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1
Rose, Josh. „When Reality Was Surreal: Lee Miller's World War II War Correspondence for Vogue“. Thesis, University of North Texas, 2003. https://digital.library.unt.edu/ark:/67531/metadc4357/.
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During World War II, Lee Miller was an accredited war correspondent for Vogue magazine. Miller was trained as a surrealist photographer by Man Ray, and her wartime work, both photographic and written, is indicative of a combination of journalism and surrealism. This thesis examines Lee Miller's war correspondence within the context of Vogue magazine, establishing parallels between the photographs and writing to determine how surrealism informs it stylistically and ideologically. Using surrealist techniques of juxtaposition and an unmanipulated photographic style, and the surrealist concepts of the Marvelous and Convulsive Beauty, Miller presented the war as a surreality, or a surreal reality. This study concludes by using Miller's approach to suggest a new concept of journalistic practice: surrealist journalism.
2
Taylor, Samantha Alisha. „A Comparative Study of America's Entries into World War I and World War II“. Digital Commons @ East Tennessee State University, 2009. https://dc.etsu.edu/etd/1860.
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This thesis studies events that preceded America's entries into the First and Second World Wars to discover similarities and dissimilarities. Comparing America's entries into the World Wars provides an insight into major events that influenced future ones and changed America.
Research was conducted from primary sources of Presidents Woodrow Wilson and Franklin D. Roosevelt. In addition, secondary sources were used that study the events preceding America's entries into World War I and World War II. Research was also conducted on public opinion.
In World War I, German actions angered Wilson and segments of the American public, persuading Wilson to ask for a declaration of war. While German aggression shaped American opinion in World War II, Japanese action forced the United States to enter the war. In both cases, the tone of aggression that molded the foreign policy of Presidents Wilson and Roosevelt and shaped American public opinion originated from Germany.
3
Grotelueschen, Mark Ethan. „The AEF way of war: the American army and combat in the First World War“. Diss., Texas A&M University, 2003. http://hdl.handle.net/1969.1/569.
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Many scholars of the First World War have examined the European armies in new ways that have shown not only how those armies actually fought along the Western Front, but how they changed their ideas and methods over time, and why they fought the way they did. This dissertation does the same for the American Expeditionary Forces (AEF). It examines how four AEF divisions (the 1st, 2nd, 26th, and 77th) planned and conducted their battles, what they learned about modern combat in those battles, and how they adapted their doctrine, tactics, and other operational methods during the war. Although this dissertation describes AEF training and operations, its focus is on ideas and methods, and the changes in both during the war. It shows that when the United States joined the war in 1917, the U.S. Army was doctrinally unprepared for the industrial combat of the Western Front. It demonstrates that General John J. Pershing and other AEF leaders accepted this inadequate prewar doctrine, with only minor modification, as the official doctrine of the AEF. Many early American attacks suffered from these unrealistic ideas, which retained too much faith in the infantry rifleman on a battlefield dominated by artillery, machine guns, and barbed wire. However, this dissertation also shows that AEF divisions adjusted their doctrine, tactics, and other operational methods, as they fought. Experienced divisions prepared more comprehensive attack plans, employed more flexible infantry formations, and maximized firepower to seize limited objectives. Although some of these adaptations were accepted by senior officers at AEF General Headquarters (GHQ), the American First Army, and the various corps, the lessons seem to have been learned first, and best, by officers and men within the combat divisions. Often the extent of these changes reduced the operational relevance of senior officers at GHQ, including Pershing, many of whom failed to make the same doctrinal adjustments. In short, this study exposes the battle of ideas waged within the AEF, between those who adhered to the traditional, human-centered ideas of the prewar army and those who increasingly appreciated the modern, industrial ideas then prevalent in the European armies.
4
McIntosh, Terresa (Terresa Ann) Carleton University Dissertation Canadian Studies. „Other images of war : Canadian women war artists of the first and second world wars“. Ottawa, 1990.
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5
Wilson, Carolyn R. C. „Writing the war the literary effects of World War One /“. Connect to resource, 2006. http://hdl.handle.net/1811/6588.
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Thesis (Honors)--Ohio State University, 2006.Title from first page of PDF file. Document formatted into pages: contains 87 p. Includes bibliographical references (p. 85-87). Available online via Ohio State University's Knowledge Bank.
6
Hurlburt, Christopher. „Paul Claudel and World War One“. Fogler Library, University of Maine, 2005. http://www.library.umaine.edu/theses/pdf/HurlburtCG2005.pdf.
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7
Zhang, Yibin. „Crossroads A World War II story“. Thesis, California State University, Long Beach, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=1523219.
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There is a vacancy in history, a vacancy that contains a crucial understanding and hinders us from comprehending history as a whole. The emptiness that we feel does not come from dissipated events or hollow periods. It comes from a lack of perspective, or an absence of empathetic dispositions.
To elucidate this disconcerting question, I developed a project called Crossroads, which is an interactive narrative piece that can be used as a tool to let people view World War II history from numerous lives. This is a collective project that follows different characters that lived during World War II. Just by observing the content, the viewer can see how the war impacted their lives. Some characters in my project may have crossed paths with each other during the World War II period, but may have dramatically different impression afterwards.
