Journal articles on the topic '16th century Irish women'

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1

장준구. "Women Painters in 16th and 17th Century China." Korean Journal of Arts Studies ll, no. 21 (September 2018): 223–48. http://dx.doi.org/10.20976/kjas.2018..21.010.

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Murphy, Cliona. "Irish women at war: the twentieth century." Irish Studies Review 20, no. 4 (November 2012): 498–500. http://dx.doi.org/10.1080/09670882.2012.732358.

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Kiely, Lisa. "Irish Women at War: The Twentieth Century." Irish Political Studies 27, no. 1 (February 2012): 156–57. http://dx.doi.org/10.1080/07907184.2012.636188.

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Salmon, Vivian. "Missionary linguistics in seventeenth century Ireland and a North American Analogy." Historiographia Linguistica 12, no. 3 (January 1, 1985): 321–49. http://dx.doi.org/10.1075/hl.12.3.02sal.

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Summary Accounts of Christian missionary linguists in the 16th and 17th centuries are usually devoted to their achievements in the Americas and the Far East, and it is seldom remarked that, at the time when English Protestant missionaries were attempting to meet the challenge of unknown languages on the Eastern seaboard of North America, their fellow missionary-linguists were confronted with similar problems much nearer home – in Ireland, where the native language was quite as difficult as the Amerindian speech with which John Eliot and Roger Williams were engaged. Outside Ireland, few historians of linguistics have noted the extraordinarily interesting socio-linguistic situation in this period, when English Protestants and native-born Jesuits and Franciscans, revisiting their homeland covertly from abroad, did battle for the hearts and minds of the Irish-speaking population – nominally Catholic, but often so remote from contacts with their Mother Church that they seemed, to contemporary missionaries, to be hardly more Christian than the Amerindians. The linguistic problems of 16th-and 17th-century Ireland have often been discussed by historians dealing with attempts by Henry VIII and his successors to incorporate Ireland into a Protestant English state in respect of language, religion and forms of government, and during the 16th century various official initiatives were taken to convert the Irish to the beliefs of an English-speaking church. But it was in the 17th century that consistent and determined efforts were made by individual Englishmen, holding high ecclesiastical office in Ireland, to convert their nominal parishioners, not by forcing them to seek salvation via the English language, but to bring it to them by means of Irish-speaking ministers preaching the Gospel and reciting the Liturgy in their own vernacular. This paper describes the many parallels between the problems confronting Protestant missionaries in North America and these 17th-century Englishmen in Ireland, and – since the work of the American missions is relatively well-known – discusses in greater detail the achievements of missionary linguists in Ireland.
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Haughton, Miriam. "Irish Theatre in the 21st Century." Cadernos de Letras da UFF 31, no. 60 (July 16, 2020): 45–64. http://dx.doi.org/10.22409/cadletrasuff.2020n60a772.

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My research examines the staging contexts of these case studies, locating them among the traumatic histories they were drawn from, which centre on women saying, sometimes loudly, and sometimes quietly, #MeToo. However, they said this traditionally in isolated historical contexts, dominated by the overwhelming power of the Irish institutions of church, family, and nation, and without the immediate collective community that one can access online today. For the women depicted in these productions, there was little opportunity to challenge the normalised patterns of abuse they were subjected to as part of conservative ideologies regarding gender, the family, and religion that were inextricably linked to the strong relationship between church and state in twentieth century Ireland.
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Mirala, Petri. "'The Widow's Shield': Women and Eighteenth-Century Irish Freemasonry." Journal for Research into Freemasonry and Fraternalism 4, no. 1 (April 3, 2014): 194–202. http://dx.doi.org/10.1558/jrff.v4i1.194.

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Rudd, Joy. "Invisible exports: The emigration of Irish women this century." Women's Studies International Forum 11, no. 4 (January 1988): 307–11. http://dx.doi.org/10.1016/0277-5395(88)90069-6.

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Bátoriné Misák, Marianna. "„…ki találhat bölcs asszonyt?” Némi betekintés a 16–17. századi papnék műveltségébe." Studia Universitatis Babeș-Bolyai Theologia Reformata Transylvanica 66, no. 2 (December 20, 2021): 227–53. http://dx.doi.org/10.24193/subbtref.66.2.12.

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Abstract. “Who Can Find a Wise Woman?” Some Insights into the Education of the Wives of 16th-17th-Century Calvinist Priests. The paper examines the literacy of pastors’ wives during the 16th-17th centuries. For a long time, the opportunity for women to acquire literacy was only the privilege of the upper social strata, but literacy was not widespread among them either. This trend came to an end in the 17th century, for which period we also found examples of the literacy of urban citizens. The daughters of the lower social strata were prepared primarily to be good wives, housewives, and good mothers in the family, especially next to their mothers. Examining the preachers’ wives as a well-defined social group is a problem due to the scarcity of resources. In most cases, we know nothing but the name of the preacher’s wife, and we do not have information about their origins and families; if we do, however, then their social situation and the occupation of their parents provide a basis for research into their education. The conclusion of the research is that even if they did not receive a formal education, the 16th-17th-century Calvinist pastors’ wives were educated women. In many cases, this knowledge – primarily wisdom, life experience, and piety – and the virtues necessary for the roles of housewife, mother, and wife were the main aspects of choice for their husband. Keywords: pastor’s wife, Protestantism, literacy, 16th-17th century
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Čirūnaitė, Jūratė. "Anthroponyms of Jewish Women in the 16th Century Grand Duchy of Lithuania." Respectus Philologicus 21, no. 26 (April 25, 2012): 200–207. http://dx.doi.org/10.15388/respectus.2012.26.15488.

