Academic literature on the topic '1640-1652'
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Journal articles on the topic "1640-1652":
Paniagua Miguel, Ricardo. "Los agustinos y la guerra de Cataluña (1640-1652)." Archivo Agustiniano 107, no. 225 (October 3, 2023): 373–414. http://dx.doi.org/10.53111/aa.v107i225.1131.
Vaquero, J. M., and R. M. Trigo. "Revised Group Sunspot Number Values for 1640, 1652, and 1741." Solar Physics 289, no. 3 (August 10, 2013): 803–8. http://dx.doi.org/10.1007/s11207-013-0360-2.
Domènech, Conxita. "Natura i destrucció: els plecs poètics de la guerra dels Segadors (1640-1652)." Millars: Espai i Història, no. 40 (2016): 17–38. http://dx.doi.org/10.6035/millars.2016.40.2.
Salom Marco, Enrique. "Un plan inédito de fortificación para Castellón de la Plana durante el siglo XVII." Saitabi, no. 73 (February 6, 2024): 049. http://dx.doi.org/10.7203/saitabi.73.25592.
Groenveld, Simon. "The English Civil Wars as a Cause of the First Anglo-Dutch War, 1640–1652." Historical Journal 30, no. 3 (September 1987): 541–66. http://dx.doi.org/10.1017/s0018246x00020884.
Chekan, Yurii. "Teatro San Cassiano in Opera History." Art Research of Ukraine, no. 23 (November 28, 2023): 162–69. http://dx.doi.org/10.31500/2309-8155.23.2023.297536.
Torra, Ricard. "Territori i relacions institucionals a la Catalunya del Sis-cents. Tres estudis de cas a partir dels processos de la Visita del General de Catalunya." SCRIPTA. Revista Internacional de Literatura i Cultura Medieval i Moderna 13 (June 27, 2019): 212. http://dx.doi.org/10.7203/scripta.13.15482.
Poujade, Patrice. "Administrer la frontière. La monarchie espagnole et ses agents dans le Val d'Aran, 1600-1720." Revue d’histoire moderne et contemporaine 47, no. 4 (2000): 685–705. http://dx.doi.org/10.3406/rhmc.2000.2040.
Rodríguez Hernández, Antonio José. "Reseña de: Raquel Camarero, La Guerra de Recuperación de Cataluña (1640-1652), Madrid, Actas, 2015, 590 pp. ISBN 9788497391504." Espacio Tiempo y Forma. Serie IV, Historia Moderna, no. 29 (December 15, 2016): 271. http://dx.doi.org/10.5944/etfiv.29.2016.17558.
Roncero López, Victoriano. "Conxita Domènech, «La "Guerra dels Segadors" en comedias y panfletos ibéricos. Una historia contada a dos voces (1640-1652)»." Anuario Lope de Vega Texto literatura cultura 24 (January 31, 2018): 506. http://dx.doi.org/10.5565/rev/anuariolopedevega.279.
Dissertations / Theses on the topic "1640-1652":
Neumann, Karsten. "Das Wort als Waffe : politische Propaganda im Aufstand der Katalanen 1640 - 1652 /." Herbolzheim : Centaurus-Verl, 2003. http://www.gbv.de/dms/sub-hamburg/34510627X.pdf.
Gracia, Arnau Ivan. "Representacions textuals de la violència: Barcelona, Corpus de 1640." Doctoral thesis, Universitat de Barcelona, 2020. http://hdl.handle.net/10803/671228.
This dissertation aims at doing a textual analysis of the sources that, between 1640 and 1709, narrated the events of Corpus Christi Day in 1640 (also known as Corpus de Sang), when a popular revolt killed the Viceroy of Catalonia in Barcelona. The goal of this thesis is to identify the narrative strategies in letters, diaries, political writings, chronicles, relacions and histories written or published during and after the Reapers' War (1640-1652) that conveyed the textual representation of the events. After the contextualisation and comparison of the selected sources, the research concludes that the textual representation of the events was shaped by different narrative schemes when it came to the description of violence carried out by the crowd. To sum up, this work proposes that the historical interpretation of the events of Corpus Christi Day in 1640 cannot be made without a critical look at the textual representations that followed it.
