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Journal articles on the topic '17th century'

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Published: 4 June 2021
Last updated: 30 July 2024

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1

Holman, Peter. "17th-century England." Early Music 33, no. 2 (May 1, 2005): 352–54. http://dx.doi.org/10.1093/em/cah090.

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2

SILBIGER, ALEXANDER. "‘17TH CENTURY KEYBOARD MUSIC’." Music and Letters 72, no. 2 (1991): 351–53. http://dx.doi.org/10.1093/ml/72.2.351.

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3

GUSTAFSON, BRUCE. "‘17TH CENTURY KEYBOARD MUSIC’." Music and Letters 72, no. 2 (1991): 353. http://dx.doi.org/10.1093/ml/72.2.353.

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4

Woodfield, Ian. "17th-century English consorts." Early Music XXII, no. 3 (August 1994): 514–20. http://dx.doi.org/10.1093/earlyj/xxii.3.514.

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5

Olson, Greta. "A 17th-century cancionero." Early Music XXV, no. 3 (August 1997): 495–98. http://dx.doi.org/10.1093/earlyj/xxv.3.495.

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6

Wilson, Robin. "17th-Century French Mathematics." Mathematical Intelligencer 38, no. 1 (April 22, 2015): 96. http://dx.doi.org/10.1007/s00283-015-9532-2.

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7

Johnston, G. S. "Surveying the 17th century." Early Music 35, no. 2 (May 1, 2007): 293–95. http://dx.doi.org/10.1093/em/cam018.

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8

Holman, P. "Performing 17th-century music." Early Music 41, no. 2 (May 1, 2013): 335–37. http://dx.doi.org/10.1093/em/cat038.

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9

Combes, Liz. "16th- and 17th-Century Italy." Musical Times 136, no. 1826 (April 1995): 194. http://dx.doi.org/10.2307/1004173.

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10

Cooper, Barry. "A 17th-century English Keyboard." Early Music XXIII, no. 1 (February 1995): 158–60. http://dx.doi.org/10.1093/earlyj/xxiii.1.158.

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11

Macy, Laura. "Editions of 17th–century song." Early Music XXVII, no. 2 (May 1999): 329–30. http://dx.doi.org/10.1093/earlyj/xxvii.2.329.

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12

Hingley, P. D. "A 17th century laundry list." Astronomy & Geophysics 39, no. 1 (February 1, 1998): 1.8—b—1.8. http://dx.doi.org/10.1093/astrog/39.1.1.8-b.

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13

O'Riordan, Jeffrey LH. "Rickets in the 17th Century." Journal of Bone and Mineral Research 21, no. 10 (July 10, 2006): 1506–10. http://dx.doi.org/10.1359/jbmr.060703.

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14

Gross, Alan G., Joseph E. Harmon, and Michael S. Reidy. "Argument and 17th-Century Science." Social Studies of Science 30, no. 3 (June 2000): 371–96. http://dx.doi.org/10.1177/030631200030003002.

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15

Geisler, Christer. "Non-native 17th-century English." Studia Neophilologica 85, no. 2 (December 2013): 174–86. http://dx.doi.org/10.1080/00393274.2013.853860.

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16

Clericuzio, Antonio. "Science in 17th Century Rome." Nuncius 30, no. 3 (2015): 709–14. http://dx.doi.org/10.1163/18253911-03003007.

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17

Dumairieh, Naser. "Revising the Assumption that Ḥadīṯ Studies Flourished in the 11th/17th-Century Ḥiǧāz: Ibrāhīm al-Kūrānī’s (d. 1101/1690) Contribution." Arabica 68, no. 1 (June 29, 2021): 1–35. http://dx.doi.org/10.1163/15700585-12341597.

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Abstract The Ḥiǧāz in the 11th/17th century has long been considered the center of a “revival” movement in ḥadīṯ studies. This assumption has spread widely among scholars of the 11th-/17th- and 12th-/18th-century Islamic world based on the fact that the isnāds of many major ḥadīṯ scholars from almost all parts of the Islamic world from the 11th/17th century onward return to a group of scholars in the Ḥiǧāz. The scholarly group that is assumed to have played a critical role in the flourishing of ḥadīṯ studies in the 11th/17th-century Ḥiǧāz is called the al-Ḥaramayn circle or network. However, to date, there have been no studies that investigate what was actually happening in that century concerning ḥadīṯ studies. Examining the actual ḥadīṯ studies of one of the scholars at the core of al-Ḥaramayn circle, i.e. Ibrāhīm b. Ḥasan al-Kūrānī, will unpack the main interest of Ḥiǧāzī scholars in ḥadīṯ literature, reveal previously unstudied aspects of ḥadīṯ studies in the 11th/17th-century Ḥiǧāz, correct some unexamined assumptions, and situate the ḥadīṯ efforts of scholars of the 11th/17th-century Ḥiǧāz within a general framework of developments within ḥadīṯ studies.
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18