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The most popular names among Jewish women in 16th century Lithuania were Simcha, Marjam, Anna, Debora. The names were most frequently recorded as diminutives (63.3%), with only 36.4% appearing in canonical forms. The smallest group comprises names formed using only anthroponyms that were derived from those of (male) family members (29.6%). 35.2% of the namings are recorded as mixed type. The same number of women are recorded using only names in the documents.Personal names are included in 70.4% of recorded women’s namings. Andronyms (anthroponyms formed from the spouse’s name) were found in 64.8% of all the records. 9.3% of women’s namings include anthroponyms formed using the spouse’s patronymic. Only 1.9% of namings had a female patronymic (the derivative of the suffix -owna/-ewna).One-member female namings prevail (59.3%). Two-member namings comprise 33.3%. Three members are found in 5.6% of the namings, while four-membered ones comprise 1.9%. The average length of the namings is 1.5 times that of the anthroponyms.Common words explaining anthroponyms were found in 68.5% of the namings. Common words related to religion prevail (51.4%). 29.7% of the common words characterize relationships or family status, and only 10.8% describe occupation, post or trade (vocation). Common words describing descent (social origin) comprise only 8.1% of all the women’s namings.Namings consisting only of anthroponyms of family members can be subdivided into the following subgroups: 1) derivatives of the suffix -owaja/-ewaja; 2) derivatives of the suffix ‑owaja/-ewaja; 3) derivatives of the suffix -owaja/-ewaja + the genitive of a male patronymic; 4) derivatives of the suffix -owaja/-ewaja + a male patronymic + the genitive of a male patronymic. Namings without anthroponyms consisting of family members included names and names with common words. Mixed namings consisted of: 1) a name + a derivative of the suffix -owaja/-ewaja; 2) a derivative of the suffix -owaja/-ewaja + the genitive of a male patronymic + a name; 3) a derivative of the suffix -owaja/-ewaja + the genitive of a male patronymic + a name + a female patronymic.The most popular type of naming is a recorded name.
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Krstić, Višnja. "The European metropolis: Paris and Nineteenth-Century Irish women novelists." Irish Studies Review 28, no. 1 (December 13, 2019): 140–41. http://dx.doi.org/10.1080/09670882.2020.1703290.

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Oxley, Deborah. "Living Standards of Women in Prefamine Ireland." Social Science History 28, no. 2 (2004): 271–95. http://dx.doi.org/10.1017/s014555320001316x.

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Prefamine Irish living standards have proved enigmatic. They are intriguing because they hold the key to understanding the trajectory of economic development in the first half of the nineteenth century. They have remained elusive because of the paucity of available information. Using Australian data, this paper examines regional trends in Irish-born female convict heights, identifying divergent tendencies between west and east that left Ulster women the tallest in the land.
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Workman, Simon. "Maeve Kelly: Women, Ireland, and the Aesthetics of Radical Writing." Irish University Review 49, no. 2 (November 2019): 304–21. http://dx.doi.org/10.3366/iur.2019.0408.

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This article considers the work of Irish writer and feminist Maeve Kelly arguing that she has been not only a radical and, to some extent, seminal voice within modern Irish writing, but an author whose work self-consciously reflects upon the production and mediation of Irish women's writing within British and Irish culture. While Kelly is not unique in adopting a feminist approach in her writing, aspects of her fiction are somewhat discrete within modern Irish literature in terms of how they express, delineate, and resolve the challenges – material, psycho-cultural, aesthetic – attendant upon the representation of feminist political thought and occluded Irish female experience. Particularly within an Irish context, Kelly's writing provides a significant case study of the aesthetic problematics of politically radical fiction. Her oeuvre represents a vital contribution to Irish writing of the twentieth century as well as to the history of women in post-war Ireland.
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Lorenzo Modia, María Jesús, and María Begoña Lasa Álvarez. "Representations of the New Woman in "The Irish Times" and "The Weekly Irish Times". A Preliminary Approach." Oceánide 13 (February 9, 2020): 61–68. http://dx.doi.org/10.37668/oceanide.v13i.41.

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This article presents a preliminary approach to the study of the images of the New Woman in the publications "The Irish Times" and "The Weekly Irish Times" at the turn of the twentieth century. From the theoretical framework of women’s studies the concept of New Woman is analysed in relation to that of New Journalism, which arose at the same time. Additionally, the aetiology and features of the two publications, plus the criteria for corpus selection, are described, and the corpus texts are compared to similar English publications of the period. The complex political situation in Ireland at the turn of the century is also considered. The role of women and the various perceptions of them are analysed, both in the sections of letters to the Editor and in essays. The roles of women in "The Irish Times" and "The Weekly Irish Times" are also compared to those depicted in journals and newspapers addressed to a female readership. The study concludes with excerpts of the two publications in question and the analysis of the contradictory opinions on the lives and roles of women in the nineteenth-century fin de siècle.
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Vershinina, D. B. "NATIONALISM, CATOLICISM, FEMINISM? GENDER DIMENSION OF THE NATIONAL STRUGGLE IN IRELAND OF THE FIRST HALF OF THE 20th CENTURY." Вестник Пермского университета. История, no. 2(53) (2021): 186–97. http://dx.doi.org/10.17072/2219-3111-2021-2-186-197.