8
Batten, Richard John. „Devon and the First World War“. Thesis, University of Exeter, 2013. http://hdl.handle.net/10871/14600.
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This thesis examines the experiences and impact of wartime mobilization in the county of Devon. It argues that a crucial role was played by the county’s elites who became the self-appointed intermediaries of the war experience on a local level and who took an explicitly exhortative role, attempting to educate Devonians in the codes of ideal conduct in wartime. These armchair patriots, defined by the local commentator Stephen Reynolds as ‘provincial patriots’, superintended the patriotism of Devon’s population, evaluating that patriotism against the strength of their own. Through a critical exploration of Reynolds’ definition of Devon’s elite as the police-men and women of patriotism, this thesis reveals the ambiguities, constraints and complexities surrounding mobilization and remobilization in Devon. The evidence from Devon reveals the autonomy of Devon’s citizens as they attempted to navigate the different challenges of the war while they weighed-up individual and local interests against the competing requests that the ‘provincial patriots’ prescribed for them. In many cases, their responses to the appeals and prescriptions from Devon’s elite were informed by what they considered to be an appropriate contribution to the war effort. Therefore, the choice to participate in the measures introduced in the name of war effort in Devon was not a binary one. A tension between individual survival and national survival in the county was apparent in the encounters between Devon’s elite as agents of mobilization and the county’s populace during the war. Through various campaigns of superintendence in order to police the patriotism of Devon’s people, the ‘provincial patriots’ attempted to navigate through the terrain of these competing priorities and resolve this tension. In their endeavours to mobilize Devon’s populace, the authority of Devon’s elite was criticised and they faced constant negotiation between individual priorities and those of the nation. This analysis of the complexity of the Devonian experience of the First World War is sceptical about the ‘total’ nature of the First World War because the war to some Devonians was not the pre-eminent issue and did not absorb all of the county’s efforts. Rather, a significant part of Devon’s population was primarily concerned with individual priorities and that of the county throughout the war years.
9
Cole, Festus. „Sierra Leone and World War I“. Thesis, SOAS, University of London, 1994. http://eprints.soas.ac.uk/26223/.
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Hall, Kenneth Estes, und Chritian Krug. „Noir Westerns after World War II“. Digital Commons @ East Tennessee State University, 2014. https://dc.etsu.edu/etsu-works/590.
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Excerpt: Towards the end of Ethan and Joel Coen's Academy-Award winning No Country for Old Men (2007), Carla Jean Moss's life depends on the toss of a coin. Heads or tails will decide whether she lives or dies.
11
Pollarine, Joshua R. „Children at war underage Americans illegally fighting the second world war /“. Diss., [Missoula, Mont.] : The University of Montana, 2008. http://etd.lib.umt.edu/theses/available/etd-09052008-083333/.
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Martin, Christopher A. „Selling war : masculinity and British recruitment posters of World War I“. Virtual Press, 2004. http://liblink.bsu.edu/uhtbin/catkey/1304658.
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Despite the emergence of historical scholarship concerning masculinity in the past two decades, historians have largely failed to examine masculinity during either of the two World Wars. This thesis examines the use of masculinity within a selection of posters that the British government's Parliamentary Recruitment Committee produced during their preconscription period in World War I (1914-1915). Using a visual template to deconstruct the designs and messages of the selected posters, the thesis contends that the posters incorporated familiar prewar masculine images and ideas in order to lure potential recruits into the British army. The posters' use of prewar masculine ideology also contributed to their idyllic presentation of war, which differed significantly from the actual experiences of British soldiers. In addition to poster analysis, this thesis examines how British boys became familiar with "militaristic masculinity" in the prewar period, as well as the modern poster and its prominent role within the PRC campaign.Department of History
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Howell, Gillian. „A world away from war: Music interventions in war-affected settings“. Thesis, Griffith University, 2017. http://hdl.handle.net/10072/378101.
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This thesis examines what happens when the worlds and knowledges of war,
international development, and music education intersect. It investigates the practices
and experiences of music interventions, a term used in this thesis to describe
structured programs for music learning and participation in places that have been
unmade by war, taking shape within the structures and funding arrangements of largescale
international aid and assistance. It explores the work of three specific music
interventions—the Pavarotti Music Centre in Bosnia-Herzegovina, Hadahur Music
School in Timor-Leste, and the Afghanistan National Institute of Music in
Afghanistan—with the goal of identifying how these kinds of projects are shaped, and
their potential for sustainability in a volatile and mutable environment. These case
study sites offer interesting contrasts of timeframe (longevity of the music
intervention and retrospective distance from the wartime experiences); scale (of
ambition, funding, and external drivers); and approaches to the teaching and learning
of music, in particular their efforts to regenerate local music traditions.
The research was designed as an ethnographic, multi-sited, multi-case study project.
Semi-structured interviews and document review were the principal data sources,
offering diverse perspectives that bring both positive and critical voices of
participants and local community members to the fore, alongside those of organisers
and practitioners. Data were coded and analysed thematically, using grounded theory
methods.