Kozakaitė, Justina, Rokas Girčius, Jūratė Dementavičienė, Rimantas Jankauskas, and Dario Piombino-Mascali. "Four cases of beheading from 14th–17th century Lithuania." Anthropologischer Anzeiger 75, no. 3 (August 27, 2018): 243–49. http://dx.doi.org/10.1127/anthranz/2018/0864.

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19

Lee, Young Joo. "The Study of Italian Velvet 14th Century-17th Century." International Journal of Costume and Fashion 5, no. 2 (December 31, 2005): 55–67. http://dx.doi.org/10.7233/ijcf.2005.5.2.055.

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20

Chambert-Loir, Henri. "Islamic Law in 17th Century Aceh." Archipel, no. 94 (December 6, 2017): 51–96. http://dx.doi.org/10.4000/archipel.444.

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21

Murata, Margaret, and Anne Schnoebelen. "Solo Motets from the 17th Century." Notes 45, no. 4 (June 1989): 836. http://dx.doi.org/10.2307/941234.

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22

Carus, W. Seth. "Biological Warfare in the 17th Century." Emerging Infectious Diseases 22, no. 9 (September 2016): 1663–64. http://dx.doi.org/10.3201/eid2209.152073.

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23

Wilson, Anthony. "17th- and Early 18th-Century France." Musical Times 136, no. 1826 (April 1995): 195. http://dx.doi.org/10.2307/1004174.

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24

BORGHERO Roberta. ""A 17th century glossary of Mandaic"." ARAM Periodical 11, no. 1 (April 14, 2005): 311–19. http://dx.doi.org/10.2143/aram.11.1.504471.

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25

BORGHERO, Roberta. "A 17th Century Glossary of Mandaic." ARAM Periodical 11, no. 2 (January 1, 1999): 311–19. http://dx.doi.org/10.2143/aram.11.2.504471.

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26

An, Pong Hwan. "The Clerical Clothing of 17th Century." Theological Perspective 197 (June 30, 2017): 71–106. http://dx.doi.org/10.22504/tp.2017.06.197.71.

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27

Vizgalov, G. P., S. G. Parkhimovich, T. N. Glushkova, E. V. Kireyeva, and A. V. Sutula. "Early 17th-century textiles from Mangazea." Archaeology, Ethnology and Anthropology of Eurasia 25, no. 1 (July 2006): 117–31. http://dx.doi.org/10.1134/s1563011006010099.

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28

Garboe, Axel. "MICHAEL LYSER, A 17TH CENTURY ANATOMIST." Acta Medica Scandinavica 142, S266 (April 24, 2009): 63–73. http://dx.doi.org/10.1111/j.0954-6820.1952.tb13350.x.

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29

De Broe, Marc E., Dirk L. De Weerdt, Dirk K. Ysebaert, Sven R. Vercauteren, Kathleen E. De Greef, and Luc C. De Broe. "The Low Countries – 16th/17th Century." American Journal of Nephrology 19, no. 2 (1999): 282–89. http://dx.doi.org/10.1159/000013462.

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30

Crawford, Tim. "Lute music form 17th-century Strasbourg." Early Music XXIII, no. 3 (August 1995): 513–16. http://dx.doi.org/10.1093/earlyj/xxiii.3.513.

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31

Barker, Naomi Joy. "Tempered extravagance: 17th century keyboard collections." Early Music XXIII, no. 4 (November 1995): 713–14. http://dx.doi.org/10.1093/earlyj/xxiii.4.713.

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32

Sturdy, David J. "17th-Century Europe, Past and Present." Historically Speaking 5, no. 5 (2004): 33–35. http://dx.doi.org/10.1353/hsp.2004.0049.