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The author analyzes the evolution of the national movement in Ireland in the first half of the 20th century through the prism of women's participation and gender equality issues. It is argued that the Irish nationalists' choice of patriarchal Catholic ideology has not been predetermined since the revival of Irish nationalism, and although the Catholic faith played a significant role in the anti-British activities of the Irish national movement, there were many Protestants among its activists, as well as women who shared feminist values and played an important role in organizing the political and military struggle of the Irish for independence. The article focuses on the various methods of women's participation in the Irish national movement, including the creation of separate women's organizations, and membership in key societies and groups, as well as participation in constructing barricades and in fighting during the Easter Rising. It was more difficult to take part in the specifically women's struggle to grant Irish women the right to vote, which was associated with the activities of London organizations, the Women's Socio-Political Union specifically. It is argued that it was the anti-British orientation of the Irish political struggle that made it impossible (or difficult) to associate Irish feminists with the goals of the women's movement in the United Kingdom, which led to the victory of the social doctrine of Catholics and the “enslavement” of Irish women after the Irish Free State was created. The article analyzes not only sources of personal origin, telling about the participation of Irish women in the national movement, but also official documents of the young Irish state, demonstrating the evolution of its ideology in social and gender issues towards a patriarchal approach to the role of women in society, the fight against which has become the task of feminists of the second wave starting in the 1970s.
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Delay, Cara. "Wrong for womankind and the nation: Anti-abortion discourses in 20th-century Ireland." Journal of Modern European History 17, no. 3 (June 20, 2019): 312–25. http://dx.doi.org/10.1177/1611894419854660.

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This article asks how anti-abortion discourses and dialogues engaged with ideas about motherhood, national identity, and women’s reproductive decision-making in 20th-century Ireland, particularly from 1967, when abortion was decriminalized in Britain, to 1983, when Ireland’s Eighth Amendment became the law of the land. It assesses the ways in which ‘pro-life’ advocates rejected the notion that women were independent adults capable of reproductive decision-making. Indeed, throughout the 1960s, 1970s, and 1980s, anti-choice activists defined all Irish women as innately innocent, moral, and naturally desirous of domesticity and motherhood. Abortion, they argued, was encouraged, coerced, and even forced by outsiders or ‘others’. The arguments of some anti-abortion activists utilized meaningful themes in Ireland’s colonial and nationalist history, including the historical notion of Irish sacrificial motherhood, the depiction of Irish women as young and vulnerable, and the explanation of abortion as foreign, anti-Irish, and reminiscent of British colonial repression.
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Ní Riordáin, Jeanna. "‘Victor Hugo, the Irish ‘Misérables, and Fenian women in the nineteenth-century’." Boolean: Snapshots of Doctoral Research at University College Cork, no. 2015 (January 1, 2015): 131–35. http://dx.doi.org/10.33178/boolean.2015.27.

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When W.B. Yeats first met Maud Gonne, he told her of his ambition to be an ‘Irish Victor Hugo.’ Indeed the influence of France’s greatest national poet on Yeats appears to have been profound and lasting. In his youth Yeats claims to have read Hugo’s entire works, he quotes frequently form Hugo, and he spoke of Hugo at his meeting with the French poet Paul Verlaine in Paris. While the leader of French Romanticisim no doubt very pleasingly appealed to Yeats’ literary sensibilities, his political humanism, and his somewhat outlandish spiritual beliefs, the links between France’s greatest national icon and Ireland are in fact far greater than has ever been acknowledged. This article seeks to explore Hugo’s little-acknowledged, though decisive role as a spokesperson for the Irish ‘Misérables’ during the nineteenth-century. As well as examining Hugo’s much-overlooked support for the plight of the irish, this article will move on to ...
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Hickman, Mary J., and Bronwen Walter. "Deconstructing Whiteness: Irish Women in Britain." Feminist Review 50, no. 1 (July 1995): 5–19. http://dx.doi.org/10.1057/fr.1995.18.

