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Books on the topic '130101 Design'

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Author: Grafiati

Published: 10 December 2022

Last updated: 28 January 2023

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1

Bihanic, David, ed. Empowering Users through Design. Cham: Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-13018-7.

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2

Al Faruque, Mohammad Abdullah, and Arquimedes Canedo, eds. Design Automation of Cyber-Physical Systems. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-13050-3.

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3

Hashi no rekishi: Kigen 1300-nen goro made. Tōkyō-to Chiyoda-ku: Morikita Shuppan Kabushiki Kaisha, 2013.

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4

C, Kleeman Eva, and Willner Saskia G, eds. Italiaanse schilderijen, 1300-1500: Eigen collectie = Italian paintings, 1300-1500 : own collection. Rotterdam: Museum Boymans-van Beuningen, 1993.

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5

aut, Töpper Barbara, and SCALA Istituto Fotografico Editoriale, col, eds. 1000 masterpieces of European painting: From 1300 to 1850. [Köln]: Könemann, 2000.

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6

Pairon, Marc. Art deco ceramics : made in Belgium: Charles Catteau: inventaris van ruim 1300 decors en bijzondere varianten, ruim 450 vormen, 1000 objecten en 850 foto's = un inventaire de plus de 1300 de'cors, avec leurs variantes [...] = inventory of over 1300 designs with their possible variants [...]. Aartselaar: Fondation Charles Catteau, 2007.

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7

United States. Congress. House. Committee on Interior and Insular Affairs. Subcommittee on Energy and the Environment. Nuclear power licensing reform: Hearing before the Subcommittee on Energy and the Environment of the Committee on Interior and Insular Affairs, House of Representatives, One Hundred Second Congress, first session, on H.R. 1301, National Energy Strategy Act, hearing held in Washington, DC, July 25, 1991. Washington: U.S. G.P.O., 1993.

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8

Catteau, Charles. Art deco ceramics, made in Belgium: Charles Catteau : inventaris van ruim 1300 decors en bijzondere varianten, ruim 450 vormen, 1000 objecten en 850 foto's = un inventarie de plus de 1300 décors avec leurs variantes et de quelque 450 formes, 850 photographies pur un millier d'objets = inventory of over 1300 designs with their possible variants and some 450 forms, 850 photos illustrating 100 objects. Aartselaar: Fondation Charles Catteau, 2006.

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9

de, Rijk Lambertus Marie, ed. Nicholas of Autrecourt: His correspondence with Master Giles and Bernard of Arezzo : a critical edition from the two Parisian manuscripts with an introduction, English translation, explanatory notes, and indexes. Leiden [The Netherlands]: E.J. Brill, 1994.

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10

Integrated Security Systems Design. Elsevier, 2014. http://dx.doi.org/10.1016/c2013-0-13050-4.

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11

Electricité de France. Direction de l'équipement., ed. Centrales nucléaires EDF de 1300 MWe. [Paris]: Electricité de France, Direction de l'équipement, 1987.

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12

The Design, Synthesis, and Biological Evaluation of Compounds with Medicinal Value. MDPI, 2021. http://dx.doi.org/10.3390/books978-3-0365-1300-3.

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13

Crochet Filet Afghans: Five Designs (American School of Needlework, 1300). ASN Publishing, 2000.

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14

Albano-Miles. Crochet Applique' for Afghans: 5 Designs (American School of Needlework #1301). American School of Needlework, 2000.

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15

Kleeman, Eva C., and Saskia G. Willner. Italian Paintings 1300-1500/Italiaanse Schilderijen 1300-1500. Univ of Washington Pr, 1994.

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16

B, Harte N., ed. The new draperies in the low countries and England, 1300-1800. New York: Oxford University Press, 1997.

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17

Schulz, Daniel. Einnahmen Ausgaben: Mit Platz Für Mehr Als 1300 Buchungen, Sowie Datum, Verwendunszweck, Summe... in Buntem Design. Independently Published, 2019.

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18

Topper, Barbara, and Christiane Stukenbrock. 1000 Masterpieces of European Painting: From 1300 to 1850 (Art & Architecture). Konemann, 2000.

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19

Forgeng, Jeffrey L., trans. <I>The Art of Swordsmanship</I> by Hans Lecküchner. Boydell and Brewer Limited, 2015. http://dx.doi.org/10.1017/9781782045267.

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Completed in 1482, Johannes Lecküchner's <I>Art of Combat with the "Langes Messer"</I> (<I>Messerfechtkunst</I>) is among the most important documents on the combat arts of the Middle Ages. The <I>Messer</I> was a single-edged, one-handed utility sword peculiar to central Europe, but Lecküchner's techniques apply to cut-and-thrust swords in general: not only is this treatise the single most substantial work on the use of one-handed swords to survive from this period, but it is the most detailed explanation of the two-handed sword techniques of the German "Liechtenauer" school dating back to the 1300s. Lecküchner's lavish manuscript consists of over four hundred illustrations with explanatory text, in which the author, a parish priest, rings the changes on bladework, deceits, and grappling,with techniques ranging from life-or-death escapes from an armed assailant to slapstick moves designed to please the crowd in public fencing matches.<BR> This translation, complete with all illustrations from the manuscript, makes the treatise accessible for the first time since the author's untimely death less than a year after its completion left his major work to be lost for generations. An extensive introduction, notes, and glossary analyze and contextualize the work and clarify its technical content.<BR><BR> Jeffrey L. Forgeng is curator of Arms and Armor and Medieval Art at the Worcester Art Museum, and teaches as Adjunct Professor of History at Worcester Polytechnic Institute.

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20

Austin, Christopher R. Pradyumna. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190054113.001.0001.

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This monograph provides the first full-scale English language study of Pradyumna, the son of the Hindu god Kṛṣṇa. Often represented as a young man in mid-adolescence, Pradyumna is both a handsome double of his demon-slaying father and the rebirth of Kāmadeva, the God of Love. Sanskrit epic, purāṇic, and kāvya narratives of the 300–1300 CE period celebrate Pradyumna’s sexual potency, mastery of illusory subterfuges, and military prowess in supporting the work of his avatāra father. These materials reflect chiefly the values of an evolving Brahminical and Vaiṣṇava tradition deeply invested in the imperatives of family, patriline, the violent but necessary defense of the social and cosmic order, and the celebration of beauty and desire as a means to the divine. As such, Pradyumna’s evolving narratives, almost completely unknown in existing studies of Hindu mythology, provide a point of access to the development of Krishna bhakti and Vaiṣṇava theism more broadly. However, Jain sources cast Pradyumna as an exemplary figure through whom a pointed rejection of these values can be articulated, even while sharing certain of their elementary premises. This book assembles these narratives, presents key Sanskrit materials in translation and summary form, and articulates the social, gender, and religious values encoded in them. Most importantly, the study argues that Pradyumna’s signature two-handed maneuver—the audacious appropriation of a feminine partner, effectuating and enabled by the emasculating destruction of her demonic male protector—communicates a persisting fantasy of male power, expressed in the language of mutually implicating sex and violence.

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21

Nicolaus and L. M. De Rijk. Nicholas of Autrecourt: His Correspondence With Master Giles and Bernard of Arezzo : A Critical Edition from the Two Parisian Manuscripts With an in (Studien ... Zur Geistesgeschichte Des Mittelalters). Brill Academic Publishers, 1994.

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