Thematische Bibliographien / XR (Extended reality)

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Auswahl der wissenschaftlichen Literatur zum Thema „XR (Extended reality)“

Autor: Grafiati

Veröffentlicht am 24. Juni 2021

Zuletzt aktualisiert am 1. Februar 2022

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Zeitschriftenartikel zum Thema "XR (Extended reality)"

Doolani, Sanika, Callen Wessels, Varun Kanal, Christos Sevastopoulos, Ashish Jaiswal, Harish Nambiappan und Fillia Makedon. „A Review of Extended Reality (XR) Technologies for Manufacturing Training“. Technologies 8, Nr. 4 (10.12.2020): 77. http://dx.doi.org/10.3390/technologies8040077.

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Recently, the use of extended reality (XR) systems has been on the rise, to tackle various domains such as training, education, safety, etc. With the recent advances in augmented reality (AR), virtual reality (VR) and mixed reality (MR) technologies and ease of availability of high-end, commercially available hardware, the manufacturing industry has seen a rise in the use of advanced XR technologies to train its workforce. While several research publications exist on applications of XR in manufacturing training, a comprehensive review of recent works and applications is lacking to present a clear progress in using such advance technologies. To this end, we present a review of the current state-of-the-art of use of XR technologies in training personnel in the field of manufacturing. First, we put forth the need of XR in manufacturing. We then present several key application domains where XR is being currently applied, notably in maintenance training and in performing assembly task. We also reviewed the applications of XR in other vocational domains and how they can be leveraged in the manufacturing industry. We finally present some current barriers to XR adoption in manufacturing training and highlight the current limitations that should be considered when looking to develop and apply practical applications of XR.

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Al-Sabbag, Zaid Abbas, Jason Paul Connelly, Chul Min Yeum und Sriram Narasimhan. „Real-time Quantitative Visual Inspection using Extended Reality“. Journal of Computational Vision and Imaging Systems 6, Nr. 1 (15.01.2021): 1–3. http://dx.doi.org/10.15353/jcvis.v6i1.3557.

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In this study, we propose a technique for quantitative visual inspection that can quantify structural damage using extended reality (XR). The XR headset can display and overlay graphical information on the physical space and process the data from the built-in camera and depth sensor. Also, the device permits accessing and analyzing image and video stream in real-time and utilizing 3D meshes of the environment and camera pose information. By leveraging these features for the XR headset, we build a workflow and graphic interface to capture the images, segment damage regions, and evaluate the physical size of damage. A deep learning-based interactive segmentation algorithm called f-BRS was deployed to precisely segment damage regions through the XR headset. A ray-casting algorithm is implemented to obtain 3D locations corresponding to the pixel locations of the damage region on the image. The size of the damage region is computed from the 3D locations of its boundary. The performance of the proposed method is demonstrated through a field experiment at an in-service bridge where spalling damage is present at its abutment. The experiment shows that the proposed method provides sub-centimeter accuracy for the size estimation.

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Takemoto, Jody, Brittany Parmentier, Rachel Bratelli, Thayer Merritt und Leanne Coyne. „Extended Reality in Patient Care and Pharmacy Practice: A Viewpoint“. Journal of Contemporary Pharmacy Practice 66, Nr. 4 (01.12.2019): 33–38. http://dx.doi.org/10.37901/2573-2765-66.4.33.

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The evolution of technology has given practitioners and educators more tools to better treat, manage, and educate both patients and future pharmacists. The objective of this viewpoint publication is to describe the current use of extended reality (XR) in pharmacy and propose ways in which pharmacy practice and education may benefit from incorporation of this technology. While these tools have been used for decades by many other professions, pharmacy is starting to adopt XR in professional and educational practice. XR (virtual reality, mixed reality, and augmented reality) is being used in various aspects of pharmacy care and education, such as pain management, diabetes self-care, cross-checking of prescriptions, treatments for addiction, and (in limited ways) patient and pharmacy education. There is great potential for further integration of XR into pharmacy practice and pharmacy education to ultimately improve patient care and education as well as pharmacy education.

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Takemoto, Jody, Brittany Parmentier, Rachel Bratelli, Thayer Merritt und Leanne California Health Sciences University. „Extended Reality in Patient Care and Pharmacy Practice: A Viewpoint“. Journal of Contemporary Pharmacy Practice 66, Nr. 4 (01.01.2020): 22–27. http://dx.doi.org/10.37901/jcphp18-00030.

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Ong, Triton, Hattie Wilczewski, Samantha R. Paige, Hiral Soni, Brandon M. Welch und Brian E. Bunnell. „Extended Reality for Enhanced Telehealth During and Beyond COVID-19: Viewpoint“. JMIR Serious Games 9, Nr. 3 (26.07.2021): e26520. http://dx.doi.org/10.2196/26520.