As a result of this process, the thesis argues that the phenomenon of music
interventions can be understood as evolving across six critical junctures—sites of
negotiation between the various actors—that produce decisions and actions that
critically shape each project. The critical junctures—Aims and Motivations, Buildings
and Facilities, Pedagogy and Learning Materials, Organisational Culture, Internal
Engagement, and External Engagement—also have implications for sustainability, as
they represent points of active interface between contrasting constructs and ideals, and
therefore can generate instability and conflict as well as harmony and growth. The
critical junctures model offers practitioners and scholars a tool for understanding, planning, operationalising, evaluating, and handing over music interventions in waraffected
contexts. It sheds light on internal practices, and helps to reveal the influence
that the complex wider context can have on shaping and sustaining the music
activities.
The model of critical junctures for shaping and sustaining music interventions is the
central theoretical contribution of this research. In addition, the thesis makes
methodological, empirical, and practical contributions to what is a nascent subject of
inquiry, mapping three radically different music interventions in their achievements
and their missteps, and presenting empirical data from multiple perspectives. In a
world that is as much at war as ever, and an aid environment that is increasingly
recognising the importance of cultural development and creative expression to human
development, this study has deep and immediate relevance to an audience of music
and development practitioners, policy makers, and scholars in the fields of (applied) ethnomusicology, music education, community music, music sociology, music therapy, cultural development, and international development.Thesis (PhD Doctorate)
Doctor of Philosophy (PhD)
Queensland Conservatorium
Arts, Education and Law
Full Text
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Shepard, Steven B. „ABDA : unsuccessful band of brothers /“. Fort Leavenworth, KS: U.S. Army Command and General Staff College, 2003. http://cgsc.cdmhost.com/u?/p4013coll2,115.
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Randell, Karen Mary. „Hollywood and war : trauma in film after the First World War and the Vietnam War“. Thesis, University of Southampton, 2003. https://eprints.soton.ac.uk/50596/.
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This thesis examines war trauma in film; it is a comparative reading that aims to study the relationship between films made after the First World War in the 1920s and films made during and after the Vietnam War. I use thirteen focus film texts, some which explicitly engage with war and some that do not. This thesis will argue that the production of these particular films was inflected by the collective trauma that the wars produced in American society. There was not, for example, an explicit combat film made for seven years after the First World War and thirteen years after the Vietnam War. This gap, I will argue, is symptomatic of the cultural climate that existed after each war, but can also be understood in terms of the need for temporal space in which to assimilate the traumas of these wars. An engagement with recent debates in Trauma Theory will be utilised to explore this production gap between event and film, and to suggest that trauma exists not only within the narratives of these focus films but also within the production process itself. This thesis contributes significantly to recent debates in Trauma Studies. As it presents film history scholarship, First World War and Vietnam veteran experiences and archive newspaper research as compatible disciplines and uses the lens of trauma theory as a methodological thread and tool of analysis.
16
Richter, Yvonne. „World War II moments in our family /“. unrestricted, 2006. http://etd.gsu.edu/theses/available/etd-09012006-152739/.
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Thesis (honors)--Georgia State University, 2006.Title from title screen. Under the direction of Josh Russell. Electronic text (71 p. : ill., ports.) : digital, PDF file. Description based on contents viewed June 8, 2007. Includes bibliographical references (p. 69-71).
17
Paterson, David W. (David William). „Loyalty, Ontario and the First World War“. Thesis, McGill University, 1986. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=65476.
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Brown, Alison M. „Army chaplains in the First World War“. Thesis, University of St Andrews, 1996. http://hdl.handle.net/10023/2771.
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In 1914, Church leaders assumed that fighting men would require the ministrations of ordained clergymen close to the front line. The War Office Chaplains' Department had few plans for the deployment of chaplains beyond a general expectation that the Churches would be willing to release men for service as required. Army Officers seemed to have little warning about the arrival of chaplains to accompany their units and very few ideas about the role chaplains could be expected to fulfil once they had arrived. The chaplains themselves embarked on overseas service with no special training and very little guidance about the nature of the task ahead of them. They received very little support from the Chaplains' Department or their home church in the first months of the war. Left to carve out a role for themselves, they were exposed to an environment churchmen at home could not begin to comprehend. Many chaplains left diaries and letters, the majority of which have never been published. They provide a unique insight into life with the troops, seen through the eyes of men who owed their first allegiance to their Church rather than to the Army whose uniform they wore. Post-war criticism of chaplains has obscured the valuable contribution many clergymen made to the well-being of the troops and to the reform movement within the Church of England after the war. The files of the Archbishop of Canterbury also provide important information about the troubled relationships between chaplains and their Department and with Church leaders at home. In seeking to determine the nature of the chaplains' duties and responsibilities, this study attempts to discover why clergymen faced so much criticism and why even their own churches were sometimes alarmed by the views aired by serving chaplains.
19
Khan, Nosheen. „Women's poetry of the First World War“. Thesis, University of Warwick, 1986. http://wrap.warwick.ac.uk/66938/.
