Zeitschriftenartikel: „Zizek“

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Ryu, Eui-geun. „Zizek and Christianity“. Journal of Korean Philosophical Society 147 (31.08.2018): 179–214. http://dx.doi.org/10.20293/jokps.2018.147.179.

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Dean, Jodi. „Zizek against Democracy“. Law, Culture and the Humanities 1, Nr. 2 (Juni 2005): 154–77. http://dx.doi.org/10.1191/1743872105lw012oa.

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3

Docherty, Thomas, Slavoj Zizek und Glyn Daly. „Conversations with Zizek“. Modern Language Review 99, Nr. 4 (Oktober 2004): 1019. http://dx.doi.org/10.2307/3738515.

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Dean, Jodi. „Zizek on Law“. Law and Critique 15, Nr. 1 (2004): 1–24. http://dx.doi.org/10.1023/b:lacq.0000018770.92058.29.

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5

Minardi, Adriana. „Mitologías pandémicas: ¿qué calla Zizek? Zizek, Han, Montero: abordajes críticos“. Pangeas. Revista Interdisciplinar de Ecocrítica, Nr. 4 (28.07.2022): 73. http://dx.doi.org/10.14198/pangeas.22430.

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En este artículo nos proponemos reflexionar sobre el concepto de pandemia, íntimamente ligado al de virus, en estrecha relación con los planteamientos que Slavoj Zizek esboza en su libro Pandemia. La covid-19 estremece al mundo (2020). Para ello discutiremos las implicancias no solo económicas sino subjetivantes de los procesos que han abierto el aislamiento, las intervenciones políticas y farmacológicas en las comunidades. Desde un punto de vista ecocrítico, discutiremos las hipótesis de Zizek a partir de las columnas de Rosa Montero en El país durante los años 2020/2022 y las reflexiones de Byung-Chul Han. La hipótesis central es que el dilema económico político que enmarca la pandemia no puede dejar de lado las nuevas formas en que se construyen las subjetividades. Las formas en las que lo monstruoso se nombra bajo la metáfora del Covid-19 nos lleva a reflexionar sobre el fenómeno de lo que se silencia, se metaforiza o se utiliza para invisibilizar sujetos políticos como las mujeres y las infancias.

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Mikulic, Borislav. „Perversion and method. Zizek’s "platonic love" for film, dialectics of exemplification and the catastrophe of psychoanalysis in the cinematic discourse of philosophy“. Filozofija i drustvo 24, Nr. 1 (2013): 381–422. http://dx.doi.org/10.2298/fid1301381m.

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The article discusses the relation between the paradigmatic status of film and use of film analogies in the psychoanalytic discourse on society and culture by Slavoj Zizek, which represents the very ground of his philosophical discourse in general. In the first part, starting with a recent discussion by different English and American scholars on controversial aspects of Slavoj Zizek?s activity in academia and on a broader public scene, the paper discusses on some parallel examples and inherent motivators of the form-content controversy in philosophy and pop-culture as well as Zizek?s interpretation of his position. In the second part, the article discusses Zizek?s sporadic meta-reflection on exemplification and provides arguments for the thesis that, in Zizek, on the ground of his ontology of the virtual, one encounters a double conception of ?inherence? (paradigmatic and analogical) between instance and principle, its consequence is a shift in the use of film examples from analogy of objects to analogy of analyses, which invents a typical conflict between the metonymic and metaphorical evasion of discourse. On this background, the article reexamines the general contention against Zizek of a ?virtual totalitarianism? without contingency of meaning and sense, and points to the position of the subject without discourse as another ground for the condition of analysis of truth. In the third part, the paper analyses and evaluates Zizek?s own understanding of his cinematographic illustrations and his peculiar, performing and self-referential, method of resolving the epistemological problem of film interpretation through imaginary identification or ?empathy? with film objects. In the fourth part, the paper discusses the apparent asymmetry between Zizek?s application of psychoanalytic doctrines onto film criticism, on one side, and, on the other, his little elaborated apotheosis of so-called ?cinematic materialism?. It is argued that this asymmetry ultimately causes what Zizek rejects in principle: a substitution of materialism and contingency of truth-search for a holism of sense. Consequently this seems to turn the psychoanalytic discourse on cinematography into a hermeneutic one.