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The COVID-19 pandemic caused widespread challenges and revealed vulnerabilities across global health care systems. In response, many health care providers turned to telehealth solutions, which have been widely embraced and are likely to become standard for modern care. Immersive extended reality (XR) technologies have the potential to enhance telehealth with greater acceptability, engagement, and presence. However, numerous technical, logistic, and clinical barriers remain to the incorporation of XR technology into telehealth practice. COVID-19 may accelerate the union of XR and telehealth as researchers explore novel solutions to close social distances. In this viewpoint, we highlight research demonstrations of XR telehealth during the COVID-19 pandemic and discuss future directions to make XR the next evolution of remote health care.

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Vukelić, Goran, Goran Vizentin und Vlado Frančić. „Prospects for use of extended reality technology for ship passenger evacuation simulation“. Pomorstvo 35, Nr. 1 (30.06.2021): 49–56. http://dx.doi.org/10.31217/p.35.1.6.

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Safety of passengers on ships is usually investigated based on data available from post-accident reports, experimental research and/or numerical modelling of emergencies. As for the numerical modelling, ship passenger evacuation falls within a greater set of pedestrian evacuation research in which extended reality (XR) technology is playing important role lately. However, XR still strives to find its place in the modelling of ship passenger evacuation. This paper brings review of literature published on the topic of XR in pedestrian evacuation with special focus on the use of these technologies (e.g. virtual reality, augmented reality) in shipping industry. Findings are put in the context of IMO’s guidelines for evacuation analysis and prospect for use of XR for ship passenger evacuation simulation are presented.

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Hu, X., G. V. Georgiev und H. Casakin. „MITIGATING DESIGN FIXATION WITH EVOLVING EXTENDED REALITY TECHNOLOGY: AN EMERGING OPPORTUNITY“. Proceedings of the Design Society: DESIGN Conference 1 (Mai 2020): 1305–14. http://dx.doi.org/10.1017/dsd.2020.91.

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AbstractDesign fixation refers to the designers’ inability to avoid becoming stuck with preexisting ideas in order to generate new ones. With the recent fast advancements and developments, XR has emerged as a powerful promising technology that can shed new light on this issue. Consequently, this paper aims at: (1) investigating the underlying mechanisms of design fixation as reported in literature; (2) exploring the state-of-art in the use of XR technology in design; and (3) identifying ways to mitigate design fixation by employing XR technology.

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Reading, Anna, Jim Bjork, Jack Hanlon und Neil Jakeman. „The labour of place: Memory and extended reality (XR) in migration museums“. Memory Studies 14, Nr. 3 (Juni 2021): 606–21. http://dx.doi.org/10.1177/17506980211010697.

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How do we understand the relationship between memory and place in the context of Extended Reality (XR) migration museum exhibitions? The study combines a global mapping of XR within migration museums, a user analysis of Cologne’s virtual migration museum, and practice-led research with the UK Migration Museum to argue that XR places in Web 2.0 constitute a multiplication of memory’s significant localities. These include a migration memory’s place of beginning (the location of a migrant experience), the place of production (where the memory is transformed into representation) and the place of consumption (where the mediated memory is engaged with, looked at, heard). Mnemonic labour involving digital frictions at each of these sites constitutes a form of multiple place-making with complex feelings, meanings, and (dis)connections. This points to an innovative approach to understanding and curating XR experiences with museums that recognises the significance of the labour of place.

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Shankar, P. Ravi. „Extended Reality in Educating the Next Generation of Health Professionals“. Education in Medicine Journal 13, Nr. 1 (31.03.2021): 87–91. http://dx.doi.org/10.21315/eimj2021.13.1.8.

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COVID-19 has severely impacted health professions education and assessment has mostly shifted online. Major challenges remain especially about teaching-learning and assessment of clinical skills. Interacting with an individual online does not provide the range of information provided by an inperson meeting. There have been dramatic advances in computers and the internet in the last 60 years. Extended reality (XR) is all real- and virtual-combined environments and human-computer interactions generated by computers and wearable devices. The future physical world is likely to face multiple challenges. It is likely that human interactions and learning will increasingly occur in XR spaces. Three-dimensional holographic avatars and interacting and manipulating objects in XR spaces will become easier. Most medical education can occur in these spaces. Universities will invest substantially in these spaces. The safety of the physical world, the cost and usability will determine the extent of use of these learning spaces.

