Thematische Bibliographien / Yojimbo

Auswahl der wissenschaftlichen Literatur zum Thema „Yojimbo“

Autor: Grafiati
Veröffentlicht am 25. Juli 2024

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Zeitschriftenartikel zum Thema "Yojimbo"

1

Sementelli, Arthur. „Life imitates art: Yojimbo, critical management, and contractors“. Organization 27, Nr. 5 (02.05.2019): 755–66. http://dx.doi.org/10.1177/1350508419838696.

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Organization studies have consistently drawn from literature and film as tools to understand, explain, and analyze organizational phenomena. With that goal in mind, this article illustrates how Yojimbo, a movie by Akira Kurosawa, provides a critical representation of work and organizations as a context for how micro emancipation might be undertaken in contemporary organizational settings. The argument revolves around the claim that contractors might become the newest frontier in the study of both micro emancipation and organizational misconduct. Reinforcing this claim, the article draws heavily from the film Yojimbo and later supplements the argument with a case study focusing on Edward Snowden. This article sets the tone for an emergent area of discussion about contemporary micro emancipation across sectors.
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Holtz, Martin. „The Western as a Genre of Cultural Mobility“. Humanities 13, Nr. 1 (27.12.2023): 7. http://dx.doi.org/10.3390/h13010007.

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The Western is, in many respects, the essential American film genre, “a cornerstone of American identity” (Kitses). Yet, despite its distinctly American character, the genre has exerted a fascination all over the world. This contribution examines the Western as a site of transnational cultural exchange and as an illustration of what Stephen Greenblatt calls cultural mobility. In the work of Akira Kurosawa’s Seven Samurai (1954) and Yojimbo (1961), Western elements are evoked, which provide complex comments on the influence of American culture on Japan in the post-WWII years. While Seven Samurai appears to embrace the promise of class eradication as a result of Westernization, its American remake The Magnificent Seven (1960) shows a particular fascination for the decidedly Japanese aspects of the material, namely the idea of a warrior class dissociated from society. The Italian remake of Yojimbo, Fistful of Dollars (1964), shows how the Western can function not only as an external comment on American culture, in its cynical redefinition of the cowboy hero, but also as an amalgam of cultural practices and symbols, reaching from Japanese samurai codes to Christian Catholic redeemer imagery, that through their stylization expose the performativity of culture as such.
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Kosiński, Piotr. „Komiksy, krĂłliki i katany. Usagi Yojimbo i Japonia z okresu Edo“. Gdańskie Studia Azji Wschodniej 15 (2019): 24–38. http://dx.doi.org/10.4467/23538724gs.19.002.11176.

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4

Sim, Gerald. „Cinematic Expressions of Rakugo in Akira Kurosawa’s Comedies Yojimbo and Sanjuro“. Asian Cinema 22, Nr. 2 (27.09.2011): 253–68. http://dx.doi.org/10.1386/ac.22.2.253_1.

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5

Nowell-Smith, Geoffrey, und Joseph Sullivan. „Variations on a theme: Yojimbo, A Fistful of Dollars and the ‘servant of two masters’“. Journal of Romance Studies 4, Nr. 1 (März 2004): 79–90. http://dx.doi.org/10.3828/jrs.4.1.79.

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6

Lee jeong-gook. „Last duel scenes analysis of Akira Kurosawa's Films -Centering around 'Sugata Sanshiro', 'Yojimbo', 'Tsubaki Sanjuro'-“. Film Studies ll, Nr. 43 (März 2010): 307–32. http://dx.doi.org/10.17947/kfa..43.201003.010.

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7

Stańko, Paweł. „Cowboy and Samurai Values and Their Exponents in the Western "A Fistful of Dollars" (1964) and Its Predecessor the Samurai Movie "Yojimbo" (1961): Proposal of a Methodological Framework for Axiological Analyses of Multimodal Filmic Texts“. Anglica Wratislaviensia 57 (04.10.2019): 149–65. http://dx.doi.org/10.19195/0301-7966.57.12.