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Cabezas P., Bernardo. „Zizek: ¿Una Política de la Negatividad? / Zizek: A politics of Negativity?“ Revista Liminales. Escritos sobre Psicología y Sociedad 5, Nr. 10 (01.11.2016): 191–210. http://dx.doi.org/10.54255/lim.vol5.num10.296.

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En el contexto del imperio de los sofistas posmodernos, el siguiente artículo intenta sistematizar un punto en el debate de autores que resisten dicha supremacía. En particular se presenta la lectura que realiza Zizek en su Espinoso Sujeto de las posiciones teóricas de Badiou y Laclau (para lo cual utiliza como matriz su lectura del esfuerzo infinito kantiano). Luego de ello se discute la utilización del concepto de negatividad que le permite a este autor realizar dicho ejercicio crítico. In the context of the empire of the postmodern sophists, the article tries to systematize a point in the debate of authors who resist such supremacy. In particular, the text presents Zizek’s reading in his Ticklish Subject, of the theoretical positions of Badiou and Laclau (for which he uses as his matrix his reading of the Kantian infinite effort). After that, we discuss the use of the concept of negativity that allows this author to perform this critical exercise.

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Cabezas P., Bernardo. „Zizek: ¿Una Política de la Negatividad? / Zizek: A politics of Negativity?“ Revista Liminales. Escritos sobre Psicología y Sociedad 5, Nr. 10 (01.11.2016): 191–210. http://dx.doi.org/10.54255/lim.vol5.num10.296.

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En el contexto del imperio de los sofistas posmodernos, el siguiente artículo intenta sistematizar un punto en el debate de autores que resisten dicha supremacía. En particular se presenta la lectura que realiza Zizek en su Espinoso Sujeto de las posiciones teóricas de Badiou y Laclau (para lo cual utiliza como matriz su lectura del esfuerzo infinito kantiano). Luego de ello se discute la utilización del concepto de negatividad que le permite a este autor realizar dicho ejercicio crítico. In the context of the empire of the postmodern sophists, the article tries to systematize a point in the debate of authors who resist such supremacy. In particular, the text presents Zizek’s reading in his Ticklish Subject, of the theoretical positions of Badiou and Laclau (for which he uses as his matrix his reading of the Kantian infinite effort). After that, we discuss the use of the concept of negativity that allows this author to perform this critical exercise.

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Parker, Ian. „Slavoj Zizek: Live Theory“. Contemporary Political Theory 5, Nr. 3 (27.07.2006): 348–49. http://dx.doi.org/10.1057/palgrave.cpt.9300242.

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Breger, Claudia. „Response to Slavoj Zizek“. diacritics 31, Nr. 1 (2001): 105–8. http://dx.doi.org/10.1353/dia.2003.0004.

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Yiwu, Z., und J. Solomon. „Zizek's China, China's Zizek“. positions: asia critique 19, Nr. 3 (01.12.2011): 723–37. http://dx.doi.org/10.1215/10679847-1369280.

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Hadi, Salwa Abdulamir, und Mujtaba Mohammedali Yahya Al-Hilo. „The Aleph and the Real: An Examination of Borges' Short Story through Slavoj Zizek's Psychoanalytic Theory“. International Journal of Linguistics, Literature and Translation 6, Nr. 7 (02.07.2023): 66–71. http://dx.doi.org/10.32996/ijllt.2023.6.7.8.

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This research paper examines the concept of the Real, as proposed by Slavoj Zizek, through the study of The Aleph by Jorge Luis Borges. This short story best represents this idea of the Real as intended by the Slovenian philosopher. Yet, Borges displays the idea of the Real through a mystical perspective, whereas Zizek tends lean on psychoanalytical perspectives. Once the short story is read through Zizek, we can perceive a new interpretation of the text. Otherwise, the transformative process after encountering the Aleph remains ambiguous and irrelevant. A similar idea of this transformation is also represented in many religious readings of the concept of God. This paper tends to study this idea of the Real through the psychoanalytic theory of Slavoj Zizek. His theory makes a long journey through Sigmund Freud and Jacque Lacan. The objective of this study is to have a new understanding of the ideas that undergo ambiguities and misunderstanding, including the idea of unseen powers that dominate our life.

