Books on the topic '?-1606 Criticism and interpretation'
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Farley-Hills, David. Shakespeare and the rival playwrights, 1600-1606. London: Routledge, 1990.
Farley-Hills, David. Shakespeare and the rival playwrights 1600-1606. London, UK: Routledge, 1990.
Bockemühl, Michael. Rembrandt, 1606-1669: The mystery of the revealed form. Köln: Benedikt Taschen, 2000.
Taylor, Gary. Shakespeare reshaped, 1606-1623. Oxford [England]: Clarendon Press, 1993.
Ábalos, José Luis Nuevo. Miguel Cabello Valboa (1536-1606), o, La invención de la novela incaica: Ensayo histórico-filológico. Madrid: Edición Personal, 2009.
Pacelli, Vincenzo. L' ultimo Caravaggio: Dalla Maddalena a mezza figura ai due san Giovanni (1606-1610). Todi (Perugia): Ediart, 1994.
Carlin, Claire L. Pierre Corneille revisited. New York: Twayne Publishers, 1998.
Michelle, Lee, ed. Shakespearean criticism. Farmington Hills: Thomson Gale, 2005.
Pacelli, Vincenzo. Giovan Francesco de Rosa detto Pacecco de Rosa, 1607-1656. [Pozzuoli, Italy]: Paparo, 2008.
Vistarini, Antonio Bernat. Francisco Manuel de Melo (1608-1666): Textos y contextos del barroco peninsular. Palma: Universitat des les Illes Balears, 1992.
Medrano, Francisco de. Diversas rimas. Sevilla: Fundación José Manuel Lara, 2005.
Medrano, Francisco de. Diversas rimas. Sevilla, España: Fundación José Manuel Lara, 2005.
Grunder, Karl. Simon Bachmann: Bildthauwer uss dem Dorff Mury in freyen Embtern des Ergöuws, 1600/10 bis 1666. Basel: Birkhäuser, 1988.
Blanc, Marianne Le. D'acide et d'encre: Abraham Bosse (1604?-1676) et son siècle en perspectives. Paris: CNRS, 2004.
Clippel, Karolien de. Joos van Craesbeeck (1605/06-ca.1660): Een brabants genreschilder. Turnhout, Belgium: Brepols, 2006.
Held, Julius Samuel. Rembrandt studies. Princeton, N.J: Princeton University Press, 1990.
Christopher, White. Rembrandt as an etcher: A study of the artist at work. New Haven, Conn: Yale University Press, 1999.
Michael, Taylor. Shakespeare criticism in the twentieth century. Oxford: Oxford University Press, 2001.
Sauer, Elizabeth, and Peter C. Herman. The new Milton criticism. Cambridge: Cambridge University Press, 2012.
Esperanza de los Ríos Martínez. José de Arce, escultor flamenco: Flandes, 1607-Sevilla, 1666. Sevilla: Universidad de Sevilla, 2007.
Eastman, Arthur M. A short history of Shakespearean criticism. Lanham: University Press of America, 1985.
Díaz-Plaja, Fernando. El Quijote: (1605-2005). [Montevideo, Uruguay]: Ediciones de la Plaza, 2005.
Coursen, Herbert R. Shakespearean performance as interpretation. Newark: University of Delaware Press, 1992.
Jornadas, de Investigación Calderoniana (2000 El Colegio de México Centro de Estudios Lingüísticos y. Literarios). Calderón, 1600-2000. México, D.F: El Colegio de México, Centro de Estudios Lingüísticos y Literarios, 2002.
Picart, Yves. Michel Corneille l'Ancien: 1601-1664. Paris: Y. Picart, 1994.
Bissell, Gerhard. Pierre Le Gros, 1666-1719. Reading: Si Vede, 1997.
Polka, Brayton. Shakespeare and interpretation, or what you will. Newark: University of Delaware Press, 2011.
Bockemühl, Michael. Rembrandt, 1606-1669: The mystery of the revealed form. Köln: Benedikt Taschen, 1993.
Bellesi, Sandro, and Anna Bisceglia. Carlo Dolci 1616-1687. Livorno: Sillabe, 2015.
Kloek, W. Th. Jan Steen (1626-1679). Zwolle: Waanders, 2005.
Slive, Seymour. Rembrandt drawings. Los Angeles: J. Paul Getty Museum, 2009.
Wohlfromm, Gisela. Rembrandts Auseinandersetzung mit der Kunst Adam Elsheimers. Frankfurt am Main: P. Lang, 1997.
Brodskai︠a︡, N. V. Auguste Renoir: He made colour sing. Bournemouth: Parkstone, 1996.
Larcena, Dominique. François Chauveau: Peintre, dessinateur & graveur : 1613-1676. Aurillac: D. Larcena, 2009.
Merzbacher, Dieter. Meistergesang in Nürnberg um 1600: Untersuchungen zu den Texten und Sammlungen des Benedict von Watt (1569-1616). Nürnberg: Stadtarchiv Nürnberg, 1987.
Renger, Konrad. Adriaen Brouwer und das niederländische Bauerngenre 1600-1660. München: Hirmer Verlag, 1986.
Negro, Emilio. Pietro Faccini: 1575/76-1602. Modena [Italy]: Artioli, 1997.
Danson, Brown Richard, and Johnson, David, 1962 May 20-, eds. A Shakespeare reader: Sources and criticism. New York: St. Martin's Press, 2000.
Held, Anke Charlotte. Georg Philipp Rugendas (1666-1742): Gemälde und Zeichnungen. München: Scaneg, 1996.
Fleischer, Roland E. Ludolf de Jongh (1616-1679): Painter of Rotterdam. Doornspijk, The Netherlands: Davaco, 1989.
1949-, McDonald Russ, ed. Shakespeare: An anthology of criticism and theory, 1945-2000. Malden, MA: Blackwell Pub., 2004.
da, Caravaggio Michelangelo Merisi. Caravaggio's Rome: 1600-1630. Milano: Skira, 2012.
Haskin, Dayton. Milton's burden of interpretation. Philadelphia: University of Pennsylvania Press, 1994.
Cavallino, Bernardo, and Nicola Spinosa. Grazia e tenerezza 'in posa': Bernardo Cavallino e il suo tempo 1616-1656. Roma: Ugo Bozzi editore, 2013.
Westermayer, Georg. Jacobus Balde (1604-1668): Sein Leben und seine Werke. Amsterdam: APA-Holland University Press, 1998.
Judson, J. Richard. Gerrit van Honthorst, 1592-1656. Doornspijk, The Netherlands: Davaco, 1999.
Eschenfelder, Chantal Sibylle. Giovanni Battista Tiepolo 1696-1770. Köln: Könemann, 1998.
Mérot, Alain. Eustache Le Sueur, 1616-1655. Paris: Arthéna, Association pour la diffusion de l'histoire de l'art, 1987.
Ottenheym, Koen. Philips Vingboons (1607-1678), architect. Zutphen: Walburg Pers, 1989.
Farley-Hills, David. Shakespeare and the Rival Playwrights, 1600-1606. Taylor & Francis Group, 2014.