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The Irish are largely invisible as an ethnic group in Britain but continue to be racialized as inferior and alien Others. Invisibility has been reinforced by academic treatment Most historians have assumed that a framework of assimilation is appropriate and this outcome is uncritically accepted as desirable. Sociologists on the other hand have excluded the Irish from consideration, providing tacit support for the ‘myth of homogeneity’ of white people in Britain against the supposedly new phenomenon of threatening (Black) ‘immigrants’. Focus on the paradigm of ‘colour’ has limited the range of racist ideologies examined and led to denial of anti-Irish racism. But an analysis of nineteenth-century attitudes shows that the ‘Irish Catholic’ was a significant Other in the construction of the British nationalist myth. Despite contemporary forgetting, hostility towards the Irish continues, over and above immediate reactions to recent IRA campaigns. Verbal abuse and racial harassment are documented in London and elsewhere, but unacknowledged. The masculine imagery of ‘Paddy’ hides the existence of Irish women in Britain, although they have outnumbered men since the 1920s. In America, by contrast, there is a strong stereotype of ‘Bridget’ and her central contribution to Irish upward mobility is recognized. But invisibility does not protect Irish women in Britain from racism. Indeed, they are often more exposed since their productive and reproductive roles connect more firmly to British society. Moreover, women have played a key role in maintaining Catholic adherence, which continues to resonate closely with Irishness and difference.
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Kowalik, Justyna A. "Aemulatores Erasmi? “The Council of Women” in Polish Literature of the 16th Century." Terminus 21, Special Issue 2 (2019): 197–218. http://dx.doi.org/10.4467/20843844te.19.008.11116.

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This paper presents how the Polish renaissance authors creatively transformed and adapted one of Erasmus’ dialogues, Senatulus sive Gynaikosynedrion, to the native context. Erasmus exploited a popular motif of a meeting of women who debate on different issues. The work is based on one of Aristophanes’ comedies, as well as an episode from a biography of the Roman emperor, Elagabalus. Senatulus was very popular and was translated into a number of vernacular languages all over Europe. Erasmus, with his characteristic sense of humour and criticism, pointed to some of the vices of women, but this did not constitute his ultimate aim. He used the seemingly paradoxical formula of a women’s council to draw attention to the social and political problems of the time. Early-modern Polish texts that used the theme in question can be read in the context of Polish parliamentarism, but their literary inspiration should also to be taken into consideration. The first part of this paper focuses on problematic aspects of Senatulus and its somewhat provocative and ambiguous character, which probably attracted other authors to this particular text. Then two Polish dialogues that are linked to Erasmus’s work are examined. These are the anonymous Senatulus to jest sjem niewieści (Senatulus, or the council of women) from 1543 and Sjem niewieści (The council of women) written by Marcin Bielski in 1566/1567. Even a preliminary comparison of these two works with Erasmus’ colloquium indicates that the Polish texts are, in a sense, sequels to the Latin original and further develop its basic idea. References to Erasmus’ work are present here on different levels. Similarity lays not only in the title and topics discussed by the characters, but also in the linguistic structure of the text. In both cases, the concept of the female parliament was used by the writers as a pretext to draw attention to the political, social, and economic problems Poland faced at that time and to suggest solutions.
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GREEN, KAREN, and JOHN BIGELOW. "Does Science Persecute Women? The case of the 16th–17th Century Witch-hunts." Philosophy 73, no. 2 (April 1998): 195–217. http://dx.doi.org/10.1017/s0031819198000187.

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I. Logic, rationality and ideologyHerbert Marcuse once claimed that the ‘“rational” is a mode of thought and action which is geared to reduce ignorance, destruction, brutality, and oppression.’ He echoed a widespread folk belief that a world in which people were rational would be a better world. This could be taken as an optimistic empirical conjecture: if people were more rational then probably the world would be a better place (a trust that ‘virtue will be rewarded’, so to speak). However, it is also worth considering a stronger hypothesis: that if something did not reduce ignorance, destruction, brutality, and oppression then it would not constitute rationality. On this view there is no mere correlation between rationality and a propensity toward reduction in ignorance and the rest, it is the propensity to reduce ignorance, destruction, brutality and oppression which in part constitutes rationality. Call this a broad conception of rationality, because it expands beyond the epistemic goal of reducing ignorance, and reaches out to moral concerns like oppression.
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Kennon, Patricia. "Reflecting Realities in Twenty-First-Century Irish Children's and Young Adult Literature." Irish University Review 50, no. 1 (May 2020): 131–42. http://dx.doi.org/10.3366/iur.2020.0440.

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This article explores the evolution of Irish youth literature over the last four decades and these texts' engagement with cultural, political, and social transformations in Irish society. The adult desire to protect young people's ‘innocence’ from topics and experiences deemed dark or deviant tended to dominate late twentieth-century Irish youth literature. However, the turn of the millennium witnessed a growing capacity and willingness for Irish children's and young-adult authors to problematize hegemonic power systems, address social injustices, and present unsentimental, empowering narratives of youth agency. Post-Celtic Tiger youth writing by Irish women has advocated for the complexity of Irish girlhoods while Irish Gothic literature for teenagers has disrupted complacent narratives of Irish society in its anatomy of systemic violence, trauma, and adolescent girls' embodiment. Although queer identities and sexualities have been increasingly recognised and represented, Irish youth literature has yet to confront histories and practices of White privilege in past and present Irish culture and to inclusively represent the diverse, intersectional realities, identities, and experiences of twenty-first-century Irish youth.
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Pyle, Hilary, Martha B. Caldwell, Wanda Ryan-Smolin, Elizabeth Mayes, and Jeni Rogers. "Irish Women Artists: From the 18th Century to the Present Day." Woman's Art Journal 11, no. 1 (1990): 45. http://dx.doi.org/10.2307/1358389.

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Wallace, Clare, and Joan McBreen. "The White Page/An Bhileog Bhán: Twentieth Century Irish Women Poets." Canadian Journal of Irish Studies 26, no. 1 (2000): 151. http://dx.doi.org/10.2307/25515329.

