Relevant bibliographies by topics / 16th century Irish women

Academic literature on the topic '16th century Irish women'

Author: Grafiati
Published: 10 December 2022
Last updated: 28 January 2023

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Journal articles on the topic "16th century Irish women"

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장준구. "Women Painters in 16th and 17th Century China." Korean Journal of Arts Studies ll, no. 21 (September 2018): 223–48. http://dx.doi.org/10.20976/kjas.2018..21.010.

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Murphy, Cliona. "Irish women at war: the twentieth century." Irish Studies Review 20, no. 4 (November 2012): 498–500. http://dx.doi.org/10.1080/09670882.2012.732358.

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Kiely, Lisa. "Irish Women at War: The Twentieth Century." Irish Political Studies 27, no. 1 (February 2012): 156–57. http://dx.doi.org/10.1080/07907184.2012.636188.

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Salmon, Vivian. "Missionary linguistics in seventeenth century Ireland and a North American Analogy." Historiographia Linguistica 12, no. 3 (January 1, 1985): 321–49. http://dx.doi.org/10.1075/hl.12.3.02sal.

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Summary Accounts of Christian missionary linguists in the 16th and 17th centuries are usually devoted to their achievements in the Americas and the Far East, and it is seldom remarked that, at the time when English Protestant missionaries were attempting to meet the challenge of unknown languages on the Eastern seaboard of North America, their fellow missionary-linguists were confronted with similar problems much nearer home – in Ireland, where the native language was quite as difficult as the Amerindian speech with which John Eliot and Roger Williams were engaged. Outside Ireland, few historians of linguistics have noted the extraordinarily interesting socio-linguistic situation in this period, when English Protestants and native-born Jesuits and Franciscans, revisiting their homeland covertly from abroad, did battle for the hearts and minds of the Irish-speaking population – nominally Catholic, but often so remote from contacts with their Mother Church that they seemed, to contemporary missionaries, to be hardly more Christian than the Amerindians. The linguistic problems of 16th-and 17th-century Ireland have often been discussed by historians dealing with attempts by Henry VIII and his successors to incorporate Ireland into a Protestant English state in respect of language, religion and forms of government, and during the 16th century various official initiatives were taken to convert the Irish to the beliefs of an English-speaking church. But it was in the 17th century that consistent and determined efforts were made by individual Englishmen, holding high ecclesiastical office in Ireland, to convert their nominal parishioners, not by forcing them to seek salvation via the English language, but to bring it to them by means of Irish-speaking ministers preaching the Gospel and reciting the Liturgy in their own vernacular. This paper describes the many parallels between the problems confronting Protestant missionaries in North America and these 17th-century Englishmen in Ireland, and – since the work of the American missions is relatively well-known – discusses in greater detail the achievements of missionary linguists in Ireland.
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Haughton, Miriam. "Irish Theatre in the 21st Century." Cadernos de Letras da UFF 31, no. 60 (July 16, 2020): 45–64. http://dx.doi.org/10.22409/cadletrasuff.2020n60a772.

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My research examines the staging contexts of these case studies, locating them among the traumatic histories they were drawn from, which centre on women saying, sometimes loudly, and sometimes quietly, #MeToo. However, they said this traditionally in isolated historical contexts, dominated by the overwhelming power of the Irish institutions of church, family, and nation, and without the immediate collective community that one can access online today. For the women depicted in these productions, there was little opportunity to challenge the normalised patterns of abuse they were subjected to as part of conservative ideologies regarding gender, the family, and religion that were inextricably linked to the strong relationship between church and state in twentieth century Ireland.
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Mirala, Petri. "'The Widow's Shield': Women and Eighteenth-Century Irish Freemasonry." Journal for Research into Freemasonry and Fraternalism 4, no. 1 (April 3, 2014): 194–202. http://dx.doi.org/10.1558/jrff.v4i1.194.

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Rudd, Joy. "Invisible exports: The emigration of Irish women this century." Women's Studies International Forum 11, no. 4 (January 1988): 307–11. http://dx.doi.org/10.1016/0277-5395(88)90069-6.

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Bátoriné Misák, Marianna. "„…ki találhat bölcs asszonyt?” Némi betekintés a 16–17. századi papnék műveltségébe." Studia Universitatis Babeș-Bolyai Theologia Reformata Transylvanica 66, no. 2 (December 20, 2021): 227–53. http://dx.doi.org/10.24193/subbtref.66.2.12.

