Academic literature on the topic '1564-1616 Stage history Bartholomeusz'
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Dissertations / Theses on the topic "1564-1616 Stage history Bartholomeusz"
Edelman, Charles. "The theatrical and dramatic form of the swordfight in the chronicle plays of Shakespeare." Title page, contents and abstract only, 1988. http://web4.library.adelaide.edu.au/theses/09PH/09phe21.pdf.
Full textTuffin, Zoe. "Claiming Shakespeare for our own: An investigation into directing Shakespeare in Australia in the 21st century." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2014. https://ro.ecu.edu.au/theses/1285.
Full textMyers, Bernadette. "Urban Ecology and the Early Modern English Stage." Thesis, 2021. https://doi.org/10.7916/d8-4d9e-ee18.
Full textEdelman, Charles. "The theatrical and dramatic form of the swordfight in the chronicle plays of Shakespeare / Charles Edelman." Thesis, 1988. http://hdl.handle.net/2440/18714.
Full text"A study of Cantonese translation of play titles, character names, songs, settings and puns in six Shakespeare's comedies." Chinese University of Hong Kong, 1996. http://library.cuhk.edu.hk/record=b5888989.
Full textPublication date from spine.
Thesis (M.Phil.)--Chinese University of Hong Kong, 1995.
Includes bibliographical references (leaves [131]-139).
Acknowledgments --- p.i
Abstract --- p.ii
Chapter Chapter 1. --- Introduction --- p.1
Chapter 1.0 --- Background --- p.1
Chapter 1.1 --- Scope of Study --- p.2
Chapter 1.2 --- Translation vs. Adaptation --- p.5
Chapter 1.3 --- Translating for the Stage --- p.7
Chapter Chapter 2. --- Translation of Titles --- p.11
Chapter 2.0 --- Introduction --- p.11
Chapter 2.1 --- Classification of Titles --- p.12
Chapter 2.2 --- Translation of Titles of Six Shakespeare's Comedies --- p.17
Chapter 2.3 --- Conclusion --- p.27
Chapter Chapter 3. --- Translation of Names of Characters --- p.29
Chapter 3.0 --- Introduction --- p.29
Chapter 3.1 --- Various Strategies at Work --- p.31
Chapter 3.2 --- Names for Stage Performance --- p.37
Chapter 3.3 --- Translation of Names of Characters in Six Comedies --- p.41
Chapter 3.4 --- Conclusion --- p.51
Chapter Chapter 4. --- Translation of Songs --- p.53
Chapter 4.0 --- Songs as a dramatic Device in Shakespeare's Comedies --- p.53
Chapter 4.1 --- The Translation of Songs in Five Comedies --- p.56
Chapter 4.1.1 --- The Two Gentlemen of Verona --- p.57
Chapter 4.1.2 --- A Midsummer Night's Dream --- p.60
Chapter 4.1.3 --- As You Like It --- p.68
Chapter 4.1.4 --- Twelfth Night --- p.78
Chapter 4.1.5 --- The Tempest --- p.89
Chapter 4.2 --- Conclusion --- p.97
Chapter Chapter 5. --- Settings of the Six Comedies --- p.99
Chapter 5.0 --- Introduction --- p.99
Chapter 5.1 --- Settings and the Translation of Titles --- p.101
Chapter 5.2 --- Settings and the Translation of Character Names --- p.104
Chapter 5.3 --- Settings and the Translation of Songs --- p.105
Chapter 5.4 --- Conclusion --- p.108
Chapter Chapter 6. --- Translation of Puns --- p.109
Chapter 6.0 --- Introduction --- p.109
Chapter 6.1 --- Translation of Puns in Six Comedies --- p.111
Chapter 6.2 --- Conclusion --- p.124
Chapter Chapter 7. --- Conclusion --- p.127
Bibliography --- p.131
Kruger, Alet. "Lexical cohesion register variation in transition : "The merchants of Venice" in afrikaans." Thesis, 2000. http://hdl.handle.net/10500/2988.
Full textLinguistics
D. Litt. et Phil. (Translation Studies)
Books on the topic "1564-1616 Stage history Bartholomeusz"
Adapting King Lear for the stage. Burlington, VT: Ashgate, 2010.
Find full textJonathan, Bate, and Jackson Russell 1949-, eds. Shakespeare: An illustrated stage history. New York: Oxford University Press, 1996.
Find full textBill, Bryson. Shakespeare: The world as stage. New York: HarperLuxe, 2007.
Find full textBill, Bryson. Shakespeare: The world as stage. New York: Atlas Books/Harper Perennial, 2008.
Find full textBill, Bryson. Shakespeare: The World as Stage. New York: Atlas Books, 2007.
Find full textBill, Bryson. Shakespeare: The world as stage. New York: Atlas Books/HarperCollins, 2007.
Find full textMurder most foul: Hamlet through the ages. Oxford: Oxford University Press, 2011.
Find full textColley, John Scott. Richard's himself again: A stage history of Richard III. New York: Greenwood Press, 1992.
Find full textPopular Shakespeare: Simulation and subversion on the modern stage. New York: Palgrave Macmillan, 2009.
Find full text1930-, Wells Stanley W., and Stanton Sarah, eds. The Cambridge companion to Shakespeare on stage. Cambridge, U.K. ; New York: Cambridge University Press, 2002.
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