Academic literature on the topic '1564-1616 Musical settings History and criticism'

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Dissertations / Theses on the topic "1564-1616 Musical settings History and criticism"

1

"A study of Cantonese translation of play titles, character names, songs, settings and puns in six Shakespeare's comedies." Chinese University of Hong Kong, 1996. http://library.cuhk.edu.hk/record=b5888989.

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Abstract:
Grace Chor Yi Wong.
Publication date from spine.
Thesis (M.Phil.)--Chinese University of Hong Kong, 1995.
Includes bibliographical references (leaves [131]-139).
Acknowledgments --- p.i
Abstract --- p.ii
Chapter Chapter 1. --- Introduction --- p.1
Chapter 1.0 --- Background --- p.1
Chapter 1.1 --- Scope of Study --- p.2
Chapter 1.2 --- Translation vs. Adaptation --- p.5
Chapter 1.3 --- Translating for the Stage --- p.7
Chapter Chapter 2. --- Translation of Titles --- p.11
Chapter 2.0 --- Introduction --- p.11
Chapter 2.1 --- Classification of Titles --- p.12
Chapter 2.2 --- Translation of Titles of Six Shakespeare's Comedies --- p.17
Chapter 2.3 --- Conclusion --- p.27
Chapter Chapter 3. --- Translation of Names of Characters --- p.29
Chapter 3.0 --- Introduction --- p.29
Chapter 3.1 --- Various Strategies at Work --- p.31
Chapter 3.2 --- Names for Stage Performance --- p.37
Chapter 3.3 --- Translation of Names of Characters in Six Comedies --- p.41
Chapter 3.4 --- Conclusion --- p.51
Chapter Chapter 4. --- Translation of Songs --- p.53
Chapter 4.0 --- Songs as a dramatic Device in Shakespeare's Comedies --- p.53
Chapter 4.1 --- The Translation of Songs in Five Comedies --- p.56
Chapter 4.1.1 --- The Two Gentlemen of Verona --- p.57
Chapter 4.1.2 --- A Midsummer Night's Dream --- p.60
Chapter 4.1.3 --- As You Like It --- p.68
Chapter 4.1.4 --- Twelfth Night --- p.78
Chapter 4.1.5 --- The Tempest --- p.89
Chapter 4.2 --- Conclusion --- p.97
Chapter Chapter 5. --- Settings of the Six Comedies --- p.99
Chapter 5.0 --- Introduction --- p.99
Chapter 5.1 --- Settings and the Translation of Titles --- p.101
Chapter 5.2 --- Settings and the Translation of Character Names --- p.104
Chapter 5.3 --- Settings and the Translation of Songs --- p.105
Chapter 5.4 --- Conclusion --- p.108
Chapter Chapter 6. --- Translation of Puns --- p.109
Chapter 6.0 --- Introduction --- p.109
Chapter 6.1 --- Translation of Puns in Six Comedies --- p.111
Chapter 6.2 --- Conclusion --- p.124
Chapter Chapter 7. --- Conclusion --- p.127
Bibliography --- p.131
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Books on the topic "1564-1616 Musical settings History and criticism"

1

Shakespeare and music: Afterlives and borrowings. Cambridge, UK: Polity, 2007.

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2

An outward show: Music for Shakespeare on the London stage, 1660-1830. Westport, Conn: Greenwood Press, 1992.

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The beginnings of Western music in Meiji era Japan. Lewiston, N.Y: E. Mellen Press, 1994.

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Stephen, Orgel, ed. Shakespeare's songbook. New York: W.W. Norton, 2004.

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Duffin, Ross W. Shakespeare's songbook. New York: W.W. Norton, 2004.

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Duffin, Ross W. Shakespeare's songbook. New York: W.W. Norton, 2004.

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Shakespeare and the American musical. Bloomington: Indiana University Press, 2010.

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Waters, D. Douglas. Christian settings in Shakespeare's tragedies. Rutherford, [N.J.]: Fairleigh Dickinson University Press, 1994.

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Thaew, Zukofsky Celia, ed. Bottom: On Shakespeare. Hanover, N.H: Wesleyan University Press, 2002.

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Stephen, Orgel, and Keilen Sean, eds. Shakespeare and the arts. New York: Garland Pub., 1999.

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