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Abstract. “Who Can Find a Wise Woman?” Some Insights into the Education of the Wives of 16th-17th-Century Calvinist Priests. The paper examines the literacy of pastors’ wives during the 16th-17th centuries. For a long time, the opportunity for women to acquire literacy was only the privilege of the upper social strata, but literacy was not widespread among them either. This trend came to an end in the 17th century, for which period we also found examples of the literacy of urban citizens. The daughters of the lower social strata were prepared primarily to be good wives, housewives, and good mothers in the family, especially next to their mothers. Examining the preachers’ wives as a well-defined social group is a problem due to the scarcity of resources. In most cases, we know nothing but the name of the preacher’s wife, and we do not have information about their origins and families; if we do, however, then their social situation and the occupation of their parents provide a basis for research into their education. The conclusion of the research is that even if they did not receive a formal education, the 16th-17th-century Calvinist pastors’ wives were educated women. In many cases, this knowledge – primarily wisdom, life experience, and piety – and the virtues necessary for the roles of housewife, mother, and wife were the main aspects of choice for their husband. Keywords: pastor’s wife, Protestantism, literacy, 16th-17th century
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Čirūnaitė, Jūratė. "Anthroponyms of Jewish Women in the 16th Century Grand Duchy of Lithuania." Respectus Philologicus 21, no. 26 (April 25, 2012): 200–207. http://dx.doi.org/10.15388/respectus.2012.26.15488.

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The most popular names among Jewish women in 16th century Lithuania were Simcha, Marjam, Anna, Debora. The names were most frequently recorded as diminutives (63.3%), with only 36.4% appearing in canonical forms. The smallest group comprises names formed using only anthroponyms that were derived from those of (male) family members (29.6%). 35.2% of the namings are recorded as mixed type. The same number of women are recorded using only names in the documents.Personal names are included in 70.4% of recorded women’s namings. Andronyms (anthroponyms formed from the spouse’s name) were found in 64.8% of all the records. 9.3% of women’s namings include anthroponyms formed using the spouse’s patronymic. Only 1.9% of namings had a female patronymic (the derivative of the suffix -owna/-ewna).One-member female namings prevail (59.3%). Two-member namings comprise 33.3%. Three members are found in 5.6% of the namings, while four-membered ones comprise 1.9%. The average length of the namings is 1.5 times that of the anthroponyms.Common words explaining anthroponyms were found in 68.5% of the namings. Common words related to religion prevail (51.4%). 29.7% of the common words characterize relationships or family status, and only 10.8% describe occupation, post or trade (vocation). Common words describing descent (social origin) comprise only 8.1% of all the women’s namings.Namings consisting only of anthroponyms of family members can be subdivided into the following subgroups: 1) derivatives of the suffix -owaja/-ewaja; 2) derivatives of the suffix ‑owaja/-ewaja; 3) derivatives of the suffix -owaja/-ewaja + the genitive of a male patronymic; 4) derivatives of the suffix -owaja/-ewaja + a male patronymic + the genitive of a male patronymic. Namings without anthroponyms consisting of family members included names and names with common words. Mixed namings consisted of: 1) a name + a derivative of the suffix -owaja/-ewaja; 2) a derivative of the suffix -owaja/-ewaja + the genitive of a male patronymic + a name; 3) a derivative of the suffix -owaja/-ewaja + the genitive of a male patronymic + a name + a female patronymic.The most popular type of naming is a recorded name.
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Krstić, Višnja. "The European metropolis: Paris and Nineteenth-Century Irish women novelists." Irish Studies Review 28, no. 1 (December 13, 2019): 140–41. http://dx.doi.org/10.1080/09670882.2020.1703290.

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Dissertations / Theses on the topic "16th century Irish women"

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Harris, Courtney. "Irish women in mid-nineteenth century Toronto, image and experience." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/MQ47330.pdf.

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Taylor, Colleen. "Violent Matter: Objects, Women, and Irish Character, 1720-1830." Thesis, Boston College, 2020. http://hdl.handle.net/2345/bc-ir:108952.

