Academic literature on the topic '15th Century'

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Journal articles on the topic "15th Century"

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Kirkman, Andrew. "15th-century sacred music." Early Music XXIV, no. 3 (August 1996): 515–17. http://dx.doi.org/10.1093/earlyj/xxiv.3.515.

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Keskil, S., and H. Sabuncuoğlu. "Endoscopy in the 15th Century." min - Minimally Invasive Neurosurgery 45, no. 1 (March 2002): 45–46. http://dx.doi.org/10.1055/s-2002-23588.

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Anisimova, Tatiana V. "The 15th-century Synodal Hexameron (Shestodnevets)." Slovene 9, no. 1 (2020): 110–34. http://dx.doi.org/10.31168/2305-6754.2020.9.1.4.

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The article is devoted to the textual analysis and publication of the short Hexameron, titled Shestodnevets, which became part of the Miscellany from the Synodal collection in the State Historical museum (No. 951). An archaeographical description of the manuscript (dated to around 1460) is given; it is noted that 13 folios from it are now in the Miscellany from the V. M. Undolsky collection (RSL, col. 310, No. 562). The analysis of the Shestodnevets showed that the source for its initial part was the prototype of the Sofiisky chronograph, which had a more elaborate form compared to that conserved in manuscripts. The rest of the text is based on the Palaea Interpretata and “The Word about the Creation of Heaven and Earth”, which is a part of another brief chronograph, Parenios. An attempt to trace the history of the spread of “The Word …” in the Old Russian literature revealed its use as an introduction to the illuminated Palaea Interpretata of the Alexander Nevsky Lavra, the initial part of which is now largely lost. It turned out that a copy of these pages, in addition to two well-known 16th-century copies, is copied from the “Word …” in a manuscript of the Trinity-Sergius monastery, dated to the end of the 14th or the beginning of the 15th century (RSL, сol. 304/I, No. 39). Four more copies of the same text were also identified. A version of the “Word about the Creation of Heaven and Earth” is also used in the “Word about the Existence of the Whole World”, where the story of the six days, starting with the narrative of Cain and Abel, is supplemented by the “Speech of the philosopher” from the The Tale of Bygone Years. The Synodal Shestodnevets has textual features of “The Word about the Creation of Heaven and Earth” in the Parenios version, but it also contains individual additional fragments from the Book of Enoch. In conclusion, the importance of the Shestodnevets for our knowledge about the book repertoire and the guiding principles of Old Russian authors working on Palaea compilations in the middle of the XV century is underlined. Another significant result is the acquisition of new data on the content and the terminus ante quem for the Sofiisky chronograph’s archetype, the earliest copy of which dates from the 1530s.
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Minuzzi, Sabrina. "15th-Century Practical Medicine in Print." Nuncius 36, no. 2 (June 23, 2021): 199–263. http://dx.doi.org/10.1163/18253911-03602016.

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Abstract By drawing on a comprehensive bibliographic census (ISTC) this article offers a mapping of printed medical-scientific production in 15th-century Europe, with an eye to the manuscript tradition, the authorship status, and the use of Latin and vernaculars in a century of transition that was not merely linguistic. It identifies in some titles from the practical medicine category—namely books on materia medica, regimina sanitatis booklets and short medical poems—the crucial contribution of proto-typography to the wider dissemination of medical knowledge. In regard to some long-lived titles (Regimina Sanitatis Salernitana; Il perché by Girolamo Manfredi; Cibaldone), this paper explores the evolution of their material forms in the early modern centuries in the direction of a more enjoyable style that was far from being only professional, while new methodological research paths are suggested. The sheer variety of actual readers is focused in the case of printed herbals and of the Cibaldone. The popularity of such genres is ultimately couched within the lively context of household medicine in the early modern era.
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Starr, P. F. "Musical entrepreneurship in 15th-century Europe." Early Music 32, no. 1 (February 1, 2004): 119–34. http://dx.doi.org/10.1093/earlyj/32.1.119.

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Jeffrey, Dean. "Musicians in late 15th-century Milan." Early Music XXVIII, no. 3 (August 2000): 477–79. http://dx.doi.org/10.1093/earlyj/xxviii.3.477.

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Ribbert, Anne. "Object preposing in 15th century Drenthe." Linguistics in the Netherlands 23 (November 9, 2006): 174–85. http://dx.doi.org/10.1075/avt.23.18rib.

