenich, Veronica L. "Odilon Redon, the visual poet of Edgar Allan Poe : a study of the lithographic album 'A Edgar Poë'." Thesis, University of St Andrews, 2004. http://hdl.handle.net/10023/14486.
Full textTorrence, Avril Diane. "The people's voice : the role of audience in the popular poems of Longfellow and Tennyson." Thesis, University of British Columbia, 1991. http://hdl.handle.net/2429/32172.
Full textArts, Faculty of
English, Department of
Graduate
Sowdon, Nancy, and Nancy Sowdon. "Mendelssohn's works for cello: a musical and technical analysis." Diss., The University of Arizona, 1988. http://hdl.handle.net/10150/624869.
Full textLouw, Denise Elizabeth Laurence. "A study of the numinous presence in Tennyson's poetry." Thesis, Rhodes University, 1985. http://hdl.handle.net/10962/d1005891.
Full textBorda, Ann Elizabeth. "Nikolai Gogol's commedia del demonio." Thesis, University of British Columbia, 1987. http://hdl.handle.net/2429/26784.
Full textArts, Faculty of
Asian Studies, Department of
Graduate
Kalkwarf, Tracy Lin. "Questioning Voices: Dissention and Dialogue in the Poetry of Emily and Anne Brontë." Thesis, University of North Texas, 2000. https://digital.library.unt.edu/ark:/67531/metadc2571/.
Full textSoucy, Jean-Philippe. "Six French composers’ homage to Haydn : an analytical comparison enlightening their conception of tombeau." Thesis, McGill University, 2009. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=104366.
Full textEn 1909, la Revue musicale mensuelle de la Société Internationale de Musique (RSIM) demanda à six compositeurs français (Debussy, Dukas, Hahn, d’Indy, Ravel et Widor) d’écrire chacun une pièce pour piano dans le but de commémorer le centième anniversaire de la mort d’Haydn. Leurs pièces devaient incorporer un thème imposé bâti via une correspondance entre des notes et les lettres du mot “Haydn”. Dans le contexte de la quête d’identité des Français de la fin du 1ge siècle, ce tombeau collectif représente une occasion unique de découvrir quelles caractéristiques musicales leur étaient importantes. L’analyse de ces pièces a permis d’isoler cinq éléments communs: réinterprétation enharmonique comme moyen d’exploration de tons éloignés, liaison de registres à grande échelle, utilisation d’accords dissonants dans le but d’obtenir une certaine couleur, moyens ingénieux de créer l’unité et usage de formes et de genres issus du passé. L’influence des cultures allemande et italienne ainsi que celle de l’histoire musicale de la France et de sa politique sont également évaluées. Les tombeaux révèlent l’importance qu’occupe la musique du passé pour les compositeurs français au tournant du 20e siècle et comment cette musique prépare l’avènement du néoclassicisme d’après-guerre.
Healey, Nicola. "Dorothy Wordsworth and Hartley Coleridge : the poetics of relationship." Thesis, St Andrews, 2009. http://hdl.handle.net/10023/787.
Full textLouw, Denise Elizabeth Laurence. "A literary study of paranormal experience in Tennyson's poetry." Thesis, Rhodes University, 1991. http://hdl.handle.net/10962/d1002292.
Full textDomareki, Sarah. "To Stay or to Go? A Literary and Historical Study of French-Canadian Emigration From Quebec to New England, 1820-1930." Fogler Library, University of Maine, 2005. http://www.library.umaine.edu/theses/pdf/DomarekiS2005.pdf.
Full textAdams, Dana W. (Dana Wills). "Female Inheritors of Hawthorne's New England Literary Tradition." Thesis, University of North Texas, 1994. https://digital.library.unt.edu/ark:/67531/metadc279406/.
Full textPecastaing, Sandy. "Poe et Baudelaire : pour une hantologie du texte." Phd thesis, Université Michel de Montaigne - Bordeaux III, 2013. http://tel.archives-ouvertes.fr/tel-00997440.
Full textMoon, Sangwha. "Dickens in the Context of Victorian Culture: an Interpretation of Three of Dickens's Novels from the Viewpoint of Darwinian Nature." Thesis, University of North Texas, 1996. https://digital.library.unt.edu/ark:/67531/metadc279322/.
Full textVolz, Jessica A. "Vision, fiction and depiction : the forms and functions of visuality in the novels of Jane Austen, Ann Radcliffe, Maria Edgeworth and Fanny Burney." Thesis, University of St Andrews, 2014. http://hdl.handle.net/10023/4438.
Full text"胡培翬《儀禮》學研究." Thesis, 2011. http://library.cuhk.edu.hk/record=b6075434.
Full textThesis (Ph.D.)--Chinese University of Hong Kong, 2011.
Includes bibliographical references (leaves 326-360)
Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web.
Abstracts in Chinese and English.
Chen Shuguang.
"論阮元的學術思想及其對淸代學術的貢獻." 1990. http://library.cuhk.edu.hk/record=b5887253.
Full text稿本(電腦打印本).
Thesis (M.A.)--香港中文大學歷史學部.