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Jones, Maldwyn A., Hasia R. Diner, and Humbert S. Nelli. "Erin's Daughters in America: Irish Immigrant Women in the Nineteenth Century." Economic History Review 39, no. 2 (May 1986): 317. http://dx.doi.org/10.2307/2596177.

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Butler, Patricia. "Irish Women Artists: From the Eighteenth Century to the Present Day." Leonardo 21, no. 3 (1988): 330. http://dx.doi.org/10.2307/1578673.

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Kennedy, Robert E., and Hasia R. Diner. "Erin's Daughters in America: Irish Immigrant Women in the Nineteenth Century." Contemporary Sociology 16, no. 1 (January 1987): 87. http://dx.doi.org/10.2307/2071229.

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Clark, Dennis, and Hasia R. Diner. "Erin's Daughters in America: Irish Immigrant Women in the Nineteenth Century." American Historical Review 90, no. 1 (February 1985): 235. http://dx.doi.org/10.2307/1860929.

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Davey, M. E. "Twentieth-Century Fiction by Irish Women: Nation and Gender. Heather Ingman." Contemporary Women's Writing 3, no. 2 (November 12, 2009): 202–4. http://dx.doi.org/10.1093/cww/vpp027.

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Moroney, Nora. "Gendering an International Outlook: Irish Women Writers in the Nineteenth Century." Victorian Periodicals Review 51, no. 3 (2018): 504–20. http://dx.doi.org/10.1353/vpr.2018.0034.

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Díez Jorge, María Elena. "Power and motherhood in the 16th century: Perpetuity and memory through architecture." Feminismo/s, no. 41 (January 2, 2023): 75. http://dx.doi.org/10.14198/fem.2023.41.04.

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Traditionally, we associate motherhood with the practice of caring for children. And that is correct, but we must be cautious because in care we find a wide range of habits that encompasses desires and needs that vary greatly according to social class, gender, age and time. In general, in the mentality of the 16th century, the mother not only played her motherhood role through upbringing, but sometimes it was more important to bequeath a lineage, a surname, goods or a house. It is on this point that this text is based in the spirit of recovering the agency of elite women, but also of the ones belonging to other social classes. On the one hand, as women who are promoters and patrons of a heritage that empowers them in the city (matronage) while allowing them to protect their descendants and perpetuate the lineage of which they consider themselves the guardians. On the other hand, women who are not of high lineage but who defend the house in which they live, even if it is not their property; because they have children and ask for shelter to be protected under a roof. Both cases can be interpreted as expressions of power, although at very different levels, because if in one case they are moved by the desire of projection and promotion of that mother as the matron of a lineage; in the other, being a mother and having children in charge can be a burden but also an argument in favor of defending the tenancy or occupation of a house. For this study we make use of archival documentation of the sixteenth century, but specifically from Granada, with a view to focusing on the various cases observed in the same city.
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Ukić Košta, Vesna. "Irish Women’s Fiction of the Twentieth Century: The Importance of Being Catholic." ELOPE: English Language Overseas Perspectives and Enquiries 11, no. 2 (May 8, 2014): 51–63. http://dx.doi.org/10.4312/elope.11.2.51-63.

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This paper explores the ways in which some of the best and most representative Irish women fiction writers of the twentieth century responded to the exigencies of Catholicism in their selected works. It also attempts to demonstrate how the treatment of Catholicism in Irish women’s fiction changed throughout the century. The body of texts that are examined in the paper span almost seventy years, from the early years of the independent Irish state to the turn-of-the-century Ireland, during which time both Irish society and the Irish Catholic Church underwent fundamental changes. How these authors tackle the relationship between the dominant religion and the shaping of woman’s identity, how they see the role of woman within the confines of Irish Catholicism, and to what extent their novels mirror the period in which they are written are the main issues which lie in the focus of the paper.
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Loftus, Laura. "Preserving the Status Quo?: Periodical Codes in The Bell and Envoy during the Mid-Twentieth Century." Journal of Modern Periodical Studies 12, no. 2 (December 1, 2021): 178–211. http://dx.doi.org/10.5325/jmodeperistud.12.2.0178.

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ABSTRACT This article is among the first to read two key Irish literary periodicals—The Bell and Envoy—to highlight how male literary inheritance, homosocial bonding, and subtle discouragement combined to marginalize women poets from mainstream Irish literature during the mid-twentieth century. Close analysis will be employed to uncover the homosocial, highly gendered language and “compositional codes” found in these magazines, sometimes through conscious decisions and sometimes through unconscious manifestations of ambient normative assumptions about proper gender roles/spheres, contributed to the mainstream exclusion of Irish women poets during this important and often forgotten period in Irish literary history.
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Kennedy, Catriona. "Republican Relicts: Gender, Memory, and Mourning in Irish Nationalist Culture, ca. 1798–1848." Journal of British Studies 59, no. 3 (July 2020): 608–37. http://dx.doi.org/10.1017/jbr.2020.69.