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Rocha, Silvia. „Yo no creo en brujas, pero que las hay, las hay: a publicidade, o consumo e a crença descafeinada“. Comunicação Mídia e Consumo 3, Nr. 9 (24.09.2008): 127–37. http://dx.doi.org/10.18568/cmc.v3i9.92.

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Pretendemos analisar a eficácia simbólica presente na publicidade com base na noção de crença descafeinada proposta por Slavoj Zizek – que consiste em aderir a uma prática independentemente de sua verdade. Pretendemos contrapor essa forma de adesão às práticas mágicas das sociedades tradicionais, sustentando que o mecanismo presente em cada caso é na verdade oposto: pois, se a magia indígena supõe a crença, a publicidade só é eficaz porque não acreditamos nela. Palavras-chave: Publicidade; crença; eficácia simbólica; Slavoj Zizek. ABSTRACT We intend to analyze symbolic efficacy in advertising by using the concept of decaffeinated belief suggested by Slavoj Zizek – which means the adherence to a practice regardless of its truthfulness. We contrast this type of adherence with the magical practices in traditional societies, arguing that the mechanism in each case is in fact opposite: if magic efficacy supposes belief, advertising is effective only because we don’t believe it. Keywords: Advertising; belief; symbolic efficacy; Slavoj Zizek.

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Polack, Jean-Claude. „Que faire avec Slavoj Zizek ?“ Chimères 70, Nr. 2 (2009): 195. http://dx.doi.org/10.3917/chime.070.0195.

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Silva, Leonardo Domingos Braga da. „O ACONTECIMENTO POR SLAVOJ ZIZEK“. Revista Dialectus - Revista de Filosofia, Nr. 23 (28.08.2021): 415–18. http://dx.doi.org/10.30611/2021n23id71867.

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Slavoj Zizek tem sido um autor de destaque na discussão filosófica e política contemporânea. Na obra O acontecimento o autor atualiza suas ideais em relação ao ponto central da noção de acontecimento, passando pela compreensão mais cotidiana até chegar à refinada filosoficamente, expondo os impasses de cada abordagem da noção. Como primeira definição, temos: “um acontecimento é, assim, o efeito que parece exceder suas causas – e o espaço de um acontecimento é aquele que é aberto pela brecha que separa o efeito das causas” (p.9). Assim, essa concepção vem romper com a metafísica tradicional segundo a qual tudo o que acontece deve estar vinculado a cadeias causais e razões suficientes sugerindo algo que acontece a partir do nada, tema já elaborado pelo autor na sua obra Menos que nada; (boitempo, 2013). O acontecimento é uma mudança no enquadramento pelo qual percebemos o mundo. [...]

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LANUZA, GERRY, und BERNARD LANUZA, OFM. „Appropriating Zizek for Liberation Theology“. Philippiniana Sacra 42, Nr. 126 (2007): 515–50. http://dx.doi.org/10.55997/ps3003xlii126a3.

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Boer, Roland. „The search for redemption: Julia Kristeva and Slavoj Zizek on Marx, psychoanalysis and religion“. Filozofija i drustvo 18, Nr. 1 (2007): 153–76. http://dx.doi.org/10.2298/fid0732153b.

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Slavoj Zizek and Julia Kristeva have followed strikingly similar paths in their intellectual and political development, moving from Marxism through psychoanalysis to Christianity. This article traces the way they have distanced themselves from Marxism and taken up psychoanalysis, of either the Freudian or Lacanian variety. For Kristeva, psychoanalysis provides the therapeutic solution to individual and at times social problems, whereas for Zizek it is the best description of those problems without necessarily providing answers. However, through psychoanalysis, they have gone a step further and become enamoured with Christianity, especially Paul?s letters in the New Testament and the doctrine of love. Paul provides for Kristeva another and earlier version of psychoanalytic solutions, but he enables Zizek to find the social and political answers for which he seeks. By connecting these intellectual moves with their own departures from Eastern Europe, one from Yugoslavia (and then Slovenia) and the other from Bulgaria, I argue that their search for redemption, of both personal and social forms, betrays a residual socialism. In fact, their moves into psychoanalysis and Christianity may be read as compensations for a lost socialism, so much so that Zizek at least makes a belated recovery of Marx through Christianity and Kristeva can never quite excise Marx from her thought.