Jané, Checa Òscar. "França i Catalunya al segle XVII : identitats, contraidentitats i ideologies a l'època moderna (1640-1700)." Toulouse 2, 2003. http://www.theses.fr/2003TOU20044.
During the 17th century, many conflicts took place in Europe, mostly between France and Spain, which lead to a shift in political powers. Indeed, the French Kingdom, and particularly under the reign of Louis XIV, expanded over a declining Spain which was trying to solve its internals conflicts. Catalonia is the most obvious example of this expansion: it joined France in its fight against Castilla in 1640 (Revolt of Segadors) until Spain left Roussillion and half Cerdanya to France in 1659 (Peace of Pyrenees) and recuperated the control over Barcelona. As a consequence, many politicians had to move to Perpignan, Roussillion got deeply transformed and anti-French feelings grew among Catalan people. A Catalan identity emerged from these new elements, defined by geographic, legal and political elements, against a strong French identity, reinforced by a permanent military pressure on Catalonia until the end of the century
Fraga, Joana Margarida Ribeirete de. "Three revolts in images: Catalonia, Portugal and Naples (1640-1647)." Doctoral thesis, Universitat de Barcelona, 2013. http://hdl.handle.net/10803/664390.
Esta tesis tiene como objetivo analizar el papel de la comunicación política visual durante las revueltas de 1640-1647 en Cataluña, Portugal y Nápoles. Las fuentes visuales han jugado un papel de gran importancia en el desarrollo de los conflictos armados, sobre todo si tenemos en cuenta que un elevado porcentaje de la población no sabía leer ni escribir. Imágenes, entre las cuales grabados y lienzos, eran encargados a artistas locales e internacionales de forma a reproducir los mensajes de las dos partes participantes en el conflicto. Éstas eran a menudo exhibidas en lugares públicos y durante las ceremonias. Por veces, una tercera parte – como por ejemplo Francia – participaba en el proceso de producción y difusión de imágenes contribuyendo con sus propios argumentos. En esta tesis he querido responder a preguntas como: ¿quién encargaba las imágenes? ¿Quién era el público? ¿Qué reacciones provocaron? ¿Qué mensajes contenían y cómo fueron percibidos? ¿Cómo contribuyó esta forma de comunicación a los conflictos en causa? Argumento también la importancia de estudiar las tres revueltas como parte de un evento único, la Guerra de los Treinta Años. Al hacerlo, uno va más allá de asumir que se tratan de conflictos aislados y que, como tal, pueden presentar características parecidas en lo que dice respecto a los argumentos que legitimaban las causas, políticas y las consecuencias de las insurrecciones. Este abordaje comparativo me permite detectar posibles intersecciones e interpretar las revueltas como compartiendo una cultura común y de una misma conjetura política. Pese a los posibles peligros de esta metodología y a la inevitable tensión que crea entre generalización e idiosincrasias, me permitió establecer hasta qué punto ciertos argumentos eran – o no – específicos a un territorio. Por fin, me dedico también a analizar cuestiones relacionadas con ritual y comportamiento por parte de las poblaciones afectadas. ¿Era la violencia justificada? ¿Obedecía a un ritual previamente establecido? ¿Cómo reaccionaban las gentes? ¿hay similitudes entre los tres territorios?
Aznar, Daniel. "Cataluña y el Rey. Representaciones y prácticas de la Majestad durante el cambio de soberanía (1640-1655)." Electronic Thesis or Diss., Paris 4, 2016. http://www.theses.fr/2016PA040228.