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33

Ross, R. "Neuromuscular transmission in the 17th century." Journal of Neurology, Neurosurgery & Psychiatry 51, no. 10 (October 1, 1988): 1268. http://dx.doi.org/10.1136/jnnp.51.10.1268.

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34

O., Anoshko, and Klimenko S. "Tobolsk Fortifications in the 17th Century." Teoriya i praktika arkheologicheskikh issledovaniy 27, no. 3 (September 2019): 7–19. http://dx.doi.org/10.14258/tpai(2019)3(27).-01.

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35

Austen, Kat. "Star wars of the 17th century." New Scientist 210, no. 2806 (April 2011): 45. http://dx.doi.org/10.1016/s0262-4079(11)60754-9.

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36

Lindberg, D. C. "17th-Century Issues: The Scientific Revolution." Science 274, no. 5290 (November 15, 1996): 1148b—1149b. http://dx.doi.org/10.1126/science.274.5290.1148b.

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37

Henry, John. "17th-century science: a commercial tale?" Lancet 355, no. 9214 (April 2000): 1564. http://dx.doi.org/10.1016/s0140-6736(05)74624-9.

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38

Esposito, Roberto. "Medical iconography in the 17th century." Lancet 352, no. 9145 (December 1998): 2026. http://dx.doi.org/10.1016/s0140-6736(05)61383-9.

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39

Xu Zhentao, Chen Bing, and Jiang Yiaotiao. "The sunspot activity before 17th century." Vistas in Astronomy 31 (1988): 119–22. http://dx.doi.org/10.1016/0083-6656(88)90187-0.

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40

De Santo, Natale G., Giovambattista Capasso, Cinzia Ciacci, Leonardo Gallo, and Garabed Eknoyan. "Origins of Nephrology: The 17th Century." American Journal of Nephrology 12, no. 1-2 (1992): 94–101. http://dx.doi.org/10.1159/000168424.

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41

Casas, R., J. M. Vaquero, and M. Vazquez. "Solar Rotation in the 17th century." Solar Physics 234, no. 2 (April 2006): 379–92. http://dx.doi.org/10.1007/s11207-006-0036-2.

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42

Dinneen, Francis P. "A 17th-century account of Mohawk." Historiographia Linguistica 17, no. 1-2 (January 1, 1990): 67–85. http://dx.doi.org/10.1075/hl.17.1-2.07din.

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Summary Jacques Bruyas (c.l630-c.l701) left a set of notes on Mohawk in the late 1600s which were published in 1862. His account and work done on the language in the 20th century are compared. Where he fails to record all the sound-contrasts that are functional in the language and is unable to cope with allophones, modern workers may still disagree on how best to represent them. His lack of models for the description of a polysynthetic language, with a modest phonemic inventory, but complex morphophonemics, obscures morphemic boundaries. Bruyas had the reputation among contemporaries of being equally fluent in French and Mohawk, yet his notes fail to mention factors that are obviously frequent, complex and demanded for accurate communication. While the vocabulary in his account is perhaps better handled than in modern works, the selection is more guided by human interest than grammatical relevance.
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43

Foukal, Peter, Ada Ortiz, and Roald Schnerr. "DIMMING OF THE 17TH CENTURY SUN." Astrophysical Journal 733, no. 2 (May 11, 2011): L38. http://dx.doi.org/10.1088/2041-8205/733/2/l38.

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44

Zéi, Eleftheria. "1669: A 17th Century Mediterranean Diaspora." Diasporas, no. 40 (December 17, 2022): 125–28. http://dx.doi.org/10.4000/diasporas.9524.

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45

Gallagher, Dennis B., and John Harrison. "Tobacco pipemakers in 17th-century Stirling." Proceedings of the Society of Antiquaries of Scotland 125 (November 30, 1996): 1131–42. http://dx.doi.org/10.9750/psas.125.1131.1142.

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46

Guzevich, D. Y. "Memorial Board of the 17th Century." Izvestiya of Saratov University. History. International Relations 11, no. 2(2) (2011): 18–22. http://dx.doi.org/10.18500/1819-4907-2011-11-2-2-18-22.