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Fonseca, Fernando Facó de Assis, und Hildemar Luiz Rech. „Zizek com lacan em: kant sem Sade. Liberdade como Reapropriação do Gozo“. Trans/Form/Ação 40, Nr. 1 (März 2017): 165–86. http://dx.doi.org/10.1590/s0101-31732017000100009.

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Resumo: Neste artigo, pretendemos trabalhar, a partir de uma leitura de Zizek e Lacan, a perspectiva radical de liberdade como superação da dialética entre a Lei moral kantiana e o gozo sádico. Para isso, procuramos primeiramente mostrar como Lacan articula a relação de Kant com Sade, para, em seguida, pensar como, segundo Zizek, o psicanalista encontra uma saída para o princípio de liberdade kantiana, a partir da ética do desejo puro, o que nos permitirá pensar um Kant sem Sade.

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TESTER, KEITH. „ZIZEK AND THEOLOGY by Adam Kotsko“. New Blackfriars 90, Nr. 1029 (September 2009): 628–30. http://dx.doi.org/10.1111/j.1741-2005.2009.01312_6.x.

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Werntz, Myles. „Zizek and Theology - By Adam Kotsko“. Religious Studies Review 35, Nr. 2 (Juni 2009): 120–21. http://dx.doi.org/10.1111/j.1748-0922.2009.01341_21.x.

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Amri, Siti Hardiyanti. „SUBJEKTIVITAS EKA KURNIAWAN MELALUI NOVEL LELAKI HARIMAU“. TELAGA BAHASA 7, Nr. 1 (15.01.2020): 83–96. http://dx.doi.org/10.36843/tb.v7i1.63.

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Paradigma humanis dalam kajian sastra memposisikan manusia sebagai pusat. Penelitian ini mengkaji subjektivitas tokoh dan pengarang dalam semesta novel Lelaki Harimau karya Eka Kurniawan menggunakan teori subjektivitas Slavoj Zizek. Zizek memfokuskan pemikirannya pada tatanan riil dan simbolik dalam kehidupan manusia. Menurutnya, manusia mampu meraih kebebasan dan keotentikan dirinya selama ia bertindak melampaui norma-norma simbolik dan bergerak menuju dimensi riil dalam kehidupannya. Sebaliknya, manusia akan tetap terpenjara dalam dimensi simbolik, selama ia membiarkan dirinya tetap hanyut dalam kesadaran palsu ideologi. Penelitian ini menunjukkan bahwa ada upaya radikal yang dilakukan oleh tokoh utama untuk mencapai kondisi riil melalui tindakan sadis dan tak berkeprimanusiaan yang melanggar aspek normatif dalam lingkaran simbolik. Akan tetapi, peristiwa yang dihadapi oleh tokoh tersebut berlawanan dengan diri pengarang sebagai subjek. Pengarang justru tidak menunjukkan adanya upaya radikal dalam kehidupannya sehingga ia tetap berada dalam fantasi ideologis.Kata Kunci:Subjektivitas, Slavoj Zizek, Eka Kurniawan, Tindakan Radikal, Fantasi ideologis. The humanist paradigm in literature study assigns humans as the center. This research examines the subjectivity of the characters and the author in Lelaki Harimau novel by Eka Kurniawan using Slavoj Zizek's theory of subjectivity. Zizek focused his thoughts on the real and symbolic order in human life. According to him, humans are able to achieve freedom and authenticity as long as they act beyond the symbolic norms and move towards the real dimension in their life. On the contrary, humans will remain imprisoned in a symbolic dimension as long as they allowed themselves drifted away on a false consciousness of ideology. This research indicates that there are radical efforts made by the main characters to achieve the real conditions through sadistic and inhumane actions that violate the normative aspects in a symbolic circle. However, the events faced by these characters are opposite to the author as the subject. In fact, the author does not perform any radical efforts in his life so that he remains in ideological fantasies.Keywords: subjectivity, Slavoj Zizek, Eka Kurniawan, radical act, ideological fantasy