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Serras, Manex, Laura García-Sardiña, Bruno Simões, Hugo Álvarez und Jon Arambarri. „Dialogue Enhanced Extended Reality: Interactive System for the Operator 4.0“. Applied Sciences 10, Nr. 11 (07.06.2020): 3960. http://dx.doi.org/10.3390/app10113960.

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The nature of industrial manufacturing processes and the continuous need to adapt production systems to new demands require tools to support workers during transitions to new processes. At the early stage of transitions, human error rate is often high and the impact in quality and production loss can be significant. Over the past years, eXtended Reality (XR) technologies (such as virtual, augmented, immersive, and mixed reality) have become a popular approach to enhance operators’ capabilities in the Industry 4.0 paradigm. The purpose of this research is to explore the usability of dialogue-based XR enhancement to ease the cognitive burden associated with manufacturing tasks, through the augmentation of linked multi-modal information available to support operators. The proposed Interactive XR architecture, using the Spoken Dialogue Systems’ modular and user-centred architecture as a basis, was tested in two use case scenarios: the maintenance of a robotic gripper and as a shop-floor assistant for electric panel assembly. In both cases, we have confirmed a high user acceptance rate with an efficient knowledge communication and distribution even for operators without prior experience or with cognitive impairments, therefore demonstrating the suitability of the solution for assisting human workers in industrial manufacturing processes. The results endorse an initial validation of the Interactive XR architecture to achieve a multi-device and user-friendly experience to solve industrial processes, which is flexible enough to encompass multiple tasks.

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Dissertationen zum Thema "XR (Extended reality)"

Almgren, Olivia. „Investigating presence in remote meetings; a case study testing extended reality (XR) technology“. Thesis, KTH, Skolan för elektroteknik och datavetenskap (EECS), 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-290870.

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During times with global pandemics and climate change, the need for companies to be able to conduct their business without travelling is essential. Upholding social distancing and complying to restrictions on travel both globally and nationally have not only forced everyone to conduct their business from home but to do so regardless of technological maturity. While also doing so for an unforeseeable future. In times of change, resilience is key. Having more durable and resilient teams and workers are essential now, tomorrow, and most likely in the future too. Improving the usability of remote collaboration has never been as important. Disregarding the fact that this has been a forced act of measure from the government, the aftermath of this for many companies will surely include reduced costs for travel, improved efficiency and reduced environmental impact. Undoubtedly, there is incentive from a business perspective, but what are the effects from the user's perspective? Derived from previous literature on presence, video communication, quality of experience (QoE) and interaction, this case study set out to examine the following research questions; What current factors influence the remote meetings of employees in a telecommunication company? In what way can extended reality (XR) technology potentially improve their experience? Extended reality (XR) technology refers to all real-and-virtual combined environments including augmented reality (AR), mixed reality (MR) and virtual reality (VR) and other areas that exist among them.With obtained data from interviews and a series of tests, the results indicate that factors from every category; human, system and context factors influence the QoE. Additionally, in its current state, XR technology does not provide enough, especially in terms of quality, to significantly improve anything for these employees. The XR technology has potential to heighten the experience in respects such as mobility, but for presence and social context it did not gain much attraction.
Under tider med en global pandemi och klimatfo ra ndringar a r behovet att fo retag ska kunna bedriva sin verksamhetutan att resa stort. Att uppra ttha lla social distansering och fo lja restriktioner pa resor ba de globalt och nationellt harinte bara tvingat alla att bedriva sin verksamhet hemifra n utan att go ra det oavsett teknisk mognad. Det go rs ocksa fo ren ofo rutsebar framtid. I tider av fo ra ndring a r det viktigt att vara anpassningsbar. Att ha mer ha llbara ochmotsta ndskraftiga team och arbetare a r viktigt nu, imorgon och troligtvis a ven i framtiden. Att fo rba ttraanva ndbarheten av samarbete pa distans har aldrig varit lika viktigt.Om man bortser fra n det faktum att detta har varit en pa tvingad a tga rd fra n regeringen, sa kommer konsekvensernafo r ma nga fo retag sa kert att inkludera la gre kostnader fo r resor, fo rba ttrad effektivitet och minskad miljo pa verkan.Utan tvekan finns det incitament ur ett affa rsperspektiv, men vilka a r effekterna ur anva ndarnas perspektiv?Uppbyggt fra n tidigare litteratur om na rvaro, videokommunikation, kvalitet av upplevelsen (QoE) och interaktion,syftar denna fallstudie till att underso ka fo ljande forskningsfra gor; Vilka aktuella faktorer pa verkar distansmo ten fo ransta llda i ett telekommunikationsfo retag? Pa vilket sa tt kan XR-teknik (Extended Reality) potentiellt fo rba ttra derasupplevelse? Med Extended reality (XR) -teknologi menas alla reala-och-virtuella kombinerade miljo er inklusiveAugumented Reality (AR), Mixed Reality (MR) och Virtual Reality (VR) och andra omra den som finns mellan dem.Insamlade data fra n intervjuer och en serie tester visar att faktorer fra n varje kategori; ma nskliga, system- ochkontextuella faktorer pa verkar QoE. I sitt nuvarande tillsta nd, ger XR-tekniken inte tillra ckligt, sa rskilt inte na r detga ller kvalitet, fo r att avseva rt fo rba ttra na got fo r de ansta llda. XR-tekniken har potential att fo rba ttra upplevelsen na rdet ga ller exempelvis ro rlighet, men fo r na rvaro och social kontext har den a n sa la nge inte mycket att bidra med.