The integration of Catalonia into the French Monarchy in 1641 opens a period of coexistence of two political universes. In France, the incorporation of the new province arrives in a social context under the influence of a strong culture of heroism. Under Louis XIII’s reign culminates a process of reformulation of the heroic paradigm: a political model of government and an ethical referent for the French nobility. The heroic culture is taken to its paroxysm when the Spanish war begins. The proclamation of the king as sovereign of Catalonia opens new horizons for this imagery, mobilizing also old messianic referents. The narrative of the Catalan enterprise developed by the royal entourage offers a new perspective of Louis XIII’s image making process. This Catalan enterprise completes the build of the king’s heroic profile, and serves to make his apotheosis, emphasizing the fact of a sacrificial death as a consequence of the royal presence in the Perpignan’s siege.The viceroys become the center of a heroic narrative also. They are protagonists of a true «Catalan epic». The light and darkness of this heroic experience of politics appear through the destiny, sometimes tragic, of these king’s agents (and images). They have to face, besides the military and political challenges, the power struggles in court. On the Catalan side, the accession of king Louis XIII has to be considered in the «revolutionary» context of 1640. The leaders of the revolt, who claim to be loyal to their king, Philip IV, build a narrative able to tame serious adverse events that sometimes escape their control. The horizon of a providential «restoration» of Catalonia appears in this narrative. Republican time seems here «unfound», between the broken of one king’s jurisdiction and the other king proclamation. Since then a providential propaganda speech about the restoration of the Principality through a Messianic Royalty incarnated by the new prince. The new king’s figure becomes one idealized image where Catalans look to project their political expectations, as well as a way for the Catalan leaders to justify themselves. The failed royal visit to Barcelona shortly precedes the king’s death. The royal funerals serve to the crystallization of these narratives: they offer the image of a «sacrificed» king, who is also a saint. He becomes the real emblem of the Franco-Catalan regime
Aznar, Daniel. "Cataluña y el rey. Representaciones y prácticas de la Majestad durante el cambio de soberanía (1640-1655)." Doctoral thesis, Universitat de Barcelona, 2016. http://hdl.handle.net/10803/667416.
L’intégration de la Catalogne dans la monarchie française, en 1641, ouvre une période de coexistence de deux univers politiques. Pour la France l’incorporation de la nouvelle province intervient dans une société éprise d’héroïsme. Le règne de Louis XIII apparaît comme la culmination d’un processus de reformulation du paradigme héroïque: modèle politique et référent étique nobiliaire. La guerre espagnole porte la culture héroïque à son paroxysme. Singulièrement la proclamation du roi comme souverain de Catalogne ouvre des nouveaux horizons à cet imaginaire mobilisant aussi des référents messianiques anciens. Le récit de l’entreprise catalane produit par l’entourage royal offre un nouveau regard sur la construction de l’image de Louis XIII. L’horizon catalan «achève» la construction de son profil héroïque, et lui sert d’apothéose, valorisant le fait d’une mort «sacrificielle» conséquence de la présence royale au siège de Perpignan. Les vice-rois deviendront aussi le centre d’un récit héroïque, protagonistes d’une vraie «épopée catalane». Les lumières et les ombres de cette expérience héroïque du politique apparaissent dans le destin, parfois tragique, de ces représentants du roi, qui doivent faire face, outre aux défis militaires et politiques relevant de sa charge, aux equilibres de pouvoir à la cour. Du côté catalan l’avénement de Louis XIII s’inscrit dans la dynamique «révolutionnaire» entamée en 1640. Le meneurs de la révolte, qui se veulent fidèles au roi, Philippe IV, formuleront un récit capable d’apprivoiser des événements parfois leur échappant. L’horizon d’une «restauration» providentielle de Catalogne intervient. Le «moment» républicain semble ici introuvable, entre l’interruption formelle de la juridiction d’un roi et l’acclamation de l’autre. Des lors se développe un discours providentiel de restauration de la province à travers la royauté incarnée par un nouveau prince «messie». L’image du roi devient un idéal sur lequel l’on projette les attentes politiques et par lequel les propres dirigeants de la «révolte» cherchent à se justifier. La visite manquée du roi à Barcelone, précédée de peu à sa mort. Les funérailles royales serviront à la cristallisation de ce récit, et offriront par l’image du roi «sacrifié» et «canonisé», un emblème pour le régime français en Catalogne.