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Almeyda, Juan David. „Slavoj Zizek, La vigencia de El manifiesto comunista, Traducción de Damià Alou, Anagrama, 2018,76 pp.“ Revista Colombiana de Sociología 45, Nr. 1 (19.01.2022): 519–22. http://dx.doi.org/10.15446/rcs.v45n1.86248.

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Zizek, Lalenia. „Elternwerden aus bewährungstheoretischer Perspektive“. Psychoanalytische Familientherapie 19, Nr. 1 (Juli 2018): 19–36. http://dx.doi.org/10.30820/8217.03.

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Ziel der vorliegenden Auseinandersetzung ist es, professionalisierungstheoretische Schlussfolgerungen aus einer rekonstruktiven Mikrostudie zum Elternwerden zu ziehen. Der Prozess des Elternwerdens wird aus bewährungsund positionalitätstheoretischer und aus paarund familiendynamischer Perspektive beleuchtet und je anhand von Fallbeispielen veranschaulicht. Mit der Beziehungspraxis wird die zentrale Ressource für diesen Übergang thematisiert (L. Zizek, 2016). Die Fruchtbarkeit insbesondere der bewährungstheoretischen Perspektive für eine fallspezifische Reflexionsarbeit mit werdenden Eltern wird aufgezeigt. Eine Sensibilisierung für die meist latenten Bewährungsfiguren und -aufträge (B. Zizek, 2015) eröffnet ein besonderes Verständnis für die spezifische Situation der werdenden Eltern.

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Khan, Sheheryar. „From Dialectical Closure to ParallacticalIndeterminacy: A Study of the Political and Individual Modes of Being in Slavoj Zizek’s Antigone“. NUML journal of critical inquiry 17, Nr. II (16.07.2021): 1–14. http://dx.doi.org/10.52015/numljci.v17iii.144.

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Parallax is the difference in perception caused by the spatial shift of the observer and the observed. Slovenian philosopher Slavoj Zizek has used thisscientific notion to interpret apparently antithetical positions in the fields of politics, neurobiologyand philosophy. His contention is that the parallax shift makes some phenomenon appear as two, while a change in perspective can make us see that theyare, in fact, ONE. The notion of parallax can also be exploited to read a literary text and, in this article, I intend to use it to read Slavoj Zizek’s own re-writing of Sophocles’ play Antigone. Antigone, as a character, has enamored and appalled criticsand philosophers throughout history. Her defiance against the State has been interpreted and evaluated from different perspectives and viewpoints. The play stages the conflict between two modes of being, thepoliticaland the individual,and the appeal ofits polemic seems not to have gotten stale all these centuries. In his re-writing, Slavoj Zizek has provided two alternates to the original ending. He has described this as an “ethico-political exercise”(Zizek,2016, p. xxv)and not a literary venture butI have attempted to read his play as a literary text applying his philosophical notion of the parallax. I have used textual analysis as my method in order to read the selected text. My contention is that the two alternate endings provided by Zizek presentthe individual and political as two warring modes of being but a shift in parallactical position can make them appear as ONE. Moreover, it can also be argued that even the two alternates are an outcome of a parallactical movement in perspective that masksthe inherent ONENESS of the two.

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Teather-Posadas, Edward Ryan. „To thrive in these times: capabilities, negativity, and the pandemic“. KANT Social Sciences & Humanities, Nr. 7 (Juli 2021): 4–17. http://dx.doi.org/10.24923/2305-8757.2021-7.1.