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Wegman, R. "'Musical understanding' in the 15th century." Early Music 30, no. 1 (February 1, 2002): 46–67. http://dx.doi.org/10.1093/em/30.1.46.

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Wegman, R. C. "'Musical understanding' in the 15th century." Early Music XXX, no. 1 (February 1, 2002): 47–67. http://dx.doi.org/10.1093/em/xxx.1.47.

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Hsu, Yu-Tung. "Medici Influence in 15th Century Movements." Journal of Education, Humanities and Social Sciences 8 (February 7, 2023): 982–87. http://dx.doi.org/10.54097/ehss.v8i.4390.

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During the Renaissance period, the Medici family has played a fundamental role in encouraging the spread of humanism ideas. As humanist believed, spirit of human is lost during the Middle Ages prior to the Renaissance period due to feudal system. The introduction of such humanism idea is impactful towards the society; however, it is lacking in direct support that promotes such idea. In Florence, the Medici family made huge contributions to allowing the growth of humanism to be shown in works of art that challenges traditional thinking. During the stage where financial power is mostly held by kings and political leaders, the success of the Medici in the Medici bank allows them to support artists who are in need for support. By stabilizing peace in Florence, it provided chances for artists under Medici support to receive a positive environment for art creation. The peaceful Florence also brought in more artists from other places to investigate into the rising humanism possibilities; hence, Florence under Medici control became an important art center.
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Dissertations / Theses on the topic "15th Century"

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Menguc, Murat Cem. "A study of 15th-century Ottoman historiography." Thesis, University of Cambridge, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.612101.

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Md, Sharif Harlina. "Mosques in island Southeast Asia, 15th-20th century." Thesis, SOAS, University of London, 2013. http://eprints.soas.ac.uk/17839/.

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Guinness, Katherine Hunt Verkerk Dorothy. "The Wienhausen Grabeschristus exploring 15th century cloister worship /." Chapel Hill, N.C. : University of North Carolina at Chapel Hill, 2009. http://dc.lib.unc.edu/u?/etd,2208.

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Thesis (M.A.)--University of North Carolina at Chapel Hill, 2009.
Title from electronic title page (viewed Jun. 26, 2009). "... in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Art." Discipline: Art; Department/School: Art.
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James, Sarah. "Debating heresy : 15th-century vernacular theology and Arundel's Constitutions." Thesis, University of Cambridge, 2003. https://www.repository.cam.ac.uk/handle/1810/272049.

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Tees, Miriam H. "Chronology and style in the Laborde Chansonnier." Thesis, McGill University, 1995. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=23361.

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The Laborde Chansonnier (Wash.L.C. 2.1 L25 Case) is one of the most important but least studied of the Franco-Burgundian chansonniers of the fifteenth century. It contains 106 chansons, 22 of which are unica.
Fallows, Brown, Montagna, Kenney, Perkins and others have discussed the transformation of the style of the chanson over the course of the 15th century. Little has been written specifically on the period of the Laborde chansonnier. With reference to musical features such as melodic style, imitation, cadences, metrical structure, role of the contratenor, and range of note values, I discuss the style of the chansons, first in general, and then layer by layer, charting the changes in a crucial period. Although these changes are gradual, it is possible to follow the development of the chanson during the period between 1450 and the beginning of the sixteenth century.
The Laborde Chansonnier contains twenty-five unica, of which four have appeared in modern editions, and one of which is incomplete. I have transcribed the other twenty and also four other chansons which I could not find in modern editions. (Abstract shortened by UMI.)
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Barretto-Tesoro, Mary Grace Lualhati. "Social identities and earthenware functions in 15th century AD Philippines." Thesis, University of Cambridge, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.613212.

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Fahy, Brian. "Holistic shipwreck assemblages in 14th and 15th century Southeast Asia." Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:4a26a290-3bd3-423d-9e30-18bf314aeac8.

