Auswahl der wissenschaftlichen Literatur zum Thema „Yoshihisa“
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Zeitschriftenartikel zum Thema "Yoshihisa"
Mori, Tadashi, Gaku Fukuhara und Takehiko Wada. „Yoshihisa Inoue—A researcher’s quest for photochirogenesis“. Journal of Photochemistry and Photobiology A: Chemistry 331 (Dezember 2016): 2–7. http://dx.doi.org/10.1016/j.jphotochem.2016.08.006.
Der volle Inhalt der QuelleFunato, Yosuke, Kazuharu Furutani, Yoshihisa Kurachi und Hiroaki Miki. „Rebuttal from Yosuke Funato, Kazuharu Furutani, Yoshihisa Kurachi and Hiroaki Miki“. Journal of Physiology 596, Nr. 5 (31.01.2018): 751. http://dx.doi.org/10.1113/jp275706.
Der volle Inhalt der QuelleHui-Mei, Chen. „Les sources d’inspiration et les influences dans la musique de Yoshihisa Taira“. Cipango, Nr. 15 (01.01.2008): 294–97. http://dx.doi.org/10.4000/cipango.449.
Der volle Inhalt der QuelleCredi, Alberto. „Supramolecular Photochemistry. Controlling Photochemical Processes. Herausgegeben von V. Ramamurthy und Yoshihisa Inoue.“ Angewandte Chemie 124, Nr. 26 (15.06.2012): 6417–18. http://dx.doi.org/10.1002/ange.201202588.
Der volle Inhalt der QuelleCredi, Alberto. „Supramolecular Photochemistry. Controlling Photochemical Processes. Edited by V. Ramamurthy and Yoshihisa Inoue.“ Angewandte Chemie International Edition 51, Nr. 26 (15.06.2012): 6311–12. http://dx.doi.org/10.1002/anie.201202588.
Der volle Inhalt der QuelleMorooka, Hiroyo. „méditation comme moyen de synthèse culturelle dans les œuvres du compositeur Yoshihisa Yaïra“. ALTERNATIVE FRANCOPHONE 2, Nr. 9 (13.04.2021): 72–85. http://dx.doi.org/10.29173/af29425.
Der volle Inhalt der QuelleTAMURA, SAYA, TOMOKO FUKUDA, ELENA A. PIMENOVA, EKATERINA A. PETRUNENKO, PAVEL V. KRESTOV, SVETLANA N. BONDARCHUK, OLGA A. CHERNYAGINA et al. „Molecular and cytological evidences denied the immediate-hybrid hypothesis for Saxifraga yuparensis (sect. Bronchiales, Saxifragaceae) endemic to Mt. Yubari in Hokkaido, northern Japan“. Phytotaxa 373, Nr. 1 (23.10.2018): 53. http://dx.doi.org/10.11646/phytotaxa.373.1.2.
Der volle Inhalt der QuelleRivera, Matthew. „Political Order and Forms of Communication in Medieval and Early Modern Europe ed. by Yoshihisa Hattor“. Comitatus: A Journal of Medieval and Renaissance Studies 46, Nr. 1 (2015): 284–87. http://dx.doi.org/10.1353/cjm.2015.0048.
Der volle Inhalt der Quellevon Zelewsky, Axel. „Chiral Photochemistry. (Series: Molecular and Supramolecular Photochemistry, Vol. 11.). Edited by Yoshihisa Inoue and Vaidhyanathan Ramamurthy.“ Angewandte Chemie International Edition 44, Nr. 23 (06.06.2005): 3515–16. http://dx.doi.org/10.1002/anie.200485261.
Der volle Inhalt der QuelleMori, Tadashi, Gaku Fukuhara und Takehiko Wada. „The themed issue in honor of Prof. Yoshihisa Inoue for his contribution on molecular and supramolecular photochemistry“. Journal of Photochemistry and Photobiology A: Chemistry 331 (Dezember 2016): 1. http://dx.doi.org/10.1016/j.jphotochem.2016.09.029.
Der volle Inhalt der QuelleDissertationen zum Thema "Yoshihisa"
Chen, Hui-Mei. „Les sources d’inspiration et les influences dans la musique de Yoshihisa Taïra“. Paris 4, 2007. http://www.theses.fr/2007PA040085.