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AbstractIn the past two decades, remembrance has emerged as one of the dominant preoccupations in Irish historical scholarship. There has, however, been little sustained analysis of the relationship between gender and memory in Irish studies, and gender remains under-theorized in memory studies more broadly. Yet one of the striking aspects of nineteenth-century commemorations of the 1798 and 1803 rebellions is the relatively prominent role accorded to women and, in particular, Sarah Curran, Pamela Fitzgerald, and Matilda Tone, the widows of three of the most celebrated United Irish “martyrs.” By analyzing the mnemonic functions these female figures performed in nineteenth-century Irish nationalist discourse, this article offers a case study of the circumstances in which women may be incorporated into, rather than excluded, from national memory cultures. This incorporation, it is argued, had much to do with the fraught political context in which the 1798 rebellion and its leaders were memorialized. As the remembrance of the rebellion in the first half of the nineteenth century assumed a covert character, conventionally gendered distinctions between private grief and public remembrance, intimate histories and heroic reputations, and family genealogy and public biography became blurred so as to foreground women and the female mourner.
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Padrós, Joan Antoni. "«Bad life». Levels of violence against women in Olot and La Garrotxa (16th century)." Manuscrits. Revista d'història moderna 39 (March 20, 2020): 59. http://dx.doi.org/10.5565/rev/manuscrits.240.

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Eskin, Catherine R., and Axel Erdmann. "My Gracious Silence: Women in the Mirror of 16th Century Printing in Western Europe." Sixteenth Century Journal 31, no. 1 (2000): 231. http://dx.doi.org/10.2307/2671335.

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Rivera, Alicia Marchant, and Lorena Barco Cebrian. "Participation of Women in the Notarial Public Deed of the 16th Century. From the Constriction of the Marital Licence to the Fullness of Widowhood." European Scientific Journal, ESJ 13, no. 11 (April 30, 2017): 1. http://dx.doi.org/10.19044/esj.2017.v13n11p1.

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This study intends to analyse the participation of the married woman and the widow in the notarial public deed of the 16th century, in Spain, in light of the notarial forms and treatises of the time and the process itself of executing a notarial public deed. Visigothic Law would gather, to certain extent, Roman limitations and the openness brought by the Christian doctrine, resulting in the different legal systems of High Medieval times, when the married woman needed a licence from her husband in order to act. Spanish Law 56 of Toro would regulate the marital licence as a general system and compulsory requirement for the valid intervention of the married woman. In the beginning of the 16th century, not a few women executed notarial deeds and wrote royal letters related to registering as residents, returning properties and shortening litigations.
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Appeltová, Michaela. "Women’s Agency, Catholic Morality, and the Irish State." Radical History Review 2022, no. 143 (May 1, 2022): 212–18. http://dx.doi.org/10.1215/01636545-9566244.

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Abstract The text reviews four new books in Irish women’s history and the history of sexuality: Mary McAuliffe’s biography of the revolutionary Margaret Skinnider; Jennifer Redmond’s Moving Histories, exploring the discourses about Irish women migrants to Great Britain in the first few decades of the Irish state, and their everyday lives in Britain; Lindsey Earner-Byrne and Diane Urquhart’s The Irish Abortion Journey, which documents the repressive discourses and policies surrounding abortion in twentieth-century Ireland and relates stories of traveling to Great Britain to obtain it; and finally, Sonja Tiernan’s book examining the ultimately successful political and legal campaign for marriage equality in Ireland. These highly readable, well-researched books place gender and sexuality at the center of Irish history; provide insight into the contradictory political, religious, and medical discourses about Irish women, gays, and lesbians; and document the lives of women both in and out of Ireland.
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Mansell, Thomas. "Twentieth-Century Fiction by Irish Women: Nation and Gender by Heather Ingman." Modern Language Review 104, no. 1 (2009): 191–92. http://dx.doi.org/10.1353/mlr.2009.0180.

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38

Campbell, Malcolm. "Emigrant responses to war and revolution, 1914–21: Irish opinion in the United States and Australia." Irish Historical Studies 32, no. 125 (May 2000): 75–92. http://dx.doi.org/10.1017/s0021121400014668.

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Throughout the course of the nineteenth century North America and Australasia were profoundly affected by the large-scale emigration of Irish men and women. However, by the eve of the First World War that great torrent of nineteenth-century emigration had slowed. The returns of the registrar general, though deeply and systematically flawed, suggest that in the period 1901–10 the level of decennial emigration from Ireland fell below half a million for only the second time since 1840. According to these figures, the United States continued to be the preferred destination for the new century’s Irish emigrants — 86 per cent of those who left between 1901 and 1910 journeyed to America. In contrast, Australia now attracted few Irish-born, with only 2 per cent of emigrants in this decade choosing to settle in Australasia. As the number of Irish emigrants declined from the peaks of the mid-nineteenth century, so the proportion of Irish-born in the populations of the United States and Australia also fell. By 1910 less than 1.5 per cent of the United States population were of Irish birth; in Australia in 1911 only 3 per cent of the nation’s population were Irish-born men or women. But, although the influence of the Irish-born was diminished, there remained in both societies large numbers of native-born men and women of Irish descent, New World citizens who retained strong bonds of affection for Ireland and maintained a keen level of interest in its affairs.Concern with Irish affairs reached new levels of intensity in the United States and Australia between 1914 and 1921. In particular, from the Easter Rising of 1916 until the signing of the Anglo-Irish treaty of 1921 Irish immigrants and their descendants in both New World societies observed Ireland’s moves towards self-rule with keen anticipation. They publicly asserted the need for an immediate and just resolution to Ireland’s grievances and sought to obtain the support of their own governments for the attainment of that goal. However, this vocal support for Ireland was not without its own cost.
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Mulhall, Anne. "‘The well-known, old, but still unbeaten track’: Women Poets and Irish Periodical Culture in the Mid-Twentieth Century." Irish University Review 42, no. 1 (May 2012): 32–52. http://dx.doi.org/10.3366/iur.2012.0007.