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This paper focuses on the issue of valuations and values in the chosen movies linked by the relationship of remaking. Its goal is to show that the complexity of multimodal texts, to which filmic texts and therefore remakes belong, makes it necessary to examine the axiological level of film texts too. In this way we hope to prove that the amply justified and evidenced axiological aspects of language cf. Krzeszowski, Angels, Aspekty, Equivalence; Puzynina, “Językoznawstwo”, Język are also a property of primarily visual film texts. Consequently, the very aspects of the relationship of remaking itself that the two films share, i.e. the fact that the film A Fistful of Dollars 1964 is a remake of Yojimbo 1961, is not examined in this paper. Instead, we restricted our attempt to showing how axiological charges and values are expressed in the process of remaking. The basis of the analysis is the compositional level and the compositional-narrative structure of filmic texts, a choice which correlates with the approach to multimodality of filmic texts described in Post Film. The sample axiological analysis presented in the fourth section of this paper relies on the approaches of Krzeszowski Angels, Meaning, Puzynina “Językoznawstwo”, Język and Post Film. With the instruments selected from these works we underline the differences and similarities between values and axiological charges present in both films as well as their importance and impact on the overall meaning of filmic segments.
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Jiang, Qian, Li Ma und Min Yue. „Animation Narrative on Stress Relief and Psychological Cognitive Development in Adolescents“. Occupational Therapy International 2022 (02.09.2022): 1–10. http://dx.doi.org/10.1155/2022/1111488.

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As the atmosphere of domestic animation is getting stronger and stronger in recent years, its proportion in the process of public aesthetics, entertainment, and consumption is increasing; thus, the relationship between the audience and works has become an important academic focus. The theatrical animation in the animation industry has become the category that needs to be focused on and changed in the development process of domestic animation because of its characteristics of receiving attention from all-age audiences. Because of the diversified audience levels faced by theatrical animation, it is particularly difficult to coordinate the needs of each audience level, coupled with the long-term influence of Japanese and American animation; the trend of pop culture led by network culture; the inheritance, excavation, and reconstruction of national culture; and other cultural environment and creative thinking intertwined, making the construction of the independence of domestic animation appear more and more difficult. The purpose of this paper is to analyze the theoretical study of the healing elements of Natsume Yojimbo and to analyze the creation of Chinese traditional ink and wash in the creation of our own works. It is concluded that the thematic choices are based on two categories: emotions and dreams, which focus on personal life experience and universal concern for human life. The character construction is divided into three aspects: self-resistance and self-reflection, self-vision and self-actualization, and traumatic experience and self-rescue to explain the complexity and diversity of the characters’ growth connotation. The narrative perspective constitutes the perspective from which the issues are viewed. The omniscient perspective allows for the coexistence of complex character relationships and a clear storyline, while the limited perspective reveals certain emotional tendencies. The narrative mode presents the moral of the text with cause-and-effect narrative, embellished group narrative, and dreamlike polyphony narrative. Finally, the article discusses the realistic dilemma of the growth narrative of domestic online animation and tries to put forward feasible development suggestions in response to the problems at this stage.
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Epstein, Joel, Judith Raber-Durlacher, Takashi Yurikusa und Yoshihiko Soga. „Dr. Yojiro Ota“. Supportive Care in Cancer 21, Nr. 11 (22.08.2013): 2951–52. http://dx.doi.org/10.1007/s00520-013-1943-z.

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10

Riefolo, Giuseppe. „La bellezza delle cure. Departures (Giappone 2008), di Yojiro Takita“. PSICOBIETTIVO, Nr. 1 (April 2011): 157–68. http://dx.doi.org/10.3280/psob2011-001011.