Der volle Inhalt der QuelleThe original style of the Japanese composer Yoshihisa Taira (Tokyo 1937 - Paris 2005) demonstrates a perfect example of the fusion of two cultures - Eastern and Western. The present work is organized into three sections : the first examines the musical and personal background of Taira, both in Japan and in France, after a brief presentation of history context of the Western music composition in Japan ; the second is devoted to the exploration of the sources of inspiration and influences for this composer, both musical and extra-musical, after showing some characteristic elements of his musical language, trying to find where the original and personal style of this music came from. In the concluding section, three of Taira’s major works in different representative and creative periods will be analyzed. Specific and peculiar aspects of these works will be underlined while taking in account external musical sources as well as relevant extra-musical ones. This dissertation aims at shedding light on Taira’s style and thus contribute to its approach, understanding, and reception
Tao, Yu. „La poétique de l'océan en musique contemporaine : de Debussy à nos jours“. Electronic Thesis or Diss., Paris 8, 2014. http://www.theses.fr/2014PA080015.
Der volle Inhalt der QuelleIn the genre of contemporary music, musicians sometimes take their inspiration from the ocean when addressing take their compositions. The goal of this thesis is to observe method of these composers by analyzing works which evoke the ocean's environment in their subject. This study claims that the poetic inspiration which is engendered by the ocean ends up by providing the poietics of the projects themselves, which is to say, ways of creating music, of writing it, without necessarily treating the aesthesic of the final product. In Chapter I the analysis is based on the works of Claude Debussy, André Boucourechliev, Kaija Saahario and Yoshihisa Taira. Chapter II consecrates a large part of its development to the study of works by Tristan Murail which are inspired by the ocean. Finally, in Chapter III, two of the compositions of the thesis' author are taken into analytical consideration. This thesis reveals the existence of cycles coming from the aesthesic, which then moves towards poietics and returns to aesthesic. It also needs to be taken into account that the analyses produced during the course of this study focus on the musical object itself. This is to say that the study is geared towards the manipulation of the musical object. Debussy's approach, as it is interpreted by Barraqué, serves as the overture of the century. The model of the sea as a dynamic objet coincides with the notion of the musical object. We can only propose this stated presence and this is why the conclusion of the thesis is somewhat open-Ended. Nonetheless, it is this point of departure which allows us to compose future works. It is thesis, in the end, that formalizes our music
Tao, Yu. „La poétique de l'océan en musique contemporaine : de Debussy à nos jours“. Thesis, Paris 8, 2014. http://www.theses.fr/2014PA080015.
Der volle Inhalt der QuelleIn the genre of contemporary music, musicians sometimes take their inspiration from the ocean when addressing take their compositions. The goal of this thesis is to observe method of these composers by analyzing works which evoke the ocean's environment in their subject. This study claims that the poetic inspiration which is engendered by the ocean ends up by providing the poietics of the projects themselves, which is to say, ways of creating music, of writing it, without necessarily treating the aesthesic of the final product. In Chapter I the analysis is based on the works of Claude Debussy, André Boucourechliev, Kaija Saahario and Yoshihisa Taira. Chapter II consecrates a large part of its development to the study of works by Tristan Murail which are inspired by the ocean. Finally, in Chapter III, two of the compositions of the thesis' author are taken into analytical consideration. This thesis reveals the existence of cycles coming from the aesthesic, which then moves towards poietics and returns to aesthesic. It also needs to be taken into account that the analyses produced during the course of this study focus on the musical object itself. This is to say that the study is geared towards the manipulation of the musical object. Debussy's approach, as it is interpreted by Barraqué, serves as the overture of the century. The model of the sea as a dynamic objet coincides with the notion of the musical object. We can only propose this stated presence and this is why the conclusion of the thesis is somewhat open-Ended. Nonetheless, it is this point of departure which allows us to compose future works. It is thesis, in the end, that formalizes our music
Watanabe, Yukina. „Queer som doujinshi : En fallstudie av Yonezawa Yoshihiro Memorial Library“. Thesis, Uppsala universitet, Institutionen för ABM, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-323868.
Der volle Inhalt der QuelleRussell, Ginger Suzanne. „"Writing a Picture": Adolph Gottlieb's Rolling and Yoshihara Jiro's Red Circle on Black“. VCU Scholars Compass, 1995. http://scholarscompass.vcu.edu/etd/3673.
Der volle Inhalt der QuelleBiserni, Diego <1989>. „Esplicitazione intersemiotica nella sottotitolazione interlinguistica del lungometraggio "Jāji no futari" di Nakamura Yoshihiro“. Master's Degree Thesis, Università Ca' Foscari Venezia, 2019. http://hdl.handle.net/10579/14248.
Der volle Inhalt der QuelleNierhoff, Thomas [Verfasser], Sandra [Akademischer Betreuer] Hirche und Yoshihiko [Akademischer Betreuer] Nakamura. „Real-time Robotic Motion Control and Adaptation in Constrained Environments / Thomas Nierhoff. Betreuer: Sandra Hirche. Gutachter: Yoshihiko Nakamura ; Sandra Hirche“. München : Universitätsbibliothek der TU München, 2015. http://d-nb.info/1091562202/34.