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The ceramic trade throughout Medieval Southeast Asia was prolific. Terrestrial sites have yielded massive amounts of ceramic material and the archaeological reports of shipwreck cargoes corroborate the versatile and extensive qualities of trade ceramics in the region. The sheer quantity of ceramic artefacts found in shipwreck assemblages, paired with a well-researched framework of the aesthetic, demonstrates that we rely heavily on ceramic data to date wrecks and establish regional trading patterns. While ceramics typically represent the bulk of the recovered material in these instances, many other types of material are present in the various assemblages. Yet these "lesser" materials suffer from a lack of investigation and, therefore, play virtually no role in the archaeological and historical assessment of the ship, its cargo, and its relationship to the maritime economy of the period. While ceramic studies may provide a general overview, a consideration of the other material provides subtlety and nuance to the analysis. This case study focuses on the non-ceramic assemblages for six shipwrecks from the 14th and 15th Centuries of Southeast Asia (three Chinese-built and three Southeast Asian-styled junks). The typological study of the metallurgical, organic and geological material from these wrecks can complement much of the work surrounding existing trade models as well as reveal new concepts of crew life, belief systems and culture. These facets come together to offer a more holistic narrative as well as stimulating the need within the region for more study regarding the locations where past peoples mined and manufactured raw metals. The thesis will also consider the motivations behind the excavators of these projects and what role this plays in the interpretation of the non-ceramic material. One wreck was excavated by treasure hunters, one was done by an amateur archaeologist and a curator, and a third was excavated by a governmental organization. Two excavations were conducted by a non-profit foundation in conjunction with a National Museum and a final one was a purely academic excavation. Each party brings their own experiences and motivations to the excavation and therefore the systems of collection, curation, and conservation weigh heavily and are varied. These factors can determine what priorities each excavator brings to the analysis of excavated objects and the extent to which this effects the subsequent interpretation of the shipwreck.
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Versloot, Arianus Pieter. "Mechanisms of language change vowel reduction in 15th century West Frisian /." [S.l. : [Groningen : s.n.] ; University of Groningen] [Host], 2008. http://irs.ub.rug.nl/ppn/.

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Flint, Catrena M. "The Schola Cantorum, early music and French political culture, from 1894 to 1914 /." Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=102800.

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This dissertation is based on the study of over 340 performances of early music given by the Parisian Schola Cantorum and its sister association, the Chanteurs de Saint-Gervais, between 1894 and 1914. The first chapter explores performance trends for this repertoire in isolation. Chapter 2 is an attempt to root out personal reasons for the changes in Schola programming, and also provides a sketch of the community that was behind the institution. The next chapter considers how Schola programming may have been affected by changes to the institution's mandate, goals, and relationship to the Conservatoire and other Republican institutions. The circle widens in Chapter 4, with a discussion of the relevance of Bordes's revival to sacred music reform. In the final chapter, the Schola's revival is placed in the broader context of French fin-de-siecle politics and nationalism in particular.
This dissertation provides a new assessment of Charles Bordes and Vincent d'Indy's respective biographies and demonstrates that many of the right-wing programming tendencies at the Schola should be attributed to Bordes. The importance of personal networks is emphasized in most of the dissertation. In addition to providing information on an unprecedented number of Schola concert types, this dissertation identifies the importance of looking to revivals of seventeenth-century music after 1898. For this repertoire provided an analogue for Ferdinand Brunetiere's ideas of an ideal, seventeenth-century French. An important shift in concert type and repertoire after 1904 provides a new window on d'Indy biography and underscores the transformation of the French public's musical values around the same time. The Schola's role in the reform of sacred music has been over estimated. The papal motu proprio of 1903 only reiterated instructions on sacred music previously handed down by the Sacred Congregation of Rites in 1894 and it was probably not directed specifically at the Parisian Schola Cantorum. The Schola's concerts of early music became sites for the expression of cultural difference. Much like many concerts exclusively devoted to this repertoire---and unlike many events that combined early and contemporary music---the "Frenchness" expressed at these events was intended to remain beyond the grasp of the average French citizen.
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Swanick, Lois Ann. "An analysis of navigational instruments in the Age of Exploration: 15th century to mid-17th century." Thesis, Texas A&M University, 2005. http://hdl.handle.net/1969.1/3235.