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This thesis seeks to study women's poetic response to the First World War a hitherto neglected area of the literature inspired by the war. It attempts to retrieve from oblivion the experience of the muted half of society as rendered in verse and document as far as possible the full range of the poetic impact the war made upon female sensibility. It is thematic in structure and concentrates upon the more recurrent of attitudes and beliefs which surface in women's war writings. The thematic structure was adopted to cover as wide a range as possible of the ways the historical experience could be met and interpreted in literature. This study takes into account the work of the established writers of the period as well as the amateur versifiers who made war their subject. The first chapter discusses verse which defines the nature of war as apprehended by the female consciousness. Chapter Two examines the poets' use of religious concept and image to lend meaning and purpose to an event entirely at variance with the ideals employed to explain it. The third chapter considers the exploitation of the perennial poetic subject of nature to interpret war by accommodating it into the language and thought of an apparently alien literary tradition. War as it impinged upon the consciousness of people on the Home Front is discussed in Chapter Four; it is partly concerned with revising the calumnious images of women in war time as set out by the soldier poets. Chapter Five looks into the writing of those women who wrote out of their experience of working in the various organisations which were an integral part of the machinery of warfare. War as an experience of suffering - suffering peculiar to the female - defines Chapter Six. The purpose of this study has been to suggest the variety of literary responses to the First World War by those who, at great cost, produce the primal munition of war - men - with which their destinies are inextricably ,linked. As part of a response to a particular historical event, the literary interpretation of which has conditioned modern war consciousness, women's war poetry is not without relevance for it adds a new dimension to the established canon of war literature and correspondingly a new vista to understanding the truth of war.
20
Kushner, Antony Robin Jeremy. „British antisemitism in the Second World War“. Thesis, University of Sheffield, 1986. http://etheses.whiterose.ac.uk/2972/.
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This thesis examines both antisemitism and Jewish- Gentile relations in Britain during the Second World War. It argues that although hostility to Jews has rarely become violent, antisemitism has still made a strong impact on Anglo-Jewry and the whole of British society. Firstly, the thesis outlines a tradition of organized antisemitism which managed to survive the war and also helped to increase 'Jew-consciousness' in Britain. Secondly, it shows how hostile stereotypes of Jews continued, despite the close contact of Jews and Gentiles in the conflict, and the sympathy created by the plight of European Jewry. Thirdly, it analyses tensions caused by shortages of goods as well as other domestic problems that arose during the war and which led to Jews becoming scapegoats. Finally, the thesis suggests that antisemitism has not been alien to the British experience, and can indeed become respectable in times of crisis, as was the case with the internment panic in the summer of 1940. The basic difference between British antisemitism in the war and that of Germany or France was the role of the state. The thesis illustrates how the British government, in principle, was opposed to antisemitism, but that this did not mean it was immune from hostility towards Jews. Indeed, its antipathy partially explains the feeble response to the crisis of European Jewry and the scale of alien internment. The continuation of British liberal democracy has put restraints on the success of' antisemitism without being able to destroy it. Antisemitism has thus survived in Britain, putting a dual and contradictory pressure on Anglo-Jewry both to assimilate and to keep apart from Gentile society. The net result has been to create an atmosphere unlikely to produce a healthy Anglo-Jewish identity.
21
MacCallum-Stewart, Esther. „The First World War and popular literature“. Thesis, University of Sussex, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.421434.
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Kucherenko, Olga. „Soviet child-soldiers in World War II“. Thesis, University of Cambridge, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.611276.
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Kharin, A. M. „Military equipment of the Second World War“. Thesis, НТУ "ХПІ", 2015. http://repository.kpi.kharkov.ua/handle/KhPI-Press/15492.
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Nelis, Tina. „Northern Ireland in the Second World War“. Thesis, University of Manchester, 2012. https://www.research.manchester.ac.uk/portal/en/theses/northern-ireland-in-the-second-world-war(5ba67741-fa26-4a8a-b9ae-9a9e0dda35c7).html.
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This thesis is an examination of how the Second World War has been commemorated in Northern Ireland. It seeks to explore how popular and official understandings of the war were constructed around two key moments. Primarily, it looks at the Victory celebrations to mark the end of the war in the West in May 1945. Secondly, it examines the importance of the publication of the official war history Northern Ireland in the Second World War in November 1956. By looking closely at how the Northern Irish government planned for the victory celebrations and how this ritual unfolded, we can reveal much about Northern Irish society at the end of the war. This thesis shows that the state-led, official commemoration served only to alienate the Catholic community. Exploring how the Northern Irish press recorded this event highlights the underlying tensions existing between both communities at the time. This thesis argues that the Northern Irish government used the victory celebrations to project a positive image of itself to the British government. Equally, in 1940 the Northern Irish government rather pre-emptively commissioned the writing of its own official war history, separate from the United Kingdom Official War History Series. This decision, taken by the Northern Irish government, was intended to ensure that Northern Ireland’s role in the war would never be forgotten. After 1945, the unionist government, preoccupied with securing its constitutional positioning within the United Kingdom, intended to make this official history a permanent memorial to Northern Ireland’s contribution to the war. Written, therefore, to exaggerate Northern Ireland’s part in the war, this official war history can be seen as a reflection of unionist insecurity. It is through these commemorative processes that ideas of national identity and belonging are explored.