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Il film "Departures" (2008) permette di riflettere sui percorsi delle cure psicologiche e soprattutto sulla possibilitŕ che nelle cure, indipendentemente dalle caratteristiche della sofferenza e della gravitŕ dei pazienti, l'obiettivo sia la continua ricerca della bellezza. Il film propone che la bellezza si possa trovare sempre anche se ci si occupa di temi terribili e dolorosi. Si propone, quindi, che la bellezza sia unche vada distinto dalla bellezza comestatica degli oggetti: la prima č una continua ricerca di configurazioni transitorie in cui si compiono trasformazioni, mentre la seconda paralizza il Sé in una magica configurazione in cui un oggetto bello puň sostituire ogni ricerca di bellezza.
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Dissertationen zum Thema "Yojimbo"

1

Hallermayer, Evi. „Filme analysieren - Kulturen verstehen über Akira Kurosawas "Yojimbo" und seine beiden Remakes "Per un pugno di dollari" und "Last man standing"“. Konstanz UVK-Verl.-Ges, 2007. http://d-nb.info/988911752/04.

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Bücher zum Thema "Yojimbo"

1

Sakai, Stan. Usagi Yojimbo. Seattle: Fantagraphic, 2003.

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2

Sakai, Stan. Usagi Yojimbo. 2. Aufl. Milwaukie, Or: Dark Horse Comics, 2010.

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3

Sakai, Stan. Usagi Yojimbo. 4. Aufl. Seattle: Fantagraphics Books, 2003.

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Sakai, Stan. Usagi Yojimbo. 2. Aufl. Milwaukie, Or: Dark Horse Books, 2010.

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5

Sakai, Stan. Usagi Yojimbo. Milwaukie, Or: Dark Horse Comics, 1999.

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Sakai, Stan. Usagi Yojimbo. 3. Aufl. Seattle, WA: Fantagraphics Books, 1995.

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7

Sakai, Stan. Usagi Yojimbo. Agoura, CA: Fantagraphics Books, 1987.

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8

Sakai, Stan. Usagi Yojimbo. Seattle, Wash: Fantagraphics Books, 2001.

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9

Sakai, Stan. Usagi Yojimbo. 2. Aufl. Seattle: Fantagraphics Books, 2000.

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10

Sakai, Stan. Usagi Yojimbo. Milwaukie, Or: Dark Horse Books, 2010.

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Buchteile zum Thema "Yojimbo"

1

Hutchinson, Rachael. „A Fistful of Yojimbo: Appropriation and Dialogue in Japanese Cinema“. In World Cinema's 'Dialogues' with Hollywood, 172–87. London: Palgrave Macmillan UK, 2007. http://dx.doi.org/10.1057/9780230223189_11.

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2

Schiff, Randy P. „Samurai on Shifting Ground: Negotiating the Medieval and the Modern in Seven Samurai and Yojimbo“. In Race, Class, and Gender in "Medieval" Cinema, 59–72. New York: Palgrave Macmillan US, 2007. http://dx.doi.org/10.1057/9780230603561_5.

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3

Wilson, Eric M. „‘A Woman Only Loves a Real Man’: Metaphysical Desire and the Crisis of Undifferentiation in Akira Kurosawa’s Yojimbo and Rashomon“. In Rene Girard, Law, Literature, and Cinema, 269–318. Singapore: Springer Nature Singapore, 2024. http://dx.doi.org/10.1007/978-981-97-1156-7_5.

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4

„Yojimbo“. In Kurosawa, 289–92. Duke University Press, 2000. http://dx.doi.org/10.1215/9780822397090-023.

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5

„Yojimbo“. In Kurosawa, 289–92. Duke University Press, 2000. http://dx.doi.org/10.2307/j.ctv11smnqk.26.

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6

„21. Yojimbo“. In Kurosawa, 289–92. Duke University Press, 2020. http://dx.doi.org/10.1515/9780822397090-024.

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7

Bär, Peter. „Yojimbo (1961) – Eine Lektion in Bildgestaltung“. In Akira Kurosawa, 95–100. Psychosozial-Verlag, 2018. http://dx.doi.org/10.30820/9783837973167-95.

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