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The COVID-19 pandemic has laid bare many of the inadequacies of our capitalist systems, as Zizek extols in Pandemic! COVID-19 Shakes the World (2020). This essay explores how the capabilities approach, as outlined by Amartya Sen and Martha Nussbaum, may be re-examined in the light of this new viral reality by the contributions of Slavoj Zizek and Byung-Chul Han. The capability approach, as it stands, suffers from two missing pieces: that of an acknowledgement of the necessity of negativity as a foil to positivity within the capabilities as articulated by Nussbaum, and the existence of the material root of all capabilities, namely the need to have the capacity to be capable. A "capability for boredom", and a "zeroth capability" are discussed as solutions, means by which to fill these gaps. Finally, an universal basic income is discussed as a means by which to support the functioning of a "zeroth capability", the goal being to avoid a descent into bare life during this time of pandemic capitalism. Teather-Posadas E.R. To thrive in these times: capabilities, negativity, and the pandemic // International Journal of Zizek Stu-dies. 2021. Vol. 15. №1.

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Tavares, Ane Carolina Randig. „Interpassividade e anonimato: o caso dos pasquins em "La Mala Hora"“. Boletim de Pesquisa NELIC 19, Nr. 30 (13.05.2020): 87–99. http://dx.doi.org/10.5007/1984-784x.2019v19n30p87.

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Neste artigo, pretende-se discutir sobre a função temática e estética dos pasquins (bilhetes anônimos) presentes na composição da narrativa de La mala hora (1962), romance escrito por Gabriel García Márquez. Para isso, será realizada uma aproximação entre literatura e psicanálise, considerando as ideias apresentadas por Slavoj Zizek, no capítulo II, em seu livro Como ler Lacan (2010). Ao relacionar as reflexões de Zizek sobre o coro grego (artifício teatral) e o ciberespaço (artifício virtual) com os pasquins (artifício literário), tem-se o objetivo de averiguar o que esses meios – enquanto espaços de representação – têm em comum, para então compreender os efeitos de sentido dos pasquins na narrativa.

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De Barros, Rodrigo José Fernandes, und Hallysson Jorge De Medeiros Nóbrega. „O paraíso em desencanto“. Revista Intratextos 10, Nr. 1 (11.03.2019): 63–68. http://dx.doi.org/10.12957/intratextos.2019.33773.

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Dunker, Christian Lenz. „Tinta vermelha ou tinta azul? Resenha do livro Harvey, David; Maricato, Ermínia; Zizek, Slavoj Et. Al (2013). Cidades rebeldes. São Paulo: Boitempo Editorial.“ Diversitas, Nr. 2 (05.04.2016): 337–50. http://dx.doi.org/10.11606/diversitas.v0i2.113879.

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Shammas, Victor Lund. „Slavoj Zizek: The Year of Dreaming Dangerously“. Agora 30, Nr. 02-03 (20.12.2012): 327–32. http://dx.doi.org/10.18261/issn1500-1571-2012-02-03-14.

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Alves, J. A. Lindgren. „O contrário dos direitos humanos (explicitando Zizek)“. Revista Brasileira de Política Internacional 45, Nr. 1 (Juni 2002): 92–116. http://dx.doi.org/10.1590/s0034-73292002000100004.

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O presente artigo analisa a situação atual dos direitos humanos, guiado pelas afirmações críticas do autor esloveno Slavoj Zizek, quando defende que a nova normatividade emergente para os direitos humanos acaba por ser a forma em que aparece o seu exato oposto. Abarcando os atentados de 11 de setembro, sem que isso se constitua o foco central do estudo, o artigo avalia a validade dessa afirmação ante as vicissitudes empíricas com que os direitos humanos vêm se defrontando nos últimos anos.

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Голованов, Борис Дмитрович, und Ольга Володимирівна Фролова. „S. ZIZEK ABOUT UNCOUSCIOUS PRECONDITIONS OF IDEOLOGY“. Bulletin of Yaroslav Mudryi National Law University. Series: Philosophy, philosophies of law, political science, sociology 2, Nr. 41 (23.05.2019): 132–41. http://dx.doi.org/10.21564/2075-7190.41.168313.

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Mazauric, Claude. „Slavoj Zizek (ed.), Robespierre, Virtue and Terror“. Annales historiques de la Révolution française, Nr. 352 (01.06.2008): 287–89. http://dx.doi.org/10.4000/ahrf.11028.