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This article deals with the history of Dutch Reformation church in the German suburb near Moscow, where in March 1699, farewell with Lefort took place. This church was rebuilt in stone, with the money of the burgomaster of Amsterdam, Nicholas Witsen. In the honor of the donor, a memorial cas tiron board was hung on the church. The church burnt in 1812, and the community itself moved to the center of Moscow. The author could discover that the board was preserved and it was transferred into the new praying building. His search made it possible to find this board, which is now hidden of the looks of visitors, but there are all possibilities to open it. This board is one of the earliest memorial (but not sepulchral) boards in Moskovy, dedicated not only to person, but also to event.
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47

Puzanov, Vladimir. "Western Siberia and nomads in the 17th – early 18th centuries." OOO "Zhurnal "Voprosy Istorii" 2023, no. 11-2 (November 1, 2023): 04–21. http://dx.doi.org/10.31166/voprosyistorii202311statyi43.

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Since the beginning of the 17th century, the nomads Oirats came to the southern borders of Siberia, who often attacked the lands of Russian counties. In the 17th century, the eastern counties of Siberia - Krasnoyarsk, Tomsk, Tarsky - suffered from the raids of nomads. In the first decades of the 17th century, Russian colonization occupied the lands along the Ture River with tributaries Tagil, Nice and Pyshma. In the 1620s, at the request of the population, the government organizes the construction of prisons and other fortifications in the settlements in the south of Siberia. In the 1630s in the south of Siberia, local Cossacks appeared to protect the settlements. In the 1650s, the construction of prisons along the river Iset’ began. In Siberia, military people were the numerically predominant group of the Russian population throughout the 17th century.
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48

Di Cicco, Francesca, Lisa Wiersma, Maarten Wijntjes, and Sylvia Pont. "Material Properties and Image Cues for Convincing Grapes: The Know-How of the 17th-Century Pictorial Recipe by Willem Beurs." Art and Perception 8, no. 3-4 (October 28, 2020): 337–62. http://dx.doi.org/10.1163/22134913-bja10019.

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Painters mastered replicating the regularities of the visual patterns that we use to infer different materials and their properties, via meticulous observation of the way light reveals the world’s textures. The convincing depiction of bunches of grapes is particularly interesting. A convincing portrayal of grapes requires a balanced combination of different material properties, such as glossiness, translucency and bloom, as we learn from the 17th-century pictorial recipe by Willem Beurs. These material properties, together with three-dimensionality and convincingness, were rated in experiment 1 on 17th-century paintings, and in experiment 2 on optical mixtures of layers derived from a reconstruction of one of the 17th-century paintings, made following Beurs’s recipe. In experiment 3 only convincingness was rated, using again the 17th-century paintings. With a multiple linear regression, we found glossiness, translucency and bloom not to be good predictors of convincingness of the 17th-century paintings, but they were for the reconstruction. Overall, convincingness was judged consistently, showing that people agreed on its meaning. However, the agreement was higher when the material properties indicated by Beurs were also rated (experiment 1) than if not (experiment 3), suggesting that these properties are associated with what makes grapes look convincing. The 17th-century workshop practices showed more variability than standardization of grapes, as different combinations of the material properties could lead to a highly convincing representation. Beurs’s recipe provides a list of all the possible optical interactions of grapes, and the economic yet effective image cues to render them.
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49

Eaton, S. "Witch-finding: from 17th century science to 21st century superstition." QJM: An International Journal of Medicine 112, no. 5 (February 18, 2019): 385–86. http://dx.doi.org/10.1093/qjmed/hcz047.

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50

Gribkova, A. I. "The Program of Monumental Painting in St. Savva’s Chapel of the Nativity Cathedral at the Savvino-Storozhevsky Monastery." Art & Culture Studies, no. 2 (June 2023): 354–81. http://dx.doi.org/10.51678/2226-0072-2023-2-354-381.

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The article is devoted to the general analysis of the monumental painting program of 1649–1650 in St. Savva’s Chapel of the Nativity Cathedral at the Savvino-Storozhevsky Monastery near Zvenigorod. The article studies the murals and iconography of some compositions for the first time, considers the reasons for the appearance of different themes in the program, and reconstructs the conception of the whole program. Despite the original murals being covered with the late 19th century painting, it is highly probable that the existing layer closely follows the 17th century program based on earlier traditions. This is confirmed by the presence of the image of Saint Gury of Kazan, whose image of which has been known since the beginning of the 17th century, the vita cycle of Saint Savva, the structure and content of which are similar to the monuments of the second half of the 16th — middle of the 17th century, and also composition “The Appearance of the Virgin to Apostle Peter of the breaking of bread”, also known in monumental painting since the beginning of the 17th century.
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