Der volle Inhalt der QuelleNesensohn, Manuel [Verfasser], Matthias [Akademischer Betreuer] Geißert, Jürgen [Akademischer Betreuer] Saal und Yoshihiro [Akademischer Betreuer] Shibata. „Lp-theory for a class of viscoelastic fluids with and without a free surface / Manuel Nesensohn. Betreuer: Matthias Geißert ; Jürgen Saal ; Yoshihiro Shibata“. Darmstadt : Universitäts- und Landesbibliothek Darmstadt, 2012. http://d-nb.info/1106117247/34.
Der volle Inhalt der QuelleBelow, Lorenz von [Verfasser], Matthias [Akademischer Betreuer] Geißert, Matthias [Akademischer Betreuer] Hieber und Yoshihiro [Akademischer Betreuer] Shibata. „The Stokes and Navier-Stokes equations in layer domains with and without a free surface / Lorenz von Below. Betreuer: Matthias Geißert ; Matthias Hieber ; Yoshihiro Shibata“. Darmstadt : Universitäts- und Landesbibliothek Darmstadt, 2014. http://d-nb.info/1110979495/34.
Der volle Inhalt der QuelleWilke, Mathias [Verfasser], Jan [Akademischer Betreuer] Prüß, Matthias [Akademischer Betreuer] Hieber und Yoshihiro [Akademischer Betreuer] Shibata. „Rayleigh-Taylor instability for the two-phase Navier-Stokes equations with surface tension in cylindrical domains / Mathias Wilke. Betreuer: Jan Prüß ; Matthias Hieber ; Yoshihiro Shibata“. Halle, Saale : Universitäts- und Landesbibliothek Sachsen-Anhalt, 2013. http://d-nb.info/1046563467/34.
Der volle Inhalt der QuelleBücher zum Thema "Yoshihisa"
Tsukuba, Hisaharu. Shimazu Yoshihisa. 8. Aufl. Tōkyō: Kokudosha, 1999.
Den vollen Inhalt der Quelle findenHiramitsu, Yoshihisa. Hiramitsu Yoshihisa shishū. Tōkyō: Doyō Bijutsusha, 1990.
Den vollen Inhalt der Quelle findenRikima, Yoshino, und Taiwan Kyōikukai, Hrsg. Kitashirakawa no Miya Yoshihisa Shinnō. Tōkyō: Yumani Shobō, 2010.
Den vollen Inhalt der Quelle findenGera, Kunstsammlung, und Villa Wessel (Gallery), Hrsg. Yoshihisa Sankawa: Kunstsammlung Gera, Villa Wessel Iserlohn. Bönen: Kettler, 2003.
Den vollen Inhalt der Quelle finden1964-, Karasawa Masahiro, und Tōkyō Kokuritsu Kindai Bijutsukan, Hrsg. Garasu, Takahashi Yoshihiko ten =: Takahashi Yoshihito goes to the glass. [Tokyo]: Tōkyō Kokuritsu Kindai Bijutsukan, 2011.
Den vollen Inhalt der Quelle findenMatsuoka, Hisato. Ōuchi Yoshihiro. 8. Aufl. Tōkyō: Ebisu Kōshō Shuppan, 2013.
Den vollen Inhalt der Quelle findenYoshihara, Jirō. Yoshihara Jirō ten =: Jiro Yoshihara : a centenary retrospective. [Tokyo?]: Asahi Shinbunsha, 2005.
Den vollen Inhalt der Quelle findenYoshihara, Jirō. Yoshihara Jirō ten: Botsugo 20-nen = Jiro Yoshihara. Ashiya-shi: Ashiya Shiritsu Bijutsu Hakubutsukan, 1992.
Den vollen Inhalt der Quelle findenMiyauchi, Yoshihiko. Miyauchi Yoshihiko keieiron. Tōkyō: Tōyō Keizai Shinpōsha, 2001.
Den vollen Inhalt der Quelle findenInayama, Yoshihiro. Inayama Yoshihiro kaisōroku. Tōkyō: Shin Nihon Seitetsu Kabushiki Kaisha "Inayama Yoshihiro Kaisōroku" Henshū Iinkai, 1988.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Yoshihisa"
Yamada, Toshio. „Introduction to Yoshihiko Uchida“. In Civil Society and Social Science in Yoshihiko Uchida, 1–19. Singapore: Springer Singapore, 2022. http://dx.doi.org/10.1007/978-981-19-1138-5_1.