25
Ludewig, George Frederick. „A childhood shaped by World War II“. Access to citation, abstract and download form provided by ProQuest Information and Learning Company; downloadable PDF file, 72 p, 2009. http://proquest.umi.com/pqdweb?did=1885544251&sid=6&Fmt=2&clientId=8331&RQT=309&VName=PQD.
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Packard, Jerrold Michael. „The European neutrals in World War II“. PDXScholar, 1989. https://pdxscholar.library.pdx.edu/open_access_etds/3984.
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The thesis begins with a short section on the nature of neutrality in Europe in the 1930s, and briefly introduces the political circumstances of the six nations that remained neutral throughout the war. The primary subject of the paper deals with the relationship between the belligerents and the neutral states, especially the extent to which military strength and preparedness was responsible for the latter maintaining their neutrality.
27
Fortune, Gabrielle Ann. „'Mr Jones' wives': World War II war brides of New Zealand servicemen“. Thesis, University of Auckland, 2005. http://wwwlib.umi.com/dissertations/fullcit/3201550.
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Frederick Jones, Minister of Defence during World War II, was responsible for the transportation to New Zealand of the foreign-born wives and fiancées of New Zealand servicemen. Between 1942 and 1948 servicemen returning from theatres of war in Europe, the Middle East and the Pacific brought over 3000 wives and 700 fiancées to New Zealand. Portrayed as homogeneous, young, working-class British housewives who made hasty ill-considered marriages, war brides, in fact, proved to be varied in origin, age, occupation and education. Whirlwind romances and short courtships were not the norm. This thesis examines the consequences of the decision to marry a New Zealander and migrate and the impact of the journey and settlement. The full glare of publicity that greeted war brides on arrival focused attention on their compatibility with, and adaptability to, the receiving society. Adjustment was however fraught with difficulties. Memory and loss are implicit in the experience of migration. War brides expressed this in terms of the rift with their pasts and a lack of shared memories. On arrival in New Zealand war brides dispersed around the country in an extreme 'pepper-potting' pattern. When their only connection with New Zealand was their locally-born husband they suffered social isolation and sometimes a devastating sense of loneliness. The resulting marginalisation they experienced was evident in their oral history narratives. Ambivalence and recourse to serendipity as an explanation for past actions were elements of the dis-composure discernable in narratives. In spite of their varied religious, social and class backgrounds, this diverse cohort formed a war bride identity based on shared experience rather than national or ethnic origin. Far from dissipating, their war-bride identity has been consolidated into an enduring image most tangibly expressed in the extant war brides' clubs, although club attendance is not a prerequisite of war bride identity.
28
Rickey, Cathy Louise. „Food and food habits in wartime: Civil War to World War II“. The Ohio State University, 1988. http://rave.ohiolink.edu/etdc/view?acc_num=osu1391699545.
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Bostrom, Alexander W. „The establishment of the French war machine in the First World War“. Thesis, University of Oxford, 2015. http://ora.ox.ac.uk/objects/uuid:fb1cc315-b900-48ca-a24d-b4e6e45b72b7.
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The First World War placed enormous pressures on the home fronts of all belligerents as they sought to provide the unprecedented levels of armaments required by twentieth century warfare. France proved to be both militarily and industrially unprepared for the task and was almost defeated in the early months of the war as the army was severely constrained by shortages of shells and artillery. However, by 1918 French industry was able to produce more materiel than Britain while also supplying the arriving American Expeditionary Force. This thesis explores how this tremendous feat was achieved by examining the actions and interests of the high command, the government and the industrialists. Throughout the war, the specific needs of the French commanders would fluctuate, but the desire for quantity and speed of delivery was constant, often at the expense of quality. The Ministry of War attempted to appease both the army and the industrialists in order to mobilise industry rapidly to meet the requirements of the front line. Despite the apparent success of its efforts, the government’s response to the pressures of war was ad hoc and reactionary. It had little time to formulate a cohesive plan, nor could it ignore the short-term necessities in favour of a longer-term strategy. Thus it created and faced a number of problems that complicated the mobilisation process, which the government sought to resolve through an increasing reliance on bureaucracy and state intervention in a previously liberal economy. Ultimately, as output expanded, constraints on the army eased, and industry was able to supply armaments in both high quality and large quantities, facilitating an operational approach that became ever more reliant on materiel as manpower resources dwindled. French efforts thus demonstrated the importance of economic management in wartime and greatly influenced post-1918 planning for future wars.
30
Janke, Linda Sharon. „Prisoners of war sexuality, venereal disease, and womens' incarceration during World War I /“. Diss., Online access via UMI:, 2006.
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Donaldson, Roger. „Policing the war“. Thesis, University of Huddersfield, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.285615.
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Phillips, Jason C. „The Forgotten Footnote of the Second World War: An Examination of the Historiography of Scandinavia during World War II“. Digital Commons @ East Tennessee State University, 2013. https://dc.etsu.edu/etd/1149.