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Svedberg, Jonnie Juhani. „Reality Check : A review of design principles within emergent XR artefacts“. Thesis, Umeå universitet, Institutionen för informatik, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-175019.

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With the advent of novel digital interfaces such as augmented, mixed and virtual reality, the way we interact with digital artefacts is changing at a nearly reckless pace. The adoption rate within enterprise applications is racing, with mass adoption among consumers soon to follow. This paper aims to iterate a key question sometimes hidden within these rapid developments; are the practices used to develop these artefacts properly tested and evaluated as the best possible ones? In order to answer this, we will explore and evaluate how existing best practices adhere to empirical evidence, but also to experiment with potential avenues of alternative design methodologies. Once adequate conclusions are reached, they will be utilized to design a prototype/proof of concept to showcase just how aninterface/interaction made with the new considerations in mind can differ from those made with contemporary design principles. Upon evaluation of thi sexperimental prototype which utilized the user’s hands as physical, tactile feedback for interactions, respondents were overall positive to this method of interaction, despite some discomfort from the limitations imposed by this specific technical approach. Due to this, it is strongly suggested that development of XR artefacts might often be designed around these technical limitations instead of a truly best practice. This is why we heavily implore both further testing and experimentation as time goes on, since emergent technologies might lack these limitations and therefore enable richer, better interaction methods and experiences within XR.

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Lundmark, Martin. „The dice are still rolling : A study that shows how AR technology can create new gameplay specific qualities“. Thesis, Högskolan Kristianstad, Fakulteten för ekonomi, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:hkr:diva-22065.

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The gaming industry is changing, and new games and gaming experiences are being developed. From board games to video games, to the latest AR and VR games. Right now, developers are trying to develop experiences that combine the real and the virtual into one wholesome and believable mix. This gives new opportunities to implement technology in classical artifacts. In the context of board games there are several tangible pieces, and the dice is the chosen main character for this study. Placed in the middle, between board games and digital games, AR games comes now. Previous research of board games and digital technology gives interesting information on the activity and provides a foundation for new design. The dice is world famous, so this study aims to find out how this piece can evolve with the help of technology. By working with concept driven design, in relation with an AR game studio, the AR Dice and the AR Game DiceFold was invented. A qualitative method was used in which experts of the industry got together to discuss the new experiences of AR games and the functionality of the AR Dice which might become a new part of the gaming world in the near future. The findings of this study lead to three promising discoveries. A new gaming component, new AR game and further answers regarding research in the scopes of AR games.
Spelindustrin förändras och nya former av spel och upplevelser utvecklas. Från brädspel till datorspel till de nyaste AR och VR spelen. Just nu arbetar utvecklare med att skapa nya upplevelser där det virtuella kombineras med verkligheten till en fulländad och trovärdig mix. Detta skapar utrymme för nya möjligheter at implementera teknologi i klassiska artefakter. Inom kontexten av brädspel finner vi många fysiska spelobjekt och tärningen är vald som huvud-karaktären för den här studien. Placerad mellan brädspel och digitala spel kommer nu AR spel. Tidigare forskning inom brädspel och teknologi gav intressant information inom kontexten och agerar som riktlinjer och som grund för ny design. Tärningen är världskänd så siktar den härstudien mot att ta reda på hur det här objektet kan utvecklas med hjälp av teknologi. Genom att arbeta med konceptdriven design och i nära relation med en AR spelstudio, designades den nya AR tärningen och det nya AR spelet DiceFold. En kvalitativ metod användes där experter inom industrin diskuterade de nya möjliga upplevelser inom AR spel och funktionaliteten hos AR tärningen, som kanske kan bli en ny del inom spelvärlden i en snar framtid. Denna studie resulterar i tre olika saker, den nya spel komponenten AR tärningen, det nya AR spelet DiceFold och mer information inom forskning av AR spel.