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Thesis advisor: Elizabeth Kowaleski-Wallace
This dissertation explores what a new materialist line of thinking can offer the study of eighteenth-century Irish and British literature. It sees specific objects that were considered indicative of eighteenth-century Irish identity—coins, mantles, flax, and spinning wheels—as actively indexing and shaping the formal development of Irish character in fiction, from Jonathan Swift to Sydney Owenson. Through these objects, I trace and analyze the material origin stories of two eighteenth-century discursive phenomena: the developments of Irish national character and Irish literary character. First, in the wake of colonial domination, the unique features and uses of objects like coins bearing the Hibernian typeface, mantles, and flax helped formulate a new imperial definition of Irish national character as subdued, raced, and, crucially, feminine. Meanwhile, material processes such as impressing coins or spinning flax for linen shaped ways of conceiving an interiorized deep subjectivity in Irish fiction during the rise of the individual in late eighteenth-century ideology. Revising recent models of character depth and interiority that take English novel forms as their starting point (Deidre Lynch’s in particular), I show how Ireland’s particular material and colonial contexts demonstrate the need to refit the dominant, Anglocentric understanding of deep character and novel development. These four material objects structure Irish character’s gradual interiorization, but, unlike the English model, they highlight a politically resistant, inaccessible depth in Irish character that is shadowed by gendered, colonial violence. I show how, although ostensibly inert, insignificant, or domestic, these objects invoke Ireland’s violent history through their material realities—such as the way a coin was minted, when a mantle was worn, or how flax was prepared for spinning—which then impacts the very form of Irish characters in literary texts. My readings of these objects and their literary manifestations challenge the idea of the inviolable narrative and defend the aesthetics and complexity of Irish characters in the long eighteenth century. In the case of particular texts, I also consider how these objects’ agency challenges the ideology of Britain’s imperial paternalism. I suggest that feminized Irish objects can be feminist in their resistant materiality, shaping forms of Irish deep character that subvert the colonial gaze. Using Ireland as a case study, this dissertation demonstrates how theories of character and subjectivity must be grounded in specific political, material contexts while arguing that a deeper engagement with Irish materiality leads to a better understanding of Irish character’s gendering for feminist and postcolonial analysis
Thesis (PhD) — Boston College, 2020
Submitted to: Boston College. Graduate School of Arts and Sciences
Discipline: English
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Mullin, Gretchen Elizabeth. "Representing Irish women in colonial and counter-colonial texts of the seventeenth century." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/NQ58967.pdf.

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McMullen, Maram George. "Irish Women Poets of the Twentieth Century and Beyond| Voices from the Margin." Thesis, King Saud University (Saudi Arabia), 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=3576677.

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This dissertation study explores the rise of Irish women poets of the twentieth century, in particular Eavan Boland from the southern Republic of Ireland and Medbh McGuckian from Northern Ireland. It investigates the birth of Irish Feminist Literary Theory and Irish Postcolonial Literary Theory and uses these two theories to analyze the poetry found therein. This project shows that, unlike Irish women novelists and playwrights, Irish women poets were excluded from the Irish canon until poets such as Boland and McGuckian destabilized their once rigid national literary tradition and challenged it to include women as both authors and subjects of the Irish poem. In addition to challenging their patriarchal literary tradition, Irish women poets of the twentieth century also drew attention to the lingering effects of British colonial rule in Ireland, demonstrating that Irish women poets were doubly colonized and doubly marginalized. As a result, their poetry features two distinct voices: one which speaks for the women who were silenced in Ireland and one which raises postcolonial issues. By challenging the hegemonic power structures which dominated them, Boland and McGuckian paved the way for the Irish women poets who followed, including Mary O'Malley from the Republic of Ireland and Sinéad Morrissey from Northern Ireland. For the most part, Irish women poets of the twenty-first century have managed to let go of the trauma of colonization—both patriarchal and imperial—and have created a new hybrid national identity, a Third Space, which has liberated their work. This hybridity has broadened the vision of the Irish poem which now features a new global voice.

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Letford, Lynda Susan. "Irish and non Irish women living in their households in nineteenth century Liverpool : issues of class, gender, religion and birthplace." Thesis, Lancaster University, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.387441.

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Birch, Elizabeth Jane. "Picking up new threads for Kathleen Mavourneen, the Irish female presence in nineteenth-century Ontario." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0009/MQ30203.pdf.

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Cast, Andrea Snowden. "Women drinking in early modern England." Title page, contents and abstract only, 2002. http://web4.library.adelaide.edu.au/theses/09PH/09phc346.pdf.

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Includes bibliographical references (leaves 320-415) Investigates female drinking patterns and how they impacted on women's lives in the sixteenth and seventeenth centuries in early modern England. Deals with female drinking as a site of contention between insubordinate women and the dominant paradigm of male expectations about drinking and drunkeness. Female drinking patterns integrated drinking and drunkeness into women's lives in ways that enhanced bonding with their female friends, even if it inconvenienced their husbands and male authorities. Drunken sociability empowered women.
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Tsakiropoulou, Ioanna Zoe. "The piety and charity of London's female elite, c.1580-1630 : the wives and widows of the aldermen of the City of London." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:1b933cc5-905a-4be0-b10b-a20aec49997a.