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During the Age of Exploration, navigation evolved from a field filled with superstition into a modern science in Portugal, Spain, and England. The most common navigation instruments utilized and their subsequent innovations are discussed. The refinement of these instruments led to increased accuracy in cartography, safer shipping, and increased trade globally in the period. In order to have the most comprehensive collection of navigation instruments, I investigated 165 shipwrecks dated between 1500 and 1700. Each of these vessels have been located, surveyed, and/or excavated in whole or in part. A comprehensive list of these vessels, compiled for the first time, has been included. This thesis analyzes navigation-related artifacts recovered from 27 of these shipwreck sites. These instruments provide the basis to develop a typology for archaeologists to more closely date these finds. The navigation instruments recovered from the wreck of LaBelle (1686) are discussed in detail. These instruments and related historical documents kept by the navigator provide a more comprehensive picture of the instruments’ accuracy and usefulness. This thesis particularly focuses on the nocturnal/planisphere recovered from the site. This unique instrument is one of only four known to exist worldwide and remains accurate enough to be utilized today. Analysis by a modern astronomer has been included, as well as a partial translation of the common names for constellations inscribed on the instrument. These common names provide some important insights into the received knowledge of sailors and non-academic astronomy during this period. It is hoped that this thesis will be of assistance to archaeologists working to identify, study, and appreciate navigational instruments recovered from shipwrecks. With increased documentation and closer dating, these instruments will become a more valuable portion of the archaeological record.
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Books on the topic "15th Century"

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Whetter, James. Cornish people in the 15th century. Gorran: Lyfrow Trelyspen, 1999.

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Fernand, Braudel. Civilization and capitalism, 15th-18th century. New York: Perennial Library, 1985.

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Fernand, Braudel. Civilization and capitalism, 15th-18th century. New York: Harper & Row, 1985.

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Fernand, Braudel. Civilization and capitalism, 15th-18th century. Berkeley: University of California Press, 1992.

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Georges, Depeyrot, and Sakʻartʻvelos saxelmcipʻo muzeumi, eds. Coin finds in Georgia: (6th century BC - 15th century AD). Wetteren, Belgium: Moneta, 2010.

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J, Ballhausen C., ed. Thesaurus librorum Danicorum 15th and 16th century. København: Rosenkilde og Bagger, 1987.

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Inc, N. G. Stogdon. Drawings from the 15th to the 20th century. New York, N.Y: N.G. Stogdon, 1986.

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Robert, Proctor. The printing of Greek in the 15th century. Mansfield Center, Conn: Martino Pub., 2007.

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Commerce, Mullion Association of, ed. Welcome to 15th century Mullion village & harbour: Directory. Mullion: Westcountry Printing & Publishing, 1996.

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Erindale College. Dept. of Fine Art History., ed. Narrative painting in 15th -century Italy: FAH 449. [Mississauga]: Erindale College, University of Toronto, 2003.

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Book chapters on the topic "15th Century"

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Bollack, Françoise Astorg. "6th to 15th Century." In Old Buildings, New Ideas, 1–6. London: RIBA Publishing, 2023. http://dx.doi.org/10.4324/9781032646763-1.

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Bollack, Françoise Astorg. "15th to 18th Century." In Old Buildings, New Ideas, 7–44. London: RIBA Publishing, 2023. http://dx.doi.org/10.4324/9781032646763-2.

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Ridler, Anne. "Backgrounds To Italian Paintings: 15Th Century." In Contemporary Poetry: A Retrospective from the "Quarterly Review of Literature", edited by Theodore Russell Weiss, 116. Princeton: Princeton University Press, 2015. http://dx.doi.org/10.1515/9781400871728-039.

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Kurin, Danielle Shawn. "Syphilis Crosses the Atlantic, 15th Century." In The Bioarchaeology of Disaster, 61–67. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003229209-7.

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Kurin, Danielle Shawn. "Ecocide in Norse Greenland, 15th Century." In The Bioarchaeology of Disaster, 33–42. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003229209-4.

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Freeborn, Dennis. "Early Modern English I — the 15th century." In From Old English to Standard English, 247–72. London: Macmillan Education UK, 1998. http://dx.doi.org/10.1007/978-1-349-26665-4_14.

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Freeborn, Dennis. "Early Modern English I — the 15th century." In From Old English to Standard English, 255–86. London: Macmillan Education UK, 2006. http://dx.doi.org/10.1007/978-0-230-20768-4_14.

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Sangster, Alan. "Accounting Education and Ethics in the 15th Century." In Accounting Ethics Education, 3–30. New York : Routledge, 2021. | Series: Routledge studies in accounting: Routledge, 2020. http://dx.doi.org/10.4324/9780429321597-2.