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While neglected Irish male poets of the mid century have seen some recuperation in recent decades, the work of Irish women poets still languishes in obscurity. A growing body of scholarship has identified the need to bring critical attention to bear on this substantial body of work. In this essay I explore the positioning of Irish women poets in mid-century periodical culture, to flesh out the ways in which the terms of this ‘forgetting’ are already established within the overwhelmingly masculinist homosocial suppositions and idioms that characterized contemporary debates about the proper lineage and aesthetic norms for the national literary culture that was then under construction. Within the terms set by those debates, the woman writer was caught in the double bind that afflicted any woman wishing to engage in a public, politicized forum in post-revolutionary Ireland. While women poets engage in sporadic or oblique terms with such literary and cultural debates, more often their voices are absent from these dominant discourses – the logic of this absence has continued in the occlusion of these women poets from the national poetic canon.
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Reindl-Kiel, Hedda. "A Woman Timar Holder in Ankara Province During the Second Half of the 16th Century." Journal of the Economic and Social History of the Orient 40, no. 2 (1997): 207–38. http://dx.doi.org/10.1163/1568520972600784.

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AbstractThis article, in essence a microscopic study of an area around Ankara deals with a long lasting family quarrel about a Timar property (associated with military service during wartime) focusing on the question of hereditary rights for women. The family involved can be traced back almost two hundred and fifty years: in the sixteenth century they were modest Timar holders, but had once belonged to the wealthy ahi-patricians of Ankara. The remarkably rich archival material also allows us to track the different structures of the Timar in course of time. The development of the court proceedings reveals that the legal position was not unequivocal, especially concerning the succession rights of women during this period. The final decision in favour of Şakire, the heroine of the story, is primarily examined in the article in the context of social changes during the 16th century, when succession rights of women in rural as well as in urban strata of society underwent alterations. The picture which emerges is that of continuous change in the social status of Muslim-Turkish women, a status which too often has been regarded as static and unchangeable.
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Ó Ciardha, Éamonn. "Border Gothic - history, violence and the border in the writings of Eugene McCabe." Acta Neophilologica 49, no. 1-2 (December 15, 2016): 73–83. http://dx.doi.org/10.4312/an.49.1-2.73-83.

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As well as producing a rich body of novels, novellas, short-stories and plays spanning throughout seventy years of the century of partition, Eugene McCabe charts the broad trajectory of Irish history and politics from the Elizabethan Conquest and Ulster Plantation of the 16th and 17th centuries to the recent 'Troubles' which spanned the thirty years between the beginnings of the Civil Rights Movement (1968) and the signing of the Belfast/Good Friday Agreement (1998). They positively seethe with gruesome assassinations, indiscriminate bombings and deliberate shootings, while resonating with a veritable cacophony of deep-seeded ethnic rivalries and genocidal, religious hatreds, which are interlaced with poverty, social deprivation and dis-function, migration and emigration.
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Brophy, Christina S. "‘Her own and her children's share’: luck, misogyny and imaginative resistance in twentieth-century Irish folklore." Irish Historical Studies 46, no. 169 (May 2022): 155–78. http://dx.doi.org/10.1017/ihs.2022.8.

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AbstractIn twentieth-century Irish folklore, luck had much to do with women. While women were rarely seen as legitimate possessors of good fortune, luck was frequently perceived as being communicated through women's bodies and lost as a result of their actions. A caul, an intact amniotic membrane over a newborn's head and by-product of a pregnant woman's body, was believed to convey luck and health to either the mother or the child but not to both. The emphasis in this tradition on women's corporeality cast women and their maternal by-products as appropriable familial and communal resources. This and additional lore reveal that women were constructed as dangerous, ‘object-like others’ whose mere presence could threaten men's safety. Twentieth-century Ireland's folk and political cultures each operated within frameworks of supporting ideological systems. Despite being easily distinguishable in articulation, these cultures were frequently in concert with one another, especially relating to prescriptive gender roles. In numerous instances, lore about luck bolstered legislative, social and religious policies of the Irish Free State and the early Irish Republic regarding women. However, narrow divergences allowed women limited space to contest gender hierarchy in folk communities. Some women found opportunities for subversion in the very cultural fabric that restricted them, resorting to imaginative resistance to reject and counter misogynist discourse and assert female subjectivity.
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Aboal López, María. "Entre la voz y el silencio: autoridad femenina en La Sigea de Carolina Coronado." Neophilologus 104, no. 4 (March 17, 2020): 503–17. http://dx.doi.org/10.1007/s11061-020-09644-8.

