Academic literature on the topic '1803-1869 Criticism and interpretation'
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Journal articles on the topic "1803-1869 Criticism and interpretation"
Vorova, T. P. "Peculiarities of the Structure and Distinctive Features of the Interpretation in “Motley Tales with Witticisms” by V. F. Odoyevsky." International Letters of Social and Humanistic Sciences 67 (March 2016): 18–26. http://dx.doi.org/10.18052/www.scipress.com/ilshs.67.18.
Full textvan Vlastuin, Willem. "Dort Outwitted by the Remonstrants." Church History and Religious Culture 99, no. 2 (August 12, 2019): 228–47. http://dx.doi.org/10.1163/18712428-09902003.
Full textSuárez Turriza, Tatiana. "Las versiones de Flor de fuego y Flor del dolor de Santiago Sierra: del ocultismo al espiritismo kardeciano." Literatura Mexicana 33, no. 2 (June 13, 2022): 37–70. http://dx.doi.org/10.19130/iifl.litmex.2022.33.2.7731x02.
Full textDarini, Ririn. "Deli Maatschappij’s Contribution to the Transformation of East Sumatera, 1869-1940s." Paramita: Historical Studies Journal 31, no. 1 (March 31, 2021): 22–32. http://dx.doi.org/10.15294/paramita.v31i1.25774.
Full textArismunandar, Andi, Reiza D. Dienaputra, and Raden Muhammad Mulyadi. "DARI PASANGGRAHAN HINGGA GRAND HOTEL: AKOMODASI PENGINAPAN UNTUK TURIS PADA MASA HINDIA-BELANDA DI PRIANGAN (1869-1942)." Patanjala: Journal of Historical and Cultural Research 12, no. 2 (October 16, 2020): 159. http://dx.doi.org/10.30959/patanjala.v12i2.571.
Full textGale, S. J., and C. O. Hunt. "The Stratigraphy of Kirkhead Cave, an Upper Palaeolithic Site in Northern England: Discussion." Proceedings of the Prehistoric Society 56 (1990): 51–56. http://dx.doi.org/10.1017/s0079497x00005028.
Full textCapellán De Miguel, Gonzalo. "Gumersindo de Azcárate: Derecho, "Selfgovernment" y Constitución inglesa." Teoría y Realidad Constitucional, no. 44 (November 15, 2019): 527. http://dx.doi.org/10.5944/trc.44.2019.26027.
Full textWessell, Adele. "Cookbooks for Making History: As Sources for Historians and as Records of the Past." M/C Journal 16, no. 3 (August 23, 2013). http://dx.doi.org/10.5204/mcj.717.
Full textFordham, Helen. "Curating a Nation’s Past: The Role of the Public Intellectual in Australia’s History Wars." M/C Journal 18, no. 4 (August 7, 2015). http://dx.doi.org/10.5204/mcj.1007.
Full textDissertations / Theses on the topic "1803-1869 Criticism and interpretation"
Gagné, Marie-Josée 1971. "L' effet-idéologie dans les dialogues de la nouvelle "Arsène Guillot"." Thesis, McGill University, 1996. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=23840.
Full textLiboiron, Paul Adrien. "The transformation of plot in the couplet of the Urdu Ghazal : an examination of narrative." Thesis, University of British Columbia, 1989. http://hdl.handle.net/2429/30140.
Full textArts, Faculty of
Asian Studies, Department of
Graduate
Woloshen, Richard Allen. "L’individu exceptionnel dans Les liaisons dangereuses." Thesis, University of British Columbia, 1985. http://hdl.handle.net/2429/25532.
Full textArts, Faculty of
French, Hispanic, and Italian Studies, Department of
Graduate
Razak, Ajmal M. "The concept of mystery in Edwin Arlington Robinson's murder mystery poems : between knowing and not knowing." Virtual Press, 1993. http://liblink.bsu.edu/uhtbin/catkey/862272.
Full textDepartment of English
Cavendish-Jones, Colin. "Pavilioned on nothing : nihilism and its counterforces in the works of Oscar Wilde." Thesis, University of St Andrews, 2013. http://hdl.handle.net/10023/3515.