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Balchin, Paul N. "Oligarchic and Signorial Government in the 15th Century." In The Development of Cities in Northern and Central Italy, 143–69. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003271901-8.

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Balchin, Paul N. "Population Trends and Economic Equilibrium in the 15th Century." In The Development of Cities in Northern and Central Italy, 197–216. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003271901-10.

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Conference papers on the topic "15th Century"

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Arzybaev, Tynystan. "THE IRRIGATION OF CENTRAL ASIA IN THE 15TH CENTURY." In ANCIENT AND MEDIEVAL CULTURES OF CENTRAL ASIA (THE FORMATION, DEVELOPMENT AND INTERACTION OF URBANIZED AND CATTLE-BREEDING SOCIETIES). Institute for the History of Material Culture of the Russian Academy of Sciences, 2020. http://dx.doi.org/10.31600/978-5-907298-09-5-254-255.

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Suryani, Mira, Erick Paulus, Setiawan Hadi, Undang A. Darsa, and Jean-Christophe Burie. "The Handwritten Sundanese Palm Leaf Manuscript Dataset from 15th Century." In 2017 14th IAPR International Conference on Document Analysis and Recognition (ICDAR). IEEE, 2017. http://dx.doi.org/10.1109/icdar.2017.135.

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Semikolennykh, Maria V. "SERPENT/DRAGON IN PLATO-ARISTOTELIAN POLEMICS OF THE 15TH CENTURY." In 50th International Philological Conference in Memory of Professor Ludmila Verbitskaya (1936–2019). St. Petersburg State University, 2023. http://dx.doi.org/10.21638/11701/9785288063183.17.

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The serpent or dragon and its fight with the dragonslayer is a traditional mythological and literary motif. It is also common for a polemical context, when an adversary — a schismatic, a heretic, a political opponent — is compared to a poisonous or fire-breathing monster. Among the many eschatological images that George of Trebizond cites in his dramatic characteristic of Plato and the Platonists in Comparatio philosophorum Aristotelis et Platonis (1458), there is also a comparison of Platonic teachings with a serpent, a dragon, or the many-headed Hydra. This is not a coincidence: George draws quite obvious parallels between the triumph of Platonism (which he hopes to prevent) and the triumph of the Antichrist, who is often described as dragon or associated with a snake; the association with the eloquent and treacherous serpent is also transparent. The opponents of George of Trebizond: Basilios Bessarion, Theodore Gaza, Niccolò Perotti, Domitio Calderini, — ignore George’s “eschatological” accusations. However, they also resort to the image of a dragon, snake, or chimera, applying it to George himself — in their writings, the struggle with his “serpentine tongue” and “all-besmearing infectious breath” turns into a kind of collective dragon slaying. The article discusses examples of comparison with a serpent/dragon in George of Trebizond, Niccolò Perotti, and Domitio Calderini’s writings, their context, and various interpretations of serpent/dragon motif. Refs 15.
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Yakunina, Valentina A., and Marina B. Bessudnova. "Trade Myths: Narva Authorities And Novgorod Merchantry In The 15Th Century." In International Scientific Conference «PERISHABLE AND ETERNAL: Mythologies and Social Technologies of Digital Civilization-2021». European Publisher, 2021. http://dx.doi.org/10.15405/epsbs.2021.12.03.25.

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Dragnev, Maria. "The typology of the votive paintings in 15th-16th century Moldova." In Latinitate, Romanitate, Românitate. Conferinţa ştiinţifică internaţională, Ediția a 7-a. Moldova State University, 2023. http://dx.doi.org/10.59295/lrr2023.11.

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Presented and researched along with the publication of the painted monuments, the votive paintings of the ecclesiastical foundations of the lords and nobles of the Romanian space, benefited a systematic analysis only around 1990, in the study signed by Matei Cazacu and Ana Dumitrescu. Although the votive images from Moldova of the 15th-16th centuries are studied here in particular, the broader context includes the whole Romanian area, with extension into the Balkan Slavic areas (especially Serbian). In the present research we will attempt to divide the painted churches and therefore the votive images within them according to their type of foundation. Despite the differences highlighted here to make this classification possible, it is important to point out that all these votive images have more in common and are marked by a unique style, specific only to Moldova.
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Huajie, Yan, Jiefeng Lu, and Qin Kai. "A comparative study of seagoing vessels between China and Europe from early 15th century to early 17th century." In 14th International Conference on Applied Human Factors and Ergonomics (AHFE 2023). AHFE International, 2023. http://dx.doi.org/10.54941/ahfe1003438.