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Rhoades, Michael Jewell. „Composing Holochoric Visual Music: Interdisciplinary Matrices“. Diss., Virginia Tech, 2021. http://hdl.handle.net/10919/102159.

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With a lineage originating in the days of silent films, visual music, in its current incarnation, is a relatively recent phenomenon when compared to an historically broad field of creative expression. Today it is a time-based audio/visual territory explored and mined by a handful of visual and musical artists. However, an extensive examination of the literature indicates that few of these composers have delved into the associable areas of merging virtual holography and holophony toward visual music composition. It is posited here that such an approach is extremely rich with novel expressive potential and simultaneously with numerous novel challenges. The goal of this study is, through praxis, to instantiate and document an initial exploration into the implementation of holochory toward the creation of visual music compositions. Obviously, engaging holochoric visual music as a means of artistic expression requires an interdisciplinary pipeline. Certainly, this is demonstrated in merging music and visual art into a cohesive form, which is the basis of visual music composition. However, in this study is revealed another form of interdisciplinarity. A major challenge resides with the development of the means to efficiently render the high-resolution stereoscopic images intrinsic to the animation of virtual holograms. Though rendering is a challenge consistent with creating digital animations in general, here the challenge is further exacerbated by the extensive use of multiple reflections and refractions to create complexity from relatively simple geometric objects. This reveals that, with the level of computational technology currently available, the implementation of high-performance computing is the optimal approach. Unifying such diverse areas as music, visual art, and computer science toward a common artistic medium necessitates a methodological approach in which the interdependency between each facet is recognized and engaged. Ultimately, a quadrilateral reciprocative feedback loop, involving the composer's sensibilities in addition to each of the other facets of the compositional process, must be realized in order to facilitate a cohesive methodology leading toward viability. This dissertation provides documentation of methodologies and ideologies undertaken in an initial foray into creating holochoric visual music compositions. Interlaced matrices of contextualization are intended to disseminate the processes involved in deference to composers who will inevitably follow in the wake of this research. Accomplishing such a goal is a quintessential aspect of practice-based research, through which new knowledge is gained during the act of creating. Rather than formulating theoretical perspectives, it is through the praxis of composing holochoric visual music that the constantly arising challenges are recognized, analyzed, and subsequently addressed and resolved in order to ensure progression in the compositional process. Though measuring the success of the resultant compositions is indeed a subjective endeavor, as is the case with all art, the means by which they are achieved is not. The development of such pipelines and processes, and their implementation in practice, are the basic building blocks of further exploration, discovery, and artistic expression. This is the impetus for this document and for my constantly evolving and progressing trajectory as a scholar, artist, composer, and computer scientist.
Doctor of Philosophy
In this paper the author explores the idea that, owing to their shared three-dimensional nature, holophons and holograms are well suited as mediums for visual music composition. This union is ripe with creative opportunity and fraught with challenges in the areas of aesthetics and technical implementation. Squarely situated upon the bleeding edge of phenomenological research and creative practice, this novel medium is nonetheless within reach. Here, one methodological pipeline is delineated that employs the convergence of holography, holophony, and super-computing toward the creation of visual music compositions intended for head mounted displays or large scale 3D/360 projection screens and high-density loudspeaker arrays.

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Johnson, David. „MusE-XR: musical experiences in extended reality to enhance learning and performance“. Thesis, 2019. http://hdl.handle.net/1828/10988.