The integration of Catalonia into the French Monarchy, in 1641, opens a period of coexistence of two political universes. In France, The incorporation of the new province arrives in a social context under the influence of an strong culture of heroism. Under Louis XIII’s reign culmines a processus of reformulation of the heroic paradigm: a political model of gouvernement and an ethical referent for the French nobility. The heroic culture is taken to its paroxysm when the Spanish war begins. Specially the proclamation of the king as sovereign of Catalonia opens new horizons for this imaginary, mobilizing also old messianic referents. The narrative of the catalan entreprise developed by the royal entourage offers a new perspective of the Louis XIII’s image making processus. The catalan completes the built of the king’s heroical profile, and serves to make his apotheosis, emphasizing the fact of a sacrificial death as a consequence of the royal presence in the Perpignan’s siege. Vice-rois become the center of an heroical narrative also. They are protagonists of a true «catalan epic». The lights and darkness of this heroical experience of Politics, appear throw the destiny, sometimes tragic, of these king’s agents (and images). They have to face, besides the military and political challenges, to the power’s struggles at court. By the catalan side, the accession of king Louis XIII has to be considered in the «revolutionary» context of 1640. The leaders of the revolt, who revendique to be loyal to their king, Philip IV, build a narrative able to tame serious adverse events, that sometimes escape to their control. The horizon of a providential «restauration» of Catalonia appears in this narrative. Republican time seems here «introuvable», between the broken of one king’s jurisdiction and the other king proclamation. Since then a providential propaganda speech about the restauration of the Principality throw a royalty incarnated by a new prince «messiah». The new king’s figure becomes one idealized image where Catalans look to project their political expectatives. Also a way for the catalan leaders to justify himself. The failed royal visit to Barcelone precedes for little the king’s death. The royal funerals serves to the crystallization of these narratives: they offer the image of an «sacrificed» king, who is also a saint. He becomes the real emblem of the franco-catalan regime.
Anderson, Christy Jo. "Inigo Jones's library and the language of architectural classicism in England, 1580-1640." Thesis, Massachusetts Institute of Technology, 1993. http://hdl.handle.net/1721.1/12670.
Vita.
Includes bibliographical references (v. 2, leaves 330-351).
Inigo Jones's collection of books is a unique and early survival of an architect's annotated library. The combination of standard sixteenth century Italian and French editions of classics, mathematical and scientific treatises, and specialized architectural books, comprised the library of a professional whose approach to his field was based on an understanding of practical humanism and the study of antique precedent. The library is the starting point for an investigation of the relationship of humanist learning and the creation in England of a classical architectural vocabulary. The forty~s ix books record in Jones's marginal annotations to the text and plates his interpretation of continental architecture and textual exegesis. For Jones, books were a crucial resource for the study of classical architecture as practiced in continental Europe; and necessary for an understanding of the intellectual precepts inherent in that architectural vocabulary. Jones's architectural self~education reflected and repeated the desire by patrons for a visible document of their humanist learning and aspirations. From the evidence of the marginal annotations by Jones, I discuss three central themes of the shift in architectural style in England during the period 1580 to 1640: the role of reading as an essential professional skill for the architect and its mnemonic function in design method; the use and significance of the orders as a system for representing ideas of personal and public decorum and learning; and Jones's use of the methods and resources of English antiquarians in his study of ancient architectural precedent. Each of these themes are located within the cultural and intellectual history of Renaissance England. The descriptive language created for architecture, and the images used to encourage its study, was the language of education and classical learning, and specifically, the language of books. The appropriation by Jones and his patrons of the Vitruvian notion of decorum- the distinction between the exterior of a building and its internal distribution- formed a central tenet of English classicism, in Jones's terms the creation of an architecture "masculine and unaffected." The library of Inigo Jones represented one of the architect's essential professional tools, a repository of ideas and models which could serve as an ever present resource and comparable to other professional collections created by those seeking advancement within the late Tudor and early Stuart court. An annotated and descriptive bibliography of the surviving volumes, and further likely titles, attests to Jones's wide~ranging interests and design acumen.
by Christy Jo Anderson.
Ph.D.
Demaubus, Thierry. "L'esthetique du decor en perspective dans le masque stuart, 1605-1640." Artois, 2001. http://www.theses.fr/2001ARTO0001.
Cocquio, Pezeron Diane. "Inigo Jones scénographe du masque Stuart, 1605-1640." Rennes 2, 1994. http://www.theses.fr/1994REN20033.
Under Inigo Jones's supervision the masque first introduced in England in 1512 got fairy custumes, complex machines allowing changes of scenery, a scenography according to the laws of perspective and libretti inspired from mythological sources which aimed at glorifying the sovereigns and legitimazing their power. The masque, as Jones conceived it, not only broke with the traditional forms of entertainment which had prevailed in England until that time but moreover heralded the advent of the opera
Micio, Paul. "Les collections d'orfèvrerie, de bijoux et d'objets d'art de monsieur, frère de Louis XIV, et de sa famille (1625-1725)." Paris 4, 2009. http://www.theses.fr/2009PA040055.