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It was a period of high speed development of seagoing vessel from early 15th century to early 17th century. As an important tool for human exploration of the sea, ship decoration not only carry the imagination and reverence of the sea, but also influenced by the times, religion, politics, culture and aesthetics. It aims to compare the ship decoration which base in design pattern, manufacturing techniques and colour between Chin, Spain, Portugal and Britain. This paper use a comparison methodology involving a widespread historical research conducted on historical documents and ancient painting. In this study can identify the influences of different culture elements of ship decoration which has been mapped in this research. By analyzing all outcomes of the research would be beneficial for designer of ocean-going vessel base on historical element context.
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Mustaffa, Fauzan, Peter Woods Charles, Harold Thwaites, Eugene Ch’ng, and Lim Yan Peng. "A Perspective on the 15th Century Melaka Sultanate Bridge: A Reconstruction Studies." In International Conference of Innovation in Media and Visual Design (IMDES 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.201202.085.

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Sun, Qianyi. "Correlating European Age of Discovery Through Asiatic Trade in 15th – 18th Century." In 7th International Conference on Economy, Management, Law and Education (EMLE 2021). Paris, France: Atlantis Press, 2022. http://dx.doi.org/10.2991/aebmr.k.220306.020.

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Kandler, Johannes. "Re-Presence A Theory of Power Analysis in Times of Radical Changes of Media (15th century/20th century)." In Annual International Conference on Contemporary Cultural Studies (CCS 2017). Global Science & Technology Forum (GSTF), 2017. http://dx.doi.org/10.5176/2382-5650_ccs17.36.

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Stepanova, Y., A. Frolov, and P. Gavrilov. "The land tenure in the Tver half of the Bezhetskaya pyatina at the end of the 15th – the first half of the 16th century: presentation in GIS." In Historical research in the context of data science: Information resources, analytical methods and digital technologies. LLC MAKS Press, 2020. http://dx.doi.org/10.29003/m1827.978-5-317-06529-4/316-323.

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The paper considers the results of the localization of land ownership of the parishes of the Tver half of the Bezhetskaya pyatina at the end of the 15th – the first half of the 16th century. The indication in the scribe book of 1545 of the landowners of the last third of the 15th and first third of the 16th century allowed to consider the land ownership before 1478 and trace the division of large volosts of Novgorod boyars between service landowners of the first half of the 16th century. The location of parishes and volosts was clarified, the settlement was analyzed.
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Reports on the topic "15th Century"

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Nieto, José Manuel. Álvaro de Luna as Tyrant. Public Opinion and Political Conflict in 15th century Castile. Edicions de la Universitat de Lleida, 2017. http://dx.doi.org/10.21001/itma.2017.11.11.

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Rojas Donat, Luis. Papal arbitration? Alexander VI and the portuguese and spanish discoveries of he 15th century. Edicions de la Universitat de Lleida, 2021. http://dx.doi.org/10.21001/itma.2021.15.12.

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3

Soler, Abel. Curial e Güelfa, an Italian-Catalan Romance from the 15th Century lacking ‘Anomalies’ and ‘Mysteries’. Edicions de la Universitat de Lleida, 2018. http://dx.doi.org/10.21001/itma.2018.12.03.

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Amenós Martínez, Luisa. Joan Palou, Foundryman and Master Cannon Maker of the City of Barcelona at the End of the 15th Century. Edicions de la Universitat de Lleida, 2020. http://dx.doi.org/10.21001/itma.2020.14.13.

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Miksic, John N., and Geok Yian Goh. The Empress Place (EMP) Site: A Preliminary Report. NUS Press, February 2023. http://dx.doi.org/10.56159/sitereport11.