Gao ben (dian nao da yin ben).
Includes bibliographical references (leaves 175-177).
Hu Zhiwei.
Thesis (M.A.)--Xianggang Zhong wen da xue li shi xue bu.
Chapter 第一章 --- 緒論
Chapter (一) --- 引言
Chapter (二) --- 近代學界研究阮元概況簡述
Chapter (三) --- 本文研究方案
Chapter 第二章 --- 阮元學術思想述論
Chapter (一) --- 小引
Chapter (二) --- 阮元的論學要點述評及與其學術宗旨的關係
Chapter 1 --- 訓詁
Chapter 2 --- 求實
Chapter 3 --- 尚古
Chapter 4 --- 阮元論學之獨特處
Chapter 5 --- 阮元論學要點及其大旨的結構關係
Chapter (三) --- 訓詁的內容 、 理據及其限制
Chapter (四) --- 義理之層序和檢核標準
Chapter (五) --- 『訓詁明則義理明 』 的再檢討
Chapter (六) --- 小結
Chapter 第三章 --- 阮元的公平學
Chapter (一) --- 小引
Chapter (二) --- 阮元思想與公平學的接合處
Chapter (三) --- 阮元對公平學之態度旁證
Chapter (四) --- 阮著 《春秋公羊傳注疏校勘記》分析
Chapter (五) --- 小結
Chapter 第四章 --- 阮元與 『詁經精舍』
Chapter (一) --- 『詁經精舍』沿革述略
Chapter (二) --- 『詁經精舍』之創辦及立學大旨
Chapter 1 --- 《經籍纂詁》之修撰與『詁經精舍』之關係
Chapter 2 --- 『詁經精舍』之成立日的與講學宗旨
Chapter (三) --- 『詁經精舍』課習內容分析
Chapter 第五章 --- 阮元與『學海堂』
Chapter (一) --- 『學海堂』之立學緣起及與『詁經精舍』之關係
Chapter (二) --- 『學海堂』之立學宗旨與陳建《學部道辯》之關係
Chapter 第六章 --- 阮元與《皇清經解》
Chapter (一) --- 小引
Chapter (二) --- "《皇清經解》編修之緣起 , 經過和續編
Chapter (三) --- 《皇清經解》作者群與阮元之關係
Chapter (四) --- 《皇清經解》的學術宗尚與阮元學術規模之關係
Chapter 第七章 --- 阮元與《十三經注疏》
Chapter (一) --- 重刊十三經的背景,緣起和經過
Chapter (二) --- 《十三經注疏》的輯校原則
Chapter (三) --- 《十三經注疏》簡評
Chapter 第八章 --- 結論
參考書目舉隅
後記
"王鵬運詞及其詞論研究." 2006. http://library.cuhk.edu.hk/record=b5896700.
Full text"2006年12月"
論文(哲學碩士)--香港中文大學, 2006.
參考文獻(leaves 133-139).
"2006 nian 12 yue"
Abstracts in Chinese and English.
Hu Lihua.
Lun wen (zhe xue shuo shi)--Xianggang Zhong wen da xue, 2006.
Can kao wen xian (leaves 133-139).
Chapter 第一章 --- 緒言 --- p.1
Chapter 第一節: --- 硏究緣起 --- p.1
Chapter 第二節: --- 前人研究述評 --- p.2
Chapter 第三節: --- 硏究目標及方法 --- p.8
Chapter 第二章 --- 王鵬運生平及治詞歷程 --- p.10
Chapter 第一節: --- 生平槪述 --- p.10
Chapter 第二節: --- 治詞歷程 --- p.17
Chapter 第三章 --- 王鵬運詞之題材內容 --- p.36
Chapter 第一節: --- 半塘詞各集名命意義及主題簡介 --- p.36
Chapter ´ؤ、 --- 各集命名意義 --- p.36
Chapter 二、 --- 各集主題簡介 --- p.38
小結 --- p.46
Chapter 第二節: --- 半塘詞分期 --- p.47
Chapter 一、 --- 初期-個人情志之作 --- p.47
Chapter 二、 --- 中期-憂時念亂、忠憤之志 --- p.50
Chapter 三、 --- 後期-南潛歸隱之作 --- p.58
小結 --- p.59
Chapter 第三節: --- 題材內容 --- p.60
Chapter 一、 --- 懷人之作 --- p.61
Chapter 二、 --- 贈別之作 --- p.67
Chapter 三、 --- 思鄉之作 --- p.72
Chapter 四、 --- 詠物之作 --- p.76
Chapter 五、 --- 國是之作 --- p.80
小結 --- p.87
Chapter 第四章 --- 王鵬運詞之藝術采光 --- p.89
Chapter 第一節: --- 「芒角撐腸」、「獨來獨往」一一王鵬運詞之愁苦主調及其意象運用 --- p.89
Chapter ´ؤ、 --- 歌哭無端、墨痕和淚´ؤ煙 、塵´Ø淚之意象 --- p.89
Chapter 二、 --- 醉夢之間、尋找依歸-夢、醉之意象 --- p.92
Chapter 三、 --- 王氏詞悲苦主調的形成原因 --- p.96
小結 --- p.97
Chapter 第二節: --- 「流轉任風光」、「一笑襟塵灑」一一王鵬運詞別調之風格 --- p.98
Chapter 一、 --- 輕鬆歡愉之情 --- p.98
Chapter 二、 --- 開豁振作之意 --- p.99
小結 --- p.100
Chapter 第五章 --- 王鵬運詞論 --- p.101
Chapter 第一節: --- 詞學觀念 --- p.101
Chapter 一、 --- 「重」、「拙」、「大」之說 --- p.102
Chapter 二、 --- 體格 --- p.105
Chapter 三、 --- 詞體發展論 --- p.109
Chapter 四、 --- 聲律之說 --- p.111
小結 --- p.113
Chapter 第二節: --- 校讎詞籍體例 --- p.113
Chapter 一、 --- 版本考訂 --- p.114
Chapter 二、 --- 建立體例 --- p.117
小結 --- p.119
Chapter 第六章 --- 王鵬運於「臨桂詞派」創派之說 --- p.121
Chapter 第一節: --- 「臨桂派」之說起源 --- p.121
Chapter 第二節: --- 「臨桂詞派」及王鵬運創派之說 --- p.122
Chapter 一、 --- 臨桂詞人的活動聯繫 --- p.122
Chapter 二、 --- 創作取向 --- p.124
Chapter 三、 --- 理論建立 --- p.126
小結 --- p.128
Chapter 第三節: --- 臨桂詞人群與浙、常二派之分野 --- p.128
小結 --- p.130
Chapter 第七章 --- 總結 --- p.131
參考書目 --- p.133
附錄 --- p.140
附錄一:〈王鵬運生平簡表〉 --- p.140
附錄二:〈王鵬運交游詞作一覽表〉 --- p.154
