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Books on the topic '1689-1761 Criticism and interpretation History'

Author: Grafiati
Published: 4 June 2021
Last updated: 31 January 2023

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1

1953-, Rivero Albert J., ed. New essays on Samuel Richardson. New York: St. Martin's Press, 1996.

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2

Making gender, culture, and the self in the fiction of Samuel Richardson: The novel individual. Burlington, VT: Ashgate, 2012.

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3

Samuel Richardson. Cambridge [Cambridgeshire]: Cambridge University Press, 1987.

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4

Ré órga na nGael: Joseph Cooper Walker (1761-1810). Indreabhán, Conamara: An Clóchomhar, Cló Iar-Chonnacht, 2013.

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5

Bonfait, Olivier, writer of preface, ed. Charles Errard, ca. 1601-1689: La noblesse du décor. Paris: Arthena, Association pour la diffusion de l'histoire de l'art, 2013.

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6

Samuel Richardson, dress, and discourse. New York: Palgrave Macmillan, 2008.

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7

Montesquieu and England: Enlightened exchanges, 1689-1755. London: Pickering & Chatto, 2010.

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8

Royalist women writers, 1650-1689. Oxford: Clarendon Press, 2004.

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9

Klein, Agnes. Hochmeister Clemens August (1700-1761) und die Muschelkapelle der Maria Aegyptiaca in Brühl. Mannheim: Verlag Sokrates, 1987.

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10

O'Donnell, Mary Ann. Aphra Behn (1640-1689): Le modèle européen : actes du colloque tenu en Sorbonne, 7-9 juillet 2003. Entrevaux, France: Bilingua GA, 2005.

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11

1940-, Blewett David, ed. Passion and virtue: Essays on the novels of Samuel Richardson. Toronto: University of Toronto Press, 2001.

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12

Jean-Henri-Ferdinand Lamartelière (1761-1830), un dramaturge sous la Révolution, l'Empire et la Restauration, ou, L'élaboration d'une référence schillérienne en France. Berne: P. Lang, 1990.

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13

Wiseman, Susan. Aphra Behn. Plymouth: Northcote House in association with the British Council, 1996.

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14

McKee, Patricia. Heroic commitment in Richardson, Eliot and James. Princeton: Princeton University Press, 1986.

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15

Samuel Richardson's fictions of gender. Stanford, Calif: Stanford University Press, 1993.

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16

Le système du libertinage de Crébillon à Laclos. Oxford: Voltaire Foundation, 1991.

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17

Clarissa's painter: Portraiture, illustration, and representation in the novels of Samuel Richardson. Oxford: Oxford University Press, 2009.

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18

Shepherd, Lynn. Clarissa's painter: Portraiture, illustration, and representation in the novels of Samuel Richardson. Oxford: Oxford University Press, 2009.

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19

1944-, Hughes Derek, and Todd Janet M. 1942-, eds. The Cambridge companion to Aphra Behn. Cambridge, UK: Cambridge University Press, 2004.

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20

Bringing travel home to England: Tourism, gender, and imaginative literature in the eighteenth century. Newark: University of Delaware Press, 2009.

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21

Aphra Behn's afterlife. New York: Oxford University Press, 2000.

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22

Todd, Janet M. The critical fortunes of Aphra Behn. Columbia, SC: Camden House, 1998.

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23

The theological basis of liberal modernity in Montesquieu's Spirit of the laws. Chicago: The University of Chicago Press, 2010.

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24

Philosophers and romance readers, 1680-1740. New York: Palgrave Macmillan, 2012.

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25

Samuel Richardson's new nation: Paragons of the domestic sphere and "native" virtue. New York: Peter Lang, 1998.

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26

Aphra Behn's English feminism: Wit and satire. Selinsgrove, PA: Susquehanna University Press, 1999.

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27

Heroic commitment in Richardson, Eliot, and James. Princeton, N.J: Princeton University Press, 1986.

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28

1942-, Todd Janet M., ed. Aphra Behn. New York: St. Martin's Press, 1999.

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29

The ravishing Restoration: Aphra Behn, violence, and comedy. Selinsgrove, PA: Susquehanna University Press, 2010.

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30

Of love and war: The political voice in the early plays of Aphra Behn. Amsterdam: Rodopi, 2010.

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31

Staging gender in Behn and Centlivre: Women's comedy and the theatre. Aldershot, Hampshire, England: Ashgate, 2004.

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32

Women, writing, and the theater in the early modern period: The plays of Aphra Behn and Suzanne Centlivre. Madison [N.J.]: Fairleigh Dickinson University Press, 2001.

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33

1958-, Pettit Alexander, ed. Early works. Cambridge: Cambridge University Press, 2011.

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34

Freedom in French Enlightenment thought. New York: P. Lang, 2010.

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35

Graphic design, print culture, and the eighteenth-century novel. Cambridge, U.K: Cambridge University Press, 2003.

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36

Fulton, Gordon D. Styles of meaning and meanings of style in Richardson's Clarissa. Montreal: McGill-Queen's University Press, 1999.

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37

Tom, Keymer, ed. Samuel Richardson's published commentary on Clarissa, 1747-65. London: Pickering & Chatto, 1998.

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38

Richardson's Clarissa and the eighteenth-century reader. Cambridge: Cambridge University Press, 1992.

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39

Menippean satire reconsidered: From antiquity to the Eighteenth Century. Baltimore, MD: Johns Hopkins University Press, 2004.

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40

How art produces art: Samuel Richardsons Clarissa im Spiegel ihrer deutschen Übersetzungen. Frankfurt am Main: P. Lang, 2000.

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41

Lehmann, Christine. Das Modell Clarissa: Liebe, Verführung, Sexualität und Tod der Romanheldinnen des 18. und 19. Jahrhunderts. Stuttgart: J.B. Metzlersche Verlagsbuchh., 1991.

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42

Bueler, Lois E. Clarissa's plots. Newark: University of Delaware Press, 1994.

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43

Gould, Evlyn. Virtual theater from Diderot to Mallarmé. Baltimore: Johns Hopkins University Press, 1989.

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44

Integration und Differenz der Geschlechter: Ihre Entdeckung in didaktischer Absicht zu Beginn des Zeitalters der Aufklärung : Rekonstruktion an Samuel Richardsons Erziehungsroman Pamela. Frankfurt am Main: P. Lang, 2003.

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45

Clarissa's narrators. New York: P. Lang, 2001.

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46

Anne, Doody Margaret, and Sabor Peter, eds. Samuel Richardson: Tercentenary essays. Cambridge [England]: Cambridge University Press, 1989.

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47

Margaret, Doody, and Sabor Peter, eds. Samuel Richardson: Tercentenary essays. Cambridge: Cambridge University Press, 1989.

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48

(Editor), Margaret Anne Doody, and Peter Sabor (Editor), eds. Samuel Richardson: Tercentenary Essays. Cambridge University Press, 1989.

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49

Sabor, Peter, and Margaret Anne Doody. Samuel Richardson: Tercentenary Essays. Cambridge University Press, 2011.

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50

Latimer, Bonnie. Making Gender, Culture, and the Self in the Fiction of Samuel Richardson: The Novel Individual. Taylor & Francis Group, 2016.

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