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Integrating state-of-the-art sensory and display technologies with 3D computer graphics, extended reality (XR) affords capabilities to create enhanced human experiences by merging virtual elements with the real world. To better understand how Sound and Music Computing (SMC) can benefit from the capabilities of XR, this thesis presents novel research on the de- sign of musical experiences in extended reality (MusE-XR). Integrating XR with research on computer assisted musical instrument tutoring (CAMIT) as well as New Interfaces for Musical Expression (NIME), I explore the MusE-XR design space to contribute to a better understanding of the capabilities of XR for SMC. The first area of focus in this thesis is the application of XR technologies to CAMIT enabling extended reality enhanced musical instrument learning (XREMIL). A common approach in CAMIT is the automatic assessment of musical performance. Generally, these systems focus on the aural quality of the performance, but emerging XR related sensory technologies afford the development of systems to assess playing technique. Employing these technologies, the first contribution in this thesis is a CAMIT system for the automatic assessment of pianist hand posture using depth data. Hand posture assessment is performed through an applied computer vision (CV) and machine learning (ML) pipeline to classify a pianist’s hands captured by a depth camera into one of three posture classes. Assessment results from the system are intended to be integrated into a CAMIT interface to deliver feedback to students regarding their hand posture. One method to present the feedback is through real-time visual feedback (RTVF) displayed on a standard 2D computer display, but this method is limited by a need for the student to constantly shift focus between the instrument and the display. XR affords new methods to potentially address this limitation through capabilities to directly augment a musical instrument with RTVF by overlaying 3D virtual objects on the instrument. Due to limited research evaluating effectiveness of this approach, it is unclear how the added cognitive demands of RTVF in virtual environments (VEs) affect the learning process. To fill this gap, the second major contribution of this thesis is the first known user study evaluating the effectiveness of XREMIL. Results of the study show that an XR environment with RTVF improves participant performance during training, but may lead to decreased improvement after the training. On the other hand,interviews with participants indicate that the XR environment increased their confidence leading them to feel more engaged during training. In addition to enhancing CAMIT, the second area of focus in this thesis is the application of XR to NIME enabling virtual environments for musical expression (VEME). Development of VEME requires a workflow that integrates XR development tools with existing sound design tools. This presents numerous technical challenges, especially to novice XR developers. To simplify this process and facilitate VEME development, the third major contribution of this thesis is an open source toolkit, called OSC-XR. OSC-XR makes VEME development more accessible by providing developers with readily available Open Sound Control (OSC) virtual controllers. I present three new VEMEs, developed with OSC-XR, to identify affordances and guidelines for VEME design. The insights gained through these studies exploring the application of XR to musical learning and performance, lead to new affordances and guidelines for the design of effective and engaging MusE-XR.
Graduate

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Ferreira, Pedro Dias Fernandes Gomes. „XR Technologies, the company Xperiencia Virtual and the Revolution of Organizations: Proposal of a functional model for a company in Portugal in the context of cultural and creative industries“. Master's thesis, 2020. http://hdl.handle.net/10400.26/34982.

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This report aims to describe the professional experience of a six- months internship of the student Pedro Gomes Ferreira at the Spanish VR company Xperiencia Virtual, from September 2019 to March 2020. The present document describes the student’s experience, the company, and all the projects developed during those six months. Thus, the process of integration in the team, the company’s structure, and the impact of the content created in the digital market are addressed. Afterward, topics related to the evolution of the technologies under study, in particular, Virtual, Augmented, and Mixed Reality technologies are referred and discussed, as well as their advantages, limitations, impact in the world, and what is expected to be their evolution in the future. From an extended analysis of the state-of-art of XR technologies in the different industries, a Draft Functional Model was designed regarding the procedures workflow and company organization ideally involved in the development of an XR project. For its design, the findings obtained through the analysis of three case studies of XR projects developed in the company were also taken into account, allowing them to deconstruct the different tasks of a project. This model was later put to test with an experts’ survey and consequently improved as an Extended and Optimized Functional Model. With this report, the student intends to achieve a Master’s degree in Interaction Design.

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Buchteile zum Thema "XR (Extended reality)"

Flotyński, Jakub. „Applications of E-XR“. In Knowledge-Based Explorable Extended Reality Environments, 201–13. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-59965-2_11.

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Flotyński, Jakub. „Evaluation of E-XR“. In Knowledge-Based Explorable Extended Reality Environments, 215–44. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-59965-2_12.

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Flotyński, Jakub. „E-XR Exploration Methods“. In Knowledge-Based Explorable Extended Reality Environments, 169–88. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-59965-2_9.

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Flotyński, Jakub. „E-XR Semantic Link Model“. In Knowledge-Based Explorable Extended Reality Environments, 117–50. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-59965-2_7.

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Flotyński, Jakub. „E-XR: Explorable Extended Reality Environments“. In Knowledge-Based Explorable Extended Reality Environments, 85–96. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-59965-2_5.

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Flotyński, Jakub. „E-XR Development Tools for Explorable Environments“. In Knowledge-Based Explorable Extended Reality Environments, 189–99. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-59965-2_10.

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Flotyński, Jakub. „E-XR Visual Knowledge-Based Behavior Model“. In Knowledge-Based Explorable Extended Reality Environments, 97–115. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-59965-2_6.

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Flotyński, Jakub. „E-XR Development Pipeline of Explorable Environments“. In Knowledge-Based Explorable Extended Reality Environments, 151–68. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-59965-2_8.

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Doukianou, Stella, Damon Daylamani-Zad und Ioannis Paraskevopoulos. „Beyond Virtual Museums: Adopting Serious Games and Extended Reality (XR) for User-Centred Cultural Experiences“. In Visual Computing for Cultural Heritage, 283–99. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-37191-3_15.

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Miltenoff, Plamen. „Video 360 and Augmented Reality“. In Advances in Library and Information Science, 211–25. IGI Global, 2020. http://dx.doi.org/10.4018/978-1-7998-4742-7.ch012.