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The Anglo-American interpretation of the Second World War has continuously overlooked the significance of the Scandinavian region to the outcome of the war. This thesis seeks to address some of the more glaring errors of omission that have dampened the Anglo-American understanding of the war. Attention will first be paid to Finland and how its war against the Soviet Union in 1939-1940, known as the Winter War, influenced Adolf Hitler and his decision to launch Operation ‘Barbarossa.’ In regards to Sweden, attention will be paid to how critical Swedish iron ore was to the Nazi war economy. Finally, the thesis will examine how the Anglo- American interpretation of the German invasion of Norway is flawed. The thesis seeks to change the way that the role Scandinavia played during the Second World War is understood amongst Anglo-American historians and begin a new conversation on the story of World War II.
33
Lawson, Kenneth Gregory. „War at the grassroots : the great war and the nationalization of civic life /“. Thesis, Connect to this title online; UW restricted, 2000. http://hdl.handle.net/1773/10723.
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Choi, Cho-hong. „Hong Kong in the context of the Pacific War : an American perspective /“. Hong Kong : University of Hong Kong, 1998. http://sunzi.lib.hku.hk/hkuto/record.jsp?B20906845.
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Cauley, Catherine S. „Queering the WAC: The World War II Military Experience of Queer Women“. ScholarWorks@UNO, 2015. http://scholarworks.uno.edu/td/2062.
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The demands of WWII mobilization led to the creation of the first standing women's army in the US known as the Women's Army Corps (WAC). An unintended consequence of this was that the WAC provided queer women with an environment with which to explore their gender and sexuality while also giving them the cover of respectability and service that protected them from harsh societal repercussions. They could eschew family for their military careers. They could wear masculine clothing, exhibit a masculine demeanor, and engage in a homosocial environment without being seen as subversive to the American way of life. Quite the contrary: the outside world saw them as helping to protect their country. This paper looks at the life of one such queer soldier, Dorothee Gore. Dorothee's letters, journals, and memorabilia demonstrate that for many lesbians of her generation, service in the WACS during WWII was a time of relatively open camaraderie and acceptance by straight society.
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Luddington, Peter. „Why the good war was good Franklin D. Roosevelt's new world order /“. Diss., Restricted to subscribing institutions, 2008. http://proquest.umi.com/pqdweb?did=1580016701&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.
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Rock, Adam. „The American Way: The Influence of Race on the Treatment of Prisoners of War During World War Two“. Master's thesis, University of Central Florida, 2014. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/6345.
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When examining the Second World War, it is impossible to overlook the influence race had in both creating the conflict and determining the intensity with which it was fought. While this factor existed in the European theater, it pales in comparison to how race influenced the fighting in the Pacific. John Dower produced a comprehensive study that examined the racial aspects of the Pacific theater in his book War Without Mercy. Dower concluded that Americans viewed themselves as racially superior to the Asian "other" and this influenced the ferocity of the Pacific war. While Dower's work focused on this relationship overseas, I examine the interaction domestically.
My study examines the influence of race on the treatment of Japanese Prisoners of War (POWs) held in the United States during the Second World War. Specifically, my thesis will assess the extent to which race and racism affected several aspects of the treatment of Japanese prisoners in American camps. While in theory the American policy toward POWs made no distinctions in the treatment of racially different populations, in reality discrepancies in the treatment of racially different populations of POWs (German, and Japanese) become clear in its application.
My work addresses this question by investigating the differences in treatment between Japanese and European POWs held in the United States during and after the war. Utilizing personal letters from both American policymakers and camp administrators, U.S. War Department POW camp inspection reports, documents outlining American policy, as well as newspaper and magazine articles, I attempt to demonstrate how treatment substantially differed depending on the race of the prisoner. The government's treatment of the Japanese POWs should illuminate the United States Government's racial views during and after the war.M.A.
Masters
History
Arts and Humanities
History
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Willey, Amanda Mae. „Fashioning femininity for war: material culture and gender performance in the WAC and WAVES during World War II“. Diss., Kansas State University, 2015. http://hdl.handle.net/2097/20556.
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Doctor of PhilosophyDepartment of History
Sue Zschoche
In 1942, the U.S. Army and Navy announced the creation of their respective women’s military services: the WAAC/WAC and the WAVES. Although American women had served alongside the military in past conflicts, the creation of women’s military corps caused uproar in American society. Placing women directly into the armed services called into question cultural expectations about “masculinity” and “femininity.” Thus, the women’s corps had to be justified to the public in accordance with American cultural assumptions regarding proper gender roles. “Fashioning Femininity for War: Material Culture and Gender Performance in the WAC and WAVES during World War II” focuses on the role of material culture in communicating a feminine image of the WAC and WAVES to the American public as well as the ways in which servicewomen engaged material culture to fashion and perform a feminine identity compatible with contemporary understandings of “femininity.” Material culture served as a mechanism to resolve public concerns regarding both the femininity and the function of women in the military. WAC and WAVES material culture linked their wearers with stereotyped characteristics specifically related to contemporary meanings of “femininity” celebrated by American society, while at the same time associating them with military organizations doing vital war work. Ultimately, the WAVES were more successful in their manipulations of material culture than the WAC, communicating both femininity and function in a way that was complementary to the established gender hierarchy. Therefore, the WAVES enjoyed a prestigious position in the mind of the American public. This dissertation also contributes to the ongoing historiographical debate regarding World War II as a turning point for women’s liberation, arguing that while the seeds of women’s liberation were sown in women’s wartime activities, those same wartime women were firmly convinced that their rightful place was in the private rather than the public sphere. The war created an opportunity to reevaluate gender roles but it would take some time before those reevaluations bore fruit.
