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Books on the topic '130102 Music'

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Author: Grafiati

Published: 10 December 2022

Last updated: 28 January 2023

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1

Maxwell, Robert A. Representing history, 900-1300: Art, music, history. University Park, Pa: Pennsylvania State University Press, 2010.

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2

L, Crocker Richard, and Hiley David, eds. The Early Middle Ages to 1300. 2nd ed. New York, NY: Oxford University, 1990.

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3

Hughes, Anselm. Ars nova and the Renaissance, 1300-1540. Oxford: Oxford University Press, 1986.

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4

Hughes, Anselm. Ars nova and the Renaissance, 1300-1540. Oxford: Oxford University Press, 1986.

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5

Chant and notation in South Italy and Rome before 1300. Burlington, VT: Ashgate Pub. Company, 2009.

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6

The owl and the nightingale: Musical life and ideas in France, 1100-1300. Berkeley: University of California Press, 1990.

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7

Page, Christopher. The owl and the nightingale: Musical life and ideas in France 1100-1300. London: Dent, 1989.

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8

Sinnlichkeit und Vernunft in der mittelalterlichen Musiktheorie: Strategien der Konsonanzwertung und der Gegenstand der musica sonora um 1300. Stuttgart: F. Steiner, 2000.

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9

Eugeen, Schreurs, ed. Stemmen in het kapittel: Het muziekleven in Vlaamse kathedralen en kapittelkerken ca 1300-1600. Peer: Alamire, 1998.

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10

Parlar cantando: The practice of reciting verses in Italy from 1300 to 1600. Bern: Peter Lang, 2009.

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11

Rijk, Elena Abramov-van. Parlar cantando: The practice of reciting verses in Italy from 1300 to 1600. Bern: Peter Lang, 2009.

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12

Rijk, Elena Abramov-van. Parlar cantando: The practice of reciting verses in Italy from 1300 to 1600. New York: Peter Lang, 2009.

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13

Voices and instruments of the Middle Ages: Instrumental practice and songs in France, 1100-1300. London: J.M. Dent & Sons, 1987.

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14

Voices and instruments of the Middle Ages: Instrumental practice and songs in France, 1100-1300. Berkeley: University of California Press, 1986.

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15

Metropolitan Museum of Art (New York, N.Y.), ed. Choirs of angels: Painting in Italian choir books, 1300-1500. New York: Metropolitan Museum of Art, 2009.

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16

Adam, St James. Incredible scale finder: Easy-to-use guide to over 1300 guitar scales. Milwaukee, WI: Hal Leonard, 2001.

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17

Calvo-Manzano, María Rosa. Alfonso X el Sabio, impulsor del arte, la cultura y el humanismo: El arpa en la Edad Media española. Madrid: ARLU Ediciones, 1997.

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18

The owl and the nightingale: Musical life and ideas in France 1100-1300. London: Dent, 1989.

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19

Klösges, Stefan, and Eberhard Metternich. In aeternum cantabo: Zeugnisse aus 1300 Jahren kölnischer DomMusikGeschichte : Ausstellung anlässlich des 150-jährigen Jubiläums des Kölner Domchores vom 1. November 2013 bis 7. Januar 2014 in der Erzbischöflichen Diözesan- und Dombibliothek Köln. Köln: Kölner Dommusik, 2013.

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20

1968-, Maxwell Robert A., ed. Representing history, 1000-1300: Art, music, history. University Park, Pa: Pennsylvania State University Press, 2010.

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21

Form and Process in Music, 1300-2014: An Analytic Sampler. Cambridge Scholars Publisher, 2016.

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22

L, Crocker Richard, and Hiley David, eds. The early middle ages to 1300. Oxford: Oxford University Press, 1994.

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23

Cultural Histories of Noise, Sound and Listening in Europe, 1300-1918. Taylor & Francis Group, 2016.

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24

Biddle, Ian, and Kirsten Gibson. Cultural Histories of Noise, Sound and Listening in Europe, 1300-1918. Taylor & Francis Group, 2019.

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25

L, Crocker Richard, and Hiley David, eds. The Early Middle Ages to 1300. Oxford: Oxford University Press, 1990.

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26

1889-, Hughes Anselm, and Abraham Gerald 1904-, eds. Ars nova and the Renaissance, 1300-1540. Oxford: Oxford University Press, 1994.

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27

Boe, John. Chant and Notation in South Italy and Rome Before 1300. Taylor & Francis Group, 2017.

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28

Long, Sarah Ann. Music, Liturgy, and Confraternity Devotions in Paris and Tournai, 1300-1550. University of Rochester Press, 2021.

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29

Long, Sarah Ann. Music, Liturgy, and Confraternity Devotions in Paris and Tournai, 1300-1550. University of Rochester Press, 2021.

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30

Music, Liturgy, and Confraternity Devotions in Paris and Tournai, 1300-1550. Boydell & Brewer, Limited, 2021.

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31

Boe, John. Chant and Notation in South Italy and Rome Before 1300. Taylor & Francis Group, 2017.

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32

(Editor), Richard Crocker, and David Hiley (Editor), eds. The New Oxford History of Music: Volume II: The Early Middle Ages to 1300 (New Oxford History of Music). Oxford University Press, USA, 1990.

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33

Music and the moderni, 1300-1350: The ars nova in Theory and Practice. Cambridge University Press, 2018.

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34

Music and the Moderni, 1300-1350: The Ars Nova in Theory and Practice. University of Cambridge ESOL Examinations, 2020.

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35

Desmond, Karen. Music and the Moderni, 1300-1350: The Ars Nova in Theory and Practice. Cambridge University Press, 2018.

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36

Desmond, Karen. Music and the Moderni, 1300-1350: The Ars Nova in Theory and Practice. University of Cambridge ESOL Examinations, 2018.

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37

Iran. Daftar-i Raʼīs-i Jumhūr. Muʻāvanat-i Khadamāt-i Mudīrīyat va Iṭṭilāʻʹrasānī., ed. Asnādī az mūsīqī, tiʼātr va sīnimā dar Īrān, 1300-1357 H. Sh. Tihrān: Sāzmān-i Chāp va Intishārāt, Vizārat-i Farhang va Irshād-i Islāmī, 2000.

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38

Sutton, Anne F. Merchants, music and social harmony: The London Puy and its French and London contexts, circa 1300. 1992.

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