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Babich, B. „Politics and Heidegger: Aristotle, Superman, and Zizek“. Telos 2012, Nr. 161 (01.12.2012): 141–61. http://dx.doi.org/10.3817/1212161141.

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Cano, Germán. „Zizek y el “regreso” de la negatividad“. Res Publica. Revista de Historia de las Ideas Políticas 23, Nr. 3 (13.10.2020): 319–30. http://dx.doi.org/10.5209/rpub.70778.

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Si no reconocemos ya en Slavoj Žižek al “intelectual universal” sartreano ni al “específico” foucaultiano, ni al “orgánico” gramsciano ni al militante autonomista receloso de toda vanguardia teórica, ¿quién es exactamente? ¿Alguien que ocupa, en nuestra sociedad contemporánea, cierta posición de “analista” desencadenando operaciones de “transferencia”, invitando a “atravesar los fantasmas”? ¿Pero no es este “enfant terrible”, a raíz de su popularidad, el filósofo actual que, a pesar de sus invectivas contra la posmodernidad, mejor ha sabido adaptarse al ecosistema posmoderno? En este artículo buscaremos analizar el significado de su figura a la luz de un diagnóstico sobre lo que aún significa para nosotros el siglo veinte.

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Karnas, Todd. „Slavoj Zizek: Rat Man and Wolf-Man“. symploke 10, Nr. 1 (2002): 186–95. http://dx.doi.org/10.1353/sym.2002.0016.

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Santner, Eric L. „Freud, Zizek, and the Joys of Monotheism“. American Imago 54, Nr. 2 (1997): 197–207. http://dx.doi.org/10.1353/aim.1997.0011.

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Sánchez, Cecilia. „Escribir y pensar en la brecha entre el ejemplo y el universal. Comentario al libro: Zizek reloaded. Políticas de lo radical. Ricardo Espinoza y Óscar Barroso (eds.), Akal, 2018.“ Hermenéutica Intercultural, Nr. 32 (04.12.2019): 245–49. http://dx.doi.org/10.29344/07196504.32.2116.

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Almeyda Sarmiento, Juan David. „Zizek, Slavoj, Antígona. Madrid, Akal, 2017, pp. 99.“ Anales del Seminario de Historia de la Filosofía 37, Nr. 1 (23.04.2020): 179. http://dx.doi.org/10.5209/ashf.65519.

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Estrach, Núria. „Zizek, Slavoj (2015). Islam y modernidad: Reflexiones blasfemas“. Enrahonar. Quaderns de filosofia 57 (30.09.2016): 169. http://dx.doi.org/10.5565/rev/enrahonar.1014.

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Niculet, Loredana. „Slavoj ZIZEK, En defensa de la intolerancia. 2008“. Enrahonar. Quaderns de filosofia 40 (07.07.2008): 201. http://dx.doi.org/10.5565/rev/enrahonar.316.

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Klippel Fofano, Debora, Fernando Fonseca Facó und Hildemar Luiz Rech. „ZIZEK E BENJAMIN: INTEIRAÇÕES CRÍTICAS SOBRE A VIOLÊNCIA“. Cadernos Walter Benjamin 24, Nr. 24 (30.06.2020): 180. http://dx.doi.org/10.17648/2175-1293-v24n2020-8.

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KAHAMBING, Jan Gresil de los Santos. „ZIZEK ON ÜBERWINDUNG, OR TRAUMATIC AND ABYSMAL INTERSECTIONS“. Journal of International Social Research 12, Nr. 67 (25.12.2019): 601–8. http://dx.doi.org/10.17719/jisr.2019.3747.

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Cordua, Carla. „Slavoj Zizek. Sobre la violencia, Seis reflexiones marginales“. Revista de filosofía 68 (2012): 205–6. http://dx.doi.org/10.4067/s0718-43602012000100015.

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Salem-Wiseman, J. „The Philosophy of Tragedy: From Plato to Zizek“. British Journal of Aesthetics 55, Nr. 1 (18.04.2014): 119–22. http://dx.doi.org/10.1093/aesthj/ayt046.