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Gutierrez, Edward Anthony. „"Sherman was right" the experience of AEF soldiers in the Great War /“. Columbus, Ohio : Ohio State University, 2008. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1228073243.
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Bennet, Victor Kenneth. „Public opinion and propaganda in national socialist Germany during the war against the Soviet Union /“. Thesis, Connect to this title online; UW restricted, 1990. http://hdl.handle.net/1773/10371.
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O'Sullivan, Brian. „Away All Boats: A Study of the evolution and development of amphibious warfare in the Pacific War“. Thesis, University of Canterbury. History, 2008. http://hdl.handle.net/10092/1641.
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Amphibious operations are a topic central to the history of World War Two in the Pacific Theatre. The majority of research on this topic has been centred on the impact of American experiences and successes attributed to the development and evolution of amphibious warfare. The contributions of the United Kingdom and Japan to the development of amphibious warfare have been either overlooked or marginalized. This thesis will investigate the amphibious activities of all three powers both during and before the Pacific War, and seek to explain the importance of each nation's contribution to amphibious warfare. In addition, the thesis will demonstrate how in its highest forms amphibious operations became a fully fledged system of global force projection. The thesis will explain how each of these powers interpreted the legacy of the failure of the 1915 Gallipoli campaign both in the context of their own wartime experiences, and in their respective strategic worldviews. This interpretation is central to how each power prepared for amphibious operations in the next war. The importance of the geography of the Pacific Ocean to the evolution and development of amphibious warfare will be discussed, as will the advances in technology that allowed the creation of logistical systems to support these operations.
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Jang, Hoi Sik. „Japanese imperial ideology, shifting war aims and domestic propaganda during the Pacific War of 1941-1945“. Diss., Online access via UMI:, 2007.
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Tranter, Samuel J. „Fighting the last war : Britain, the lost generation and the Second World War“. Thesis, University of St Andrews, 2018. http://hdl.handle.net/10023/15606.
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Concerted efforts to debunk popular myths about the Great War have resulted in cant attention being paid to the purpose and value of the lost generation myth within British society, particularly during times of further conflict such as the Second World War. This thesis reveals the benefits of reflecting on the previous conflict in ways connected with the concept of a lost generation during the years 1939-45. These benefits boiled down to the fact that myths exist for their utility as means of comprehending both past and present. This applied to the myth in its strictest sense as an explanatory narrative used to interpret demographic issues as well as psychological, spiritual and material ones. Notions of a missing generation and visions of the living lost are therefore used to demonstrate how the concept of a lost generation was used to make sense of the world. Also examined are the myth's wider discursive effects. Other handy devices used to understand the past and to approach the present were powerful symbols and commemorative narratives closely connected to visions of a lost generation. Analysis of the myth-making power of major poets demonstrates how engagement with the iconic status and visions of Rupert Brooke, Wilfred Owen and Siegfried Sasoon was used to outline contemporary concerns. A detailed examination of the language surrounding the British Legion's Poppy Appeal and the observance of Armistice Day also shows how these rituals were used not only to frame loss but also to understand and explain the renewal of international conflict. By exposing the utility of these related discourses and practices, as well as of the myth in its own right, this thesis ultimately illuminates a crucial phase in the myth's endurance as a popular definition of what happened between 1914 and 1918.
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Thomas, Joyce. „The "Double V" was for victory : black soldiers the black protest and World War II /“. The Ohio State University, 1993. http://rave.ohiolink.edu/etdc/view?acc_num=osu148784688577963.
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Croft, Hazel. „War neurosis and civilian mental health in Britain during the Second World War“. Thesis, Birkbeck (University of London), 2016. http://bbktheses.da.ulcc.ac.uk/190/.
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This thesis investigates the mental health of civilians through an exploration of medical discourse, government policy and psychiatric practice in Britain during the Second World War. The first section of the thesis analyses how the diagnosis of ‘war neurosis’ was constructed and theorised in psychiatric thought. It explores the relationship between psychiatric theories and the government’s health and pension policies, and argues that psychiatric understandings of what constituted ‘normal’ and ‘abnormal’ psychological responses to the war involved a political as well a medical judgement. These official discourses and policy helped to create and sustain the dominant narrative of the war as one that had created few psychological disorders among civilians. The second section of this study explores wartime mental health as it was practised in the political and social context of the war. It investigates psychiatric interventions at four sites of wartime practice: public mental hospitals, psychiatric outpatient clinics, ‘front-line’ areas hit by bombing-raids, and industrial factories. Its findings indicate that there was no agreement amongst medical practitioners about the extent and nature of civilian neurosis, and suggest that civilians’ psychological reactions to the war were far more diverse than has been portrayed in many histories of the home front. The thesis contends that the notion of a collective psychological response to the war masks the complexity of diagnostic debates and the multiplicity of emotions that were experienced during the war.