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Why was an ideal of elite women's virtue promoted in London c. 1580-1630, and why was it based on their reformed piety and charity? To what extent can elite women's piety and charity reveal their religious identity, among an elite characterised as 'puritan' by contemporaries and historians? How did women practise piety and charity in a worldly City, and did they share a civic ethos? This thesis engages with historiographies of urban history, the history of charity and hospitality, and gender history. It concerns over 400 wives and widows of the 331 aldermen elected 1540-1630, and uses 78 widows' wills. Women's wills are analysed qualitatively save to consider widows' public charitable bequests. From preambles to exceptionally diffuse bequests, wills are an intimate source for studying women's religious identity through their piety and charity. They reveal women's understanding of their gender in a patriarchal society that fostered an attitude of sorority that is particularly evident in women's charity and hospitality. To study the piety and charity of aldermen's wives extra-testamentary personal evidence complements the wills. Sources written by women themselves include a household book used to reconstruct a woman's charity and hospitality, portraits, devotional works and letters. Sources of praise and abuse authored by men including Stow's Survay, funeral sermons, verse libel and verbal abuse are used to reconstruct ideals and antitypes of elite female virtue and hypocrisy, and are read critically in comparison with other sources to furnish evidence of female piety and social conduct. Chapter II-VII focus on the conforming female elite, comparing contemporary discussion of female piety, charity and religious identity to women's lives and practice in the household and the community, and Chapter VIII considers three Catholic women to ask to what extent the civic ethos shared by reformed City women could accommodate even their recusant kinswomen.
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Hill, Shonagh L. "Embodied mythmaking : reperforming myths of femininity in the work of twentieth and twenty first century Irish women playwrights." Thesis, Queen's University Belfast, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.534727.

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Reynolds, Paige Martin. "Reforming Ritual: Protestantism, Women, and Ritual on the Renaissance Stage." Thesis, University of North Texas, 2006. https://digital.library.unt.edu/ark:/67531/metadc5439/.

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My dissertation focuses on representations of women and ritual on the Renaissance stage, situating such examples within the context of the Protestant Reformation. The renegotiation of the value, place, and power of ritual is a central characteristic of the Protestant Reformation in early modern England. The effort to eliminate or redirect ritual was a crucial point of interest for reformers, for most of whom the corruption of religion seemed bound to its ostentatious and idolatrous outer trappings. Despite the opinions of theologians, however, receptivity toward the structure, routine, and familiarity of traditional Catholicism did not disappear with the advent of Protestantism. Reformers worked to modify those rituals that were especially difficult to eradicate, maintaining some sense of meaning without portraying confidence in ceremony itself. I am interested in how early Protestantism dealt with the presence of elements (in worship, daily practice, literary or dramatic representation) that it derogatorily dubbed popish, and how women had a particular place of importance in this dialogue. Through the drama of Shakespeare, Webster, and Middleton, along with contemporary religious and popular sources, I explore how theatrical representations of ritual involving women create specific sites of cultural and theological negotiation. These representations both reflect and resist emerging attitudes toward women and ritual fashioned by Reformation thought, granting women a particular authority in the spiritual realm.
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Books on the topic "16th century Irish women"

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Irish women at war: The twentieth century. Dublin: Irish Academic Press, 2010.

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Colman, Anne Ulry. Dictionary of nineteenth-century Irish women poets. Galway: Kenny's Bookshop, 1996.

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Women, beauty and power in early modern England: A feminist literary history. Basingstoke: Palgrave Macmillan, 2011.

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Women and religion in sixteenth-century France. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2005.

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Erdmann, Axel. My gracious silence: Women in the mirror of 16th century printing in Western Europe. Luzern, Switzerland: Gilhofer & Ranschburg, 1999.

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Diner, Hasia R. Erin's daughters in America: Irish immigrant women in the nineteenth century. Baltimore: Johns Hopkins University Press, 1986.

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Singh, Sarup. The double standard in Shakespeare and related essays: Changing status of women in 16th and 17th century England. Delhi: Konark Publishers, 1988.

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Saunders, Clare Broome. Women writers and nineteenth-century medievalism. New York: Palgrave Macmillan, 2009.