Resler, Johanna Elizabeth. "SARA’S TRANSFORMATION: A TEXTUAL ANALYSIS OF FRANCES HODGSON BURNETT’S SARA CREWE AND A LITTLE PRINCESS." Thesis, 2007. http://hdl.handle.net/1805/1614.
Full textFrances Hodgson Burnett’s life revolved around her love of story-telling, her sons, nature, and the idealized notion of childhood. Burnett had an ability to recapture universal aspects of childhood and transform them into realistic stories containing elements of the fantastic or fairy tales. Her ability to tell stories started at a young age when she and her sisters were given permission to write on old pieces of paper. Burnett’s love for storytelling, reading, and writing was fostered in her parents’ household, in which a young Burnett was given free reign to explore her parents’ book collection and also left unhindered to imagine and act out stories by herself and with her sisters and close friends. Later her love for telling tales became a means of providing for her family—beginning with short story submissions to magazines. Although Burnett did not necessarily start out writing for children her career ended up along that path after the success in 1886 of her first children’s book, Little Lord Fauntleroy. After this success, she was a recognizable author on both sides of the Atlantic. Sara Crewe; or, What Happened at Miss Minchin’s, the 1887–88 serial publication in St. Nicholas magazine and the 1888 short story publication both were titled the same, and the subsequent reworkings of Sara’s world in the forms of two plays, A little un-fairy princess (England, 1902), and A Little Princess; Being the Whole Story of Sara Crewe, Now Told for the First Time (United States, 1903), and the 1905 full-length novel which retained the American 1903 play’s title, outlines the creative process that Burnett undertook while exploring the world of Sara Crewe. By examining the above forms, readers and scholars gain an insight into not only the differences between the forms, but also a view of how the author approached adapting an already published work, and the influence of editors on an authors work. The examination of the development of Sara’s timeline will bring light onto Burnett’s growth as a writer and specifically her transition into her role as a children’s literature author.
Rzeczycki, Tomasz Sebastian. "Felix Mendelssohn's Sonata for cello and piano in D-major, Op. 58, its place in the history of the cello sonata and the influence of Beethoven." 2002. http://wwwlib.umi.com/cr/utexas/fullcit?p3108501.
Full textReid, Zofia Tatiana. "Disempowered women? :." Diss., 2001. http://hdl.handle.net/10500/17606.
Full text"The multiplicity of the detective thriller as literary genre." 2003. http://library.cuhk.edu.hk/record=b5896108.
Full textThesis (M.Phil.)--Chinese University of Hong Kong, 2003.
Includes bibliographical references (leaves 131-138).
Abstracts in English and Chinese.
Abstract --- p.i
摘要 --- p.iii
Acknowledgements --- p.v
Introduction The Genre of Detective Thriller --- p.1
Chapter Chapter One --- The Figure in the Carpet: Agatha Christie's The Murder of Roger Ackroyd --- p.33
Chapter Chapter Two --- """Thrillers are like life´ؤmore like life than you are"": Graham Greene's The Ministry of Fear" --- p.68
Chapter Chapter Three --- "Cultural and Metaphysical Mysteries: Paul Bowles's ""The Eye"" and Jorge Luis Borges's ""The Garden of Forking Paths""" --- p.99
Concluding Remarks --- p.127
Bibliography --- p.131