Academic literature on the topic '人物傳記'
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Journal articles on the topic "人物傳記"
王絲嬋, 王絲嬋. "慰藉鄉愁以文學—論呂則之《海煙》中的澎湖文化." 國文經緯 20, no. 20 (May 2024): 110–29. http://dx.doi.org/10.53106/221845462024050020007.
Full text羅秀美, 羅秀美. "文化記憶的追尋與再現:以「故宮文學家」作品中的「北溝故宮」書寫為主." 中正漢學研究 34, no. 34 (December 2019): 149–84. http://dx.doi.org/10.53106/2306036020191200340006.
Full textMoon, mi-jin. "≪歷代人物傳記資料彙編≫에 수록된 ≪古先君臣圖鑑≫ 考察." JOURNAL OF CHINESE HUMANITIES 71 (April 30, 2019): 331–50. http://dx.doi.org/10.35955/jch.2019.04.71.331.
Full text黃雅莉, 黃雅莉. "疏離與聯繫,異化與同化—— 「眷村」作為一種歷史圖象的符碼意義." 國立彰化師範大學文學院學報 28, no. 28 (November 2023): 021–46. http://dx.doi.org/10.53106/230597612023110028002.
Full text黃聖松, 黃聖松. "《春秋經》與《左傳》卿之身分判準三則." 人文研究學報 57 (October 2023): 097–112. http://dx.doi.org/10.53106/241195042023105700003.
Full text唐立宗, 唐立宗. "俱撰有志:明代河東學派張良知的仕宦生涯與志書編刊析論." 明代研究 38, no. 38 (June 2022): 001–42. http://dx.doi.org/10.53106/160759942022060038001.
Full text潘大為, 潘大為. "托尼.莫里森:天堂裡的麻煩." 英語文暨口筆譯學集刊 18, no. 1 (January 2020): 069–80. http://dx.doi.org/10.53106/199891482020011801004.
Full text鍾志偉, 鍾志偉. "宋人詠寫王荊公之主題形象與修辭探論." 中正漢學研究 34, no. 34 (December 2019): 065–98. http://dx.doi.org/10.53106/2306036020191200340003.
Full text黃瑞珍, 黃瑞珍, 賴秋香 Jui-Chen Huang, 楊淑斐 Chiu-Hsiang Lai, 張玉霜 Shu-Fei Yang, and 李權芳 Yu-Shuang Chang. "縮短主動脈支架的術前準備作業時間." 醫療品質雜誌 16, no. 2 (March 2022): 024–31. http://dx.doi.org/10.53106/199457952022031602004.
Full text陳嘉璟, 陳嘉璟, and 許博期 許博期. "心悟與觀視:《察病指南》古今怪脈儀圖析解." 國立彰化師範大學文學院學報 29, no. 29 (May 2024): 075–96. http://dx.doi.org/10.53106/230597612024050029004.
Full textDissertations / Theses on the topic "人物傳記"
陳雅萍. "由《左傳》、《國語》看《史記》人物形象的特出--以吳越爭霸相關人物為例." Thesis, 2003. http://ndltd.ncl.edu.tw/handle/18385696777152940757.
Full text李新添. "歐陽修五代人物論研究──以《五代史記》列傳為中心." Thesis, 2002. http://ndltd.ncl.edu.tw/handle/44633781769509236458.
Full text廖健雅. "傳記型歷史小說中的真實人物寫作技法----以李潼三本作品為例." Thesis, 2000. http://ndltd.ncl.edu.tw/handle/63830101915908043783.
Full text臺東師範學院
兒童文學研究所
88
Abstract This thesis researches the writing skills of biographical historical novels and mainly focuses on how to inscribe the real characters by presenting different sides of their lives. It will discuss: I. how to apply the fictitious plot and the fictitious characters in the biographical historical novels II. how the time, dimension and both affect the real characters III. to understand that the change of narratives has different meanings in describing the real characters IV. to rethink about the real characters’ social status in the historical background and rejudge them V. the applications of other writing skills, such as soliloquy, leaving the thinking space and handling the words, can assist to present the real characters deeply According to this thesis, the results are as follows: I. In the book of “Gospel and Tooth Tweezers”, the real historical character, Canada pastor, Mackay, is introduced by the fictitious language. He comes to Taiwan to preach with bibles, tooth tweezers, and dysentery medicine. By the Omniscience angle, Mackay is a kind, calm and tolerant religionist. He brings the religious freedom and modern medicine to the northern Taiwan. He is the type of “sanctified identity.” His sacrificial spirit makes us rethink the traditional religious belief and educational strategies. However, the author, Tong Li, doesn’t take the readers’ mental responses into account so that he doesn’t handle the time frame of the story well and ends the story appearing unfinished. II. In the story of “ The Third Young Master of A-Zhao-Wu”, the author personalizes the fictitious things in order to make the serious background more relaxed. This original fantasy successfully displays the main character, Xian-tang Lin’s youth years. He is the pioneer in his time; advocates the ethnic movement; and supports the education. He devotes all his life to the family, to the country, even to the world. He is the model of all the Taiwanese with the “ admired identity.” Moreover, with his highly self-conscious, Tong Li uses the multiplicate narratives adequately in this story. III. In the story” The Wild Guy of Tou-cheng”, the main character is a lonely guy, who devotes himself to the writing career for sixty years. Because of his solitude and being seldom known, the author can exaggeratedly use the fictional skills without abruptness. This writer of Tou-cheng is Rong-chun Li, who is one of the chief writers of Taiwan after the World War II. In order to fulfill his dream about literature, he leaves his child wife and the stable teaching job. In order to seek the creativity and muse, he joins the World War II. In order to develop the physical strength, he exercises with naked at the beach of Tou-cheng. That is why the people calls him “Wild Guy.” He is lonely for all his life and all his acquaintances despise his decadence. However, such a “sympathized identity” person is contented with creative writing. Moreover, his passion on writing gives us the opportunity to rethink our pursuit and emphasis on art. Nevertheless, the dual narrative Tong Li uses makes the focus indistinct and the text long-winded. Besides, the conjecture of ending is needed to be reconsidered if it is reasonable under the “magical realism.” Keywords: biography, historical novel, character inscribing, writing skills, Tong Li
Books on the topic "人物傳記"
他們皆有夢: 十位名人的追夢故事. Hong Kong: 超媒體出版有限公司, 2015.
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