Relevant bibliographies by topics / 1564-1616 Film and video adaptations

Academic literature on the topic '1564-1616 Film and video adaptations'

Author: Grafiati
Published: 10 December 2022
Last updated: 29 January 2023

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Dissertations / Theses on the topic "1564-1616 Film and video adaptations"

1

Gerzic, Marina. "The intersection of Shakespeare and popular culture : an intertextual examination of some millennial Shakespearean film adaptations (1999-2001), with special reference to music." University of Western Australia. School of Social and Cultural Studies, 2009. http://theses.library.uwa.edu.au/adt-WU2009.0146.

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This dissertation analyses millennial film adaptations of five of Shakespeare's plays with a specific focus on a selection of different kinds of film. These are William Shakespeare's A Midsummer Night's Dream (1999: Dir. Michael Hoffman), 10 Things I Hate About You (1999: Dir. Gil Junger), Hamlet (2000: Dir. Michael Almereyda), Titus (1999: Dir. Julie Taymor), and Scotland, PA (2001: Dir. Billy Morrissette). The films covered include both box office and independent, textually close to Shakespeare's words or not, all totally different from each other. This thesis contextualises these film adaptations within the realm of film studies, music theory, Shakespeare performance theory, critical theory and popular culture. Rather than analysing each Shakespearean film adaptation purely on an aesthetic level, my dissertation will identify and analyse each director's
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Dunn, John T. "Scoring for the Specter: Dualities in the Music of the Ghost Scene in Four Film Adaptations of Hamlet." Thesis, view full-text document, 2002. http://www.library.unt.edu/theses/open/20022/dunn%5Fjohn%5Ft/index.htm.

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Green, Bryony Rose Humphries. "A book history study of Michael Radford's filmic production William Shakespeare's The Merchant of Venice." Thesis, Rhodes University, 2008. http://eprints.ru.ac.za/1710/.

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4

Baskin, Richard Lee. "Act I, Scene 2 of Hamlet: a Comparison of Laurence Olivier's and Tony Richardson's Films with Shakespeare's Play." Thesis, University of North Texas, 1989. https://digital.library.unt.edu/ark:/67531/metadc500951/.

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In act I, scene 2 of Shakespeare's Hamlet, one of the key themes presented is the theme of order versus disorder. Gertrude's hasty marriage to Claudius and their lack of grief over the recent death of King Hamlet violate Hamlet's sense of order and are the cause of Hamlet's anger and despair in 1.2. Rather than contrast Hamlet with his uncle and mother, Olivier constructs an Oedipal relationship between Hamlet and Gertrude--unsupported by the text--that undermine's the characterization of Hamlet as a man of order. In contrast, Tony Richardson presents Claudius' and Gertrude's actions as a violation of the order in which Hamlet believes.
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Books on the topic "1564-1616 Film and video adaptations"

1

Shakespeare on film. Lanham: University Press of America, 1991.

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Shakespeare's King Lear: The relationship between text and film. London: Methuen Drama, 2009.

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1564-1616, Shakespeare William, ed. Prospero's books: A film of Shakespeare's The tempest. New York: Four Walls Eight Windows, 1991.

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1564-1616, Shakespeare William, ed. The tempest. New York, NY: Abrams, 2010.

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Moeller, Victor J. Socrates does Shakespeare: Seminars and film. Lanham, Md: Rowman & Littlefield Education, 2005.

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6

Cinematic Hamlet: The films of Olivier, Zeffirelli, Branagh, and Almereyda. Athens: Ohio University Press, 2011.

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Shakespeare on film. Harlow, Essex, England: Longman, 2004.

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8

Reading Shakespeare film first. Urbana, Ill: National Council of Teachers of English, 2013.

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9

Coursen, Herbert R. Contemporary Shakespeare production. New York: Peter Lang, 2010.

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Contemporary Shakespeare production. New York: Peter Lang, 2010.

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