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Else, Liz. „Slavoj Zizek: Wake up and smell the Apocalypse“. New Scientist 207, Nr. 2775 (August 2010): 28–29. http://dx.doi.org/10.1016/s0262-4079(10)62090-8.

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Werntz, Myles. „Zizek: A (Very) Critical Introduction - by Marcus Pound“. Religious Studies Review 35, Nr. 2 (Juni 2009): 114–15. http://dx.doi.org/10.1111/j.1748-0922.2009.01340_6.x.

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Abril Acero, Eduardo. „Fetichismo y lucha de clases en Slavoj Zizek“. Daimon, Nr. 92 (01.05.2024): 69–82. http://dx.doi.org/10.6018/daimon.488161.

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En este trabajo se analiza la relación entre los conceptos de fetichismo y lucha de clases en el particular marxismo de Slavoj Žižek. Žižek comprende el fetichismo marxiano a través del psicoanálisis y en el marco de la concepción de Marx de la religión en dos sentidos: como ideología y como fundamento. Esto le permite mostrar que el fetichismo y en general el hecho religioso, no es únicamente «falsa conciencia» sino que también funciona como el elemento constitutivo e insuperable de lo real, lo que, a su vez permite repensar la lucha de clases.

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Alvares, Cristina. „Overproximity. L’inconsistance de la frontière entre protagoniste et prochain dans les romans d’Amélie Nothomb“. Revue Romane / Langue et littérature. International Journal of Romance Languages and Literatures 50, Nr. 1 (10.09.2015): 99–113. http://dx.doi.org/10.1075/rro.50.1.11alv.

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The paper focus on the ‘scénario-type’ of Amélie Nothomb’s novels, which consists in a dialectic confrontation between the Protagonist and the Neighbor. This confrontation dramatizes what Slavoj Zizek calls overproximity which is the effect and the sign of the inconsistency of the symbolic order in contemporary societies. In Nothomb’s novels, the Protagonist has to handle the massive and unbearable presence of the Neighbor threatening its subjective structure. With Jacques Lacan, Slavoj Zizek and René Girard, we propose an interpretation of the ontological and ethical meanings of the necessary border between the Protagonist and the Neighbor in the novels of the most popular Belgian writer. The suppression and the resurgence of the border are understood in the larger framework of the antinomic tension between desire and enjoyment (jouisance), which affects the stability of the subjective and social structures.

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Alves, J. A. Lindgren. „O contrário dos direitos humanos“. Lua Nova: Revista de Cultura e Política, Nr. 55-56 (2002): 105–32. http://dx.doi.org/10.1590/s0102-64452002000100005.

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Tomando como referência uma afirmação de Slavoj Zizek ("a nova normatividade emergente para os 'direitos humanos' é a forma em que aparece o seu exato oposto") examina-se essa nova forma e delineia-se o seu contorno e os seus limites.

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Valentim, Jorge Vicente. „pandemia foi apenas o despertar que nos acordou a todos”“. Revista Desassossego 13, Nr. 25 (28.12.2021): 4–36. http://dx.doi.org/10.11606/issn.2175-3180.v13i25p4-36.

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Escrito e publicado no cerne da pandemia da covid-19, o romance Em todas as tuas te encontro (2020), do escritor português Paulo Faria, põe em evidência uma série de outros dispositivos em processo cumulativo, designados por Slavoj Zizek como “vírus ideológicos” (ZIZEK, 2020, p. 39). Num cenário devassado pela distopia (FROMM, 2009; HILARIO, 2013) de um mundo atingido por uma doença fatal, alguns desencontros, desilusões e outras moléstias (muitas experimentadas individualmente) vão se somando e acarretando, assim, outras formas de vírus (no seu sentido metafórico), num amálgama complexo dentro do corpo social: o racismo, o fascismo, a guerra colonial e o câncer. Diante dessas turbulências, algumas personagens são instadas a uma reação de resistência e de esperança, enquanto formas de tomada de consciência e de iniciativa em vislumbrar “mudanças sociais que se impõem depois de terminar a quarentena” (SANTOS, 2020, p. 15).

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