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The advent of all types of eXtended Reality (XR)—VR, AR, MR—raises serious questions, both technological and pedagogical. The setup of campus services around XR is only the prelude to the more complex and expensive project of creating learning content using XR. In 2018, the authors started a limited proof-of-concept augmented reality (AR) project for a library tour. Building on their previous research and experience creating a virtual reality (VR) library tour, they sought a scalable introduction of XR services and content for the campus community. The AR library tour aimed to start us toward a matrix for similar services for the entire campus. They also explored the attitudes of students, faculty, and staff toward this new technology and its incorporation in education, as well as its potential and limitations toward the creation of a “smart” library.

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Konferenzberichte zum Thema "XR (Extended reality)"

Bruzzone, Agostino G., Kirill Sinelshchikov, Marina Massei und Giuliano Fabbrini. „Extended Reality technologies for industrial innovation“. In The 32nd European Modeling & Simulation Symposium. CAL-TEK srl, 2020. http://dx.doi.org/10.46354/i3m.2020.emss.062.

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This paper presents an overview on immersive technologies in relation to their potential for industrial innovation. In particular, Extended Reality (XR) is proposed by describing the most common solutions and innovative methods to overcome inherent problems of these technologies. Virtual & Augmented Reality (VR & AR ) are presented respect their potential for uses such as innovative human-machine interfaces, remote maintenance, remote commissioning, 3D rendering, virtual factory, virtual assembly and training. The paper analyze the strong contribution that Immersive Technologies are bringing in multiple sectors including Industries and the future trends aiming to further increase usability of these technologies such as it is happening in overcoming spatial constraints.

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Smith, Carl H., und Jay F. Cousins. „XR for XR – Context Craft: An extended reality platform that transforms local environments through play“. In Proceedings of EVA London 2019. BCS Learning & Development, 2019. http://dx.doi.org/10.14236/ewic/eva2019.41.

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Khalil, Ahmed, und Spyridon Stravoravdis. „HERITAGE BUILDINGS REPRESENTATION AND EXTENDED REALITIES“. In ARQUEOLÓGICA 2.0 - 9th International Congress & 3rd GEORES - GEOmatics and pREServation. Editorial Universitat Politécnica de Valéncia: Editorial Universitat Politécnica de Valéncia, 2021. http://dx.doi.org/10.4995/arqueologica9.2021.12109.

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Architectural visualisation has been developing over the year to improve the representation buildings and their contexts to the public. It achieved a long journey from manual drawings to photography to digital 2D and 3D representation, until it reached the era of extended realities (XR), which allowed unprecedented immersive and interactive engagement. Extended reality applications represent a unique opportunity for the visualisation of heritage buildings on many stages; from the early design phase, through the construction and facility management phases, to the education and cultural tourism applications. This paper aims to explore the wide range of state of the art XR applications, investigate their aspects and variations, and study their potentials, challenges and limitations for the built heritage sector.

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Gomes, Arlindo, Lucas Figueiredo, Walter Correia, Veronica Teichrieb, Jonysberg Quintino, Fabio Q. B. da Silva, Andre Santos und Helder Pinho. „Extended by Design: A Toolkit for Creation of XR Experiences“. In 2020 IEEE International Symposium on Mixed and Augmented Reality Adjunct (ISMAR-Adjunct). IEEE, 2020. http://dx.doi.org/10.1109/ismar-adjunct51615.2020.00029.

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Yu, Difeng, Weiwei Jiang, Chaofan Wang, Tilman Dingler, Eduardo Velloso und Jorge Goncalves. „ShadowDancXR: Body Gesture Digitization for Low-cost Extended Reality (XR) Headsets“. In ISS '20: Interactive Surfaces and Spaces. New York, NY, USA: ACM, 2020. http://dx.doi.org/10.1145/3380867.3426222.

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Ratcliffe, Jack, Francesco Soave, Nick Bryan-Kinns, Laurissa Tokarchuk und Ildar Farkhatdinov. „Extended Reality (XR) Remote Research: a Survey of Drawbacks and Opportunities“. In CHI '21: CHI Conference on Human Factors in Computing Systems. New York, NY, USA: ACM, 2021. http://dx.doi.org/10.1145/3411764.3445170.

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Harlan, Jakob, Benjamin Schleich und Sandro Wartzack. „Ausarbeitungsleitfaden für Nutzerstudien zur Evaluation von XR-Interfaces in der Produktentwicklung“. In Entwerfen Entwickeln Erleben - EEE2021. Prof. Dr.-Ing. habil Ralph H. Stelzer, Prof. Dr.-Ing. Jens Krzywinski, 2021. http://dx.doi.org/10.25368/2021.21.