Der volle Inhalt der QuelleAmann, Herbert, Yoshikazu Giga, Hisashi Okamoto, Hideo Kozono und Masaso Yamazaki. „The Work of Yoshihiro Shibata“. In Recent Developments of Mathematical Fluid Mechanics, 1–12. Basel: Springer Basel, 2016. http://dx.doi.org/10.1007/978-3-0348-0939-9_1.
Der volle Inhalt der QuelleSeregin, G. „A Slightly Supercritical Condition of Regularity of Axisymmetric Solutions to the Navier–Stokes Equations“. In Collected Papers in Honor of Yoshihiro Shibata, 351–67. Cham: Springer Nature Switzerland, 2022. http://dx.doi.org/10.1007/978-3-031-19252-4_15.
Der volle Inhalt der QuelleFeireisl, Eduard, Christian Klingenberg und Simon Markfelder. „Euler System with a Polytropic Equation of State as a Vanishing Viscosity Limit“. In Collected Papers in Honor of Yoshihiro Shibata, 89–110. Cham: Springer Nature Switzerland, 2022. http://dx.doi.org/10.1007/978-3-031-19252-4_5.
Der volle Inhalt der QuelleKobayashi, Takayuki, Miho Murata und Hirokazu Saito. „Resolvent Estimates for a Compressible Fluid Model of Korteweg Type and Their Application“. In Collected Papers in Honor of Yoshihiro Shibata, 165–206. Cham: Springer Nature Switzerland, 2022. http://dx.doi.org/10.1007/978-3-031-19252-4_9.
Der volle Inhalt der QuelleMaekawa, Yasunori, und Tatsu-Hiko Miura. „Rate of the Enhanced Dissipation for the Two-jet Kolmogorov Type Flow on the Unit Sphere“. In Collected Papers in Honor of Yoshihiro Shibata, 207–57. Cham: Springer Nature Switzerland, 2022. http://dx.doi.org/10.1007/978-3-031-19252-4_10.
Der volle Inhalt der QuellePiasecki, Tomasz, und Ewelina Zatorska. „Maximal Regularity for Compressible Two-Fluid System“. In Collected Papers in Honor of Yoshihiro Shibata, 311–33. Cham: Springer Nature Switzerland, 2022. http://dx.doi.org/10.1007/978-3-031-19252-4_13.
Der volle Inhalt der QuelleDenisova, I. V., und V. A. Solonnikov. „Rotation Problem for a Two-Phase Drop“. In Collected Papers in Honor of Yoshihiro Shibata, 45–70. Cham: Springer Nature Switzerland, 2022. http://dx.doi.org/10.1007/978-3-031-19252-4_3.
Der volle Inhalt der QuellePokorný, Milan. „Steady Compressible Navier–Stokes–Fourier Equations with Dirichlet Boundary Condition for the Temperature“. In Collected Papers in Honor of Yoshihiro Shibata, 335–50. Cham: Springer Nature Switzerland, 2022. http://dx.doi.org/10.1007/978-3-031-19252-4_14.
Der volle Inhalt der QuelleBinz, Tim, und Matthias Hieber. „Global Wellposedness of the Primitive Equations with Nonlinear Equation of State in Critical Spaces“. In Collected Papers in Honor of Yoshihiro Shibata, 1–18. Cham: Springer Nature Switzerland, 2022. http://dx.doi.org/10.1007/978-3-031-19252-4_1.
Der volle Inhalt der QuelleKonferenzberichte zum Thema "Yoshihisa"
Xiaozhi Wang and Neil Pegg, ISSC 2022 Editors. „Proceedings of the 21st International Ship and Offshore Structures Congress VOLUME 2 Specialist Committee Reports“. In 21st International Ship and Offshore Structures Congress, Volume 2. SNAME, 2022. http://dx.doi.org/10.5957/issc-2022-committee-vol-2.
Der volle Inhalt der QuelleUjita, Hiroshi. „Model, Method, and Data Issues in Human Reliability Analysis (HRA)“. In 15th International Conference on Applied Human Factors and Ergonomics (AHFE 2024). AHFE International, 2024. http://dx.doi.org/10.54941/ahfe1004876.
Der volle Inhalt der QuelleXiaozhi Wang and Neil Pegg, ISSC 2022 Editors. „Proceedings of the 21st International Ship and Offshore Structures Congress VOLUME 3 Discussions“. In 21st International Ship and Offshore Structures Congress Volume 3 Discussions. SNAME, 2022. http://dx.doi.org/10.5957/issc-2022-discussion-vol-3.
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