Full textWilliamson, Richard Joseph 1962. "Friendship, Politics, and the Literary Imagination: the Impact of Franklin Pierce on Hawthorne's Works." Thesis, University of North Texas, 1996. https://digital.library.unt.edu/ark:/67531/metadc277669/.
Full textFrias, Cassiane Tomilhero. "Um Artaud surrelealista e internado em Rodez = pontos de tensão entre teatro e poder." [s.n.], 2010. http://repositorio.unicamp.br/jspui/handle/REPOSIP/283966.
Full textDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes
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Resumo: Esta pesquisa propõe uma investigação sobre os aspectos políticos presentes nas obras de Antonin Artaud e as implicações do trabalho deste autor na relação entre teatro e poder. Levando em consideração a extensa obra de Artaud e sua grande contribuição para o teatro e para a cultura, visando fazer um recorte para este trabalho, escolhemos dar maior ênfase em escritos produzidos em dois períodos da vida do autor: a participação no movimento surrealista e o período de internação em asilos da França, principalmente em Rodez. Com intuito de trazer um caráter híbrido à pesquisa teatral, procuramos analisar o estudo das obras de Artaud à luz de conceitos advindos da filosofia, principalmente às questões que se referem às relações de poder abordadas por Michel Foucault. No último capítulo, propomos uma aproximação entre as propostas artaudianas e sua contribuição para o teatro hoje através de autores como Antônio Negri e Hans-Thie Lehman, visando discutir qual é o espaço do teatro atual nas relações de poder contemporâneas
Abstract: This research proposes an investigation about the political aspects in the works of Antonin Artaud and its implications to the relation between theater and power. Due the extension of his entire work and the impact through theater and culture, we decided to focus in his writings done in two periods of his life: the participation in the surrealist movement and the period of hospitalization in French asylums, mainly Rodez. In order to bring a hybrid character to theater research, we analised the study of Artaud's works through filosofical concepts, especially issues related to power relations pointed by Michel Foulcault. In the last chapter, we approach Artaud's proposals and contributions for today theater through authors such as Antonio Negri and Hans-Thie Lehman, trying to discuss which space is left to theater in contemporary power relations
Mestrado
Artes
Mestre em Artes
Winter, Ligia Maria 1981. "Escritas do suporte." [s.n.], 2012. http://repositorio.unicamp.br/jspui/handle/REPOSIP/269969.
Full textTese (doutorado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem
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Resumo: A proposta deste trabalho é pensar o estatuto literário e político de uma escrita, que nomeio Escrita do Suporte, partindo da imagem habitual de um suporte lido como sustentáculo ou mediador neutro, terreno sobre o qual edificar instituições, a que nomear "pátria" ou em que fundar um Estado. Esse terreno neutralizado funciona como lugar de arquivamento e violência, que representa, para as Escritas do Suporte, uma impostura que se deve expor, publicar em seu centro regulador, para que se possa repensar a História. Essa impostura do suporte neutro, que se pretende exposta pelas Escritas do Suporte, mobiliza questões políticas e jurídicas, filosóficas, psicanalíticas e autobiográficas. O trabalho parte de textos de Jacques Derrida e Antonin Artaud, em especial compreendendo a Escrita do Suporte compartilhada entre uma carta de Artaud a André Rolland de Rénéville, escrita em 1932, o ensaio Enlouquecer o subjétil (1998b), no original Forcener le subjectile (1986a), em que Derrida retoma essa carta de Artaud, e a pictografia de Lena Bergstein, no ensaio em português, que se inscreve no lugar da ausência dos desenhos de Artaud, retirados pela artista brasileira do ensaio original, que fazia parte do livro Antonin Artaud: dessins et portraits, de Derrida e Paule Thévenin (1986a). Pela leitura desses textos, trazemos ao questionamento khôra, que Derrida faz intercambiar com o subjétil. Khôra é o suporte metafísico de Platão que excede a dialética. Na leitura do Timeu, de Platão (2011), pensamos tanto esse excesso, como o problema do estrangeiro e da política externa de guerras para a validação da técnica interna grega, a partir de um elemento aparentemente acessório e "pouco sério", a introdução de Sócrates. O problema dessa relação com o estrangeiro, todavia, é destinado ao rodapé por Derrida em Khôra, livro escrito sete anos após o ensaio sobre Artaud (1995b), bem como por Rousseau, como retoma Derrida em nota. Para nossa Escrita do Suporte, trazemos ao centro essa questão, da mesma maneira