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Technologien der erweiterten Realität (extended reality, XR) finden im gesamten Produktentwicklungsprozess Anwendung. Insbesondere Systeme zur aktiven Erzeugung und Veränderung digitaler Produktdaten bieten noch viel Potential. Die Erforschung und Entwicklung dieser immersiven Interfaces beruht maßgeblich auf der Evaluation durch Nutzerstudien, denn nur so kann die Einsatztauglichkeit der Mensch-Maschine-Schnittstellen seriös beurteilt und verglichen werden. Bei der Konzeptionierung und Durchführung dieser Nutzerstudien gibt es viel zu beachten. In dieser Arbeit wird ein Leitfaden für das Design von Evaluationen von XR Interfaces für die Produktentwicklung präsentiert. Zu Beginn müssen die Fragestellungen festgelegt werden, welche die Studie beantworten soll. Ausgehend von diesen müssen die zu testenden Versuchsbedingungen, die gestellten Aufgaben, die aufgenommen Metriken, die gewählten Probanden und der geplante Ablauf festgelegt werden. Zusätzlich zu der allgemeinen Darlegung wird das Vorgehen anhand eines Fallbeispiels angewandt. Die Gestaltung einer Nutzerstudie zur Evaluation der Usability und Eignung eines neuartigen Virtual Reality Interfaces zur natürlichen Gestaltung von Vorentwürfen wird vorgestellt.

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Baumanis, Atis, und Māris Kaļinka. „FROM TOPOGRAPHY TO VIRTUAL REALITY“. In 23rd Conference for Junior Researchers „Civilinė inžinerija ir geodezija“. Vilnius Gediminas Technical University, 2020. http://dx.doi.org/10.3846/geo.2020.008.

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The supply of surveying tools and software has grown rapidly in recent decades, as has the quality demands of surveying products from designers, customers and supervisors. This article examines innovative surveying methods and compares the methods in terms of accuracy, availability, and cost. The author, drawing on the views of industry leaders, has outlined future surveyor missions, tasks and opportunities to influence and improve the design process. The article explores the latest spatial data acquisition techniques like laser scanning, digital photogrammetry, LIDAR, Unmanned aerial vehicles (UAV), appliances and perspectives of Building Information Modelling (BIM) and Virtual Reality (VR) and Augmented Reality (AR) as parts of Extended Reality (XR) in design and visualization.

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Snook, Kelly, Tarik Barri, Joachim Goßmann, Jason Potts, Margaret Schedel und Hartmut Warm. „Kepler Concordia: Designing an Immersive Modular Musical and Scientific Instrument Using Novel Blockchain and Sonification Technologies in XR“. In The 24th International Conference on Auditory Display. Arlington, Virginia: The International Community for Auditory Display, 2018. http://dx.doi.org/10.21785/icad2018.034.

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This paper describes the first steps in the creation of a new scientific and musical instrument to be released in 2019 for the 400th anniversary of Johannes Kepler's Harmonies of the World, which laid out his three laws of planetary motion and launched the field of modern astronomy. Concordia is a musical instrument that is modularly extensible, with its first software and hardware modules and underlying framework under construction now. The instrument is being designed in an immersive extended-reality (XR) environment with scientifically accurate visualizations and datatransparent sonifications of planetary movements rooted in the musical and mathematical concepts of Johannes Kepler [1], extrapolated into visualizations by Hartmut Warm [2], and sonified. Principles of game design, data sonification/visualization optimization, and digital and analog music synthesis are used in the 3D presentation of information, the user interfaces (UX), and the controls of the instrument, with an optional DIY hardware “cockpit” interface. The instrument hardware and software are both designed to be modular and open source; Concordia can be played virtually without the DIY cockpit on a mobile platform, or users can build or customize their own interfaces, such as traditional keyboards, button grids, or gestural controllers with haptic feedback to interact with the system. It is designed to enable and reward practice and virtuosity through learning levels borrowed from game design, gradually building listening skills for decoding sonified information. The frameworks for uploading, verifying, and accessing the data; programming and verifying hardware and software module builds; tracking of instrument usage; and managing the instrument's economic ecosystem are being built using a combination of distributed computational technologies and peer-to-peer networks, including blockchain and the Interplanetary Filesystem (IPFS). Participants in Concordia fall into three general categories, listed here in decreasing degrees of agency: 1) Contributors; 2) Players; and 3) Observers. This paper lays out the broad structure of Concordia, describes progress on the first software module, and explores the creative, social, economic, and educational potential of Concordia as a new type of creative ecosystem.

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