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An archaeological site report of an excavation of the Empress Place site in Singapore. Empress Place was the fourth site excavated in Singapore, and the first and so far the only ancient site located directly on the Singapore River’s bank. The opportunity to investigate this site arose when it was decided to convert the Empress Place Building into a permanent Asian Civilisations Museum under the National Heritage Board. The project began in January 1998, during the rainy season and the excavation was completed in May the same year. Empress Place was occupied during the 14th through 16th centuries CE. A wide variety of Chinese porcelain from the Ming Dynasty is quite plentiful at Empress Place. This is significant in view of the rarity of Chinese porcelain from the 15th century CE outside of China. Artifacts from Vietnam, Thailand, Java, Borneo, the Philippines, China, and Persia are consistent with the description of EMP as a site where goods from much of maritime Asia were loaded, unloaded, and transhipped.
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Sequeira, Dora María, Ileana Alvarado V., and Félix Angel. Young Costa Rican Artists: Nine Proposals. Inter-American Development Bank, August 2007. http://dx.doi.org/10.18235/0006438.

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Nine artists, all living in Costa Rica, were selected out of thirty-four who responded to an open call to present portfolios. The selection criteria is to be forty years of age or younger, have had at least one individual show, and have participated in a minimum of three group exhibitions. The exhibition has been organized by the IDB Cultural Center in collaboration with the Foundation of the Central Bank Museums of Costa Rica. Works include installations and interactive digital art, digital graphics, conventional photography, ceramics, painting, wire drawing and design objects manufactured with recycled materials. Artists include Víctor Agüero Gutiérrez, Jorge Albán Dobles, Tamara Ávalos León, Paco Cervilla Cartín, Carolina Guillermet Dejuk, José Alberto Hernández Campos, Sebastián Mello Salaberry, Francisco Munguía Villalta, and Guillermo Vargas Jiménez (a.k.a. Habacuc). The exhibit was part of the IDB Cultural Center¿s 15th anniversary celebration (1992-2007).
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Desa, Hazry, Muhammad Azizi Azizan, Nur Zakirah Rabiha Md. Rejab, and Mohd Shafiq Ismail. CONSERVATION WORKS ON HERITAGE BUILDING: GENERATING AS BUILT DRAWING BY UAV APPLICATION AND 3D LASER SCANNER FOR FACILITIES MAINTENANCE. Penerbit Universiti Malaysia Perlis, 2023. http://dx.doi.org/10.58915/techrpt2023.002.

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This technical report presents the outcomes of a research project entitled "Conservation Works on Heritage Building: Generating As Built Drawing by UAV Application and 3D Laser Scanner for Facilities Maintenance". The project was initiated and funded by IP Fokus Sdn. Bhd. and was conducted by the Centre of Excellence for Unmanned Aerial Systems (COE-UAS), UniMAP. The aim of this project was to explore the use of unmanned aerial vehicles (UAVs) and 3D laser scanners in generating as-built drawings for the maintenance of heritage buildings. The project sought to address the challenge of accurately documenting and maintaining heritage buildings, which are often complex structures with intricate designs and historical significance. The research project commenced on 1st February 2018 and was initially scheduled to end on 31st August 2019. However, due to unforeseen circumstances, the project was extended to 15th October 2019. Throughout the duration of the project, the research team worked diligently to achieve the objectives of the project. This technical report provides a comprehensive overview of the project, including the background and rationale, methodology, data collection, and analysis, and the key findings and recommendations. It also includes a detailed description of the UAV and 3D laser scanning technologies used in the project, as well as the software used for data processing and analysis.
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New Visions: 2008-2011: A Selection of the Latest Acquisitions from the IDB Art Collection. Inter-American Development Bank, November 2011. http://dx.doi.org/10.18235/0005967.

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This catalog belongs to the exhibition that celebrates the 19th anniversary of the Inter-American Development Bank Cultural Center, originally inaugurated on May 15th, 1992 by the President of Chile, Patricio Aylwin. On this occasion the IDB Cultural Center is pleased to present an exhibit of the artworks that became part of the Collection through the acquisition fund, gifts and permanent loans. It features 25 art works by 17 artists featuring: Federico Martino, Sebastián Spreng, and Susana Sulic (Argentina); Gastón Orellana (Chile); Ana Isabel Díez Zuluaga and Omar Rayo (Colombia); Silvia Elena Monge Puig (Costa Rica); Niurka Barroso (Cuba-Canada); Carmen Herrera and Emilio Sánchez (Cuba-United States); Julio Valdez (Dominican Republic); Geovanny Verdezoto (Ecuador); Luis González Palma (Guatemala); Mireille Délice (Haiti); Antonio López Sáenz and Alberto Alejandro Millares Méndez (Mexico); and Naúl Ojeda (Uruguay).
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