como a Escrita do Suporte traz ao centro da cena os elementos que nela pareciam acessórios, reservados à margem. Nesse deslocamento, pensamos o problema da língua e da pátria, que Derrida traz a Enlouquecer o subjétil, e, em especial, a questão de um "habitar a casa na apatridade", que lemos com Vilém Flusser (2007). Juntamente com khôra, pensamos outro excesso que Derrida faz intercambiar com o subjétil: cruauté, e com ela relemos os textos de Antonin Artaud. Por fim, compreendemos as estratégias de antecipação, justaposição/sobreposição (l'air surajoutée) e encenação de um arrancamento de cena como técnicas compartilhadas por Artaud, Derrida e Bergstein nessa Escrita do Suporte, em seus quatro movimentos: uma primeira neutralização do suporte, seguida pelo desarquivamento de suas variantes, passando para uma denúncia ou publicação da violência dessa neutralidade e, por fim, pela antecipação epistolar do teatro, que compreenderemos como uma dimensão "missiva", referente às cartas que pedem o compartilhamento entre desencontros, recuando as remissões. Esses quatro movimentos são também lidos por um questionamento das políticas do presente, pois é justamente essa a necessidade que se impõe para tais escritas
Abstract: This paper presents the political and literary status of a different kind of writing, called here as Support Writings. This concept comes from the habitual image of a support read as the basis or mediator for institutions to be built upon, as somewhere to be called homeland or as somewhere to found a State. This neutral foundation site works as a place of an "archive of violence", that represents, for the Support Writings, an imposture that needs to be exposed, published, in order for History to be thought differently. The neutral foundation imposture involves political, juridical, philosophical, psychoanalytical and autobiographical issues. The paper starts by reading Jacques Derrida and Antonin Artaud, specially understanding the Support Writings shared by a letter from Artaud to André Rolland de Rénéville, written in 1932, and an essay by Jacques Derrida, Maddening the subjectile, in Portuguese Enlouquecer o subjétil (1998b), from the original Forcener le subjectile (1986a), in which Derrida brings this letter by Artaud. The Support Writings is also shared by the graphic work of a Brazilian artist, Lena Bergstein, who removes the drawings by Artaud, included as part of the book Antonin Artaud: dessins et portraits, by Derrida and Paule Thévenin (1986a), and inserts her own, in the Portuguese version. From these texts, we bring the image of khôra, which Derrida thinks as part of the image of his subjectile. In Plato's text Timeu (2011), khôra is the metaphysical support that exceeds dialectics. Reading Timeu, we considered this excess also in relation to the question of the "foreigner" and the external politics of war as a validation of the internal Greek technique, by reading the apparently "accessory" and "less serious" introduction by Socrates. These questions are destined to footnotes by Derrida in Khôra, written seven years after the essay about Artaud (1995b), as well as by Rousseau, who Derrida talks about in the footnote. To our Support Writings, we bring this problem back to the center or the argument, the same way as the Support Writings bring back to the center its elements destined to the margins, considered accessories. With this displacement, we think about language and homeland, together with Derrida in Maddening the subjectile, specially through the topic of an "habitar a casa na apatridade", read with the Czech- Brazilian critic Vilém Flusser (2007). Together with khôra, we consider another "excess" that Derrida thinks as the subjectile: cruauté, and with it we read Antonin Artaud's texts. At last, we present the strategies of anticipation, juxtaposition (l'air surajoutée) and the scene of a scene displacement as shared techniques by Artaud, Derrida and Bergstein in these Support Writings, with its four movements: a first support neutralization, followed by a disorganization of the archive and its variants, then an exposure or publication of its "neutral violence", and, at last, an epistolary anticipation of the Theater, which we understand as a "missive" dimension, referring to the letters, asking for the displacement to be shared, retreating language's remissions. These four movements are also read by a questioning of the politics of the present, because that is the first necessity imposed by these writings
Doutorado
Teoria e Critica Literaria
Doutor em Teoria e História Literária
Loriot, Charlotte. "La pratique des interprètes de Berlioz et la construction du comique sur la scène lyrique au XIXe siècle." Thesis, Paris 4, 2013. http://www.theses.fr/2013PA040238.