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Abstract In the novel La Sigea (1854) Carolina Coronado portrays a 16th-century humanist, Luisa Sigea de Velasco, revendicating her criticism of the situation of the creative woman. In this work, Coronado illustrates both the Renaissance reality of the scholarly courtesan, and her own nineteenth-century author-identity, by sharing the disappointment and frustration they suffered as women of letters in contexts of male hegemony. In the following pages we investigate the vindication of female authorship as a creative authority.
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Pašeta, Senia. "‘Waging War on the Streets’: the Irish Women Patrol, 1914–22." Irish Historical Studies 39, no. 154 (November 2014): 250–71. http://dx.doi.org/10.1017/s0021121400019088.

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Female activists across the United Kingdom had insisted from the late nineteenth century that the employment of women police who would deal with problems specific to women and children could help to address pressing social questions, or at least to offer women some protection within the entirely male criminal justice system. Their campaign for women police was connected to similar demands for the employment of female prison visitors and inspectors and, later, jurors and lawyers, and it was predicated on the idea that neither prisons nor courts afforded women fair and equal treatment under the law. Early victories included the appointment of police matrons and searchers, but the resistance of police authorities and most other civil servants to female officers remained solid into the early twentieth century, feminist campaigning notwithstanding. The outbreak of the First World War, however, provided an ideal context for renewed activism on the issue, not least because commentators across the British Isles predicted that the apparent inability of girls and young women to resist the lure of uniformed men would lead to outbreaks of war-induced sexual promiscuity and a decline in standards of public behaviour.
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45

Duggan, Mary Kay Conyers. "My Gracious Silence: Women in the Mirror of 16th Century Printing in Western Europe (review)." Libraries & the Cultural Record 39, no. 1 (2004): 95–96. http://dx.doi.org/10.1353/lac.2004.0008.

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46

Bystrova, V. S. "The women’s diplomacy in 16th century France: the example of Louise of Savoy." Vestnik of Samara University. History, pedagogics, philology 28, no. 1 (April 13, 2022): 24–34. http://dx.doi.org/10.18287/2542-0445-2022-28-1-23-34.

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This article is dedicated to researching the women's diplomacy in France in the first half of the XVI century from the perspective of gender history. Despite the fact that ambassadorial offices were mostly occupied by men, women could still perform as diplomats both officially and informally. The image of a woman as a politician is revealed on the example of diplomatic activity of Duchess of Angoulme Louise de Savoy, mother of Francis I de Valois. The article determines her position among the power elites from contemporaries' point of view. The article also reveals the role of a high-ranking lady in exercising diplomatic functions and highlights the features of the official correspondence form of the king's mother. The main directions of foreign policy during the regencies of Louise of Savoy are determined. The role of royal women in exercising diplomatic functions in relation to the political aspects of making the Ladies' Peace in 1529 in Cambrai is considered. The author concludes that personality factors, political authority and personal relations played a major role in women's diplomatic work. In the conditions of instability of the French crown, Louise of Savoy manages to avoid the political and economic crisis in the country and create a unique precedent in the sphere of foreign affairs. This allowed her successors to expand diplomatic networks further by continuously conducting correspondence. Apart from concluding traditional dynastic alliances, diplomatic activity included negotiations, carried out by ladies either through trusted ambassadors or in person, signing peace agreements, and forming their own female diplomatic clientele.
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Luddy, Maria. "An agenda for women’s history in Ireland, 1500–1900: Part II: 1800–1900." Irish Historical Studies 28, no. 109 (May 1992): 19–37. http://dx.doi.org/10.1017/s0021121400018563.

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What is exciting about looking at women’s history in nineteenth-century Ireland is the great wealth of material which is available for study and research. Yet very little relevant work has been published. The reasons for this neglect are manifold, and include a basic indifference on the part of most academics to the role played by women in Irish history, which has resulted in the general exclusion of women from historical discourse. The lack of courses recognising the history of women has further relegated their study to the periphery. In Ireland historians, and particularly historians of women, have yet to establish a narrative and an explanatory and interpretative framework which includes Irish women. Through the work of historians in other countries, we have various conceptual frameworks within which to operate and many hypotheses to test with regard to the situation of women in Ireland. The areas for research are extensive. Here I intend to look generally at a number of aspects of women’s lives which have been investigated to some degree and to suggest sources which can be used to extend these investigations. I also wish to look at other issues which have received no attention but which would add considerably to our understanding, not only of women, but of the complex realities which made up nineteenth-century Irish society.
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Powers, W. Douglas. "Women in Irish Drama: A Century of Authorship and Representation (review)." Theatre History Studies 30, no. 1 (2010): 280–82. http://dx.doi.org/10.1353/ths.2010.0020.

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Oppedisano, Callie. "Women in Irish Drama: A Century of Authorship and Representation (review)." Theatre Journal 61, no. 2 (2009): 348–49. http://dx.doi.org/10.1353/tj.0.0187.

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Ryan, Louise. "‘Furies’ and ‘Die‐hards’: Women and Irish Republicanism in the Early Twentieth Century." Gender & History 11, no. 2 (July 1999): 256–75. http://dx.doi.org/10.1111/1468-0424.00142.

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