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Suzanne, Napier Taura, ed. Seeking a country: Literary autobiographies of twentieth-century Irishwomen. Lanham, Md: University Press of America, 2000.

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Maria, Connolly, ed. Journeys through line and colour: Forty Irish women artists of the 20th century. Limerick: University of Limerick, 2010.

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Book chapters on the topic "16th century Irish women"

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Napier, Taura S. "Pilgrimage to the Self: Autobiographies of Twentieth-Century Irish Women." In Modern Irish Autobiography, 70–90. London: Palgrave Macmillan UK, 2007. http://dx.doi.org/10.1057/9780230206069_5.

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Hunt, Tamara L. "Wild Irish Women: Gender, Politics, and Colonialism in the Nineteenth Century." In Women and the Colonial Gaze, 49–62. London: Palgrave Macmillan UK, 2002. http://dx.doi.org/10.1057/9780230523418_5.

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Quinn, E. Moore. "“What One Does of Necessity”: 20th-century Irish Women as Seasonal Migrants and Working Pilgrims." In Women and Pilgrimage, 139–60. GB: CABI, 2022. http://dx.doi.org/10.1079/9781789249392.0010.

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Izarra, Laura P. Z. "Through Other Eyes: Nineteenth-Century Irish Women in South America." In Transcultural Negotiations of Gender, 59–69. New Delhi: Springer India, 2015. http://dx.doi.org/10.1007/978-81-322-2437-2_6.

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O’Sullivan, Eilís. "Education for Poor Irish Girls at the End of the Long Eighteenth Century." In Ascendancy Women and Elementary Education in Ireland, 87–105. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-54639-1_5.

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Muldoon, Kirstie Alison. "The role of women in Irish music institutions in the early twentieth century." In The Routledge Handbook of Women's Work in Music, 429–36. London: Routledge, 2021. http://dx.doi.org/10.4324/9780429201080-43.

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Rhodes, Robert E. "Irish American Writing: Political Men and Archetypal Women: “Polytics Ain't Bean Bag”: The Twentieth-Century Irish American Political Novel." In A Concise Companion to Postwar American Literature and Culture, 323–50. Oxford, UK: Blackwell Publishing Ltd, 2008. http://dx.doi.org/10.1002/9780470756430.ch13.

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Čale, Morana. "Mediazioni e contaminazioni del modello dantesco nelle Montagne di Petar Zoranić (1508-1569?)." In Biblioteca di Studi di Filologia Moderna, 61–79. Florence: Firenze University Press, 2022. http://dx.doi.org/10.36253/979-12-2150-003-5.04.

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The present paper is dedicated to 16th-century Croatian author Petar Zoranić’s (Zadar / Zara, 1508 – 1569?) direct and mediated echoing of Dante’s oeuvre. Zoranić’s pastoral novel Planine (Mountains) belongs to the consistent tradition of reuse, quotation and translation that the Italian poet’s legacy has enjoyed in Croatia from the 14th century to the present day. Building on the work of the humanist writer Marko Marulić (Marcus Marulus Spalatensis, Split / Spalato, 1450-1524), who aspired to do for the Croatian vernacular what Dante did for the Italian volgare, Zoranić adapted Dante’s example to his own purposes not only in the promotion of the Croatian language and literature, but also in the celebration of the beauty, history and cultural heritage of his homeland. A true connoisseur of Dante’s original, the author from Zadar was also competent in the art of appropriation and creative reemployment of the Commedia’s various aspects, an exercise inaugurated by Boccaccio, and practiced by 15th and 16th-century men and women of letters. My contribution will focus on the modalities through which the text of Planine transforms the materials derived from Dante by mixing them with elements from other prestigious literary sources, in their turn heirs or precursors of Dante, such as works by Virgil, Ovid, the Church doctors, the Roman de la rose, Petrarch’s Trionfi, the Decameron and the early narrative production by Boccaccio, Arcadia by Sannazaro and, according to my hypothesis, the Hypnerotomachia Poliphili (Polifilo’s Dream) by Francesco Colonna.
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Jackson, Pauline. "Women in 19th Century Irish Emigration." In Ireland and Anglo-Irish Relations since 1800: Critical Essays, 497–513. Routledge, 2017. http://dx.doi.org/10.4324/9781351155328-27.

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"Irish Women in the Twentieth Century." In Twentieth-Century Fiction by Irish Women, 9–36. Routledge, 2017. http://dx.doi.org/10.4324/9781315235493-7.

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