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Durflinger, Serge Marc. „City at war : the effects of the Second World War on Verdun, Québec“. Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/NQ29927.pdf.
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Wilkinson, Oliver. „Challenging captivity : British prisoners of war in Germany during the First World War“. Thesis, Lancaster University, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.616571.
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This thesis investigates the experience of British servicemen captured by the Germans during the First World War. It draws on a range of primary sources including reports on the POW camps together with debrief statements, diaries, letters, magazines and testimony produced by British POWs. It also applies theoretical concepts offered by Erving Goffman, Michel Foucault, Anthony Giddens and Michel de Certeau as interpretive frameworks. The research is presented in two parts. The first explores the physical and psychological challenges that confronted the captured. It assesses the differences between Officer camps, Other Rank camps and working camps, considering the regulations governing each and the challenges - and opportunities for re-empowerment - each presented. The second section analyses the ways in which POWs responded, revealing a broad range of coping strategies as well as techniques adopted by certain categories of prisoners in response to specific challenges. By examining the POW experience the thesis makes an original and significant contribution to the history of the First World War. It places the POW experience in the context of masculinities in wartime, revealing how these were challenged and how they could be preserved. In addition, it links the prisoners' experiences to their precaptive military and civilian lives, exploring the uniqueness of the challenges they faced and the learnt adaptive strategies they possessed to respond. It also considers how prisoners physically and psychologically reconnected with their home worlds despite the dislocation caused by capture. In sum the thesis offers a new interpretation of captivity which moves away from escape views, conditioned by post-Second World War representations which have crystallised in the popular imagination. Its findings also offer broad insights into how power, authority and identity might function in other enclosed social institutions and in society generally.
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Hately-Broad, Barbara. „Prisoner of war families and the British Government during the Second World War“. Thesis, University of Sheffield, 2002. http://etheses.whiterose.ac.uk/3416/.
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In order to locate the particular financial problems faced by prisoner of war families, the first two chapters of the thesis address the general development of service allowances up to and during the Second World War. Chapters three and four then focus on the experience of prisoner of war families within this context. The remaining chapters move away from financial consideration to the equally important question of how information was disseminated to prisoner of war families through both official and unofficial sources. In the final chapter the impact of the Second World War on service allowances is reviewed. The thesis concludes that the Second World War had little impact on government treatment of prisoner of war families. At least in part, this is attributable to government perceptions of service families as a whole. During the course of the war, the need to ensure that servicemen performed as efficiently as possible led to a perceived duty on the part of the State to maintain their families. Once the conflict had ended, this responsibility devolved to the individual servicemen themselves. In addition, for prisoner of war families, the government had not encouraged servicemen to consider the possibility of being taken captive and make adequate financial provision for their families in this eventuality. Not until after the Korean War did the State acknowledge its responsibility to prepare both men and their families for the possibility of capture.
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Monger, David. „The National War Aims Committee and British patriotism during the First World War“. Thesis, King's College London (University of London), 2009. https://kclpure.kcl.ac.uk/portal/en/theses/the-national-war-aims-committee-and-british-patriotism-during-the-first-world-war(95dde034-f075-4b5f-a0d4-4d9179a8e6d5).html.
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This thesis discusses the National War Aims Committee (NWAC), a cross-party, Treasury-funded Parliamentary organisation established in mid-1917 to conduct domestic propaganda. The thesis provides the most comprehensive examination of its organisational structure, expanding upon and correcting existing historical treatments, and demonstrating that it was a more significant element of British wartime society than previously assumed. It also provides much greater discussion of the NWAC's reception by Parliament, the press and the public. The thesis provides extensive analysis of the representation of patriotism in NWAC propaganda. This exceeds existing work, considering all its printed propaganda, but also reports of NWAC events in over a hundred newspapers in thirty localities. This detailed analysis suggests that NWAC propagandists retained many familiar themes of pre-war patriotism and national identity. This observation counters assumptions that pre-war patriotism was nullified by the mass casualties suffered by patriotic volunteers. However, I argue that while basic patriotic themes remained recognisable, NWAC propaganda reconfigured them in a narrative reflective of the experience of war-weary civilians. The propaganda generally revolved around a core idea of duty, supplemented by one or more contextual elements which demonstrated its necessity. I suggest several categories of interactive and interdependent `presentational patriotisms' used by propagandists to influence civilian attitudes. Further, I demonstrate that each category is discernible more widely in pre-war settings, suggesting that, while the model narrative might vary in different situations, the general history of British patriotism might benefit from applying the evidence of my thesis to other examples. I challenge the significance of the familiar `otherness' paradigm of national identity, suggesting that the recognition of difference was only part of the patriotic narrative supplied by the NWAC. Further, my analysis is particularly concerned with the interactions between local, national and supranational sources of identity, often overlooked or under-examined by historians
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Park, Hye-jung. „From World War to Cold War: Music in US-Korea Relations, 1941-1960“. The Ohio State University, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1554818839582558.
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