Full textThe practices of the performers who first produced Berlioz’s Benvenuto Cellini, La Damnation de Faust and Béatrice et Bénédict deserves to be better known: they followed other traditions than ours, and to understand their habits, practices and artistic context offers another way of conceiving these musical works. The present thesis considers the framework in which these artists worked, that is to say their training, their careers, the progress of the rehearsal of an opera and the trades involved, as well as the schools of acting, of singing, and the preparation of a role. The individual artists will also be introduced, in particular those who played in the comic scenes of the concerned works. The last chapters, which explore the way in which the corpus’ works were performed on the stage of the Paris Opera and the theater of Bade, as well as at the Paris Opera-Comic and the theater of Weimar, mix all these sources and documents and combine musical and scenic elements
Botha, Henry Russell. "Towards a psychoanalytical music analysis of Hector Berlioz's song cycle Les nuits d'été." Diss., 2012. http://hdl.handle.net/10500/6295.
Full textArt History, Visual Arts & Musicology
M.A. (Musicology)
Books on the topic "1803-1869 Criticism and interpretation"
Peter, Bloom, ed. Berlioz studies. Cambridge: Cambridge University Press, 2006.
Find full textConducting Berlioz. Oxford: Clarendon Press, 1997.
Find full textNāhīda, Nusarata. Mirzā G̲h̲āliba, 1797-1869. Lakhanaū: Malika Buksa, 1992.
Find full textNāhīda, Nusarata. Mirzā G̲h̲āliba, 1797-1869. Lakhanaū: Malika Buksa, 1992.
Find full textLev Tolstoĭ, 1852-1869. Moskva: OGI, 2000.
Find full textRushton, Julian. The musical language of Berlioz. Cambridge: Cambridge University Press, 2008.
Find full text1803-1884, Richter Ludwig, and Lichtenstern Christa, eds. Ludwig Richter: 1803-1884 : eine Revision. Berlin: Gebr. Mann, 2003.
Find full textGrandesso, Stefano. Pietro Tenerani (1789-1869). Cinisello Balsamo (Milano): Silvana, 2003.
Find full textSapio, Colomba. Sir Edwin Lutyens: Architetto 1869-1944. Firenze: A. Pontecorboli, 2009.
Find full textSir Edwin Lutyens: Architetto 1869-1944. Firenze: A. Pontecorboli, 2009.
Find full textBook chapters on the topic "1803-1869 Criticism and interpretation"
O’Halloran, Meiko. "Keats at Burns’s Grave." In John Keats and Romantic Scotland, 105–21. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780198858577.003.0007.
Full textHesketh, Ian. "Evolution, Ethics, and the Metaphysical Society, 1869–1875." In The Metaphysical Society (1869-1880), 185–203. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198846499.003.0009.
Full textHopkins, David, and Tom Mason. "Poets and Antiquarians." In Chaucer in the Eighteenth Century, 377–410. Oxford University PressOxford, 2022. http://dx.doi.org/10.1093/oso/9780192862624.003.0013.
Full textBinder, Benjamin. "Performance Matters in Heine: The Case of Pauline Viardot’s ‘Das ist ein schlechtes Wetter’." In Song Beyond the Nation, 94–113. British Academy, 2021. http://dx.doi.org/10.5871/bacad/9780197267196.003.0006.
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