The rich collections of the younger brother of Louis XIV and his family have been little studied because of their near complete destruction. The study of the silver, jewelry and art objects in precious metal belonging to the Orléans family is further complicated by the disappearance of all household records as well as the documents that were once conserved at the goldsmith's hall from this period (1625-1725). Thanks to the gracious permission of the Orléans family, we have been able to study their private archives and to shed new light on these collections. Among other research, we have transcribed and analyzed fifteen inventories that have allowed us to create a glossary explaining the meaning of terms that have fallen into disuse. Further, we have established a topology, in graph form representing all of the inventoried silverware, over a period of one hundred years, which facilitates comparisons concerning the evolution and ruse of French silver. This research is complemented by documents presented for the first time from English, German and Spanish sources
Books on the topic "1640-1652":
Domènech, Conxita. La Guerra dels Segadors en comedias y en panfletos ibericos: Una historia contada a dos voces (1640-1652). Kassel: Edition Reichenberger, 2016.
Sanders, Julie. Caroline drama: The plays of Massinger, Ford, Shirley, and Brome. Plymouth: Northcote House, in association with the British Council, 1999.
Neumann, Karsten. Das Wort als Waffe: Politische Propaganda im Aufstand der Katalanen 1640-1652. Centaurus Verlag & Media, 2002.
Brome, Richard. Dramatic Works of Richard Brome : Five Plays : the Northern Lasse, 1632. the Sparagus Garden, 1640. the Antipodes, 1640. the Joviall Crew: Or, the Merry Beggars, 1652. the Queenes Exchange 1657. Creative Media Partners, LLC, 2022.
Brome, Richard. Dramatic Works of Richard Brome : Five Plays : the Northern Lasse, 1632. the Sparagus Garden, 1640. the Antipodes, 1640. the Joviall Crew: Or, the Merry Beggars, 1652. the Queenes Exchange 1657. Creative Media Partners, LLC, 2022.
Clark, Ira. Professional Playwrights: Massinger, Ford, Shirley and Brome. University Press of Kentucky, 2014.
Clark, Ira. Professional Playwrights: Massinger, Ford, Shirley and Brome. University Press of Kentucky, 2021.
Clark, Ira. Professional Playwrights: Massinger, Ford, Shirley and Brome. University Press of Kentucky, 2014.
Peacock, Mabel Geraldine Woodruffe, and Henry Scobell. Index of the Names of the Royalists Whose Estates Were Confiscated During the Commonwealth: With a Reprint of Three Confiscation Acts of 1651 and 1652, from Scobell's Collection of Acts and Ordinances of General Use, from 3rd of November, 1640, To 17. Creative Media Partners, LLC, 2022.
Peacock, Mabel Geraldine Woodruffe, and Henry Scobell. Index of the Names of the Royalists Whose Estates Were Confiscated During the Commonwealth: With a Reprint of Three Confiscation Acts of 1651 and 1652, from Scobell's Collection of Acts and Ordinances of General Use, from 3rd of November, 1640, To 17. Creative Media Partners, LLC, 2018.
Book chapters on the topic "1640-1652":
"Representing the King: The Images of João IV of Portugal (1640–1652)." In Revolts and Political Violence in Early Modern Imagery, 198–218. BRILL, 2021. http://dx.doi.org/10.1163/9789004461949_010.
Carrió-Invernizzi, Diana. "Imagen y propaganda de los exiliados de la guerra de Cataluña en Madrid (1640-1652)." In Soulèvements, révoltes, révolutions, 227–42. Casa de Velázquez, 2017. http://dx.doi.org/10.4000/books.cvz.1904.
"Thomas Hobbes, On epic poetry (1650 and 1675)." In English Renaissance Literary Criticism, edited by Brian Vickers, 607–25. Oxford University PressOxford, 2000. http://dx.doi.org/10.1093/oso/9780198186793.003.0037.
Underwood, T. L. "Editor’s Introduction." In The Acts of the Witnesses, 3–24. Oxford University PressNew York, NY, 2000. http://dx.doi.org/10.1093/oso/9780195120745.003.0001.